Songs like I am the rose of Sharon by William Billings
Based on a tempo of (+/- 10%) and a similar genre
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Jonathan Dove
The Passing of the Year: No. 5. Ah, Sun-...
104 bpm • F# Maj • 02:13 • -24db
22% Popularity • 16% Danceability • 6% Energy • 8% Liveness
63% Instrumentalness • 4% Positiveness
22% Popularity • 16% Danceability • 6% Energy • 8% Liveness
63% Instrumentalness • 4% Positiveness
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Mārtiņš Brauns
Gathering
104 bpm • A# Maj • 02:21 • -16.56db
7% Popularity • 42% Danceability • 22% Energy • 19% Liveness
0% Instrumentalness • 24% Positiveness
7% Popularity • 42% Danceability • 22% Energy • 19% Liveness
0% Instrumentalness • 24% Positiveness
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Bob Chilcott
St. John Passion, Part I: Hymn: It Is A ...
104 bpm • C Maj • 02:12 • -15.83db
10% Popularity • 15% Danceability • 28% Energy • 9% Liveness
58% Instrumentalness • 17% Positiveness
10% Popularity • 15% Danceability • 28% Energy • 9% Liveness
58% Instrumentalness • 17% Positiveness
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The Jubilate Singers
The Day Thou Gavest Lord Is Ended
104 bpm • G# Maj • 01:47 • -18.62db
11% Popularity • 26% Danceability • 22% Energy • 10% Liveness
77% Instrumentalness • 27% Positiveness
11% Popularity • 26% Danceability • 22% Energy • 10% Liveness
77% Instrumentalness • 27% Positiveness
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Sarah Quartel
The Birds' Lullaby - SATB
104 bpm • G Maj • 03:30 • -20db
9% Popularity • 26% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
9% Popularity • 26% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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William Billings
Richmond
104 bpm • A# min • 02:22 • -28.42db
1% Popularity • 28% Danceability • 3% Energy • 23% Liveness
0% Instrumentalness • 21% Positiveness
1% Popularity • 28% Danceability • 3% Energy • 23% Liveness
0% Instrumentalness • 21% Positiveness
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Thomas Beveridge
Chester (arr. T. Beveridge)
104 bpm • G Maj • 04:09 • -19.18db
0% Popularity • 54% Danceability • 22% Energy • 17% Liveness
0% Instrumentalness • 33% Positiveness
0% Popularity • 54% Danceability • 22% Energy • 17% Liveness
0% Instrumentalness • 33% Positiveness
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Thomas Dorsey
Precious Lord (Arr. for Choir by Arnold ...
104 bpm • A# Maj • 03:31 • -20.61db
27% Popularity • 17% Danceability • 10% Energy • 17% Liveness
6% Instrumentalness • 4% Positiveness
27% Popularity • 17% Danceability • 10% Energy • 17% Liveness
6% Instrumentalness • 4% Positiveness
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Prima Luce
Help of Christians
104 bpm • B Maj • 01:59 • -19.29db
11% Popularity • 28% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
11% Popularity • 28% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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John Ireland
Communion Service in C Major: Benedictus...
105 bpm • C Maj • 01:17 • -25db
21% Popularity • 26% Danceability • 8% Energy • 10% Liveness
2% Instrumentalness • 11% Positiveness
21% Popularity • 26% Danceability • 8% Energy • 10% Liveness
2% Instrumentalness • 11% Positiveness
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Thomas Morley
Burial Service: III. Thou Knowest, Lord,...
