Songs like Hypotheticals by Lake Street Dive
Based on a tempo of (+/- 10%) and a similar genre
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Joy Oladokun
Changes
164 bpm • C Maj • 03:09 • -9.98db
40% Popularity • 56% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
40% Popularity • 56% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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Remi Wolf
Buzz Me In
164 bpm • A Maj • 02:46 • -7.71db
51% Popularity • 61% Danceability • 78% Energy • 15% Liveness
7% Instrumentalness • 55% Positiveness
51% Popularity • 61% Danceability • 78% Energy • 15% Liveness
7% Instrumentalness • 55% Positiveness
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Devon Gilfillian
All I Really Wanna Do
164 bpm • F min • 03:42 • -7.02db
41% Popularity • 69% Danceability • 71% Energy • 8% Liveness
6% Instrumentalness • 76% Positiveness
41% Popularity • 69% Danceability • 71% Energy • 8% Liveness
6% Instrumentalness • 76% Positiveness
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Lake Street Dive
Hypotheticals - Edit
164 bpm • C# Maj • 03:10 • -6.12db
41% Popularity • 70% Danceability • 69% Energy • 23% Liveness
9% Instrumentalness • 72% Positiveness
41% Popularity • 70% Danceability • 69% Energy • 23% Liveness
9% Instrumentalness • 72% Positiveness
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BAILEN
Going On A Feeling
164 bpm • B Maj • 04:24 • -6.61db
46% Popularity • 34% Danceability • 61% Energy • 20% Liveness
0% Instrumentalness • 63% Positiveness
46% Popularity • 34% Danceability • 61% Energy • 20% Liveness
0% Instrumentalness • 63% Positiveness
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Melt
Don't Want Me
165 bpm • G Maj • 03:33 • -9.58db
21% Popularity • 34% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
21% Popularity • 34% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Juice
Peace of Mind
162 bpm • C# Maj • 04:19 • -5.48db
34% Popularity • 50% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
34% Popularity • 50% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
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The Backseat Lovers
Kilby Girl
162 bpm • C# Maj • 04:42 • -9.97db
75% Popularity • 33% Danceability • 44% Energy • 11% Liveness
4% Instrumentalness • 22% Positiveness
75% Popularity • 33% Danceability • 44% Energy • 11% Liveness
4% Instrumentalness • 22% Positiveness
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Lindsey Lomis
Bad News / Good News
162 bpm • A Maj • 03:21 • -8.42db
30% Popularity • 55% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
30% Popularity • 55% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Lake Street Dive
Hypotheticals
164 bpm • C# Maj • 03:50 • -6.49db
61% Popularity • 69% Danceability • 66% Energy • 5% Liveness
1% Instrumentalness • 38% Positiveness
61% Popularity • 69% Danceability • 66% Energy • 5% Liveness
1% Instrumentalness • 38% Positiveness
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The California Honeydrops
All Day, All Night
166 bpm • C# min • 02:11 • -13.89db
59% Popularity • 73% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
59% Popularity • 73% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Hope Tala
Tiptoeing
166 bpm • C Maj • 02:35 • -5.58db
47% Popularity • 62% Danceability • 80% Energy • 23% Liveness
0% Instrumentalness • 63% Positiveness
47% Popularity • 62% Danceability • 80% Energy • 23% Liveness
0% Instrumentalness • 63% Positiveness
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Madison Cunningham
Pin It Down
168 bpm • F Maj • 04:06 • -6.86db
40% Popularity • 64% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
40% Popularity • 64% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
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Remi Wolf
Liz
161 bpm • F min • 02:55 • -3.87db
58% Popularity • 57% Danceability • 79% Energy • 32% Liveness
0% Instrumentalness • 57% Positiveness
58% Popularity • 57% Danceability • 79% Energy • 32% Liveness
0% Instrumentalness • 57% Positiveness
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Sammy Rae & The Friends
Kick It to Me - Single Version
160 bpm • D Maj • 04:32 • -6.15db
41% Popularity • 69% Danceability • 71% Energy • 62% Liveness
0% Instrumentalness • 94% Positiveness
41% Popularity • 69% Danceability • 71% Energy • 62% Liveness
0% Instrumentalness • 94% Positiveness
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Lake Street Dive
Good Kisser
160 bpm • A# Maj • 03:38 • -3.89db
62% Popularity • 48% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
62% Popularity • 48% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
