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I Always Win
Songs like
I Always Win
by
James Crawford
Based on a tempo of (+/- 10%) and a similar genre
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Paul Smith
Champagne Nights
100 bpm • C# Maj • 02:10 • -7.64db
24% Popularity • 66% Danceability • 83% Energy • 5% Liveness
95% Instrumentalness • 78% Positiveness
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Matt Beilis
Runnin' Away
100 bpm • C Maj • 03:05 • -4db
15% Popularity • 79% Danceability • 70% Energy • 30% Liveness
0% Instrumentalness • 83% Positiveness
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Angel Aponte
Make That Thing Drop
100 bpm • C# min • 03:14 • -6.72db
4% Popularity • 82% Danceability • 92% Energy • 35% Liveness
2% Instrumentalness • 61% Positiveness
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Mr Weasley
Into the Beat
100 bpm • F# Maj • 02:33 • -8db
22% Popularity • 68% Danceability • 68% Energy • 42% Liveness
0% Instrumentalness • 40% Positiveness
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WZRD BLD
Take the Money and Run
100 bpm • F# Maj • 03:21 • -5db
32% Popularity • 53% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 46% Positiveness
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Magdy Haddad
Fake Jesus
100 bpm • F min • 02:31 • -9db
11% Popularity • 80% Danceability • 62% Energy • 14% Liveness
90% Instrumentalness • 83% Positiveness
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Matthew Goodman
Say So
100 bpm • F# min • 03:06 • -6.43db
8% Popularity • 64% Danceability • 77% Energy • 9% Liveness
1% Instrumentalness • 84% Positiveness
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Cook Classics
The Real Thing
100 bpm • A# min • 03:09 • -5db
30% Popularity • 75% Danceability • 86% Energy • 81% Liveness
0% Instrumentalness • 94% Positiveness
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Charles Wright & The Watts 103rd Street Rhythm Band
Express Yourself - Mocean Worker Remix
100 bpm • A# min • 04:30 • -5.28db
26% Popularity • 80% Danceability • 90% Energy • 10% Liveness
1% Instrumentalness • 79% Positiveness
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Benj Heard
I'm a Boss
100 bpm • F min • 03:19 • -4db
13% Popularity • 65% Danceability • 88% Energy • 9% Liveness
0% Instrumentalness • 79% Positiveness
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Frigga
I Will Let You In (SLCT Remix)
100 bpm • F# min • 03:23 • -4db
15% Popularity • 66% Danceability • 85% Energy • 9% Liveness
1% Instrumentalness • 48% Positiveness
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BUNDESWEHR EXCLUSIVE
Move That
100 bpm • G Maj • 02:12 • -4db
25% Popularity • 74% Danceability • 87% Energy • 24% Liveness
91% Instrumentalness • 71% Positiveness
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Lee Richardson
Say My Name
100 bpm • E min • 03:22 • -3.52db
11% Popularity • 64% Danceability • 93% Energy • 16% Liveness
20% Instrumentalness • 62% Positiveness
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Beds and Beats
Korean Fusion
100 bpm • E min • 01:33 • -12.25db
11% Popularity • 61% Danceability • 60% Energy • 8% Liveness
87% Instrumentalness • 33% Positiveness
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Teyana Taylor
Gett Off
100 bpm • A# min • 01:55 • -4db
27% Popularity • 71% Danceability • 94% Energy • 16% Liveness
0% Instrumentalness • 67% Positiveness
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James Crawford
Watercolours
100 bpm • E Maj • 02:36 • -26.61db
0% Popularity • 13% Danceability • 4% Energy • 10% Liveness
93% Instrumentalness • 3% Positiveness
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Carl Douglas
Kung Fu Fighting - Adrian Sherwood's On-...
