Songs like I Ain't Been Licked - 12" Version by Diana Ross
Based on a tempo of (+/- 10%) and a similar genre
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Diana Ross
I Ain't Been Licked
98 bpm • D# Maj • 04:09 • -5.04db
22% Popularity • 70% Danceability • 83% Energy • 6% Liveness
0% Instrumentalness • 93% Positiveness
22% Popularity • 70% Danceability • 83% Energy • 6% Liveness
0% Instrumentalness • 93% Positiveness
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The Weather Girls
No One Can Love You More Than Me
98 bpm • G min • 04:55 • -6.89db
8% Popularity • 68% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
8% Popularity • 68% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
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The Miracles
Do It Baby
97 bpm • C Maj • 03:04 • -10db
38% Popularity • 72% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
38% Popularity • 72% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
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Heatwave
Therm Warfare
99 bpm • C min • 06:44 • -7.96db
9% Popularity • 56% Danceability • 72% Energy • 52% Liveness
6% Instrumentalness • 73% Positiveness
9% Popularity • 56% Danceability • 72% Energy • 52% Liveness
6% Instrumentalness • 73% Positiveness
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Minnie Riperton
Wouldn't Matter Where You Are
97 bpm • F min • 04:00 • -7.68db
15% Popularity • 61% Danceability • 87% Energy • 66% Liveness
0% Instrumentalness • 82% Positiveness
15% Popularity • 61% Danceability • 87% Energy • 66% Liveness
0% Instrumentalness • 82% Positiveness
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The Emotions
There'll Never Be Another Moment
99 bpm • A min • 04:35 • -6.69db
11% Popularity • 73% Danceability • 95% Energy • 3% Liveness
61% Instrumentalness • 91% Positiveness
11% Popularity • 73% Danceability • 95% Energy • 3% Liveness
61% Instrumentalness • 91% Positiveness
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Diana Ross
I Ain't Been Licked - 12" Version
98 bpm • D# Maj • 05:16 • -7.79db
14% Popularity • 70% Danceability • 71% Energy • 36% Liveness
0% Instrumentalness • 92% Positiveness
14% Popularity • 70% Danceability • 71% Energy • 36% Liveness
0% Instrumentalness • 92% Positiveness
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Mtume
You Can't Wait for Love
100 bpm • G min • 04:49 • -11.23db
10% Popularity • 75% Danceability • 63% Energy • 33% Liveness
20% Instrumentalness • 90% Positiveness
10% Popularity • 75% Danceability • 63% Energy • 33% Liveness
20% Instrumentalness • 90% Positiveness
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Odyssey
Easy Come Easy Go
96 bpm • C min • 03:21 • -5.18db
8% Popularity • 68% Danceability • 90% Energy • 13% Liveness
0% Instrumentalness • 62% Positiveness
8% Popularity • 68% Danceability • 90% Energy • 13% Liveness
0% Instrumentalness • 62% Positiveness
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Heatwave
Lay It on Me
97 bpm • A# min • 03:17 • -12.33db
29% Popularity • 65% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
29% Popularity • 65% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
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Minnie Riperton
Adventures In Paradise
96 bpm • A# min • 03:13 • -9db
36% Popularity • 65% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
36% Popularity • 65% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
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Jean Carn
Happy to Be with You
101 bpm • C Maj • 04:17 • -8db
8% Popularity • 57% Danceability • 73% Energy • 44% Liveness
0% Instrumentalness • 83% Positiveness
8% Popularity • 57% Danceability • 73% Energy • 44% Liveness
0% Instrumentalness • 83% Positiveness
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Diana Ross
All For One
97 bpm • B min • 04:20 • -6.63db
17% Popularity • 38% Danceability • 51% Energy • 26% Liveness
0% Instrumentalness • 19% Positiveness
17% Popularity • 38% Danceability • 51% Energy • 26% Liveness
0% Instrumentalness • 19% Positiveness
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Billy Ocean
Love Zone
95 bpm • G Maj • 04:13 • -6.1db
38% Popularity • 73% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
38% Popularity • 73% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
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Billy Paul
False Faces
102 bpm • C# Maj • 04:39 • -8db
