Songs like Hysteria by Kelli O'Hara
Based on a tempo of (+/- 10%) and a similar genre
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Eddie Cooper
Interrogation Sequence
69 bpm • C min • 01:38 • -12.69db
25% Popularity • 50% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
25% Popularity • 50% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
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Kelli O'Hara
The Beauty Is
69 bpm • C# Maj • 03:07 • -15db
30% Popularity • 28% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
30% Popularity • 28% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Brian D'Arcy James
There Go I - Reprise
69 bpm • E Maj • 02:43 • -15.92db
15% Popularity • 39% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
15% Popularity • 39% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
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Steven Pasquale
One Second and a Million Miles
68 bpm • D Maj • 06:50 • -6.96db
31% Popularity • 26% Danceability • 41% Energy • 23% Liveness
0% Instrumentalness • 7% Positiveness
31% Popularity • 26% Danceability • 41% Energy • 23% Liveness
0% Instrumentalness • 7% Positiveness
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Sheila Hancock
Here Within These Walls - Reprise
70 bpm • G# Maj • 01:37 • -12.94db
24% Popularity • 39% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
24% Popularity • 39% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
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Marisha Wallace
Adelaide's Second Lament
71 bpm • F# Maj • 01:45 • -13.55db
22% Popularity • 41% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
22% Popularity • 41% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
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Simon Stride, Emma Carew
Emma's Reasons
71 bpm • F# Maj • 01:40 • -15.3db
25% Popularity • 40% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
25% Popularity • 40% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Kelli O'Hara
Hysteria
69 bpm • C Maj • 03:42 • -15.22db
14% Popularity • 42% Danceability • 28% Energy • 16% Liveness
0% Instrumentalness • 17% Positiveness
14% Popularity • 42% Danceability • 28% Energy • 16% Liveness
0% Instrumentalness • 17% Positiveness
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Adam Guettel
ACT II the Carnival, Through the Mountai...
71 bpm • F min • 03:52 • -17.1db
7% Popularity • 37% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
7% Popularity • 37% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Keith McDaniel
Over The Wall I
67 bpm • F min • 01:28 • -18db
11% Popularity • 42% Danceability • 12% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
11% Popularity • 42% Danceability • 12% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
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Catherine Ricafort
Friki-Friki - Honeymoon In Vegas Broadwa...
71 bpm • B min • 03:12 • -7db
13% Popularity • 40% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
13% Popularity • 40% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Seth Rudetsky
Intro: Kelli O'Hara - Live
72 bpm • G Maj • 01:39 • -15.13db
1% Popularity • 61% Danceability • 55% Energy • 81% Liveness
0% Instrumentalness • 41% Positiveness
1% Popularity • 61% Danceability • 55% Energy • 81% Liveness
0% Instrumentalness • 41% Positiveness
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Brian D'Arcy James
There Go I
72 bpm • D# Maj • 02:23 • -16.43db
19% Popularity • 31% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
19% Popularity • 31% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
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Matthew Morrison
Il Mondo Era Vuoto
67 bpm • D# Maj • 03:57 • -13db
20% Popularity • 18% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
20% Popularity • 18% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
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Kelli O'Hara
Waitin' for My Dearie
68 bpm • C Maj • 04:06 • -9.18db
13% Popularity • 31% Danceability • 30% Energy • 6% Liveness
0% Instrumentalness • 34% Positiveness
13% Popularity • 31% Danceability • 30% Energy • 6% Liveness
0% Instrumentalness • 34% Positiveness
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The Original Broadway Cast Of 'Curtains'
Wide Open Spaces Finale
72 bpm • C min • 01:05 • -9.67db
15% Popularity • 57% Danceability • 51% Energy • 66% Liveness
0% Instrumentalness • 51% Positiveness
15% Popularity • 57% Danceability • 51% Energy • 66% Liveness
0% Instrumentalness • 51% Positiveness
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James Patterson
The Contract
72 bpm • D Maj • 06:09 • -9.37db
5% Popularity • 49% Danceability • 45% Energy • 6% Liveness
0% Instrumentalness • 50% Positiveness
5% Popularity • 49% Danceability • 45% Energy • 6% Liveness
0% Instrumentalness • 50% Positiveness
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Stephanie J. Block, Megan Hilty, Allison Janney, Marc Kudisch and Ensemble
Joy To The Girls
73 bpm • D Maj • 01:02 • -6.16db
26% Popularity • 39% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
26% Popularity • 39% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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Brian D'Arcy James
The Story of the Atlantic Cable
72 bpm • A# Maj • 04:53 • -17.48db
17% Popularity • 42% Danceability • 15% Energy • 14% Liveness
0% Instrumentalness • 14% Positiveness
17% Popularity • 42% Danceability • 15% Energy • 14% Liveness
0% Instrumentalness • 14% Positiveness
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Joseph Siravo
Octet
66 bpm • C Maj • 05:35 • -10.63db
16% Popularity • 29% Danceability • 32% Energy • 20% Liveness
0% Instrumentalness • 24% Positiveness
16% Popularity • 29% Danceability • 32% Energy • 20% Liveness
0% Instrumentalness • 24% Positiveness
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Kelli O'Hara
Look at Me
67 bpm • G# Maj • 04:37 • -7db
20% Popularity • 26% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
20% Popularity • 26% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Matthew Morrison
What You Mean To Me - Original Broadway ...