101 bpm • E min • 04:41 • -7.96db
8% Popularity • 75% Danceability • 80% Energy • 21% Liveness
0% Instrumentalness • 36% Positiveness
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Lee Fields
Watch That Man
100 bpm • C# Maj • 04:18 • -7.07db
17% Popularity • 72% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 86% Positiveness
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Ian Post
Everybody Get Up
99 bpm • C Maj • 01:50 • -8.11db
24% Popularity • 76% Danceability • 86% Energy • 8% Liveness
81% Instrumentalness • 66% Positiveness
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Deviana Sharon S
Joy Three
98 bpm • C# Maj • 03:03 • -4.95db
24% Popularity • 81% Danceability • 69% Energy • 9% Liveness
86% Instrumentalness • 66% Positiveness
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SATV Music
All Hail the Queen
99 bpm • A# min • 02:04 • -7.94db
13% Popularity • 73% Danceability • 83% Energy • 6% Liveness
0% Instrumentalness • 80% Positiveness
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James Crawford
I Always Win
100 bpm • C# Maj • 03:00 • -7.99db
0% Popularity • 72% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
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Red Means Run
Smoke There’s Fire
102 bpm • C# Maj • 02:55 • -6.99db
14% Popularity • 79% Danceability • 72% Energy • 28% Liveness
0% Instrumentalness • 63% Positiveness
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Bonkers Beat Club
Schhh
102 bpm • B Maj • 03:29 • -5.02db
19% Popularity • 70% Danceability • 88% Energy • 31% Liveness
1% Instrumentalness • 59% Positiveness
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Ty Simon
Double Espresso - Ty Simon Remix
98 bpm • G Maj • 02:40 • -6.52db
8% Popularity • 63% Danceability • 72% Energy • 5% Liveness
95% Instrumentalness • 71% Positiveness
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Benj Heard
Runaways
102 bpm • A Maj • 03:09 • -3.81db
9% Popularity • 57% Danceability • 90% Energy • 21% Liveness
0% Instrumentalness • 65% Positiveness
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Billy Pierce
Big Joe
98 bpm • C Maj • 03:49 • -8.71db
0% Popularity • 48% Danceability • 79% Energy • 9% Liveness
57% Instrumentalness • 58% Positiveness
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Krissie Karlsson
Time to Focus
98 bpm • C# Maj • 02:56 • -7.33db
17% Popularity • 76% Danceability • 64% Energy • 11% Liveness
4% Instrumentalness • 35% Positiveness
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FASSounds
Rhythm in You
98 bpm • G Maj • 02:48 • -5.82db
11% Popularity • 60% Danceability • 83% Energy • 13% Liveness
0% Instrumentalness • 68% Positiveness
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Danger Twins
Conquer
98 bpm • G Maj • 02:39 • -5.9db
23% Popularity • 78% Danceability • 81% Energy • 12% Liveness
1% Instrumentalness • 62% Positiveness
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Clooney
Raise It Up
98 bpm • C Maj • 04:39 • -5.48db
17% Popularity • 49% Danceability • 80% Energy • 24% Liveness
0% Instrumentalness • 20% Positiveness
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Club Yoko
VoilÃ
102 bpm • A# min • 02:25 • -5.42db
29% Popularity • 74% Danceability • 83% Energy • 10% Liveness
1% Instrumentalness • 50% Positiveness
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Night Panda
Walk With A Bounce
103 bpm • E min • 03:20 • -8.01db
19% Popularity • 68% Danceability • 85% Energy • 6% Liveness
16% Instrumentalness • 42% Positiveness
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Craig Robinson
Like I Should
103 bpm • C# Maj • 02:11 • -5.69db
14% Popularity • 71% Danceability • 77% Energy • 4% Liveness
0% Instrumentalness • 88% Positiveness
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Addie Hamilton
La La La
97 bpm • A min • 03:14 • -3.72db
14% Popularity • 47% Danceability • 94% Energy • 69% Liveness
0% Instrumentalness • 66% Positiveness
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James Crawford
Danger in the Woods
97 bpm • B min • 02:24 • -12.93db
4% Popularity • 38% Danceability • 48% Energy • 7% Liveness
92% Instrumentalness • 38% Positiveness
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Brothers Voodoo
Keep You Alive
97 bpm • C# min • 04:22 • -6.19db
33% Popularity • 83% Danceability • 72% Energy • 6% Liveness
13% Instrumentalness • 88% Positiveness
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MGHTY