105 bpm • G min • 01:42 • -26db
14% Popularity • 20% Danceability • 9% Energy • 19% Liveness
0% Instrumentalness • 4% Positiveness
14% Popularity • 20% Danceability • 9% Energy • 19% Liveness
0% Instrumentalness • 4% Positiveness
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William Billings
Chester/America
103 bpm • C min • 03:16 • -19.52db
1% Popularity • 42% Danceability • 41% Energy • 15% Liveness
0% Instrumentalness • 44% Positiveness
1% Popularity • 42% Danceability • 41% Energy • 15% Liveness
0% Instrumentalness • 44% Positiveness
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Kerensa Briggs
Preces
103 bpm • D Maj • 01:31 • -29.28db
8% Popularity • 19% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
8% Popularity • 19% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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University of King's College Chapel Choir
Christ Our Passover
105 bpm • C min • 04:13 • -15db
12% Popularity • 20% Danceability • 22% Energy • 11% Liveness
90% Instrumentalness • 3% Positiveness
12% Popularity • 20% Danceability • 22% Energy • 11% Liveness
90% Instrumentalness • 3% Positiveness
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Benjamin Britten
Rejoice in the Lamb, Op. 30: II. Let Nim...
105 bpm • A# Maj • 01:19 • -23.84db
8% Popularity • 51% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
8% Popularity • 51% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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St. Thomas Choir Of Men And Boys
Psalm 22: 1-11: My God, My God, Look Upo...
102 bpm • F# min • 03:40 • -35.25db
8% Popularity • 17% Danceability • 3% Energy • 12% Liveness
1% Instrumentalness • 4% Positiveness
8% Popularity • 17% Danceability • 3% Energy • 12% Liveness
1% Instrumentalness • 4% Positiveness
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Luke Mayernik
O Redeemer
106 bpm • B min • 04:34 • -13.56db
7% Popularity • 21% Danceability • 33% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
7% Popularity • 21% Danceability • 33% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
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William Billings
Easter Anthem "The Lord is ris'n indeed"
103 bpm • A Maj • 03:19 • -21.02db
10% Popularity • 37% Danceability • 12% Energy • 25% Liveness
0% Instrumentalness • 56% Positiveness
10% Popularity • 37% Danceability • 12% Energy • 25% Liveness
0% Instrumentalness • 56% Positiveness
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Eleanor Daley
The Lake Isle of Innisfree
102 bpm • C# Maj • 04:00 • -28db
8% Popularity • 21% Danceability • 8% Energy • 73% Liveness
0% Instrumentalness • 11% Positiveness
8% Popularity • 21% Danceability • 8% Energy • 73% Liveness
0% Instrumentalness • 11% Positiveness
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Faith Builders Chorale
I Will Arise
102 bpm • A# min • 01:37 • -24.78db
8% Popularity • 30% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
8% Popularity • 30% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Hans Leo Hassler
Dixit Maria
106 bpm • G Maj • 02:34 • -23.66db
9% Popularity • 21% Danceability • 12% Energy • 15% Liveness
15% Instrumentalness • 8% Positiveness
9% Popularity • 21% Danceability • 12% Energy • 15% Liveness
15% Instrumentalness • 8% Positiveness
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Charles Harris
O Valiant Hearts
106 bpm • D# Maj • 03:21 • -24.06db
11% Popularity • 20% Danceability • 14% Energy • 14% Liveness
2% Instrumentalness • 10% Positiveness
11% Popularity • 20% Danceability • 14% Energy • 14% Liveness
2% Instrumentalness • 10% Positiveness
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The Redeemer Choir Austin Texas
O Sacred Head Now Wounded (PASSION CHORA...