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Sonny Cleveland
If It Ain't Broke
168 bpm • C Maj • 03:27 • -6.23db
43% Popularity • 75% Danceability • 59% Energy • 66% Liveness
0% Instrumentalness • 63% Positiveness
43% Popularity • 75% Danceability • 59% Energy • 66% Liveness
0% Instrumentalness • 63% Positiveness
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Erez Zobary
Shoulda
160 bpm • C Maj • 03:24 • -7.41db
29% Popularity • 72% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
29% Popularity • 72% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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Wilder Woods
Supply & Demand
160 bpm • G# Maj • 03:16 • -5.05db
50% Popularity • 49% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
50% Popularity • 49% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
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Maya Delilah
Moonflower
160 bpm • A# Maj • 02:39 • -9.7db
35% Popularity • 56% Danceability • 50% Energy • 16% Liveness
0% Instrumentalness • 52% Positiveness
35% Popularity • 56% Danceability • 50% Energy • 16% Liveness
0% Instrumentalness • 52% Positiveness
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Sammy Rae & The Friends
Kick It to Me
160 bpm • D Maj • 06:27 • -6.43db
55% Popularity • 60% Danceability • 68% Energy • 17% Liveness
0% Instrumentalness • 82% Positiveness
55% Popularity • 60% Danceability • 68% Energy • 17% Liveness
0% Instrumentalness • 82% Positiveness
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Lake Street Dive
Nobody's Stopping You Now
160 bpm • B Maj • 03:47 • -5.81db
37% Popularity • 48% Danceability • 52% Energy • 20% Liveness
0% Instrumentalness • 11% Positiveness
37% Popularity • 48% Danceability • 52% Energy • 20% Liveness
0% Instrumentalness • 11% Positiveness
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Micah Edwards
Jean Leon
159 bpm • B Maj • 02:53 • -7.37db
39% Popularity • 34% Danceability • 52% Energy • 23% Liveness
14% Instrumentalness • 74% Positiveness
39% Popularity • 34% Danceability • 52% Energy • 23% Liveness
14% Instrumentalness • 74% Positiveness
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Stephen Day
All the Time in the World
159 bpm • A Maj • 02:43 • -8.15db
46% Popularity • 61% Danceability • 72% Energy • 35% Liveness
0% Instrumentalness • 49% Positiveness
46% Popularity • 61% Danceability • 72% Energy • 35% Liveness
0% Instrumentalness • 49% Positiveness
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Mt. Joy
Sheep
159 bpm • C# Maj • 03:43 • -8.4db
61% Popularity • 51% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
61% Popularity • 51% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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Melt
Shy
170 bpm • C# Maj • 03:40 • -4.07db
37% Popularity • 33% Danceability • 81% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
37% Popularity • 33% Danceability • 81% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
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Sir Woman
All I Need
170 bpm • A Maj • 04:41 • -8.28db
26% Popularity • 56% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
26% Popularity • 56% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Lake Street Dive
Bad Self Portraits
168 bpm • G# min • 03:24 • -5.45db
56% Popularity • 55% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
56% Popularity • 55% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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MisterWives
SUPERBLOOM
170 bpm • G# Maj • 03:33 • -3.95db
58% Popularity • 56% Danceability • 89% Energy • 33% Liveness
0% Instrumentalness • 72% Positiveness
58% Popularity • 56% Danceability • 89% Energy • 33% Liveness
0% Instrumentalness • 72% Positiveness
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Brett Dennen
Paul Newman Daytona Rolex
158 bpm • C min • 03:21 • -8.28db
30% Popularity • 64% Danceability • 77% Energy • 15% Liveness
0% Instrumentalness • 66% Positiveness
30% Popularity • 64% Danceability • 77% Energy • 15% Liveness
0% Instrumentalness • 66% Positiveness
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Mt. Joy
Astrovan
170 bpm • D# Maj • 03:06 • -9.4db
69% Popularity • 55% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 62% Positiveness
69% Popularity • 55% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 62% Positiveness
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Joy Oladokun
Sweet Symphony
171 bpm • G# Maj • 03:48 • -9.53db
62% Popularity • 39% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
62% Popularity • 39% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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Ray LaMontagne