72 bpm • G# Maj • 03:34 • -10.23db
36% Popularity • 41% Danceability • 29% Energy • 15% Liveness
0% Instrumentalness • 31% Positiveness
36% Popularity • 41% Danceability • 29% Energy • 15% Liveness
0% Instrumentalness • 31% Positiveness
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Jane Krakowski
A Trip to the Library
73 bpm • A Maj • 04:27 • -11.7db
25% Popularity • 63% Danceability • 31% Energy • 30% Liveness
0% Instrumentalness • 42% Positiveness
25% Popularity • 63% Danceability • 31% Energy • 30% Liveness
0% Instrumentalness • 42% Positiveness
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Lindsay Mendez
Mister Snow - Reprise
65 bpm • G Maj • 02:28 • -11.44db
17% Popularity • 45% Danceability • 29% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
17% Popularity • 45% Danceability • 29% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
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Taylor Louderman
Distant Melody
74 bpm • F# Maj • 03:12 • -13.14db
16% Popularity • 24% Danceability • 19% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
16% Popularity • 24% Danceability • 19% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
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Leonard Bernstein
1600 Pennsylvania Avenue, Act I: Take Ca...
74 bpm • D min • 02:33 • -19.05db
3% Popularity • 26% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
3% Popularity • 26% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
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Kelli O'Hara
All You Get Is Me
67 bpm • A# Maj • 03:53 • -13.56db
0% Popularity • 49% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
0% Popularity • 49% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Maury Yeston
What a Remarkable Age This Is!
64 bpm • G min • 03:17 • -17.12db
21% Popularity • 57% Danceability • 24% Energy • 23% Liveness
0% Instrumentalness • 56% Positiveness
21% Popularity • 57% Danceability • 24% Energy • 23% Liveness
0% Instrumentalness • 56% Positiveness
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Victoria Clark
Before I Go
74 bpm • D# Maj • 04:30 • -12.87db
24% Popularity • 46% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
24% Popularity • 46% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Andrew Burnap
How To Handle a Woman
75 bpm • D Maj • 01:59 • -17.6db
18% Popularity • 37% Danceability • 16% Energy • 14% Liveness
12% Instrumentalness • 22% Positiveness
18% Popularity • 37% Danceability • 16% Energy • 14% Liveness
12% Instrumentalness • 22% Positiveness
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The Mystery of Edwin Drood - The 2013 New Broadway Cast
Rosa's Confession
64 bpm • A min • 01:58 • -9.35db
16% Popularity • 51% Danceability • 44% Energy • 33% Liveness
0% Instrumentalness • 43% Positiveness
16% Popularity • 51% Danceability • 44% Energy • 33% Liveness
0% Instrumentalness • 43% Positiveness
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Danny Burstein
Tevye's Monologue
75 bpm • F# Maj • 02:31 • -10.5db
21% Popularity • 58% Danceability • 31% Energy • 16% Liveness
0% Instrumentalness • 30% Positiveness
21% Popularity • 58% Danceability • 31% Energy • 16% Liveness
0% Instrumentalness • 30% Positiveness
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Kelli O'Hara
A Thousand Stars
73 bpm • A# Maj • 02:40 • -12.81db
4% Popularity • 30% Danceability • 20% Energy • 11% Liveness
1% Instrumentalness • 18% Positiveness
4% Popularity • 30% Danceability • 20% Energy • 11% Liveness
1% Instrumentalness • 18% Positiveness
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Heidi Blickenstaff
I Am Playing Me
63 bpm • C Maj • 01:40 • -13db
27% Popularity • 70% Danceability • 20% Energy • 14% Liveness
0% Instrumentalness • 71% Positiveness
27% Popularity • 70% Danceability • 20% Energy • 14% Liveness
0% Instrumentalness • 71% Positiveness
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Katie Rose Clarke
Should I?
