Songs like I Am Your Home by Rachael Dadd
Based on a tempo of (+/- 10%) and a similar genre
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Laura Veirs
Autumn Song
140 bpm • C# min • 03:38 • -15.68db
11% Popularity • 66% Danceability • 25% Energy • 11% Liveness
1% Instrumentalness • 29% Positiveness
11% Popularity • 66% Danceability • 25% Energy • 11% Liveness
1% Instrumentalness • 29% Positiveness
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Loma
Black Willow
140 bpm • D# min • 05:17 • -10.49db
36% Popularity • 68% Danceability • 31% Energy • 10% Liveness
4% Instrumentalness • 30% Positiveness
36% Popularity • 68% Danceability • 31% Energy • 10% Liveness
4% Instrumentalness • 30% Positiveness
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Raoul Vignal
One
140 bpm • F min • 04:55 • -16db
21% Popularity • 44% Danceability • 30% Energy • 12% Liveness
95% Instrumentalness • 17% Positiveness
21% Popularity • 44% Danceability • 30% Energy • 12% Liveness
95% Instrumentalness • 17% Positiveness
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CocoRosie
Where Did All the Soldiers Go
140 bpm • D# Maj • 04:44 • -10.9db
32% Popularity • 74% Danceability • 42% Energy • 10% Liveness
5% Instrumentalness • 26% Positiveness
32% Popularity • 74% Danceability • 42% Energy • 10% Liveness
5% Instrumentalness • 26% Positiveness
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Scout Niblett
Duke of Anxiety
140 bpm • A Maj • 02:14 • -13.48db
24% Popularity • 56% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
24% Popularity • 56% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Benny Goeran Bror Andersson
Lay All Your Love On Me
140 bpm • A min • 04:32 • -15db
30% Popularity • 39% Danceability • 9% Energy • 11% Liveness
2% Instrumentalness • 10% Positiveness
30% Popularity • 39% Danceability • 9% Energy • 11% Liveness
2% Instrumentalness • 10% Positiveness
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Rachael Dadd
I Am Your Home
140 bpm • G# Maj • 03:56 • -15.41db
14% Popularity • 45% Danceability • 27% Energy • 8% Liveness
20% Instrumentalness • 33% Positiveness
14% Popularity • 45% Danceability • 27% Energy • 8% Liveness
20% Instrumentalness • 33% Positiveness
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Tiny Ruins
Priest with Balloons
141 bpm • D Maj • 04:05 • -15.6db
21% Popularity • 45% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
21% Popularity • 45% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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clauscalmo
Se lui non viene
139 bpm • B min • 03:06 • -12.93db
8% Popularity • 56% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
8% Popularity • 56% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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Bodies Of Water
There Is Only You
141 bpm • D Maj • 03:00 • -12.09db
13% Popularity • 42% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
13% Popularity • 42% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Marissa Nadler
Mexican Summer
142 bpm • D# min • 05:27 • -13db
20% Popularity • 33% Danceability • 27% Energy • 15% Liveness
0% Instrumentalness • 9% Positiveness
20% Popularity • 33% Danceability • 27% Energy • 15% Liveness
0% Instrumentalness • 9% Positiveness
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Daisy Rickman
Arum Lily
142 bpm • F# min • 05:01 • -21.05db
19% Popularity • 38% Danceability • 8% Energy • 10% Liveness
12% Instrumentalness • 7% Positiveness
19% Popularity • 38% Danceability • 8% Energy • 10% Liveness
12% Instrumentalness • 7% Positiveness
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Sudan Archives
Dogtown
142 bpm • E min • 03:17 • -13.52db
17% Popularity • 66% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
17% Popularity • 66% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Tiny Ruins
Bounty
139 bpm • E Maj • 02:48 • -12.87db
13% Popularity • 44% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
13% Popularity • 44% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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She Keeps Bees
Queen of Cups
138 bpm • A Maj • 02:48 • -17.04db
9% Popularity • 56% Danceability • 12% Energy • 15% Liveness
0% Instrumentalness • 36% Positiveness
9% Popularity • 56% Danceability • 12% Energy • 15% Liveness
0% Instrumentalness • 36% Positiveness
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cabane
Take Me Home, Pt. 1
138 bpm • B min • 04:33 • -13.03db
12% Popularity • 26% Danceability • 15% Energy • 12% Liveness
10% Instrumentalness • 8% Positiveness
12% Popularity • 26% Danceability • 15% Energy • 12% Liveness
10% Instrumentalness • 8% Positiveness
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Pitou
Be Delicate
143 bpm • C min • 01:43 • -20.86db
9% Popularity • 51% Danceability • 2% Energy • 18% Liveness
0% Instrumentalness • 37% Positiveness
9% Popularity • 51% Danceability • 2% Energy • 18% Liveness
0% Instrumentalness • 37% Positiveness
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Rachael Dadd
Three
137 bpm • C# Maj • 03:44 • -13.5db
4% Popularity • 72% Danceability • 29% Energy • 10% Liveness
11% Instrumentalness • 65% Positiveness
4% Popularity • 72% Danceability • 29% Energy • 10% Liveness
11% Instrumentalness • 65% Positiveness
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Samana
All One Breath
138 bpm • A# min • 03:30 • -13.56db
10% Popularity • 42% Danceability • 16% Energy • 10% Liveness
30% Instrumentalness • 7% Positiveness
10% Popularity • 42% Danceability • 16% Energy • 10% Liveness
30% Instrumentalness • 7% Positiveness
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Kid Koala
Nightfall Pale Blue
143 bpm • C Maj • 02:49 • -19db
29% Popularity • 24% Danceability • 9% Energy • 11% Liveness
44% Instrumentalness • 4% Positiveness
29% Popularity • 24% Danceability • 9% Energy • 11% Liveness
44% Instrumentalness • 4% Positiveness
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Thao & The Get Down Stay Down
How Could I - Strings Version
143 bpm • A Maj • 03:31 • -9.6db
7% Popularity • 32% Danceability • 31% Energy • 15% Liveness
61% Instrumentalness • 29% Positiveness
7% Popularity • 32% Danceability • 31% Energy • 15% Liveness
61% Instrumentalness • 29% Positiveness
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Julie Byrne
Young Wife
136 bpm • G Maj • 02:15 • -15.3db
30% Popularity • 27% Danceability • 21% Energy • 14% Liveness
5% Instrumentalness • 14% Positiveness
30% Popularity • 27% Danceability • 21% Energy • 14% Liveness
5% Instrumentalness • 14% Positiveness
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Bel Mol
Her Tears (Bonus Track)
137 bpm • G Maj • 02:15 • -10.42db
8% Popularity • 54% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
8% Popularity • 54% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
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Rachael Dadd
The Carpenter
136 bpm • G Maj • 03:55 • -16.45db
1% Popularity • 24% Danceability • 11% Energy • 5% Liveness
1% Instrumentalness • 10% Positiveness
1% Popularity • 24% Danceability • 11% Energy • 5% Liveness
1% Instrumentalness • 10% Positiveness
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Dark Dark Dark
The Hand
144 bpm • C Maj • 03:43 • -12db
10% Popularity • 33% Danceability • 32% Energy • 12% Liveness
40% Instrumentalness • 22% Positiveness
10% Popularity • 33% Danceability • 32% Energy • 12% Liveness
40% Instrumentalness • 22% Positiveness
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Clas Tuuth
Waxwing
136 bpm • F# min • 03:36 • -10.95db
0% Popularity • 78% Danceability • 55% Energy • 11% Liveness
91% Instrumentalness • 66% Positiveness
0% Popularity • 78% Danceability • 55% Energy • 11% Liveness
91% Instrumentalness • 66% Positiveness
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Naima Bock
Toll
136 bpm • G# Maj • 05:05 • -12db
19% Popularity • 48% Danceability • 32% Energy • 7% Liveness
33% Instrumentalness • 16% Positiveness
19% Popularity • 48% Danceability • 32% Energy • 7% Liveness
33% Instrumentalness • 16% Positiveness
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Daisy Rickman
Alice
136 bpm • D Maj • 04:03 • -16.29db
26% Popularity • 38% Danceability • 28% Energy • 11% Liveness
89% Instrumentalness • 32% Positiveness
26% Popularity • 38% Danceability • 28% Energy • 11% Liveness
89% Instrumentalness • 32% Positiveness
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Kathryn Joseph
The Blood
136 bpm • C Maj • 03:56 • -8.79db
10% Popularity • 39% Danceability • 38% Energy • 9% Liveness
13% Instrumentalness • 34% Positiveness
10% Popularity • 39% Danceability • 38% Energy • 9% Liveness
13% Instrumentalness • 34% Positiveness
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Martha Zan
Completely Ours
135 bpm • G min • 02:55 • -13.19db
15% Popularity • 66% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
15% Popularity • 66% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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Saint Saviour
Rock Pools
145 bpm • G Maj • 03:58 • -8.89db
41% Popularity • 80% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 73% Positiveness
41% Popularity • 80% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 73% Positiveness
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Clas Tuuth
Waxwing (Drumskull Remix)
136 bpm • A Maj • 04:43 • -9.48db
0% Popularity • 64% Danceability • 80% Energy • 10% Liveness
93% Instrumentalness • 60% Positiveness
0% Popularity • 64% Danceability • 80% Energy • 10% Liveness
93% Instrumentalness • 60% Positiveness
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Diagrams
Crimson Leaves
145 bpm • F min • 02:47 • -16.54db
17% Popularity • 31% Danceability • 17% Energy • 10% Liveness
10% Instrumentalness • 25% Positiveness
17% Popularity • 31% Danceability • 17% Energy • 10% Liveness
10% Instrumentalness • 25% Positiveness
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Kae Tempest
I Trap You
145 bpm • D# Maj • 03:32 • -9.27db
25% Popularity • 47% Danceability • 72% Energy • 38% Liveness
0% Instrumentalness • 82% Positiveness
25% Popularity • 47% Danceability • 72% Energy • 38% Liveness
0% Instrumentalness • 82% Positiveness
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The Leisure Society
We Were Wasted
145 bpm • C min • 02:55 • -14.23db
39% Popularity • 27% Danceability • 15% Energy • 13% Liveness
10% Instrumentalness • 15% Positiveness
39% Popularity • 27% Danceability • 15% Energy • 13% Liveness
10% Instrumentalness • 15% Positiveness
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Diane Cluck
Maybe a Bird
135 bpm • D# min • 01:41 • -9.93db
24% Popularity • 47% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
24% Popularity • 47% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
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Daisy Dorothy
Alicanto
146 bpm • D Maj • 02:53 • -13.43db
9% Popularity • 52% Danceability • 39% Energy • 11% Liveness
4% Instrumentalness • 52% Positiveness
9% Popularity • 52% Danceability • 39% Energy • 11% Liveness
4% Instrumentalness • 52% Positiveness
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cabane
Take Me Home, Pt. 2
135 bpm • B min • 02:40 • -13.55db
19% Popularity • 39% Danceability • 20% Energy • 9% Liveness
28% Instrumentalness • 4% Positiveness
19% Popularity • 39% Danceability • 20% Energy • 9% Liveness
28% Instrumentalness • 4% Positiveness
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Marlon Williams
Nobody Gets What They Want Anymore
146 bpm • E Maj • 04:59 • -8.15db
28% Popularity • 33% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
28% Popularity • 33% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Niobe
In the Sun
133 bpm • A min • 02:18 • -16.44db
26% Popularity • 50% Danceability • 16% Energy • 13% Liveness
3% Instrumentalness • 29% Positiveness
26% Popularity • 50% Danceability • 16% Energy • 13% Liveness
3% Instrumentalness • 29% Positiveness
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Corrina Repp
Pattern the Cut / Calm Ass Mofo
147 bpm • G Maj • 07:19 • -11.53db
8% Popularity • 41% Danceability • 35% Energy • 11% Liveness
29% Instrumentalness • 7% Positiveness
8% Popularity • 41% Danceability • 35% Energy • 11% Liveness
29% Instrumentalness • 7% Positiveness
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Emily Wells
Misconceptions on Forever
147 bpm • F# min • 04:07 • -11.79db
13% Popularity • 51% Danceability • 31% Energy • 10% Liveness
1% Instrumentalness • 28% Positiveness
13% Popularity • 51% Danceability • 31% Energy • 10% Liveness
1% Instrumentalness • 28% Positiveness
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Saint Saviour
Animal, I
133 bpm • G Maj • 02:48 • -10.68db
16% Popularity • 62% Danceability • 30% Energy • 9% Liveness
1% Instrumentalness • 34% Positiveness
16% Popularity • 62% Danceability • 30% Energy • 9% Liveness
1% Instrumentalness • 34% Positiveness
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Stick in the Wheel
A Tree Must Stand In The Earth
148 bpm • G min • 05:44 • -10.09db
8% Popularity • 47% Danceability • 31% Energy • 23% Liveness
1% Instrumentalness • 8% Positiveness
8% Popularity • 47% Danceability • 31% Energy • 23% Liveness
1% Instrumentalness • 8% Positiveness
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Fera Smith
Feathered Bow
148 bpm • B Maj • 02:23 • -10.38db
9% Popularity • 53% Danceability • 55% Energy • 38% Liveness
8% Instrumentalness • 73% Positiveness
9% Popularity • 53% Danceability • 55% Energy • 38% Liveness
8% Instrumentalness • 73% Positiveness
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Marta Del Grandi
Taller Than His Shadow
132 bpm • A min • 01:47 • -14.61db
23% Popularity • 33% Danceability • 26% Energy • 12% Liveness
2% Instrumentalness • 3% Positiveness
23% Popularity • 33% Danceability • 26% Energy • 12% Liveness
2% Instrumentalness • 3% Positiveness
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Ora Cogan
Waterbound
148 bpm • A min • 04:01 • -14db
19% Popularity • 41% Danceability • 19% Energy • 11% Liveness
70% Instrumentalness • 10% Positiveness
19% Popularity • 41% Danceability • 19% Energy • 11% Liveness
70% Instrumentalness • 10% Positiveness
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Amy May Ellis
Rain From The East
132 bpm • F Maj • 03:37 • -15.77db
10% Popularity • 41% Danceability • 10% Energy • 34% Liveness
0% Instrumentalness • 15% Positiveness
10% Popularity • 41% Danceability • 10% Energy • 34% Liveness
0% Instrumentalness • 15% Positiveness
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Julie Byrne
Emeralds
132 bpm • G min • 03:12 • -21.18db
37% Popularity • 33% Danceability • 7% Energy • 10% Liveness
37% Instrumentalness • 19% Positiveness
37% Popularity • 33% Danceability • 7% Energy • 10% Liveness
37% Instrumentalness • 19% Positiveness
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Raoul Vignal
Moonlit Visit
132 bpm • E min • 02:41 • -13.72db
26% Popularity • 61% Danceability • 30% Energy • 11% Liveness
8% Instrumentalness • 23% Positiveness
26% Popularity • 61% Danceability • 30% Energy • 11% Liveness
8% Instrumentalness • 23% Positiveness
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Anna Mieke
Aurillac
132 bpm • D# Maj • 04:34 • -11.51db
29% Popularity • 44% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
29% Popularity • 44% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Kevin Morby
My Name
148 bpm • G Maj • 02:02 • -9.25db
38% Popularity • 47% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
38% Popularity • 47% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
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Pascal Pinon
Forest
132 bpm • C Maj • 03:43 • -12.55db
18% Popularity • 58% Danceability • 38% Energy • 10% Liveness
96% Instrumentalness • 11% Positiveness
18% Popularity • 58% Danceability • 38% Energy • 10% Liveness
96% Instrumentalness • 11% Positiveness
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Jenny Hval
I Want to Tell You Something
131 bpm • C Maj • 01:21 • -18.33db
28% Popularity • 34% Danceability • 21% Energy • 35% Liveness
63% Instrumentalness • 35% Positiveness
28% Popularity • 34% Danceability • 21% Energy • 35% Liveness
63% Instrumentalness • 35% Positiveness
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Michael Rother
Fly Away (With the Songs)
150 bpm • D Maj • 04:05 • -11.78db
12% Popularity • 61% Danceability • 48% Energy • 39% Liveness
4% Instrumentalness • 4% Positiveness
12% Popularity • 61% Danceability • 48% Energy • 39% Liveness
4% Instrumentalness • 4% Positiveness
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EERA
Christine
131 bpm • E min • 02:16 • -17db
37% Popularity • 45% Danceability • 28% Energy • 14% Liveness
76% Instrumentalness • 54% Positiveness
37% Popularity • 45% Danceability • 28% Energy • 14% Liveness
76% Instrumentalness • 54% Positiveness
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Bodies Of Water
Light Came From Dark
131 bpm • G Maj • 03:56 • -9.47db
14% Popularity • 41% Danceability • 39% Energy • 23% Liveness
0% Instrumentalness • 27% Positiveness
14% Popularity • 41% Danceability • 39% Energy • 23% Liveness
0% Instrumentalness • 27% Positiveness
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My Brightest Diamond
Apples
130 bpm • B Maj • 02:28 • -16.07db
0% Popularity • 72% Danceability • 48% Energy • 23% Liveness
11% Instrumentalness • 62% Positiveness
0% Popularity • 72% Danceability • 48% Energy • 23% Liveness
11% Instrumentalness • 62% Positiveness
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No-No Boy
St. Denis or Bangkok, From a Hotel Balco...
130 bpm • A min • 02:08 • -16.63db
30% Popularity • 63% Danceability • 17% Energy • 13% Liveness
43% Instrumentalness • 24% Positiveness
30% Popularity • 63% Danceability • 17% Energy • 13% Liveness
43% Instrumentalness • 24% Positiveness
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Clas Tuuth
Clearing
130 bpm • F# min • 04:29 • -10.37db
0% Popularity • 82% Danceability • 72% Energy • 16% Liveness
87% Instrumentalness • 82% Positiveness
0% Popularity • 82% Danceability • 72% Energy • 16% Liveness
87% Instrumentalness • 82% Positiveness
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Lael Neale
Some Sunny Day
151 bpm • C Maj • 04:24 • -5.01db
15% Popularity • 41% Danceability • 74% Energy • 10% Liveness
11% Instrumentalness • 56% Positiveness
15% Popularity • 41% Danceability • 74% Energy • 10% Liveness
11% Instrumentalness • 56% Positiveness
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Mia Doi Todd
Strawberries
129 bpm • C# Maj • 03:13 • -16db
10% Popularity • 57% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
10% Popularity • 57% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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The Colorist Orchestra
Bleeder
129 bpm • B Maj • 05:20 • -13.66db
13% Popularity • 31% Danceability • 24% Energy • 69% Liveness
58% Instrumentalness • 21% Positiveness
13% Popularity • 31% Danceability • 24% Energy • 69% Liveness
58% Instrumentalness • 21% Positiveness
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ohheyitsamity
Stone Ring (Eros)
130 bpm • C Maj • 01:32 • -17.07db
10% Popularity • 46% Danceability • 15% Energy • 11% Liveness
12% Instrumentalness • 7% Positiveness
10% Popularity • 46% Danceability • 15% Energy • 11% Liveness
12% Instrumentalness • 7% Positiveness
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Bad Teen Bad Teen
YEAH SURE
152 bpm • C Maj • 01:44 • -8.09db
10% Popularity • 59% Danceability • 73% Energy • 15% Liveness
11% Instrumentalness • 60% Positiveness
10% Popularity • 59% Danceability • 73% Energy • 15% Liveness
11% Instrumentalness • 60% Positiveness
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Cassandra Jenkins
Up in Flames
152 bpm • G min • 03:46 • -14.17db
7% Popularity • 32% Danceability • 25% Energy • 14% Liveness
76% Instrumentalness • 7% Positiveness
7% Popularity • 32% Danceability • 25% Energy • 14% Liveness
76% Instrumentalness • 7% Positiveness
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Liv Monaghan
Living Beat
129 bpm • C Maj • 04:51 • -11.42db
14% Popularity • 48% Danceability • 39% Energy • 10% Liveness
7% Instrumentalness • 3% Positiveness
14% Popularity • 48% Danceability • 39% Energy • 10% Liveness
7% Instrumentalness • 3% Positiveness
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Rachael Dadd
Table
128 bpm • C Maj • 03:50 • -17.78db
9% Popularity • 51% Danceability • 38% Energy • 14% Liveness
16% Instrumentalness • 18% Positiveness
9% Popularity • 51% Danceability • 38% Energy • 14% Liveness
16% Instrumentalness • 18% Positiveness
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Kathryn Joseph
The Outtakes
128 bpm • G# min • 05:33 • -8.26db
7% Popularity • 32% Danceability • 37% Energy • 14% Liveness
58% Instrumentalness • 12% Positiveness
7% Popularity • 32% Danceability • 37% Energy • 14% Liveness
58% Instrumentalness • 12% Positiveness
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Anna & Elizabeth
Jeano
128 bpm • C# Maj • 03:55 • -15.87db
12% Popularity • 36% Danceability • 5% Energy • 29% Liveness
0% Instrumentalness • 4% Positiveness
12% Popularity • 36% Danceability • 5% Energy • 29% Liveness
0% Instrumentalness • 4% Positiveness
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Cate Le Bon
Miami
128 bpm • A min • 05:17 • -9db
23% Popularity • 61% Danceability • 23% Energy • 11% Liveness
46% Instrumentalness • 12% Positiveness
23% Popularity • 61% Danceability • 23% Energy • 11% Liveness
46% Instrumentalness • 12% Positiveness
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Serafina Steer
Disco Compilation
128 bpm • G min • 04:35 • -16.06db
8% Popularity • 71% Danceability • 29% Energy • 15% Liveness
0% Instrumentalness • 37% Positiveness
8% Popularity • 71% Danceability • 29% Energy • 15% Liveness
0% Instrumentalness • 37% Positiveness
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James Yorkston
The Brussels Rambler
128 bpm • B min • 04:14 • -18.83db
9% Popularity • 51% Danceability • 30% Energy • 9% Liveness
79% Instrumentalness • 22% Positiveness
9% Popularity • 51% Danceability • 30% Energy • 9% Liveness
79% Instrumentalness • 22% Positiveness
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Sam Amidon
Little Johnny Brown
128 bpm • E min • 04:30 • -11.04db
16% Popularity • 58% Danceability • 52% Energy • 13% Liveness
32% Instrumentalness • 29% Positiveness
16% Popularity • 58% Danceability • 52% Energy • 13% Liveness
32% Instrumentalness • 29% Positiveness
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Raoul Vignal
Hazy Days
127 bpm • F min • 03:25 • -14.03db
31% Popularity • 31% Danceability • 39% Energy • 9% Liveness
81% Instrumentalness • 15% Positiveness
31% Popularity • 31% Danceability • 39% Energy • 9% Liveness
81% Instrumentalness • 15% Positiveness
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Y La Bamba
Fasting in San Francisco
127 bpm • F min • 02:16 • -15.19db
28% Popularity • 57% Danceability • 24% Energy • 24% Liveness
83% Instrumentalness • 55% Positiveness
28% Popularity • 57% Danceability • 24% Energy • 24% Liveness
83% Instrumentalness • 55% Positiveness
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Wildbirds & Peacedrums
My Heart
127 bpm • G Maj • 07:38 • -10.62db
7% Popularity • 71% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
7% Popularity • 71% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
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Anna Mieke
For a Time
127 bpm • G# min • 04:25 • -11.39db
21% Popularity • 47% Danceability • 40% Energy • 11% Liveness
16% Instrumentalness • 26% Positiveness
21% Popularity • 47% Danceability • 40% Energy • 11% Liveness
16% Instrumentalness • 26% Positiveness
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Lael Neale
Let Me Live by the Side of the Road
126 bpm • A# Maj • 01:56 • -2.83db
14% Popularity • 34% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
14% Popularity • 34% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
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Grey Reverend
One by One
126 bpm • D# min • 04:16 • -15.3db
34% Popularity • 73% Danceability • 30% Energy • 9% Liveness
56% Instrumentalness • 29% Positiveness
34% Popularity • 73% Danceability • 30% Energy • 9% Liveness
56% Instrumentalness • 29% Positiveness
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Diane Cluck
Easy to Be Around
126 bpm • F# Maj • 03:37 • -11.54db
36% Popularity • 46% Danceability • 25% Energy • 15% Liveness
0% Instrumentalness • 26% Positiveness
36% Popularity • 46% Danceability • 25% Energy • 15% Liveness
0% Instrumentalness • 26% Positiveness
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Sabina Sciubba
Non mi aspettare
126 bpm • F min • 03:55 • -14.8db
9% Popularity • 54% Danceability • 31% Energy • 14% Liveness
1% Instrumentalness • 58% Positiveness
9% Popularity • 54% Danceability • 31% Energy • 14% Liveness
1% Instrumentalness • 58% Positiveness
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Alicia Edelweiss
Skeleton Woman
126 bpm • D Maj • 05:03 • -12.44db
8% Popularity • 52% Danceability • 18% Energy • 31% Liveness
0% Instrumentalness • 17% Positiveness
8% Popularity • 52% Danceability • 18% Energy • 31% Liveness
0% Instrumentalness • 17% Positiveness
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Luluc
Abigail & the Whale (The Blue Queen of t...
126 bpm • F# min • 04:27 • -18.3db
9% Popularity • 56% Danceability • 8% Energy • 9% Liveness
2% Instrumentalness • 22% Positiveness
9% Popularity • 56% Danceability • 8% Energy • 9% Liveness
2% Instrumentalness • 22% Positiveness
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EmilÃana Torrini
Lifesaver
126 bpm • G# Maj • 04:00 • -15db
27% Popularity • 50% Danceability • 26% Energy • 12% Liveness
1% Instrumentalness • 11% Positiveness
27% Popularity • 50% Danceability • 26% Energy • 12% Liveness
1% Instrumentalness • 11% Positiveness
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Raoul Vignal
Mine
156 bpm • C min • 02:32 • -12.11db
36% Popularity • 39% Danceability • 50% Energy • 11% Liveness
89% Instrumentalness • 36% Positiveness
36% Popularity • 39% Danceability • 50% Energy • 11% Liveness
89% Instrumentalness • 36% Positiveness
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Perera Elsewhere
Bizarre
125 bpm • B min • 02:41 • -13db
33% Popularity • 69% Danceability • 30% Energy • 11% Liveness
34% Instrumentalness • 37% Positiveness
33% Popularity • 69% Danceability • 30% Energy • 11% Liveness
34% Instrumentalness • 37% Positiveness
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Flora Hibberd
Dancing with my Darling
158 bpm • D Maj • 02:52 • -7.85db
15% Popularity • 58% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
15% Popularity • 58% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
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Laura Veirs
To the Country
125 bpm • A Maj • 05:08 • -10db
14% Popularity • 55% Danceability • 44% Energy • 29% Liveness
6% Instrumentalness • 36% Positiveness
14% Popularity • 55% Danceability • 44% Energy • 29% Liveness
6% Instrumentalness • 36% Positiveness
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Marissa Nadler
Diamond Heart
158 bpm • D# Maj • 03:47 • -14db
31% Popularity • 29% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
31% Popularity • 29% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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EmilÃana Torrini
Autumn Sun
157 bpm • F# min • 04:11 • -14.76db
30% Popularity • 56% Danceability • 11% Energy • 11% Liveness
1% Instrumentalness • 14% Positiveness
30% Popularity • 56% Danceability • 11% Energy • 11% Liveness
1% Instrumentalness • 14% Positiveness
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Josephine Foster
Shay Shay
124 bpm • D Maj • 01:15 • -8.36db
25% Popularity • 75% Danceability • 42% Energy • 33% Liveness
0% Instrumentalness • 78% Positiveness
25% Popularity • 75% Danceability • 42% Energy • 33% Liveness
0% Instrumentalness • 78% Positiveness
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CocoRosie
Not For Sale
124 bpm • A# Maj • 01:19 • -7.32db
38% Popularity • 77% Danceability • 55% Energy • 14% Liveness
0% Instrumentalness • 80% Positiveness
38% Popularity • 77% Danceability • 55% Energy • 14% Liveness
0% Instrumentalness • 80% Positiveness
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My Brightest Diamond
From the Top of the World
124 bpm • F# Maj • 04:02 • -11.61db
0% Popularity • 58% Danceability • 34% Energy • 11% Liveness
2% Instrumentalness • 21% Positiveness
0% Popularity • 58% Danceability • 34% Energy • 11% Liveness
2% Instrumentalness • 21% Positiveness
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Sam Amidon
How Come That Blood
124 bpm • F# min • 03:31 • -11db
18% Popularity • 76% Danceability • 59% Energy • 16% Liveness
0% Instrumentalness • 71% Positiveness
18% Popularity • 76% Danceability • 59% Energy • 16% Liveness
0% Instrumentalness • 71% Positiveness
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Smog
Rock Bottom Riser
158 bpm • B Maj • 05:44 • -16db
35% Popularity • 54% Danceability • 22% Energy • 10% Liveness
55% Instrumentalness • 10% Positiveness
35% Popularity • 54% Danceability • 22% Energy • 10% Liveness
55% Instrumentalness • 10% Positiveness
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Rozi Plain
Jogalong
158 bpm • F Maj • 03:57 • -13db
24% Popularity • 51% Danceability • 34% Energy • 13% Liveness
5% Instrumentalness • 31% Positiveness
24% Popularity • 51% Danceability • 34% Energy • 13% Liveness
5% Instrumentalness • 31% Positiveness
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Nadia Reid
Runway
124 bpm • C# Maj • 03:13 • -15.27db
34% Popularity • 42% Danceability • 16% Energy • 11% Liveness
14% Instrumentalness • 12% Positiveness
34% Popularity • 42% Danceability • 16% Energy • 11% Liveness
14% Instrumentalness • 12% Positiveness