You Are the Best Thing
171 bpm • A# Maj • 03:51 • -4.87db
67% Popularity • 58% Danceability • 73% Energy • 17% Liveness
0% Instrumentalness • 88% Positiveness
67% Popularity • 58% Danceability • 73% Energy • 17% Liveness
0% Instrumentalness • 88% Positiveness
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Ripe
Young Tom Rose
158 bpm • B min • 05:33 • -4.36db
35% Popularity • 62% Danceability • 63% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
35% Popularity • 62% Danceability • 63% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
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Vulfpeck
1612
171 bpm • C Maj • 03:19 • -11.33db
58% Popularity • 68% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
58% Popularity • 68% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
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Marcus King
Wildflowers & Wine
157 bpm • C Maj • 04:48 • -8.64db
61% Popularity • 45% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
61% Popularity • 45% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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The California Honeydrops
Live Learn
172 bpm • B Maj • 04:35 • -6.62db
49% Popularity • 60% Danceability • 73% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
49% Popularity • 60% Danceability • 73% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
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Melt
Waves
172 bpm • G Maj • 03:05 • -5.7db
43% Popularity • 45% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
43% Popularity • 45% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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Eloise
Vanilla Tobacco
172 bpm • B min • 02:48 • -5db
47% Popularity • 66% Danceability • 62% Energy • 25% Liveness
1% Instrumentalness • 66% Positiveness
47% Popularity • 66% Danceability • 62% Energy • 25% Liveness
1% Instrumentalness • 66% Positiveness
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Brandi Carlile
You and Me On The Rock
172 bpm • C# Maj • 03:50 • -7db
58% Popularity • 57% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
58% Popularity • 57% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
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Lake Street Dive
Anyone Who Had A Heart
172 bpm • C# Maj • 03:03 • -6.68db
33% Popularity • 62% Danceability • 58% Energy • 21% Liveness
0% Instrumentalness • 60% Positiveness
33% Popularity • 62% Danceability • 58% Energy • 21% Liveness
0% Instrumentalness • 60% Positiveness
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flipturn
August
172 bpm • F# Maj • 04:21 • -4.3db
64% Popularity • 45% Danceability • 60% Energy • 11% Liveness
1% Instrumentalness • 16% Positiveness
64% Popularity • 45% Danceability • 60% Energy • 11% Liveness
1% Instrumentalness • 16% Positiveness
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Sir Woman
Bitch
156 bpm • B min • 03:48 • -6.86db
29% Popularity • 56% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
29% Popularity • 56% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
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Fruit Bats
The Bottom of It
156 bpm • C Maj • 03:01 • -10.73db
64% Popularity • 63% Danceability • 62% Energy • 12% Liveness
2% Instrumentalness • 30% Positiveness
64% Popularity • 63% Danceability • 62% Energy • 12% Liveness
2% Instrumentalness • 30% Positiveness
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Busty and the Bass
The Real
156 bpm • D Maj • 04:51 • -5.46db
43% Popularity • 48% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
43% Popularity • 48% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
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Eloise
Giant Feelings
155 bpm • F# Maj • 02:19 • -5.54db
40% Popularity • 66% Danceability • 74% Energy • 28% Liveness
0% Instrumentalness • 77% Positiveness
40% Popularity • 66% Danceability • 74% Energy • 28% Liveness
0% Instrumentalness • 77% Positiveness
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Couch
Alright
155 bpm • C Maj • 04:10 • -5.88db
39% Popularity • 48% Danceability • 48% Energy • 6% Liveness
0% Instrumentalness • 41% Positiveness
39% Popularity • 48% Danceability • 48% Energy • 6% Liveness
0% Instrumentalness • 41% Positiveness
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Magic City Hippies
Queen
174 bpm • D Maj • 02:26 • -6.89db
55% Popularity • 70% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 63% Positiveness
55% Popularity • 70% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 63% Positiveness