102 bpm • C Maj • 02:26 • -22.13db
10% Popularity • 14% Danceability • 11% Energy • 17% Liveness
91% Instrumentalness • 24% Positiveness
10% Popularity • 14% Danceability • 11% Energy • 17% Liveness
91% Instrumentalness • 24% Positiveness
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William Billings
Jordan
105 bpm • A Maj • 02:53 • -21.04db
3% Popularity • 42% Danceability • 18% Energy • 20% Liveness
0% Instrumentalness • 30% Positiveness
3% Popularity • 42% Danceability • 18% Energy • 20% Liveness
0% Instrumentalness • 30% Positiveness
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Dale Warland Singers
Mass - Frank Martin: III. Credo
106 bpm • A min • 05:45 • -29db
8% Popularity • 17% Danceability • 5% Energy • 30% Liveness
21% Instrumentalness • 4% Positiveness
8% Popularity • 17% Danceability • 5% Energy • 30% Liveness
21% Instrumentalness • 4% Positiveness
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Leonard Bernstein
Mass: Warm-Up
106 bpm • C# Maj • 01:23 • -29.25db
13% Popularity • 58% Danceability • 18% Energy • 11% Liveness
55% Instrumentalness • 32% Positiveness
13% Popularity • 58% Danceability • 18% Energy • 11% Liveness
55% Instrumentalness • 32% Positiveness
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Fr. Gregor Aichinger
Regina Caeli (Aichinger)
102 bpm • E Maj • 02:16 • -20.53db
29% Popularity • 26% Danceability • 8% Energy • 13% Liveness
52% Instrumentalness • 19% Positiveness
29% Popularity • 26% Danceability • 8% Energy • 13% Liveness
52% Instrumentalness • 19% Positiveness
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Frank Ticheli
There Will Be Rest
106 bpm • D# Maj • 06:05 • -28db
12% Popularity • 16% Danceability • 5% Energy • 11% Liveness
3% Instrumentalness • 4% Positiveness
12% Popularity • 16% Danceability • 5% Energy • 11% Liveness
3% Instrumentalness • 4% Positiveness
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Montgomery Highschool Choir
Ta Na Solbici
101 bpm • G# Maj • 02:34 • -21.83db
13% Popularity • 28% Danceability • 34% Energy • 45% Liveness
0% Instrumentalness • 27% Positiveness
13% Popularity • 28% Danceability • 34% Energy • 45% Liveness
0% Instrumentalness • 27% Positiveness
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William Billings
I Am the Rose of Sharon
102 bpm • A Maj • 04:14 • -23.61db
0% Popularity • 36% Danceability • 5% Energy • 19% Liveness
0% Instrumentalness • 50% Positiveness
0% Popularity • 36% Danceability • 5% Energy • 19% Liveness
0% Instrumentalness • 50% Positiveness
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Thomas Morley
I Love, Alas, I Love Thee
107 bpm • G Maj • 01:32 • -23db
13% Popularity • 26% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
13% Popularity • 26% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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William Daman
Southwell "Lord Jesus, Think on Me"
101 bpm • E min • 02:26 • -23db
22% Popularity • 20% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
22% Popularity • 20% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Carl Martin Reinthaler
Gloriosa dicta sunt
107 bpm • D Maj • 01:59 • -22.1db
10% Popularity • 21% Danceability • 7% Energy • 12% Liveness
1% Instrumentalness • 9% Positiveness
10% Popularity • 21% Danceability • 7% Energy • 12% Liveness
1% Instrumentalness • 9% Positiveness
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William Moore
Holy Manna
108 bpm • A Maj • 02:19 • -20.92db
8% Popularity • 30% Danceability • 9% Energy • 18% Liveness
0% Instrumentalness • 33% Positiveness
8% Popularity • 30% Danceability • 9% Energy • 18% Liveness
0% Instrumentalness • 33% Positiveness
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Huddersfield Choral Society
Eternal Father, Strong to Save
108 bpm • G Maj • 02:45 • -23.57db
23% Popularity • 16% Danceability • 13% Energy • 13% Liveness
46% Instrumentalness • 18% Positiveness
23% Popularity • 16% Danceability • 13% Energy • 13% Liveness
46% Instrumentalness • 18% Positiveness
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William Billings
Thanksgiving Anthem "O praise the Lord O...
101 bpm • F Maj • 04:26 • -22.46db
4% Popularity • 32% Danceability • 8% Energy • 24% Liveness
0% Instrumentalness • 39% Positiveness
4% Popularity • 32% Danceability • 8% Energy • 24% Liveness
0% Instrumentalness • 39% Positiveness
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Robert Schumann
Romanzen und Balladen, Book 1, Op. 67: N...
100 bpm • G Maj • 02:57 • -40.12db
13% Popularity • 17% Danceability • 1% Energy • 7% Liveness
19% Instrumentalness • 4% Positiveness
13% Popularity • 17% Danceability • 1% Energy • 7% Liveness
19% Instrumentalness • 4% Positiveness
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William Dawson
Ain't A That Good News
100 bpm • F Maj • 01:57 • -15db
12% Popularity • 59% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
12% Popularity • 59% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Craig Hella Johnson
Considering Matthew Shepard, Passion: No...