24% Popularity • 77% Danceability • 66% Energy • 4% Liveness
25% Instrumentalness • 96% Positiveness
24% Popularity • 77% Danceability • 66% Energy • 4% Liveness
25% Instrumentalness • 96% Positiveness
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Love Unlimited
Under The Influence Of Love
102 bpm • G min • 04:20 • -10.06db
25% Popularity • 66% Danceability • 66% Energy • 5% Liveness
8% Instrumentalness • 65% Positiveness
25% Popularity • 66% Danceability • 66% Energy • 5% Liveness
8% Instrumentalness • 65% Positiveness
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Minnie Riperton
Strange Affair
101 bpm • A# Maj • 07:58 • -8.59db
16% Popularity • 80% Danceability • 63% Energy • 9% Liveness
1% Instrumentalness • 94% Positiveness
16% Popularity • 80% Danceability • 63% Energy • 9% Liveness
1% Instrumentalness • 94% Positiveness
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The Real Thing
Rainin' Through My Sunshine
102 bpm • B Maj • 03:06 • -8.97db
21% Popularity • 69% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 88% Positiveness
21% Popularity • 69% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 88% Positiveness
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Diana Ross
You Were The One
95 bpm • C min • 04:03 • -7.44db
11% Popularity • 65% Danceability • 82% Energy • 17% Liveness
0% Instrumentalness • 78% Positiveness
11% Popularity • 65% Danceability • 82% Energy • 17% Liveness
0% Instrumentalness • 78% Positiveness
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The Ritchie Family
Baby I'm On Fire
102 bpm • G Maj • 05:07 • -8.24db
8% Popularity • 46% Danceability • 93% Energy • 32% Liveness
0% Instrumentalness • 61% Positiveness
8% Popularity • 46% Danceability • 93% Energy • 32% Liveness
0% Instrumentalness • 61% Positiveness
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Stephanie Mills
What Cha Gonna Do With My Lovin'
103 bpm • A# min • 04:06 • -6db
43% Popularity • 64% Danceability • 67% Energy • 5% Liveness
2% Instrumentalness • 77% Positiveness
43% Popularity • 64% Danceability • 67% Energy • 5% Liveness
2% Instrumentalness • 77% Positiveness
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Love Unlimited
Under The Influence Of Love - Alternate ...
102 bpm • G min • 04:52 • -10.34db
14% Popularity • 69% Danceability • 61% Energy • 2% Liveness
62% Instrumentalness • 84% Positiveness
14% Popularity • 69% Danceability • 61% Energy • 2% Liveness
62% Instrumentalness • 84% Positiveness
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Minnie Riperton
Oh Darlin'...Life Goes On
102 bpm • B min • 03:50 • -7.19db
16% Popularity • 72% Danceability • 77% Energy • 55% Liveness
0% Instrumentalness • 88% Positiveness
16% Popularity • 72% Danceability • 77% Energy • 55% Liveness
0% Instrumentalness • 88% Positiveness
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The Brothers Johnson
Runnin' For Your Lovin'
103 bpm • C# min • 05:07 • -12db
28% Popularity • 78% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
28% Popularity • 78% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
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Diana Ross
You Build Me Up To Tear Me Down
95 bpm • G# min • 05:40 • -6.18db
14% Popularity • 61% Danceability • 88% Energy • 6% Liveness
0% Instrumentalness • 83% Positiveness
14% Popularity • 61% Danceability • 88% Energy • 6% Liveness
0% Instrumentalness • 83% Positiveness
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Lionel Richie
Endless Love
93 bpm • A# Maj • 04:26 • -11.81db
70% Popularity • 48% Danceability • 27% Energy • 14% Liveness
2% Instrumentalness • 18% Positiveness
70% Popularity • 48% Danceability • 27% Energy • 14% Liveness
2% Instrumentalness • 18% Positiveness
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The Chi-Lites
Too Good To Be Forgotten
103 bpm • G# min • 03:18 • -8db
26% Popularity • 66% Danceability • 74% Energy • 24% Liveness
0% Instrumentalness • 95% Positiveness
26% Popularity • 66% Danceability • 74% Energy • 24% Liveness
0% Instrumentalness • 95% Positiveness
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The Stylistics
Funky Weekend
103 bpm • C# Maj • 03:26 • -10.48db
21% Popularity • 76% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 78% Positiveness
21% Popularity • 76% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 78% Positiveness
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Stephanie Mills
What Cha Gonna Do With My Lovin' - 12" V...