Your Turn
104 bpm • G Maj • 02:58 • -4.28db
13% Popularity • 56% Danceability • 87% Energy • 6% Liveness
1% Instrumentalness • 28% Positiveness
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Foxxi
Born for This
104 bpm • F# min • 03:16 • -5.84db
35% Popularity • 77% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
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Swirling Ship
Facebook
104 bpm • C# min • 01:17 • -5.19db
15% Popularity • 82% Danceability • 66% Energy • 13% Liveness
88% Instrumentalness • 76% Positiveness
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Tape Machines
Arms of Gold - Instrumental Version
104 bpm • F# Maj • 03:38 • -7.38db
18% Popularity • 72% Danceability • 70% Energy • 8% Liveness
82% Instrumentalness • 18% Positiveness
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Chaun Davis
Watch Out
104 bpm • A# Maj • 03:08 • -6.06db
15% Popularity • 63% Danceability • 92% Energy • 5% Liveness
0% Instrumentalness • 82% Positiveness
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Chloe Leighton
Walk of Fame
104 bpm • G# Maj • 03:10 • -5db
14% Popularity • 66% Danceability • 80% Energy • 25% Liveness
0% Instrumentalness • 90% Positiveness
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Marlie Spectrum
Never Let U Go
96 bpm • C# Maj • 04:00 • -8.66db
16% Popularity • 77% Danceability • 62% Energy • 4% Liveness
0% Instrumentalness • 52% Positiveness
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Foxxi
All Eyes on Me
104 bpm • B Maj • 03:13 • -5.37db
18% Popularity • 78% Danceability • 75% Energy • 30% Liveness
0% Instrumentalness • 75% Positiveness
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Lee Richardson
Is That All You Got
96 bpm • D Maj • 03:38 • -5db
11% Popularity • 65% Danceability • 89% Energy • 25% Liveness
0% Instrumentalness • 33% Positiveness
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Eugene Blacknell
I'm so Thankful
95 bpm • E min • 06:00 • -6.78db
30% Popularity • 80% Danceability • 79% Energy • 23% Liveness
1% Instrumentalness • 52% Positiveness
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Clinton Shorter
The Tracks
105 bpm • D Maj • 01:34 • -10.05db
10% Popularity • 48% Danceability • 73% Energy • 9% Liveness
78% Instrumentalness • 54% Positiveness
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Sioux Sioux
Feeling That
105 bpm • E Maj • 03:18 • -3.23db
23% Popularity • 78% Danceability • 85% Energy • 5% Liveness
0% Instrumentalness • 85% Positiveness
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Sergio Ruelas
Love in Color
105 bpm • A# min • 03:03 • -10db
11% Popularity • 69% Danceability • 66% Energy • 16% Liveness
15% Instrumentalness • 10% Positiveness
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Roscoe Williamson
Heartburn
105 bpm • A# min • 02:42 • -9.04db
12% Popularity • 60% Danceability • 72% Energy • 28% Liveness
4% Instrumentalness • 86% Positiveness
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Jacob Gago
Go H.A.M.
105 bpm • A# min • 03:23 • -6.4db
9% Popularity • 72% Danceability • 83% Energy • 6% Liveness
49% Instrumentalness • 45% Positiveness
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Johnny Wishbone
The Go Again Monkey
105 bpm • G Maj • 02:38 • -5.48db
8% Popularity • 67% Danceability • 90% Energy • 12% Liveness
83% Instrumentalness • 98% Positiveness
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Mario Ayuda
Don't Feel Right
105 bpm • A min • 02:59 • -6.9db
10% Popularity • 76% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
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susie wilkins
The Gambler
95 bpm • C Maj • 02:44 • -15.05db
20% Popularity • 56% Danceability • 45% Energy • 18% Liveness
31% Instrumentalness • 29% Positiveness
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Lvly
Around You
95 bpm • A# min • 03:40 • -4.85db
21% Popularity • 69% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 79% Positiveness
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Mark Mothersbaugh
Hiking Montage
95 bpm • E min • 01:49 • -11db
12% Popularity • 69% Danceability • 74% Energy • 6% Liveness
76% Instrumentalness • 53% Positiveness
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Noam Dee
Lassaye
95 bpm • C# Maj • 04:07 • -12.87db
10% Popularity • 69% Danceability • 66% Energy • 34% Liveness
90% Instrumentalness • 15% Positiveness
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Anjulie