108 bpm • D Maj • 04:56 • -24.84db
12% Popularity • 26% Danceability • 3% Energy • 10% Liveness
78% Instrumentalness • 6% Positiveness
12% Popularity • 26% Danceability • 3% Energy • 10% Liveness
78% Instrumentalness • 6% Positiveness
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Giovanni Gabrieli
Exaudi, Deus, orationem meam in F Minor,...
100 bpm • A Maj • 03:05 • -20db
21% Popularity • 19% Danceability • 13% Energy • 12% Liveness
56% Instrumentalness • 4% Positiveness
21% Popularity • 19% Danceability • 13% Energy • 12% Liveness
56% Instrumentalness • 4% Positiveness
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Margaret Bonds
Credo: I. I Believe in God
99 bpm • G Maj • 02:33 • -16.38db
7% Popularity • 14% Danceability • 32% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
7% Popularity • 14% Danceability • 32% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
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William Billings
Who is this that cometh from Edom?
107 bpm • E Maj • 06:05 • -21.63db
1% Popularity • 25% Danceability • 12% Energy • 15% Liveness
0% Instrumentalness • 8% Positiveness
1% Popularity • 25% Danceability • 12% Energy • 15% Liveness
0% Instrumentalness • 8% Positiveness
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Sarah Quartel
Amabile Alleluia
99 bpm • D# Maj • 02:11 • -20.98db
14% Popularity • 16% Danceability • 20% Energy • 9% Liveness
85% Instrumentalness • 6% Positiveness
14% Popularity • 16% Danceability • 20% Energy • 9% Liveness
85% Instrumentalness • 6% Positiveness
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Jacob Hintze
At the Lamb's High Feast We Sing
98 bpm • D Maj • 03:22 • -21.8db
12% Popularity • 15% Danceability • 15% Energy • 10% Liveness
23% Instrumentalness • 26% Positiveness
12% Popularity • 15% Danceability • 15% Energy • 10% Liveness
23% Instrumentalness • 26% Positiveness
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Thomas Morley
Burial Service: I. Man that is Born of a...
98 bpm • G min • 01:26 • -29.64db
19% Popularity • 17% Danceability • 3% Energy • 22% Liveness
0% Instrumentalness • 7% Positiveness
19% Popularity • 17% Danceability • 3% Energy • 22% Liveness
0% Instrumentalness • 7% Positiveness
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Southwestern Seminary Oratorio Chorus
Awake The Harp
110 bpm • D Maj • 02:10 • -16.07db
18% Popularity • 47% Danceability • 38% Energy • 28% Liveness
66% Instrumentalness • 70% Positiveness
18% Popularity • 47% Danceability • 38% Energy • 28% Liveness
66% Instrumentalness • 70% Positiveness
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Finn Mathiassen
Lille Almanak – Little Almanac 3
98 bpm • D# Maj • 01:34 • -31.46db
8% Popularity • 31% Danceability • 2% Energy • 9% Liveness
10% Instrumentalness • 6% Positiveness
8% Popularity • 31% Danceability • 2% Energy • 9% Liveness
10% Instrumentalness • 6% Positiveness
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William Billings
I am the Rose of Sharon
108 bpm • C# min • 04:04 • -21.76db
7% Popularity • 35% Danceability • 13% Energy • 55% Liveness
0% Instrumentalness • 27% Positiveness
7% Popularity • 35% Danceability • 13% Energy • 55% Liveness
0% Instrumentalness • 27% Positiveness
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Ali Ismael
パレスチナ 革命者
111 bpm • D# Maj • 01:08 • -15.54db
9% Popularity • 63% Danceability • 38% Energy • 15% Liveness
0% Instrumentalness • 41% Positiveness
9% Popularity • 63% Danceability • 38% Energy • 15% Liveness
0% Instrumentalness • 41% Positiveness
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Yuri Alexandrovich Falik
Stranger
111 bpm • A min • 01:53 • -24.38db
14% Popularity • 31% Danceability • 6% Energy • 16% Liveness
0% Instrumentalness • 10% Positiveness
14% Popularity • 31% Danceability • 6% Energy • 16% Liveness
0% Instrumentalness • 10% Positiveness
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Cantus
Wondrous Love
97 bpm • A Maj • 01:52 • -17db
8% Popularity • 58% Danceability • 15% Energy • 14% Liveness
0% Instrumentalness • 70% Positiveness
8% Popularity • 58% Danceability • 15% Energy • 14% Liveness
0% Instrumentalness • 70% Positiveness
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Dale Warland Singers
Wayfarin' Stranger
111 bpm • C Maj • 04:06 • -27db
9% Popularity • 23% Danceability • 2% Energy • 11% Liveness
14% Instrumentalness • 6% Positiveness
9% Popularity • 23% Danceability • 2% Energy • 11% Liveness
14% Instrumentalness • 6% Positiveness
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Melchior Teschner
St. Theodulph "All Glory, Laud and Honou...