103 bpm • A# min • 08:03 • -13.42db
27% Popularity • 71% Danceability • 46% Energy • 3% Liveness
25% Instrumentalness • 85% Positiveness
27% Popularity • 71% Danceability • 46% Energy • 3% Liveness
25% Instrumentalness • 85% Positiveness
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Sheila E.
Koo Koo
103 bpm • F# Maj • 03:25 • -15.42db
25% Popularity • 85% Danceability • 47% Energy • 7% Liveness
38% Instrumentalness • 32% Positiveness
25% Popularity • 85% Danceability • 47% Energy • 7% Liveness
38% Instrumentalness • 32% Positiveness
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Diana Ross
You're Good My Child
94 bpm • G# Maj • 03:35 • -13.32db
10% Popularity • 60% Danceability • 53% Energy • 5% Liveness
3% Instrumentalness • 68% Positiveness
10% Popularity • 60% Danceability • 53% Energy • 5% Liveness
3% Instrumentalness • 68% Positiveness
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A Taste Of Honey
Disco Dancin' - 2004 - Remastered
103 bpm • D Maj • 03:30 • -11.65db
13% Popularity • 75% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 77% Positiveness
13% Popularity • 75% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 77% Positiveness
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Randy Crawford
We Had a Love so Strong
93 bpm • G# min • 02:50 • -16.38db
38% Popularity • 72% Danceability • 44% Energy • 6% Liveness
0% Instrumentalness • 83% Positiveness
38% Popularity • 72% Danceability • 44% Energy • 6% Liveness
0% Instrumentalness • 83% Positiveness
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Gayle Adams
You Don't Owe Me Nothing
104 bpm • G# Maj • 05:12 • -11.01db
16% Popularity • 81% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 81% Positiveness
16% Popularity • 81% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 81% Positiveness
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The Gap Band
I Don't Believe You Want To Get Up And D...
104 bpm • E min • 08:42 • -13db
37% Popularity • 71% Danceability • 59% Energy • 39% Liveness
0% Instrumentalness • 78% Positiveness
37% Popularity • 71% Danceability • 59% Energy • 39% Liveness
0% Instrumentalness • 78% Positiveness
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Peaches & Herb
All Your Love (Give It Here)
104 bpm • F min • 04:23 • -7db
18% Popularity • 74% Danceability • 76% Energy • 20% Liveness
3% Instrumentalness • 95% Positiveness
18% Popularity • 74% Danceability • 76% Energy • 20% Liveness
3% Instrumentalness • 95% Positiveness
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Diana Ross
Mirror Mirror
104 bpm • C Maj • 06:09 • -12.92db
20% Popularity • 75% Danceability • 52% Energy • 73% Liveness
3% Instrumentalness • 96% Positiveness
20% Popularity • 75% Danceability • 52% Energy • 73% Liveness
3% Instrumentalness • 96% Positiveness
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Instant Funk
Why Don't You Think About Me (Francois K...
104 bpm • C# Maj • 06:00 • -8.43db
11% Popularity • 58% Danceability • 88% Energy • 6% Liveness
0% Instrumentalness • 88% Positiveness
11% Popularity • 58% Danceability • 88% Energy • 6% Liveness
0% Instrumentalness • 88% Positiveness
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The Main Ingredient
Save Me
104 bpm • E min • 04:18 • -7.92db
7% Popularity • 58% Danceability • 90% Energy • 6% Liveness
0% Instrumentalness • 75% Positiveness
7% Popularity • 58% Danceability • 90% Energy • 6% Liveness
0% Instrumentalness • 75% Positiveness
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Heatwave
Mind Blowing Decisions
92 bpm • C Maj • 04:19 • -11.38db
45% Popularity • 70% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 70% Positiveness
45% Popularity • 70% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 70% Positiveness
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The Gap Band
I Don't Believe You Want To Get Up And D...