Danger
95 bpm • G# min • 02:57 • -3.66db
22% Popularity • 73% Danceability • 95% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
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Assaf Ayalon
Music
105 bpm • A# min • 03:17 • -5.58db
19% Popularity • 53% Danceability • 71% Energy • 11% Liveness
2% Instrumentalness • 64% Positiveness
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Katie Thompson
Take the Lead
95 bpm • D# min • 03:38 • -7.06db
9% Popularity • 60% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
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Lee Richardson
Takin’ hold
106 bpm • F Maj • 02:36 • -4.38db
11% Popularity • 63% Danceability • 90% Energy • 31% Liveness
4% Instrumentalness • 81% Positiveness
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Keith
I Only See You
106 bpm • D# Maj • 02:00 • -7.8db
9% Popularity • 89% Danceability • 60% Energy • 5% Liveness
0% Instrumentalness • 93% Positiveness
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Ian Post
Jesse James Style
106 bpm • F min • 03:24 • -5.75db
10% Popularity • 63% Danceability • 95% Energy • 26% Liveness
42% Instrumentalness • 50% Positiveness
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George Georgia
Rocket Launch
106 bpm • C Maj • 02:33 • -8.65db
7% Popularity • 59% Danceability • 60% Energy • 10% Liveness
91% Instrumentalness • 67% Positiveness
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Sam Shrieve
Bring Your Friends
106 bpm • G Maj • 03:36 • -6.53db
16% Popularity • 66% Danceability • 91% Energy • 4% Liveness
0% Instrumentalness • 69% Positiveness
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Bryan Richard
My House
94 bpm • A# Maj • 02:09 • -9.42db
15% Popularity • 59% Danceability • 60% Energy • 46% Liveness
0% Instrumentalness • 60% Positiveness
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Lee Richardson
Party Elite
106 bpm • F min • 02:53 • -7.49db
12% Popularity • 71% Danceability • 74% Energy • 5% Liveness
41% Instrumentalness • 63% Positiveness
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Bensound
Retro Soul
107 bpm • C Maj • 03:36 • -5.36db
8% Popularity • 79% Danceability • 54% Energy • 34% Liveness
84% Instrumentalness • 58% Positiveness
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Ian Post
Can't Stop Won't Stop - Instrumental Ver...
106 bpm • C Maj • 02:12 • -9.49db
11% Popularity • 79% Danceability • 59% Energy • 9% Liveness
92% Instrumentalness • 56% Positiveness
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King Flexx
Look at Me Now
107 bpm • A# min • 03:03 • -2.87db
22% Popularity • 71% Danceability • 83% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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James Crawford
Iko Iko (Live)
107 bpm • C# Maj • 02:17 • -19.13db
4% Popularity • 71% Danceability • 70% Energy • 70% Liveness
0% Instrumentalness • 79% Positiveness
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Dominic Glover
Smile and Wink
107 bpm • F min • 02:17 • -6.52db
7% Popularity • 78% Danceability • 91% Energy • 25% Liveness
90% Instrumentalness • 64% Positiveness
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Ben Cocks
Unforgettable
93 bpm • G min • 02:07 • -9.51db
10% Popularity • 93% Danceability • 50% Energy • 8% Liveness
1% Instrumentalness • 76% Positiveness
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Josh Powell
Walk of the Champion
93 bpm • G# Maj • 03:22 • -7db
24% Popularity • 62% Danceability • 62% Energy • 23% Liveness
84% Instrumentalness • 31% Positiveness
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Ian Post
Can't Stop Won't Stop
106 bpm • C Maj • 02:12 • -7.79db
29% Popularity • 85% Danceability • 71% Energy • 8% Liveness
34% Instrumentalness • 72% Positiveness
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K-Tune
Make It Bounce
108 bpm • D Maj • 02:17 • -7.66db
0% Popularity • 80% Danceability • 80% Energy • 4% Liveness
75% Instrumentalness • 61% Positiveness
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DW3
California Love
108 bpm • C# Maj • 04:30 • -4.48db
9% Popularity • 84% Danceability • 69% Energy • 33% Liveness
0% Instrumentalness • 63% Positiveness
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Michelle Leverette
(The End Is) Coming Soon
108 bpm • F Maj • 03:03 • -5.95db
12% Popularity • 79% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 77% Positiveness