97 bpm • C Maj • 05:10 • -17db
22% Popularity • 21% Danceability • 27% Energy • 14% Liveness
13% Instrumentalness • 13% Positiveness
22% Popularity • 21% Danceability • 27% Energy • 14% Liveness
13% Instrumentalness • 13% Positiveness
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William Billings
Chesterfield
109 bpm • D# min • 02:31 • -29.4db
1% Popularity • 20% Danceability • 6% Energy • 14% Liveness
95% Instrumentalness • 13% Positiveness
1% Popularity • 20% Danceability • 6% Energy • 14% Liveness
95% Instrumentalness • 13% Positiveness
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Kampin Laulu Chamber Choir
Jaakko Mäntyjärvi: Väinämöinen unek...
97 bpm • D min • 04:33 • -20.79db
8% Popularity • 18% Danceability • 11% Energy • 8% Liveness
53% Instrumentalness • 4% Positiveness
8% Popularity • 18% Danceability • 11% Energy • 8% Liveness
53% Instrumentalness • 4% Positiveness
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Luke Mayernik
Mandatum Novum
112 bpm • A Maj • 07:36 • -19.05db
10% Popularity • 24% Danceability • 18% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
10% Popularity • 24% Danceability • 18% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
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Stephen Dean
Ours Were the Griefs He Bore
97 bpm • E Maj • 04:05 • -22.41db
9% Popularity • 18% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
9% Popularity • 18% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Stephen Caracciolo
Adoro Te Devote (Jesus, I Adore Thee)
97 bpm • D# Maj • 03:52 • -32.23db
8% Popularity • 12% Danceability • 5% Energy • 9% Liveness
3% Instrumentalness • 7% Positiveness
8% Popularity • 12% Danceability • 5% Energy • 9% Liveness
3% Instrumentalness • 7% Positiveness
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Carl Nielsen
Aftenstemning (Evening Mood), FS 48
112 bpm • C# Maj • 02:23 • -28.65db
15% Popularity • 17% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
15% Popularity • 17% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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William Billings
I am The Rose of Sharon
99 bpm • A Maj • 04:48 • -25.88db
0% Popularity • 33% Danceability • 5% Energy • 35% Liveness
0% Instrumentalness • 23% Positiveness
0% Popularity • 33% Danceability • 5% Energy • 35% Liveness
0% Instrumentalness • 23% Positiveness
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John Stainer
Litany Of The Passion
96 bpm • A Maj • 04:00 • -23.89db
10% Popularity • 19% Danceability • 10% Energy • 9% Liveness
67% Instrumentalness • 21% Positiveness
10% Popularity • 19% Danceability • 10% Energy • 9% Liveness
67% Instrumentalness • 21% Positiveness
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The Shaar Hashomayim Synagogue Choir
L’cha Adonai
112 bpm • D min • 01:56 • -16.87db
10% Popularity • 23% Danceability • 19% Energy • 13% Liveness
0% Instrumentalness • 16% Positiveness
10% Popularity • 23% Danceability • 19% Energy • 13% Liveness
0% Instrumentalness • 16% Positiveness
► Preview
John Ireland
Communion Service in C Major: Kyrie
113 bpm • C Maj • 01:04 • -32db
37% Popularity • 17% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
37% Popularity • 17% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
► Preview
Percy Whitlock
Psalm 137 "By the Waters of Babylon"
113 bpm • A min • 01:51 • -35db
11% Popularity • 22% Danceability • 3% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
11% Popularity • 22% Danceability • 3% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Nicolas Fayolle