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Sir Woman
Party City
174 bpm • D Maj • 04:24 • -6db
36% Popularity • 54% Danceability • 69% Energy • 15% Liveness
0% Instrumentalness • 45% Positiveness
36% Popularity • 54% Danceability • 69% Energy • 15% Liveness
0% Instrumentalness • 45% Positiveness
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The California Honeydrops
Good Times
154 bpm • D# Maj • 04:03 • -10.37db
39% Popularity • 78% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 87% Positiveness
39% Popularity • 78% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 87% Positiveness
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Rayland Baxter
Yellow Eyes
154 bpm • A# Maj • 03:50 • -7.9db
58% Popularity • 50% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
58% Popularity • 50% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Harrison Finks
Making it Right
174 bpm • G Maj • 02:17 • -7db
38% Popularity • 58% Danceability • 79% Energy • 17% Liveness
0% Instrumentalness • 83% Positiveness
38% Popularity • 58% Danceability • 79% Energy • 17% Liveness
0% Instrumentalness • 83% Positiveness
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Dojo Cuts
Rome
154 bpm • B Maj • 03:38 • -8.47db
59% Popularity • 78% Danceability • 50% Energy • 16% Liveness
6% Instrumentalness • 86% Positiveness
59% Popularity • 78% Danceability • 50% Energy • 16% Liveness
6% Instrumentalness • 86% Positiveness
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The Teskey Brothers
Forever You and Me
175 bpm • G# Maj • 02:55 • -4.94db
71% Popularity • 51% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
71% Popularity • 51% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Sammy Rae & The Friends
Closer to You
176 bpm • D Maj • 03:58 • -8.78db
44% Popularity • 51% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
44% Popularity • 51% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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Joe Hertler & The Rainbow Seekers
No Money (Jetski)
176 bpm • G Maj • 04:17 • -8.18db
39% Popularity • 64% Danceability • 50% Energy • 36% Liveness
0% Instrumentalness • 65% Positiveness
39% Popularity • 64% Danceability • 50% Energy • 36% Liveness
0% Instrumentalness • 65% Positiveness
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Trousdale
Do Re Mi
177 bpm • C# Maj • 02:41 • -6.34db
37% Popularity • 28% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
37% Popularity • 28% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Lake Street Dive
Making Do
176 bpm • F Maj • 03:34 • -7db
38% Popularity • 75% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
38% Popularity • 75% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Wild Rivers
Speak Too Soon
152 bpm • G Maj • 02:53 • -10.77db
69% Popularity • 70% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
69% Popularity • 70% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Noah Kahan
Someone Like You
178 bpm • F Maj • 03:06 • -7.49db
66% Popularity • 61% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
66% Popularity • 61% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Bahamas
Trick To Happy
178 bpm • D Maj • 03:24 • -9.66db
55% Popularity • 76% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
55% Popularity • 76% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
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Maggie Rogers
Overnight
178 bpm • G# Maj • 03:20 • -5db
53% Popularity • 48% Danceability • 67% Energy • 31% Liveness
0% Instrumentalness • 73% Positiveness
53% Popularity • 48% Danceability • 67% Energy • 31% Liveness
0% Instrumentalness • 73% Positiveness
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The Brook & The Bluff
Halfway Up
178 bpm • C Maj • 03:55 • -8.84db
58% Popularity • 47% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
58% Popularity • 47% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Lake Street Dive
Wedding Band
152 bpm • E min • 01:21 • -10.34db
42% Popularity • 73% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
42% Popularity • 73% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
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Melt
Sour Candy
178 bpm • F Maj • 04:55 • -8.08db
48% Popularity • 49% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
48% Popularity • 49% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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Caamp
Believe
150 bpm • D# Maj • 03:15 • -8.02db
61% Popularity • 52% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
61% Popularity • 52% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