104 bpm • B min • 03:31 • -10.31db
43% Popularity • 65% Danceability • 79% Energy • 39% Liveness
0% Instrumentalness • 81% Positiveness
43% Popularity • 65% Danceability • 79% Energy • 39% Liveness
0% Instrumentalness • 81% Positiveness
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The Emotions
You've Got the Right to Know
104 bpm • D min • 02:36 • -7.67db
28% Popularity • 70% Danceability • 70% Energy • 6% Liveness
0% Instrumentalness • 87% Positiveness
28% Popularity • 70% Danceability • 70% Energy • 6% Liveness
0% Instrumentalness • 87% Positiveness
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A Taste Of Honey
Do It Good
104 bpm • D# min • 05:42 • -9db
17% Popularity • 70% Danceability • 74% Energy • 16% Liveness
0% Instrumentalness • 89% Positiveness
17% Popularity • 70% Danceability • 74% Energy • 16% Liveness
0% Instrumentalness • 89% Positiveness
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Billy Ocean
Rock-A-Bye Baby
92 bpm • C min • 04:38 • -6.33db
9% Popularity • 69% Danceability • 76% Energy • 21% Liveness
0% Instrumentalness • 81% Positiveness
9% Popularity • 69% Danceability • 76% Energy • 21% Liveness
0% Instrumentalness • 81% Positiveness
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The Jackson 5
Mama's Pearl
105 bpm • F min • 03:07 • -6.79db
35% Popularity • 63% Danceability • 82% Energy • 18% Liveness
0% Instrumentalness • 93% Positiveness
35% Popularity • 63% Danceability • 82% Energy • 18% Liveness
0% Instrumentalness • 93% Positiveness
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McFadden & Whitehead
Just Wanna Love You Baby
105 bpm • E min • 03:57 • -7.8db
14% Popularity • 70% Danceability • 90% Energy • 45% Liveness
0% Instrumentalness • 72% Positiveness
14% Popularity • 70% Danceability • 90% Energy • 45% Liveness
0% Instrumentalness • 72% Positiveness
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France Joli
I Need Someone
105 bpm • A# min • 07:35 • -7.24db
16% Popularity • 72% Danceability • 66% Energy • 3% Liveness
2% Instrumentalness • 85% Positiveness
16% Popularity • 72% Danceability • 66% Energy • 3% Liveness
2% Instrumentalness • 85% Positiveness
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Billy Paul
Sooner Or Later
105 bpm • E Maj • 05:35 • -9.49db
17% Popularity • 71% Danceability • 60% Energy • 18% Liveness
0% Instrumentalness • 71% Positiveness
17% Popularity • 71% Danceability • 60% Energy • 18% Liveness
0% Instrumentalness • 71% Positiveness
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A Taste Of Honey
Disco Dancin' - 12" Single Edit
105 bpm • D Maj • 06:09 • -9.22db
10% Popularity • 86% Danceability • 62% Energy • 7% Liveness
1% Instrumentalness • 79% Positiveness
10% Popularity • 86% Danceability • 62% Energy • 7% Liveness
1% Instrumentalness • 79% Positiveness
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Eddie Kendricks
He's A Friend
105 bpm • C min • 04:43 • -7.79db
27% Popularity • 63% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 74% Positiveness
27% Popularity • 63% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 74% Positiveness
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Bionic Boogie
Hot Butterfly
91 bpm • G# Maj • 05:19 • -11db
18% Popularity • 58% Danceability • 74% Energy • 13% Liveness
4% Instrumentalness • 56% Positiveness
18% Popularity • 58% Danceability • 74% Energy • 13% Liveness
4% Instrumentalness • 56% Positiveness
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The Brothers Johnson
Blam!