Evry Stone Crys
95 bpm • A# Maj • 03:39 • -22.94db
26% Popularity • 20% Danceability • 12% Energy • 11% Liveness
77% Instrumentalness • 14% Positiveness
26% Popularity • 20% Danceability • 12% Energy • 11% Liveness
77% Instrumentalness • 14% Positiveness
► Preview
William Billings
Jordan
97 bpm • C# min • 03:11 • -22.13db
0% Popularity • 40% Danceability • 16% Energy • 39% Liveness
0% Instrumentalness • 30% Positiveness
0% Popularity • 40% Danceability • 16% Energy • 39% Liveness
0% Instrumentalness • 30% Positiveness
► Preview
Independent Presbyterian Church Savannah
Psalm 136 (Constance)
95 bpm • D# Maj • 02:11 • -23.29db
11% Popularity • 16% Danceability • 19% Energy • 14% Liveness
0% Instrumentalness • 19% Positiveness
11% Popularity • 16% Danceability • 19% Energy • 14% Liveness
0% Instrumentalness • 19% Positiveness
► Preview
Thomas Morley
Sing We and Chant It
95 bpm • G Maj • 01:36 • -17.23db
13% Popularity • 54% Danceability • 31% Energy • 21% Liveness
0% Instrumentalness • 66% Positiveness
13% Popularity • 54% Danceability • 31% Energy • 21% Liveness
0% Instrumentalness • 66% Positiveness
► Preview
Genrid Martinez
Taste And See
114 bpm • F Maj • 02:58 • -16.62db
29% Popularity • 17% Danceability • 13% Energy • 10% Liveness
96% Instrumentalness • 8% Positiveness
29% Popularity • 17% Danceability • 13% Energy • 10% Liveness
96% Instrumentalness • 8% Positiveness
► Preview
Georg Friedrich Daumer
Sieh, Wie Ist Die Welle Klar
115 bpm • D# Maj • 01:03 • -29.24db
18% Popularity • 23% Danceability • 5% Energy • 11% Liveness
41% Instrumentalness • 7% Positiveness
18% Popularity • 23% Danceability • 5% Energy • 11% Liveness
41% Instrumentalness • 7% Positiveness
► Preview
Truro Cathedral Choir
Nôtre Père, Op. 14
115 bpm • F Maj • 01:27 • -31.62db
17% Popularity • 17% Danceability • 3% Energy • 10% Liveness
1% Instrumentalness • 4% Positiveness
17% Popularity • 17% Danceability • 3% Energy • 10% Liveness
1% Instrumentalness • 4% Positiveness
► Preview
William Billings
O Praise the Lord of Heaven
96 bpm • F Maj • 03:41 • -23.37db
2% Popularity • 43% Danceability • 7% Energy • 20% Liveness
0% Instrumentalness • 38% Positiveness
2% Popularity • 43% Danceability • 7% Energy • 20% Liveness
0% Instrumentalness • 38% Positiveness
► Preview
Studentenkoor Gica
Hear my Prayer, O Lord, my God
115 bpm • A# min • 02:22 • -23.16db
0% Popularity • 22% Danceability • 18% Energy • 69% Liveness
3% Instrumentalness • 12% Positiveness
0% Popularity • 22% Danceability • 18% Energy • 69% Liveness
3% Instrumentalness • 12% Positiveness
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Augustana Choir
Sit Down Servant, Stacey V. Gibbs
94 bpm • E min • 03:53 • -21.3db
8% Popularity • 22% Danceability • 20% Energy • 68% Liveness
0% Instrumentalness • 9% Positiveness
8% Popularity • 22% Danceability • 20% Energy • 68% Liveness
0% Instrumentalness • 9% Positiveness
► Preview
University Of Pretoria Camerata
Absalom, My Son
94 bpm • C# min • 09:21 • -22.59db
7% Popularity • 12% Danceability • 12% Energy • 11% Liveness
6% Instrumentalness • 4% Positiveness
7% Popularity • 12% Danceability • 12% Energy • 11% Liveness
6% Instrumentalness • 4% Positiveness
► Preview
Jane Hawes
Wondrous Love (Reprise) - Epilogue
115 bpm • G Maj • 01:32 • -21.82db
1% Popularity • 23% Danceability • 9% Energy • 11% Liveness
8% Instrumentalness • 12% Positiveness
1% Popularity • 23% Danceability • 9% Energy • 11% Liveness
8% Instrumentalness • 12% Positiveness
► Preview
Giovanni Croce
Laudans exultet gaudio per doppio coro, ...