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Nathaniel Rateliff & The Night Sweats
A Little Honey
150 bpm • C Maj • 03:10 • -7db
58% Popularity • 49% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 90% Positiveness
58% Popularity • 49% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 90% Positiveness
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Stephen Day
Kinda Cowgirl
150 bpm • C Maj • 04:17 • -6.84db
37% Popularity • 69% Danceability • 67% Energy • 36% Liveness
1% Instrumentalness • 89% Positiveness
37% Popularity • 69% Danceability • 67% Energy • 36% Liveness
1% Instrumentalness • 89% Positiveness
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Maggie Rogers
Shatter
150 bpm • A Maj • 03:40 • -2db
58% Popularity • 57% Danceability • 85% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
58% Popularity • 57% Danceability • 85% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
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Leon Bridges
Motorbike
150 bpm • F min • 03:08 • -11.21db
54% Popularity • 72% Danceability • 48% Energy • 11% Liveness
28% Instrumentalness • 61% Positiveness
54% Popularity • 72% Danceability • 48% Energy • 11% Liveness
28% Instrumentalness • 61% Positiveness
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Jesse Roper
Does Anybody Know
150 bpm • C# Maj • 03:28 • -6db
49% Popularity • 68% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
49% Popularity • 68% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
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Anderson East
This Too Shall Last
149 bpm • E Maj • 03:42 • -9db
55% Popularity • 50% Danceability • 49% Energy • 9% Liveness
80% Instrumentalness • 68% Positiveness
55% Popularity • 50% Danceability • 49% Energy • 9% Liveness
80% Instrumentalness • 68% Positiveness
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Remi Wolf
Pink + White - Live at Electric Lady
148 bpm • A Maj • 03:53 • -6.17db
53% Popularity • 50% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
53% Popularity • 50% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Stephen Day
If Standing Was Flying
150 bpm • A Maj • 04:09 • -5.74db
40% Popularity • 49% Danceability • 67% Energy • 28% Liveness
0% Instrumentalness • 42% Positiveness
40% Popularity • 49% Danceability • 67% Energy • 28% Liveness
0% Instrumentalness • 42% Positiveness
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Maggie Rogers
That's Where I Am
181 bpm • G Maj • 04:12 • -3.74db
58% Popularity • 27% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 15% Positiveness
58% Popularity • 27% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 15% Positiveness
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Samm Henshaw
Still Broke
148 bpm • F min • 03:25 • -7.2db
39% Popularity • 60% Danceability • 57% Energy • 10% Liveness
10% Instrumentalness • 76% Positiveness
39% Popularity • 60% Danceability • 57% Energy • 10% Liveness
10% Instrumentalness • 76% Positiveness
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Kacey Musgraves
Slow Burn
148 bpm • D Maj • 04:06 • -9.11db
69% Popularity • 56% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
69% Popularity • 56% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
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Yola
Now You're Here
147 bpm • G# Maj • 04:08 • -7.09db
30% Popularity • 58% Danceability • 56% Energy • 10% Liveness
1% Instrumentalness • 79% Positiveness
30% Popularity • 58% Danceability • 56% Energy • 10% Liveness
1% Instrumentalness • 79% Positiveness
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Mt. Joy
Let Loose
147 bpm • C Maj • 03:41 • -6.94db
59% Popularity • 51% Danceability • 64% Energy • 13% Liveness
1% Instrumentalness • 62% Positiveness
59% Popularity • 51% Danceability • 64% Energy • 13% Liveness
1% Instrumentalness • 62% Positiveness
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Harry Styles
Grapejuice
183 bpm • F Maj • 03:11 • -4.39db
70% Popularity • 64% Danceability • 72% Energy • 20% Liveness
14% Instrumentalness • 88% Positiveness
70% Popularity • 64% Danceability • 72% Energy • 20% Liveness
14% Instrumentalness • 88% Positiveness
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Bahamas
Way With Words
146 bpm • F# min • 04:20 • -7db
53% Popularity • 78% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 73% Positiveness
53% Popularity • 78% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 73% Positiveness
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Oh He Dead
All Night
184 bpm • E min • 03:15 • -6.26db
29% Popularity • 66% Danceability • 76% Energy • 17% Liveness
0% Instrumentalness • 58% Positiveness