105 bpm • A Maj • 04:52 • -11.27db
17% Popularity • 68% Danceability • 67% Energy • 22% Liveness
0% Instrumentalness • 66% Positiveness
17% Popularity • 68% Danceability • 67% Energy • 22% Liveness
0% Instrumentalness • 66% Positiveness
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Diana Ross
One Love In My Lifetime
91 bpm • G Maj • 03:40 • -6.35db
19% Popularity • 70% Danceability • 89% Energy • 10% Liveness
5% Instrumentalness • 96% Positiveness
19% Popularity • 70% Danceability • 89% Energy • 10% Liveness
5% Instrumentalness • 96% Positiveness
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The Real Thing
(He's Just A) Moneymaker
91 bpm • A Maj • 02:34 • -10.9db
13% Popularity • 55% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
13% Popularity • 55% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
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Natalie Cole
How Come You Won't Stay Here
106 bpm • C# Maj • 03:02 • -12.93db
17% Popularity • 78% Danceability • 61% Energy • 3% Liveness
0% Instrumentalness • 85% Positiveness
17% Popularity • 78% Danceability • 61% Energy • 3% Liveness
0% Instrumentalness • 85% Positiveness
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The Chi-Lites
Stoned Out Of My Mind
106 bpm • F# min • 03:04 • -9db
31% Popularity • 72% Danceability • 69% Energy • 40% Liveness
0% Instrumentalness • 79% Positiveness
31% Popularity • 72% Danceability • 69% Energy • 40% Liveness
0% Instrumentalness • 79% Positiveness
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The Spinners
Love Trippin'
106 bpm • A min • 04:09 • -10.16db
9% Popularity • 85% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
9% Popularity • 85% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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The Three Degrees
Loving Cup
106 bpm • B min • 03:07 • -3.45db
8% Popularity • 66% Danceability • 83% Energy • 12% Liveness
0% Instrumentalness • 78% Positiveness
8% Popularity • 66% Danceability • 83% Energy • 12% Liveness
0% Instrumentalness • 78% Positiveness
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Diana Ross
One Love In My Lifetime - Single Version
91 bpm • G Maj • 04:03 • -8.06db
8% Popularity • 61% Danceability • 78% Energy • 17% Liveness
0% Instrumentalness • 86% Positiveness
8% Popularity • 61% Danceability • 78% Energy • 17% Liveness
0% Instrumentalness • 86% Positiveness
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Stacy Lattisaw
It Was so Easy
90 bpm • C# Maj • 03:15 • -12.52db
8% Popularity • 79% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
8% Popularity • 79% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
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Carly Simon
Tranquillo (Melt My Heart)
106 bpm • A min • 04:03 • -8db
44% Popularity • 58% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
44% Popularity • 58% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
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The Stylistics
Mine All Mine
90 bpm • C Maj • 04:30 • -10db
40% Popularity • 78% Danceability • 61% Energy • 11% Liveness
10% Instrumentalness • 71% Positiveness
40% Popularity • 78% Danceability • 61% Energy • 11% Liveness
10% Instrumentalness • 71% Positiveness
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Slave
Funky Lady (Foxy Lady)
106 bpm • C Maj • 04:37 • -11.68db
14% Popularity • 64% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
14% Popularity • 64% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
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The Three Degrees
Can't You See What You're Doing To Me
107 bpm • C# Maj • 02:32 • -9.55db
27% Popularity • 68% Danceability • 64% Energy • 60% Liveness
0% Instrumentalness • 81% Positiveness
27% Popularity • 68% Danceability • 64% Energy • 60% Liveness
0% Instrumentalness • 81% Positiveness
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Stephanie Mills
Starlight
90 bpm • E min • 03:38 • -8db
29% Popularity • 58% Danceability • 70% Energy • 14% Liveness
1% Instrumentalness • 72% Positiveness
29% Popularity • 58% Danceability • 70% Energy • 14% Liveness
1% Instrumentalness • 72% Positiveness
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Diana Ross
Telephone
91 bpm • C min • 04:12 • -13.47db
11% Popularity • 74% Danceability • 42% Energy • 4% Liveness
0% Instrumentalness • 86% Positiveness
11% Popularity • 74% Danceability • 42% Energy • 4% Liveness
0% Instrumentalness • 86% Positiveness
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Dionne Warwick
For You
90 bpm • G# Maj • 04:58 • -11db
40% Popularity • 68% Danceability • 52% Energy • 5% Liveness
2% Instrumentalness • 48% Positiveness
40% Popularity • 68% Danceability • 52% Energy • 5% Liveness
2% Instrumentalness • 48% Positiveness
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Diana Ross & The Supremes
No Matter What Sign You Are
90 bpm • C Maj • 02:52 • -16.19db
23% Popularity • 57% Danceability • 64% Energy • 19% Liveness
0% Instrumentalness • 80% Positiveness
23% Popularity • 57% Danceability • 64% Energy • 19% Liveness
0% Instrumentalness • 80% Positiveness
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The Real Thing
I Believe In You (Extended Mix)
107 bpm • B Maj • 04:04 • -7.81db
8% Popularity • 66% Danceability • 69% Energy • 27% Liveness
0% Instrumentalness • 66% Positiveness
8% Popularity • 66% Danceability • 69% Energy • 27% Liveness
0% Instrumentalness • 66% Positiveness
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Sharon Redd
You Got My Love
107 bpm • D Maj • 05:54 • -11.47db
19% Popularity • 78% Danceability • 80% Energy • 8% Liveness
6% Instrumentalness • 96% Positiveness
19% Popularity • 78% Danceability • 80% Energy • 8% Liveness
6% Instrumentalness • 96% Positiveness
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Gwen Guthrie
Ain't Nothin' Goin' On But The Rent - Ex...