75 bpm • C min • 02:04 • -13.96db
9% Popularity • 30% Danceability • 20% Energy • 14% Liveness
1% Instrumentalness • 24% Positiveness
9% Popularity • 30% Danceability • 20% Energy • 14% Liveness
1% Instrumentalness • 24% Positiveness
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Broadway Cast Recording
Where Is The Life That Late I Led?
76 bpm • F Maj • 04:34 • -10.27db
15% Popularity • 43% Danceability • 38% Energy • 67% Liveness
0% Instrumentalness • 40% Positiveness
15% Popularity • 43% Danceability • 38% Energy • 67% Liveness
0% Instrumentalness • 40% Positiveness
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Ann Harada
He's a Queer One, That Man o' Mine
76 bpm • F Maj • 02:19 • -12.18db
20% Popularity • 31% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
20% Popularity • 31% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Mindi Dickstein
Take a Chance on Me
76 bpm • C# min • 02:58 • -7db
30% Popularity • 46% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
30% Popularity • 46% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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Kelli O'Hara
Say It Somehow
75 bpm • C Maj • 04:14 • -13.63db
23% Popularity • 26% Danceability • 22% Energy • 6% Liveness
0% Instrumentalness • 13% Positiveness
23% Popularity • 26% Danceability • 22% Energy • 6% Liveness
0% Instrumentalness • 13% Positiveness
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Harriet Harris
I Did Something Wrong, Once
76 bpm • G# min • 04:09 • -10.57db
14% Popularity • 58% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
14% Popularity • 58% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
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Douglas Lyons
A Rumblin’ and a Rollin’
75 bpm • C Maj • 03:31 • -7.14db
27% Popularity • 47% Danceability • 57% Energy • 18% Liveness
0% Instrumentalness • 51% Positiveness
27% Popularity • 47% Danceability • 57% Energy • 18% Liveness
0% Instrumentalness • 51% Positiveness
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Steven Pasquale
Who We Are and Who We Want to Be
76 bpm • D Maj • 03:07 • -11.79db
18% Popularity • 34% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
18% Popularity • 34% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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The Mystery of Edwin Drood - The 2013 New Broadway Cast
Perfect Strangers
76 bpm • A Maj • 02:30 • -11.8db
16% Popularity • 27% Danceability • 25% Energy • 29% Liveness
0% Instrumentalness • 42% Positiveness
16% Popularity • 27% Danceability • 25% Energy • 29% Liveness
0% Instrumentalness • 42% Positiveness
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Lee Remick
There Won't Be Trumpets
76 bpm • F Maj • 02:37 • -10.14db
21% Popularity • 44% Danceability • 36% Energy • 17% Liveness
0% Instrumentalness • 52% Positiveness
21% Popularity • 44% Danceability • 36% Energy • 17% Liveness
0% Instrumentalness • 52% Positiveness
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Victoria Clark
This Time
76 bpm • G Maj • 04:36 • -8.04db
28% Popularity • 49% Danceability • 37% Energy • 26% Liveness
0% Instrumentalness • 38% Positiveness
28% Popularity • 49% Danceability • 37% Energy • 26% Liveness
0% Instrumentalness • 38% Positiveness
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Ben Davis
Will You Remember Me?