116 bpm • F Maj • 03:17 • -18.34db
8% Popularity • 21% Danceability • 12% Energy • 14% Liveness
95% Instrumentalness • 9% Positiveness
8% Popularity • 21% Danceability • 12% Energy • 14% Liveness
95% Instrumentalness • 9% Positiveness
► Preview
Hans Leo Hassler
Verbum caro factum est
94 bpm • G Maj • 02:56 • -21db
13% Popularity • 17% Danceability • 10% Energy • 6% Liveness
24% Instrumentalness • 8% Positiveness
13% Popularity • 17% Danceability • 10% Energy • 6% Liveness
24% Instrumentalness • 8% Positiveness
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Enrique Lacárcel Bautista
I Am in Need of Music - Bonus Track
116 bpm • A# Maj • 03:48 • -21.11db
13% Popularity • 27% Danceability • 6% Energy • 6% Liveness
87% Instrumentalness • 5% Positiveness
13% Popularity • 27% Danceability • 6% Energy • 6% Liveness
87% Instrumentalness • 5% Positiveness
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Herbert Murrill
Magnificat in E Major
116 bpm • F# min • 04:29 • -24.52db
8% Popularity • 21% Danceability • 13% Energy • 10% Liveness
4% Instrumentalness • 6% Positiveness
8% Popularity • 21% Danceability • 13% Energy • 10% Liveness
4% Instrumentalness • 6% Positiveness
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Lodovico Grossi da Viadana
Exultate Justi!
94 bpm • A Maj • 02:11 • -18db
15% Popularity • 26% Danceability • 24% Energy • 12% Liveness
74% Instrumentalness • 19% Positiveness
15% Popularity • 26% Danceability • 24% Energy • 12% Liveness
74% Instrumentalness • 19% Positiveness
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St. Symeon Orthodox Church Octet
Hypakoe (Kontakion of Pascha)
116 bpm • F# Maj • 01:52 • -18db
23% Popularity • 21% Danceability • 20% Energy • 16% Liveness
12% Instrumentalness • 14% Positiveness
23% Popularity • 21% Danceability • 20% Energy • 16% Liveness
12% Instrumentalness • 14% Positiveness
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Blackburn Cathedral Choir
Brewer: Magnificat in D
92 bpm • D Maj • 03:55 • -20db
10% Popularity • 22% Danceability • 14% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
10% Popularity • 22% Danceability • 14% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
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John Stainer
The Mysery Of The Divine Humiliation
93 bpm • G# Maj • 02:25 • -20db
11% Popularity • 15% Danceability • 21% Energy • 23% Liveness
43% Instrumentalness • 36% Positiveness
11% Popularity • 15% Danceability • 21% Energy • 23% Liveness
43% Instrumentalness • 36% Positiveness
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Leo Sowerby
Come, Risen Lord
92 bpm • A# Maj • 03:26 • -17db
12% Popularity • 11% Danceability • 21% Energy • 23% Liveness
92% Instrumentalness • 19% Positiveness
12% Popularity • 11% Danceability • 21% Energy • 23% Liveness
92% Instrumentalness • 19% Positiveness
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George Dyson
Magnificat in C Minor
118 bpm • C min • 02:58 • -23.51db
10% Popularity • 28% Danceability • 16% Energy • 31% Liveness
0% Instrumentalness • 15% Positiveness
10% Popularity • 28% Danceability • 16% Energy • 31% Liveness
0% Instrumentalness • 15% Positiveness
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Peter Philips
Ecce vicit Leo
118 bpm • A# Maj • 02:24 • -18.87db
12% Popularity • 36% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
12% Popularity • 36% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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Philip Stopford
Missa Deus nobiscum (Version for Soprano...