107 bpm • C# min • 07:16 • -11.87db
22% Popularity • 80% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
22% Popularity • 80% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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Diana Ross
Baby It's Me
91 bpm • A min • 03:14 • -13.78db
12% Popularity • 79% Danceability • 54% Energy • 18% Liveness
0% Instrumentalness • 82% Positiveness
12% Popularity • 79% Danceability • 54% Energy • 18% Liveness
0% Instrumentalness • 82% Positiveness
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Stacy Lattisaw
Jump Into My Life
107 bpm • C# Maj • 04:23 • -7.66db
15% Popularity • 81% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
15% Popularity • 81% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
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The Trammps
Trusting Heart
107 bpm • C min • 03:17 • -6.94db
10% Popularity • 70% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
10% Popularity • 70% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
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Minnie Riperton
Stick Together
108 bpm • A Maj • 06:18 • -8.63db
13% Popularity • 69% Danceability • 80% Energy • 55% Liveness
0% Instrumentalness • 87% Positiveness
13% Popularity • 69% Danceability • 80% Energy • 55% Liveness
0% Instrumentalness • 87% Positiveness
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The O'Jays
Darlin' Darlin' Baby (Sweet, Tender, Lov...
108 bpm • D Maj • 04:16 • -6.91db
49% Popularity • 67% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
49% Popularity • 67% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
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Anthony White
Never Let You Get Away From Me
108 bpm • A min • 03:02 • -5.61db
18% Popularity • 70% Danceability • 83% Energy • 55% Liveness
0% Instrumentalness • 75% Positiveness
18% Popularity • 70% Danceability • 83% Energy • 55% Liveness
0% Instrumentalness • 75% Positiveness
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Diana Ross
Upside Down - Original CHIC Mix
107 bpm • F Maj • 04:15 • -8.63db
34% Popularity • 76% Danceability • 87% Energy • 3% Liveness
0% Instrumentalness • 94% Positiveness
34% Popularity • 76% Danceability • 87% Energy • 3% Liveness
0% Instrumentalness • 94% Positiveness
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Roberta Flack
God Don't Like Ugly
108 bpm • B Maj • 04:37 • -13.41db
15% Popularity • 78% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
15% Popularity • 78% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
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Gayle Adams
Love Fever - Radio Edit
108 bpm • C# Maj • 04:09 • -10.64db
26% Popularity • 75% Danceability • 71% Energy • 31% Liveness
0% Instrumentalness • 76% Positiveness
26% Popularity • 75% Danceability • 71% Energy • 31% Liveness
0% Instrumentalness • 76% Positiveness
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Eddie Kendricks
Get The Cream Off The Top
108 bpm • C# Maj • 03:07 • -10.42db
12% Popularity • 73% Danceability • 68% Energy • 52% Liveness
0% Instrumentalness • 94% Positiveness
12% Popularity • 73% Danceability • 68% Energy • 52% Liveness
0% Instrumentalness • 94% Positiveness
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Sharon Redd
Can You Handle It - Radio Mix
108 bpm • A# min • 03:46 • -13db
30% Popularity • 73% Danceability • 80% Energy • 6% Liveness
0% Instrumentalness • 95% Positiveness
30% Popularity • 73% Danceability • 80% Energy • 6% Liveness
0% Instrumentalness • 95% Positiveness
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Diana Ross & The Supremes
I'm Livin' In Shame
108 bpm • B min • 02:59 • -11.8db
25% Popularity • 62% Danceability • 66% Energy • 13% Liveness
0% Instrumentalness • 79% Positiveness
25% Popularity • 62% Danceability • 66% Energy • 13% Liveness
0% Instrumentalness • 79% Positiveness
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Diana Ross
The Same Love That Made Me Laugh
108 bpm • F# Maj • 03:56 • -14.53db
10% Popularity • 67% Danceability • 42% Energy • 18% Liveness
0% Instrumentalness • 64% Positiveness
10% Popularity • 67% Danceability • 42% Energy • 18% Liveness
0% Instrumentalness • 64% Positiveness
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The Three Degrees
My Simple Heart
109 bpm • B min • 04:28 • -8.45db
15% Popularity • 84% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 91% Positiveness
15% Popularity • 84% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 91% Positiveness
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Gayle Adams
Love Fever - 12" Mix
108 bpm • C# Maj • 07:07 • -11.26db
15% Popularity • 78% Danceability • 62% Energy • 5% Liveness
0% Instrumentalness • 81% Positiveness
15% Popularity • 78% Danceability • 62% Energy • 5% Liveness
0% Instrumentalness • 81% Positiveness
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Tony etoria
I Can Prove It
109 bpm • G min • 03:52 • -6.23db
10% Popularity • 66% Danceability • 83% Energy • 41% Liveness
0% Instrumentalness • 86% Positiveness
10% Popularity • 66% Danceability • 83% Energy • 41% Liveness
0% Instrumentalness • 86% Positiveness
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The Jackson 5
Dancing Machine
109 bpm • F# Maj • 02:41 • -7.72db
54% Popularity • 78% Danceability • 79% Energy • 69% Liveness
0% Instrumentalness • 84% Positiveness
54% Popularity • 78% Danceability • 79% Energy • 69% Liveness
0% Instrumentalness • 84% Positiveness
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The Undisputed Truth
Let's Go Down to the Disco - Disco Mix
109 bpm • C Maj • 09:13 • -8.52db
7% Popularity • 71% Danceability • 82% Energy • 4% Liveness
48% Instrumentalness • 92% Positiveness
7% Popularity • 71% Danceability • 82% Energy • 4% Liveness
48% Instrumentalness • 92% Positiveness
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Diana Ross
Surrender
88 bpm • F Maj • 02:54 • -6.63db
22% Popularity • 50% Danceability • 71% Energy • 54% Liveness
0% Instrumentalness • 87% Positiveness
22% Popularity • 50% Danceability • 71% Energy • 54% Liveness
0% Instrumentalness • 87% Positiveness
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Odyssey
Native New Yorker
109 bpm • C# Maj • 03:26 • -6.87db
37% Popularity • 51% Danceability • 93% Energy • 82% Liveness
0% Instrumentalness • 60% Positiveness
37% Popularity • 51% Danceability • 93% Energy • 82% Liveness
0% Instrumentalness • 60% Positiveness
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The Spinners
Ghetto Child
109 bpm • D min • 03:50 • -11.65db
36% Popularity • 65% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
36% Popularity • 65% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
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Jermaine Jackson
Let's Get Serious
110 bpm • A# min • 07:57 • -10.17db
26% Popularity • 74% Danceability • 84% Energy • 20% Liveness
0% Instrumentalness • 96% Positiveness
26% Popularity • 74% Danceability • 84% Energy • 20% Liveness
0% Instrumentalness • 96% Positiveness
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Billy Paul
Bring the Family Back
110 bpm • C# Maj • 05:01 • -10.43db
27% Popularity • 75% Danceability • 62% Energy • 6% Liveness
0% Instrumentalness • 92% Positiveness
27% Popularity • 75% Danceability • 62% Energy • 6% Liveness
0% Instrumentalness • 92% Positiveness
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Sharon Redd
Its a Lie
110 bpm • A Maj • 05:42 • -12.93db
12% Popularity • 76% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 94% Positiveness
12% Popularity • 76% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 94% Positiveness
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Diana Ross
Dirty Looks
109 bpm • C# Maj • 03:21 • -14.35db
7% Popularity • 78% Danceability • 67% Energy • 20% Liveness
0% Instrumentalness • 80% Positiveness
7% Popularity • 78% Danceability • 67% Energy • 20% Liveness
0% Instrumentalness • 80% Positiveness
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Jody Watley
Still A Thrill
110 bpm • D Maj • 04:41 • -13.25db
22% Popularity • 84% Danceability • 46% Energy • 15% Liveness
25% Instrumentalness • 97% Positiveness
22% Popularity • 84% Danceability • 46% Energy • 15% Liveness
25% Instrumentalness • 97% Positiveness
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George McCrae
I Ain't Lyin'
110 bpm • C min • 03:54 • -5.81db
13% Popularity • 73% Danceability • 84% Energy • 7% Liveness
2% Instrumentalness • 94% Positiveness
13% Popularity • 73% Danceability • 84% Energy • 7% Liveness
2% Instrumentalness • 94% Positiveness