77 bpm • G Maj • 04:04 • -14.18db
1% Popularity • 22% Danceability • 26% Energy • 71% Liveness
0% Instrumentalness • 17% Positiveness
1% Popularity • 22% Danceability • 26% Energy • 71% Liveness
0% Instrumentalness • 17% Positiveness
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Maury Yeston
Still
77 bpm • F Maj • 02:31 • -19.43db
20% Popularity • 24% Danceability • 18% Energy • 6% Liveness
0% Instrumentalness • 10% Positiveness
20% Popularity • 24% Danceability • 18% Energy • 6% Liveness
0% Instrumentalness • 10% Positiveness
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Beth Leavel
Everything Happens
77 bpm • C# Maj • 03:28 • -15.31db
15% Popularity • 36% Danceability • 18% Energy • 30% Liveness
1% Instrumentalness • 11% Positiveness
15% Popularity • 36% Danceability • 18% Energy • 30% Liveness
1% Instrumentalness • 11% Positiveness
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Daisy Eagan
Storm II
78 bpm • E min • 01:23 • -20.43db
21% Popularity • 31% Danceability • 6% Energy • 90% Liveness
0% Instrumentalness • 39% Positiveness
21% Popularity • 31% Danceability • 6% Energy • 90% Liveness
0% Instrumentalness • 39% Positiveness
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Katie Rose Clarke
Not a Day Goes By - Reprise
78 bpm • G Maj • 02:19 • -11.16db
31% Popularity • 37% Danceability • 19% Energy • 18% Liveness
0% Instrumentalness • 35% Positiveness
31% Popularity • 37% Danceability • 19% Energy • 18% Liveness
0% Instrumentalness • 35% Positiveness
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Bonnie Milligan
How to Wash a Check (Reprise)
77 bpm • C Maj • 01:00 • -9.49db
23% Popularity • 64% Danceability • 29% Energy • 86% Liveness
0% Instrumentalness • 78% Positiveness
23% Popularity • 64% Danceability • 29% Energy • 86% Liveness
0% Instrumentalness • 78% Positiveness
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Kelli O'Hara
And I Love You So
78 bpm • A min • 04:30 • -20.21db
4% Popularity • 25% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
4% Popularity • 25% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Maury Yeston
Dressed in Your Pyjamas in the Grand Sal...
78 bpm • G# Maj • 04:41 • -19.24db
20% Popularity • 44% Danceability • 15% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
20% Popularity • 44% Danceability • 15% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
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Patrick Wilson
The Heather on the Hill
78 bpm • D# Maj • 03:25 • -8.36db
16% Popularity • 40% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
16% Popularity • 40% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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Ricky Ian Gordon
Is It Too Late?
79 bpm • G min • 04:33 • -9.95db
1% Popularity • 12% Danceability • 14% Energy • 22% Liveness
0% Instrumentalness • 6% Positiveness
1% Popularity • 12% Danceability • 14% Energy • 22% Liveness
0% Instrumentalness • 6% Positiveness
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Don Chastain
Letter to the Governor
79 bpm • D# min • 01:45 • -15.14db
12% Popularity • 50% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
12% Popularity • 50% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Victoria Clark
Make a Wish
78 bpm • D# Maj • 05:08 • -11.29db
27% Popularity • 48% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
27% Popularity • 48% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Kelli O'Hara
So in Love
78 bpm • A Maj • 04:21 • -9.39db
25% Popularity • 14% Danceability • 27% Energy • 5% Liveness
0% Instrumentalness • 7% Positiveness
25% Popularity • 14% Danceability • 27% Energy • 5% Liveness
0% Instrumentalness • 7% Positiveness
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Jekyll, Emma
I Must Go On
79 bpm • A Maj • 01:32 • -12.04db
26% Popularity • 46% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
26% Popularity • 46% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Steven Sutcliffe
He Wanted to Say
80 bpm • F# Maj • 02:34 • -10.05db
19% Popularity • 51% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
19% Popularity • 51% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Daniel Radcliffe
Rosemary
79 bpm • G Maj • 03:57 • -13.67db
17% Popularity • 29% Danceability • 14% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
17% Popularity • 29% Danceability • 14% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
► Preview
The Mystery of Edwin Drood - The 2013 New Broadway Cast
Bazzard's Confession
80 bpm • D Maj • 01:28 • -10.11db
9% Popularity • 58% Danceability • 36% Energy • 38% Liveness
0% Instrumentalness • 61% Positiveness
9% Popularity • 58% Danceability • 36% Energy • 38% Liveness
0% Instrumentalness • 61% Positiveness
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Alysha Deslorieux
The Ball
80 bpm • C Maj • 01:35 • -15.21db
21% Popularity • 46% Danceability • 22% Energy • 20% Liveness
0% Instrumentalness • 36% Positiveness
21% Popularity • 46% Danceability • 22% Energy • 20% Liveness
0% Instrumentalness • 36% Positiveness
► Preview
Original Broadway Cast Of 'Passion'
Sunrise Letter
80 bpm • C min • 01:42 • -18.21db
9% Popularity • 41% Danceability • 19% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
9% Popularity • 41% Danceability • 19% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
► Preview
Christy Altomare
Once You See
80 bpm • E Maj • 01:32 • -12db
29% Popularity • 40% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
29% Popularity • 40% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
► Preview
Ragtime Orchestra
Epilogue: Ragtime (Reprise) / Wheels of ...