29% Popularity • 66% Danceability • 76% Energy • 17% Liveness
0% Instrumentalness • 58% Positiveness
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Madison Cunningham
Hospital (One Man Down)
146 bpm • F min • 03:27 • -5.94db
37% Popularity • 60% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
37% Popularity • 60% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
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Sammy Rae & The Friends
Flesh & Bone
146 bpm • D min • 04:27 • -6.78db
47% Popularity • 63% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
47% Popularity • 63% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
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Madelyn Grant
Reasons
146 bpm • C# Maj • 04:21 • -7db
30% Popularity • 58% Danceability • 66% Energy • 5% Liveness
0% Instrumentalness • 84% Positiveness
30% Popularity • 58% Danceability • 66% Energy • 5% Liveness
0% Instrumentalness • 84% Positiveness
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Harry Styles
Daylight
146 bpm • C Maj • 02:44 • -7.19db
75% Popularity • 69% Danceability • 44% Energy • 18% Liveness
0% Instrumentalness • 63% Positiveness
75% Popularity • 69% Danceability • 44% Energy • 18% Liveness
0% Instrumentalness • 63% Positiveness
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HARBOUR
Float
145 bpm • B Maj • 04:31 • -6.33db
58% Popularity • 56% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
58% Popularity • 56% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
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Maggie Rogers
Don't Forget Me
145 bpm • G# Maj • 04:25 • -4.26db
69% Popularity • 48% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 43% Positiveness
69% Popularity • 48% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 43% Positiveness
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Lake Street Dive
Let Me Roll It
144 bpm • F# min • 03:42 • -7.68db
40% Popularity • 50% Danceability • 48% Energy • 61% Liveness
0% Instrumentalness • 44% Positiveness
40% Popularity • 50% Danceability • 48% Energy • 61% Liveness
0% Instrumentalness • 44% Positiveness
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Melt
Stupid in Love
143 bpm • A Maj • 04:34 • -8.7db
39% Popularity • 54% Danceability • 36% Energy • 13% Liveness
2% Instrumentalness • 52% Positiveness
39% Popularity • 54% Danceability • 36% Energy • 13% Liveness
2% Instrumentalness • 52% Positiveness
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Olivia Dean
The Hardest Part
188 bpm • C Maj • 02:56 • -5.06db
63% Popularity • 58% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
63% Popularity • 58% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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The California Honeydrops
Tumblin'
143 bpm • F# min • 03:44 • -7.02db
49% Popularity • 75% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
49% Popularity • 75% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
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Wild Child
1996
188 bpm • B min • 03:06 • -6.56db
44% Popularity • 63% Danceability • 56% Energy • 54% Liveness
9% Instrumentalness • 72% Positiveness
44% Popularity • 63% Danceability • 56% Energy • 54% Liveness
9% Instrumentalness • 72% Positiveness
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Hozier
From Eden
143 bpm • C Maj • 04:43 • -5.46db
65% Popularity • 40% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
65% Popularity • 40% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Leon Bridges
Better Man
188 bpm • G Maj • 02:20 • -4.94db
63% Popularity • 40% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
63% Popularity • 40% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
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Madison Cunningham
Hospital
142 bpm • E Maj • 03:33 • -9db
43% Popularity • 55% Danceability • 51% Energy • 27% Liveness
0% Instrumentalness • 67% Positiveness
43% Popularity • 55% Danceability • 51% Energy • 27% Liveness
0% Instrumentalness • 67% Positiveness
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Medium Build
99 Corolla
142 bpm • C# min • 02:48 • -5.56db
42% Popularity • 88% Danceability • 55% Energy • 4% Liveness
0% Instrumentalness • 81% Positiveness
42% Popularity • 88% Danceability • 55% Energy • 4% Liveness
0% Instrumentalness • 81% Positiveness
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Lake Street Dive
Being a Woman
142 bpm • A Maj • 02:49 • -8.17db
38% Popularity • 81% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
38% Popularity • 81% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