118 bpm • G# Maj • 01:18 • -18.53db
13% Popularity • 17% Danceability • 9% Energy • 17% Liveness
82% Instrumentalness • 4% Positiveness
13% Popularity • 17% Danceability • 9% Energy • 17% Liveness
82% Instrumentalness • 4% Positiveness
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Thomas Attwood Walmisley
I Waited Patiently for the Lord (Psalm 4...
118 bpm • C Maj • 05:36 • -30.43db
9% Popularity • 25% Danceability • 13% Energy • 13% Liveness
5% Instrumentalness • 6% Positiveness
9% Popularity • 25% Danceability • 13% Energy • 13% Liveness
5% Instrumentalness • 6% Positiveness
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Jakob Hintze
Salzburg "At the Lamb's High Feast We Si...
92 bpm • D Maj • 02:54 • -16db
18% Popularity • 18% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
18% Popularity • 18% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Mårten Jansson
Missa Popularis: IV. Sanctus
92 bpm • D Maj • 02:35 • -17db
9% Popularity • 33% Danceability • 18% Energy • 5% Liveness
60% Instrumentalness • 20% Positiveness
9% Popularity • 33% Danceability • 18% Energy • 5% Liveness
60% Instrumentalness • 20% Positiveness
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Jaakko Mäntyjärvi
Double, Double Toil and Trouble
91 bpm • F# Maj • 03:01 • -23db
12% Popularity • 30% Danceability • 13% Energy • 21% Liveness
0% Instrumentalness • 5% Positiveness
12% Popularity • 30% Danceability • 13% Energy • 21% Liveness
0% Instrumentalness • 5% Positiveness
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Charles Villiers Stanford
The Bluebird
91 bpm • B Maj • 03:13 • -28db
25% Popularity • 17% Danceability • 4% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
25% Popularity • 17% Danceability • 4% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
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Methodist Central Hall Choir, Westminster
Wesley: Jesus, the First and Last (St. O...
119 bpm • F Maj • 00:52 • -30.69db
11% Popularity • 23% Danceability • 5% Energy • 15% Liveness
0% Instrumentalness • 8% Positiveness
11% Popularity • 23% Danceability • 5% Energy • 15% Liveness
0% Instrumentalness • 8% Positiveness
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William Billings
Rutland
91 bpm • B Maj • 02:20 • -22.88db
2% Popularity • 24% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
2% Popularity • 24% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Herbert Sumsion
Nunc dimittis in G Major
119 bpm • E min • 02:32 • -24.51db
17% Popularity • 19% Danceability • 6% Energy • 10% Liveness
73% Instrumentalness • 4% Positiveness
17% Popularity • 19% Danceability • 6% Energy • 10% Liveness
73% Instrumentalness • 4% Positiveness
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William Beale
Psalm 1 "Blessed Is the Man"
91 bpm • A min • 02:12 • -27.07db
16% Popularity • 32% Danceability • 8% Energy • 12% Liveness
1% Instrumentalness • 4% Positiveness
16% Popularity • 32% Danceability • 8% Energy • 12% Liveness
1% Instrumentalness • 4% Positiveness
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David Crown
Bogoroditse Devo - Live
119 bpm • F Maj • 02:48 • -23.9db
7% Popularity • 19% Danceability • 18% Energy • 66% Liveness
0% Instrumentalness • 7% Positiveness
7% Popularity • 19% Danceability • 18% Energy • 66% Liveness
0% Instrumentalness • 7% Positiveness