81 bpm • F# Maj • 03:52 • -10.37db
20% Popularity • 38% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
20% Popularity • 38% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
► Preview
Christopher J. Hanke
I Believe In You (Reprise)
59 bpm • G Maj • 01:27 • -17.11db
17% Popularity • 31% Danceability • 6% Energy • 21% Liveness
0% Instrumentalness • 32% Positiveness
17% Popularity • 31% Danceability • 6% Energy • 21% Liveness
0% Instrumentalness • 32% Positiveness
► Preview
Mandy Patinkin
Lesson #8
81 bpm • A# Maj • 02:53 • -17.81db
22% Popularity • 45% Danceability • 25% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
22% Popularity • 45% Danceability • 25% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
► Preview
Brian D'Arcy James
First Breath
81 bpm • C Maj • 03:05 • -18.47db
16% Popularity • 30% Danceability • 6% Energy • 20% Liveness
0% Instrumentalness • 5% Positiveness
16% Popularity • 30% Danceability • 6% Energy • 20% Liveness
0% Instrumentalness • 5% Positiveness
► Preview
Original Broadway Cast Of 'Passion'
Loving You
81 bpm • C# Maj • 02:07 • -24.97db
29% Popularity • 32% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
29% Popularity • 32% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
► Preview
Kelli O'Hara
Always Better
81 bpm • F Maj • 04:40 • -8db
21% Popularity • 36% Danceability • 24% Energy • 31% Liveness
0% Instrumentalness • 4% Positiveness
21% Popularity • 36% Danceability • 24% Energy • 31% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Marin Mazzie
Till We Reach That Day
81 bpm • G# Maj • 04:11 • -10.95db
23% Popularity • 23% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
23% Popularity • 23% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
► Preview
Broadway Cast Recording
So In Love (Reprise)
82 bpm • G Maj • 03:32 • -12.21db
13% Popularity • 20% Danceability • 23% Energy • 20% Liveness
4% Instrumentalness • 6% Positiveness
13% Popularity • 20% Danceability • 23% Energy • 20% Liveness
4% Instrumentalness • 6% Positiveness
► Preview
James Snyder
Hey, Kid
81 bpm • F Maj • 03:38 • -11.83db
17% Popularity • 34% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
17% Popularity • 34% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
► Preview
Lawrence Clayton
Normandy
82 bpm • D Maj • 03:33 • -13db
21% Popularity • 41% Danceability • 28% Energy • 22% Liveness
0% Instrumentalness • 50% Positiveness
21% Popularity • 41% Danceability • 28% Energy • 22% Liveness
0% Instrumentalness • 50% Positiveness
► Preview
Original Broadway Cast Of 'Passion'
I Read
81 bpm • G# Maj • 05:27 • -20db
14% Popularity • 42% Danceability • 8% Energy • 16% Liveness
0% Instrumentalness • 12% Positiveness
14% Popularity • 42% Danceability • 8% Energy • 16% Liveness
0% Instrumentalness • 12% Positiveness
► Preview
Kelsey Grammer
Something About This Night - Original Br...