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Jared Palomar
We're on Fire
108 bpm • G# min • 03:18 • -8.78db
13% Popularity • 63% Danceability • 73% Energy • 43% Liveness
0% Instrumentalness • 80% Positiveness
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MGHTY
Be Boss
108 bpm • G min • 03:08 • -5.52db
9% Popularity • 72% Danceability • 87% Energy • 70% Liveness
12% Instrumentalness • 60% Positiveness
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Ian Post
On the Way
94 bpm • B min • 02:45 • -8db
18% Popularity • 72% Danceability • 56% Energy • 14% Liveness
91% Instrumentalness • 44% Positiveness
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Nynfus Corporation
La Petit P
108 bpm • G Maj • 04:40 • -6.2db
12% Popularity • 52% Danceability • 71% Energy • 5% Liveness
0% Instrumentalness • 14% Positiveness
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Tape Machines
Lucid Dreams - Instrumental Version
108 bpm • F# min • 03:05 • -8.96db
11% Popularity • 76% Danceability • 61% Energy • 11% Liveness
85% Instrumentalness • 20% Positiveness
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Andy Powell
I'm Trouble
93 bpm • F min • 02:11 • -6.43db
15% Popularity • 74% Danceability • 73% Energy • 66% Liveness
0% Instrumentalness • 82% Positiveness
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James Crawford
Best of Times
92 bpm • C min • 02:33 • -9.96db
0% Popularity • 67% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
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Aloe Blacc
Brand New Swagger
92 bpm • G Maj • 03:13 • -4.4db
28% Popularity • 70% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
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Grayson Voltaire
Because It’s Easy
92 bpm • D Maj • 02:51 • -5.38db
12% Popularity • 68% Danceability • 86% Energy • 62% Liveness
0% Instrumentalness • 80% Positiveness
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Daniel Farrant
It’s OK to Get Crazy
92 bpm • B min • 03:01 • -7db
14% Popularity • 60% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
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SLPSTRM
Roadside Rodeo
92 bpm • F# min • 02:47 • -11db
15% Popularity • 62% Danceability • 72% Energy • 41% Liveness
96% Instrumentalness • 59% Positiveness
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Andy Powell
Feel the Love
109 bpm • C# min • 02:53 • -6.53db
8% Popularity • 67% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
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James Crawford
We Light Up
109 bpm • D Maj • 03:26 • -5.33db
3% Popularity • 83% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
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Amy Swift
Are You Ready for This?
109 bpm • A# min • 02:53 • -5.44db
9% Popularity • 82% Danceability • 83% Energy • 21% Liveness
0% Instrumentalness • 76% Positiveness
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Thea Tyler
Come Over to Me
110 bpm • C# Maj • 03:19 • -7db
9% Popularity • 75% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
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Daniel Farrant
On the One
109 bpm • D# Maj • 03:00 • -4.97db
10% Popularity • 65% Danceability • 89% Energy • 8% Liveness
3% Instrumentalness • 74% Positiveness
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Mark Waterfield
Back to the Badlands
110 bpm • D min • 02:58 • -6.65db
7% Popularity • 56% Danceability • 92% Energy • 8% Liveness
92% Instrumentalness • 81% Positiveness
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Nico Staf
Snake on the Beach
110 bpm • G Maj • 02:29 • -6.28db
18% Popularity • 76% Danceability • 87% Energy • 14% Liveness
76% Instrumentalness • 86% Positiveness
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The New Fools
What We Didn't Know
110 bpm • B min • 02:26 • -7.69db
8% Popularity • 72% Danceability • 79% Energy • 23% Liveness
77% Instrumentalness • 74% Positiveness
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Ma Baker
Get Higher
110 bpm • F min • 03:10 • -4.33db
13% Popularity • 59% Danceability • 94% Energy • 42% Liveness
79% Instrumentalness • 74% Positiveness
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Terrell Burt
Come and Dance
110 bpm • B Maj • 02:26 • -7.26db
14% Popularity • 92% Danceability • 68% Energy • 6% Liveness
0% Instrumentalness • 86% Positiveness
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I Always Win