82 bpm • G Maj • 02:13 • -6.57db
31% Popularity • 66% Danceability • 71% Energy • 16% Liveness
0% Instrumentalness • 60% Positiveness
31% Popularity • 66% Danceability • 71% Energy • 16% Liveness
0% Instrumentalness • 60% Positiveness
► Preview
Peter Friedman
A Shtetl Iz Amereke
81 bpm • C Maj • 01:16 • -8.95db
21% Popularity • 50% Danceability • 32% Energy • 63% Liveness
0% Instrumentalness • 51% Positiveness
21% Popularity • 50% Danceability • 32% Energy • 63% Liveness
0% Instrumentalness • 51% Positiveness
► Preview
Gary Beach
You Never Say Good Luck on Opening Night
82 bpm • G# Maj • 01:35 • -11.56db
23% Popularity • 68% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 84% Positiveness
23% Popularity • 68% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 84% Positiveness
► Preview
The Mystery of Edwin Drood - The 2013 New Broadway Cast
The Name of Love / Moonfall Duet
82 bpm • G min • 03:20 • -9.14db
14% Popularity • 44% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
14% Popularity • 44% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
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Lawrence Clayton
On a Stormy Night
82 bpm • C min • 01:03 • -24.86db
19% Popularity • 49% Danceability • 13% Energy • 42% Liveness
0% Instrumentalness • 52% Positiveness
19% Popularity • 49% Danceability • 13% Energy • 42% Liveness
0% Instrumentalness • 52% Positiveness
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John Babcock
Round-Shouldered Man
82 bpm • A Maj • 01:53 • -20.07db
19% Popularity • 34% Danceability • 8% Energy • 15% Liveness
0% Instrumentalness • 43% Positiveness
19% Popularity • 34% Danceability • 8% Energy • 15% Liveness
0% Instrumentalness • 43% Positiveness
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Dirty Rotten Scoundrels Original Broadway Cast
The Miracle
82 bpm • C Maj • 02:33 • -14db
13% Popularity • 54% Danceability • 22% Energy • 7% Liveness
0% Instrumentalness • 53% Positiveness
13% Popularity • 54% Danceability • 22% Energy • 7% Liveness
0% Instrumentalness • 53% Positiveness
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Original Broadway Cast Of 'Passion'
Fourth Letter
82 bpm • A Maj • 00:51 • -21db
13% Popularity • 58% Danceability • 12% Energy • 29% Liveness
0% Instrumentalness • 68% Positiveness
13% Popularity • 58% Danceability • 12% Energy • 29% Liveness
0% Instrumentalness • 68% Positiveness
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Merle Louise
You Could Never Shame Me
82 bpm • A# Maj • 02:59 • -21.48db
8% Popularity • 37% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
8% Popularity • 37% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Broadway Cast Recording
I Am Ashamed That Women Are So Simple
82 bpm • C# Maj • 02:10 • -11.69db
10% Popularity • 30% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
10% Popularity • 30% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
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Marin Mazzie
Our Children
82 bpm • B min • 03:29 • -14.45db
20% Popularity • 31% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
20% Popularity • 31% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
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Lisa O'Hare
Poor Monty
83 bpm • F min • 03:17 • -11db
23% Popularity • 41% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
23% Popularity • 41% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Dirty Rotten Scoundrels Original Broadway Cast
The Reckoning
82 bpm • A# Maj • 01:42 • -13.52db
14% Popularity • 68% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
14% Popularity • 68% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
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Rose and Herbie
Small World
83 bpm • B Maj • 03:31 • -10.82db
15% Popularity • 36% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 11% Positiveness
15% Popularity • 36% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 11% Positiveness
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John Larroquette
Love From A Heart Of Gold
83 bpm • G# Maj • 02:55 • -14.12db
12% Popularity • 42% Danceability • 12% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
12% Popularity • 42% Danceability • 12% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
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Nicholas Barasch
Try Me
83 bpm • D Maj • 03:41 • -10.41db
24% Popularity • 49% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 63% Positiveness
24% Popularity • 49% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 63% Positiveness
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Brent Carver
Leo's Statement: It's hard to speak my h...
83 bpm • A Maj • 02:44 • -15.81db
23% Popularity • 30% Danceability • 12% Energy • 9% Liveness
2% Instrumentalness • 11% Positiveness
23% Popularity • 30% Danceability • 12% Energy • 9% Liveness
2% Instrumentalness • 11% Positiveness
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Justin Cooley
Skater Planet (Reprise)
83 bpm • A Maj • 01:26 • -12.12db
23% Popularity • 54% Danceability • 23% Energy • 79% Liveness
0% Instrumentalness • 57% Positiveness
23% Popularity • 54% Danceability • 23% Energy • 79% Liveness
0% Instrumentalness • 57% Positiveness
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The Mystery of Edwin Drood - The 2013 New Broadway Cast
The Wages of Sin
83 bpm • G Maj • 03:12 • -11.75db
13% Popularity • 53% Danceability • 22% Energy • 24% Liveness
0% Instrumentalness • 54% Positiveness
13% Popularity • 53% Danceability • 22% Energy • 24% Liveness
0% Instrumentalness • 54% Positiveness
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Kelli O'Hara
This Nearly Was Mine
84 bpm • D Maj • 04:35 • -9.44db
4% Popularity • 29% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
4% Popularity • 29% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
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The "Honk!" Company
The Collage
84 bpm • D Maj • 04:28 • -16.48db
8% Popularity • 50% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
8% Popularity • 50% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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Victoria Clark
By the River
84 bpm • G min • 05:11 • -11.1db
1% Popularity • 27% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
1% Popularity • 27% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness