Songs like I Am Your Mind (Part 2) by Roy Ayers
Based on a tempo of (+/- 10%) and a similar genre
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Roy Ayers
Poo Poo La La
109 bpm • D min • 06:30 • -8.55db
24% Popularity • 81% Danceability • 67% Energy • 16% Liveness
0% Instrumentalness • 68% Positiveness
24% Popularity • 81% Danceability • 67% Energy • 16% Liveness
0% Instrumentalness • 68% Positiveness
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Marvin Gaye
After The Dance - Instrumental
109 bpm • E Maj • 04:23 • -7.89db
33% Popularity • 68% Danceability • 67% Energy • 63% Liveness
85% Instrumentalness • 84% Positiveness
33% Popularity • 68% Danceability • 67% Energy • 63% Liveness
85% Instrumentalness • 84% Positiveness
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Johnny "Hammond" Smith
Fantasy
109 bpm • F min • 06:02 • -8.7db
37% Popularity • 64% Danceability • 74% Energy • 6% Liveness
8% Instrumentalness • 97% Positiveness
37% Popularity • 64% Danceability • 74% Energy • 6% Liveness
8% Instrumentalness • 97% Positiveness
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Gene Harris
Beginnings
108 bpm • C Maj • 05:53 • -11.24db
24% Popularity • 48% Danceability • 71% Energy • 11% Liveness
54% Instrumentalness • 61% Positiveness
24% Popularity • 48% Danceability • 71% Energy • 11% Liveness
54% Instrumentalness • 61% Positiveness
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Donald Byrd
Where Are We Going?
109 bpm • F Maj • 04:37 • -11.95db
44% Popularity • 68% Danceability • 64% Energy • 10% Liveness
66% Instrumentalness • 89% Positiveness
44% Popularity • 68% Danceability • 64% Energy • 10% Liveness
66% Instrumentalness • 89% Positiveness
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Dexter Wansel
First Light of the Morning
110 bpm • A min • 06:05 • -7.49db
16% Popularity • 41% Danceability • 67% Energy • 9% Liveness
25% Instrumentalness • 61% Positiveness
16% Popularity • 41% Danceability • 67% Energy • 9% Liveness
25% Instrumentalness • 61% Positiveness
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Roy Ayers
I Am Your Mind (Part 2)
109 bpm • D min • 08:35 • -8.18db
33% Popularity • 69% Danceability • 60% Energy • 34% Liveness
0% Instrumentalness • 96% Positiveness
33% Popularity • 69% Danceability • 60% Energy • 34% Liveness
0% Instrumentalness • 96% Positiveness
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Rotary Connection
Memory Band
110 bpm • F min • 03:20 • -14.86db
30% Popularity • 52% Danceability • 42% Energy • 22% Liveness
88% Instrumentalness • 52% Positiveness
30% Popularity • 52% Danceability • 42% Energy • 22% Liveness
88% Instrumentalness • 52% Positiveness
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Johnny "Hammond" Smith
Fantasy
108 bpm • F min • 07:23 • -17.11db
31% Popularity • 63% Danceability • 50% Energy • 10% Liveness
5% Instrumentalness • 98% Positiveness
31% Popularity • 63% Danceability • 50% Energy • 10% Liveness
5% Instrumentalness • 98% Positiveness
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Aged In Harmony
You're a Melody
110 bpm • A Maj • 03:07 • -9db
33% Popularity • 80% Danceability • 45% Energy • 5% Liveness
44% Instrumentalness • 69% Positiveness
33% Popularity • 80% Danceability • 45% Energy • 5% Liveness
44% Instrumentalness • 69% Positiveness
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Donald Byrd
Think Twice
108 bpm • F min • 06:12 • -9db
35% Popularity • 55% Danceability • 83% Energy • 8% Liveness
4% Instrumentalness • 80% Positiveness
35% Popularity • 55% Danceability • 83% Energy • 8% Liveness
4% Instrumentalness • 80% Positiveness
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Jack Jacobs
I Believe It's Alright
110 bpm • D min • 03:15 • -9db
17% Popularity • 57% Danceability • 87% Energy • 35% Liveness
1% Instrumentalness • 68% Positiveness
17% Popularity • 57% Danceability • 87% Energy • 35% Liveness
1% Instrumentalness • 68% Positiveness
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Roy Ayers
Oh What a Lonely Feeling
108 bpm • C# min • 04:11 • -8.81db
11% Popularity • 59% Danceability • 73% Energy • 17% Liveness
0% Instrumentalness • 21% Positiveness
11% Popularity • 59% Danceability • 73% Energy • 17% Liveness
0% Instrumentalness • 21% Positiveness
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Andrew Ashong
Washed in You
110 bpm • A# min • 05:15 • -11.95db
27% Popularity • 69% Danceability • 55% Energy • 5% Liveness
16% Instrumentalness • 84% Positiveness
27% Popularity • 69% Danceability • 55% Energy • 5% Liveness
16% Instrumentalness • 84% Positiveness
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Leroy Hutson
I Think I'm Falling In Love
108 bpm • F min • 03:39 • -9.96db
34% Popularity • 70% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
34% Popularity • 70% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
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Milton Wright
Be With Me
108 bpm • G Maj • 02:42 • -10.31db
27% Popularity • 68% Danceability • 50% Energy • 7% Liveness
34% Instrumentalness • 90% Positiveness
27% Popularity • 68% Danceability • 50% Energy • 7% Liveness
34% Instrumentalness • 90% Positiveness
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Michael Franks
St. Elmo's Fire
111 bpm • D min • 03:59 • -14.4db
43% Popularity • 66% Danceability • 32% Energy • 10% Liveness
25% Instrumentalness • 64% Positiveness
43% Popularity • 66% Danceability • 32% Energy • 10% Liveness
25% Instrumentalness • 64% Positiveness
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The Jones Girls
Nights Over Egypt
111 bpm • A min • 04:39 • -14.32db
52% Popularity • 75% Danceability • 36% Energy • 11% Liveness
29% Instrumentalness • 64% Positiveness
52% Popularity • 75% Danceability • 36% Energy • 11% Liveness
29% Instrumentalness • 64% Positiveness
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Roy Ayers
Come to Me
107 bpm • E min • 05:45 • -5.61db
11% Popularity • 68% Danceability • 80% Energy • 6% Liveness
0% Instrumentalness • 81% Positiveness
11% Popularity • 68% Danceability • 80% Energy • 6% Liveness
0% Instrumentalness • 81% Positiveness
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Johnny "Hammond" Smith
Shifting Gears
111 bpm • F# Maj • 05:10 • -8.43db
37% Popularity • 63% Danceability • 82% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
37% Popularity • 63% Danceability • 82% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
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Joe Bataan
Call My Name
111 bpm • A min • 04:40 • -7db
30% Popularity • 70% Danceability • 75% Energy • 24% Liveness
46% Instrumentalness • 74% Positiveness
30% Popularity • 70% Danceability • 75% Energy • 24% Liveness
46% Instrumentalness • 74% Positiveness
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Willie Hutch
Brother's Gonna Work It Out - The Mack/S...
111 bpm • F# min • 04:47 • -11db
38% Popularity • 50% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
38% Popularity • 50% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Dr. Buzzard's Original Savannah Band
Hard Times - Digitally Mastered - August...
107 bpm • B Maj • 04:11 • -21.96db
34% Popularity • 62% Danceability • 24% Energy • 30% Liveness
0% Instrumentalness • 30% Positiveness
34% Popularity • 62% Danceability • 24% Energy • 30% Liveness
0% Instrumentalness • 30% Positiveness
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100% Pure Poison
Windy C - Edit; 1995 Remaster
106 bpm • A min • 05:29 • -13.23db
30% Popularity • 63% Danceability • 33% Energy • 25% Liveness
0% Instrumentalness • 58% Positiveness
30% Popularity • 63% Danceability • 33% Energy • 25% Liveness
0% Instrumentalness • 58% Positiveness
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Brass Construction
Now Is Tomorrow (Anticipation)
112 bpm • G Maj • 05:58 • -5db
25% Popularity • 70% Danceability • 93% Energy • 5% Liveness
1% Instrumentalness • 57% Positiveness
25% Popularity • 70% Danceability • 93% Energy • 5% Liveness
1% Instrumentalness • 57% Positiveness
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Roy Ayers
One Sweet Love To Remember
106 bpm • A# min • 03:58 • -7.07db
19% Popularity • 61% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
19% Popularity • 61% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
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Patrice Rushen
To Each His Own
106 bpm • A# min • 04:14 • -14db
45% Popularity • 92% Danceability • 28% Energy • 6% Liveness
0% Instrumentalness • 66% Positiveness
45% Popularity • 92% Danceability • 28% Energy • 6% Liveness
0% Instrumentalness • 66% Positiveness
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Fatback Band
Let the Drums Speak
112 bpm • B Maj • 03:45 • -12db
32% Popularity • 60% Danceability • 65% Energy • 5% Liveness
66% Instrumentalness • 74% Positiveness
32% Popularity • 60% Danceability • 65% Energy • 5% Liveness
66% Instrumentalness • 74% Positiveness
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Beatchild
Byram's Groove (Cut a Rug)
112 bpm • B min • 03:24 • -8db
28% Popularity • 85% Danceability • 73% Energy • 12% Liveness
88% Instrumentalness • 35% Positiveness
28% Popularity • 85% Danceability • 73% Energy • 12% Liveness
88% Instrumentalness • 35% Positiveness
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Norman Weeks
I Just Wanna Sing For You
106 bpm • A min • 02:51 • -8.72db
21% Popularity • 67% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
21% Popularity • 67% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
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RAMP
The American Promise
106 bpm • A# min • 06:18 • -8.24db
15% Popularity • 83% Danceability • 92% Energy • 16% Liveness
5% Instrumentalness • 83% Positiveness
15% Popularity • 83% Danceability • 92% Energy • 16% Liveness
5% Instrumentalness • 83% Positiveness
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Roy Ayers
Third Time
106 bpm • C min • 07:12 • -5db
13% Popularity • 39% Danceability • 92% Energy • 17% Liveness
0% Instrumentalness • 57% Positiveness
13% Popularity • 39% Danceability • 92% Energy • 17% Liveness
0% Instrumentalness • 57% Positiveness
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Cro-Magnon
Midnight Magic
112 bpm • A min • 06:14 • -7.01db
11% Popularity • 62% Danceability • 69% Energy • 25% Liveness
0% Instrumentalness • 76% Positiveness
11% Popularity • 62% Danceability • 69% Energy • 25% Liveness
0% Instrumentalness • 76% Positiveness
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Fatback Band
Chillin' Out
112 bpm • D Maj • 05:41 • -13db
25% Popularity • 64% Danceability • 61% Energy • 5% Liveness
77% Instrumentalness • 69% Positiveness
25% Popularity • 64% Danceability • 61% Energy • 5% Liveness
77% Instrumentalness • 69% Positiveness
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Kleeer
Happy Me
112 bpm • F# min • 04:53 • -16db
26% Popularity • 66% Danceability • 63% Energy • 23% Liveness
12% Instrumentalness • 90% Positiveness
26% Popularity • 66% Danceability • 63% Energy • 23% Liveness
12% Instrumentalness • 90% Positiveness
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Weldon Irvine
We Gettin' Down
112 bpm • A# min • 05:48 • -12.36db
22% Popularity • 56% Danceability • 53% Energy • 21% Liveness
0% Instrumentalness • 84% Positiveness
22% Popularity • 56% Danceability • 53% Energy • 21% Liveness
0% Instrumentalness • 84% Positiveness
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Tom Browne
Forever More
106 bpm • D# min • 03:21 • -7db
32% Popularity • 68% Danceability • 57% Energy • 8% Liveness
84% Instrumentalness • 79% Positiveness
32% Popularity • 68% Danceability • 57% Energy • 8% Liveness
84% Instrumentalness • 79% Positiveness
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Roy Ayers
I Wanna Touch You Baby
106 bpm • A# min • 04:23 • -13.61db
18% Popularity • 66% Danceability • 42% Energy • 43% Liveness
1% Instrumentalness • 66% Positiveness
18% Popularity • 66% Danceability • 42% Energy • 43% Liveness
1% Instrumentalness • 66% Positiveness
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Boncana Maïga
Koyma Hondo
106 bpm • C min • 04:00 • -8db
38% Popularity • 69% Danceability • 74% Energy • 31% Liveness
22% Instrumentalness • 96% Positiveness
38% Popularity • 69% Danceability • 74% Energy • 31% Liveness
22% Instrumentalness • 96% Positiveness
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Fatback Band
Goin' to See My Baby
112 bpm • C Maj • 03:16 • -10.21db
27% Popularity • 73% Danceability • 54% Energy • 6% Liveness
8% Instrumentalness • 90% Positiveness
27% Popularity • 73% Danceability • 54% Energy • 6% Liveness
8% Instrumentalness • 90% Positiveness
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Donald Byrd
Change (Makes You Want To Hustle)
106 bpm • C# Maj • 05:08 • -8.74db
31% Popularity • 70% Danceability • 82% Energy • 37% Liveness
28% Instrumentalness • 69% Positiveness
31% Popularity • 70% Danceability • 82% Energy • 37% Liveness
28% Instrumentalness • 69% Positiveness
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Weldon Irvine
Music Is the Key
112 bpm • G Maj • 07:35 • -13db
22% Popularity • 54% Danceability • 33% Energy • 12% Liveness
1% Instrumentalness • 53% Positiveness
22% Popularity • 54% Danceability • 33% Energy • 12% Liveness
1% Instrumentalness • 53% Positiveness
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Johnny "Hammond" Smith
Tell Me What To Do
106 bpm • D Maj • 05:17 • -8.3db
41% Popularity • 66% Danceability • 76% Energy • 12% Liveness
1% Instrumentalness • 85% Positiveness
41% Popularity • 66% Danceability • 76% Energy • 12% Liveness
1% Instrumentalness • 85% Positiveness
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Roy Ayers
Love Will Bring Us Back Together
106 bpm • E min • 06:01 • -8.9db
32% Popularity • 83% Danceability • 82% Energy • 13% Liveness
0% Instrumentalness • 76% Positiveness
32% Popularity • 83% Danceability • 82% Energy • 13% Liveness
0% Instrumentalness • 76% Positiveness
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Eddie Kendricks
Body Talk
105 bpm • C# Maj • 06:44 • -11db
20% Popularity • 71% Danceability • 71% Energy • 26% Liveness
0% Instrumentalness • 73% Positiveness
20% Popularity • 71% Danceability • 71% Energy • 26% Liveness
0% Instrumentalness • 73% Positiveness
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Hipnotic
Are You Lonely?
105 bpm • F min • 05:05 • -8.21db
24% Popularity • 73% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
24% Popularity • 73% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
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The Ethics
Lost in A Lonely World
105 bpm • E min • 02:34 • -11.12db
35% Popularity • 50% Danceability • 12% Energy • 10% Liveness
7% Instrumentalness • 20% Positiveness
35% Popularity • 50% Danceability • 12% Energy • 10% Liveness
7% Instrumentalness • 20% Positiveness
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Gil Scott-Heron
Gun
105 bpm • D# Maj • 03:59 • -11db
49% Popularity • 82% Danceability • 49% Energy • 29% Liveness
1% Instrumentalness • 96% Positiveness
49% Popularity • 82% Danceability • 49% Energy • 29% Liveness
1% Instrumentalness • 96% Positiveness
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Lalo Schifrin
Middle Of The Night
105 bpm • F Maj • 04:03 • -9.16db
27% Popularity • 57% Danceability • 68% Energy • 29% Liveness
13% Instrumentalness • 79% Positiveness
27% Popularity • 57% Danceability • 68% Energy • 29% Liveness
13% Instrumentalness • 79% Positiveness
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Kleeer
Open Your Mind
114 bpm • F min • 06:38 • -14.13db
26% Popularity • 67% Danceability • 61% Energy • 9% Liveness
62% Instrumentalness • 78% Positiveness
26% Popularity • 67% Danceability • 61% Energy • 9% Liveness
62% Instrumentalness • 78% Positiveness
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Azymuth
Dear Limmertz
105 bpm • F Maj • 04:31 • -12.57db
40% Popularity • 65% Danceability • 73% Energy • 16% Liveness
1% Instrumentalness • 71% Positiveness
40% Popularity • 65% Danceability • 73% Energy • 16% Liveness
1% Instrumentalness • 71% Positiveness
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Roy Ayers
Release Yourself
114 bpm • D# Maj • 06:16 • -4.4db
11% Popularity • 70% Danceability • 88% Energy • 7% Liveness
0% Instrumentalness • 85% Positiveness
11% Popularity • 70% Danceability • 88% Energy • 7% Liveness
0% Instrumentalness • 85% Positiveness
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Milton Wright
The Silence That You Keep
104 bpm • D Maj • 03:27 • -5.3db
39% Popularity • 54% Danceability • 88% Energy • 31% Liveness
0% Instrumentalness • 83% Positiveness
39% Popularity • 54% Danceability • 88% Energy • 31% Liveness
0% Instrumentalness • 83% Positiveness
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Pure Essence
Wake Up, Pts. 1 & 2
104 bpm • F# min • 06:08 • -6db
19% Popularity • 71% Danceability • 88% Energy • 7% Liveness
0% Instrumentalness • 79% Positiveness
19% Popularity • 71% Danceability • 88% Energy • 7% Liveness
0% Instrumentalness • 79% Positiveness
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Donald Byrd
Flight-Time
114 bpm • F Maj • 08:31 • -9db
30% Popularity • 77% Danceability • 81% Energy • 42% Liveness
90% Instrumentalness • 97% Positiveness
30% Popularity • 77% Danceability • 81% Energy • 42% Liveness
90% Instrumentalness • 97% Positiveness
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Lafayette Afro Rock Band
Darkest Light
104 bpm • B Maj • 06:26 • -5db
42% Popularity • 40% Danceability • 80% Energy • 24% Liveness
6% Instrumentalness • 56% Positiveness
42% Popularity • 40% Danceability • 80% Energy • 24% Liveness
6% Instrumentalness • 56% Positiveness
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Patrice Rushen
Music of the Earth
104 bpm • F Maj • 03:57 • -11.21db
37% Popularity • 74% Danceability • 70% Energy • 7% Liveness
49% Instrumentalness • 96% Positiveness
37% Popularity • 74% Danceability • 70% Energy • 7% Liveness
49% Instrumentalness • 96% Positiveness
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Roy Ayers
Chicago
115 bpm • C Maj • 07:20 • -7.99db
20% Popularity • 66% Danceability • 82% Energy • 36% Liveness
2% Instrumentalness • 44% Positiveness
20% Popularity • 66% Danceability • 82% Energy • 36% Liveness
2% Instrumentalness • 44% Positiveness
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Reuben Wilson
We're In Love
104 bpm • A min • 03:29 • -12.02db
28% Popularity • 55% Danceability • 42% Energy • 8% Liveness
80% Instrumentalness • 56% Positiveness
28% Popularity • 55% Danceability • 42% Energy • 8% Liveness
80% Instrumentalness • 56% Positiveness
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Idris Muhammad
Turn This Mutha Out
115 bpm • A min • 06:49 • -7.95db
36% Popularity • 78% Danceability • 71% Energy • 10% Liveness
17% Instrumentalness • 93% Positiveness
36% Popularity • 78% Danceability • 71% Energy • 10% Liveness
17% Instrumentalness • 93% Positiveness
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Donald Byrd
(Fallin' Like) Dominoes
104 bpm • C# min • 07:33 • -9db
33% Popularity • 70% Danceability • 70% Energy • 22% Liveness
1% Instrumentalness • 78% Positiveness
33% Popularity • 70% Danceability • 70% Energy • 22% Liveness
1% Instrumentalness • 78% Positiveness
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Gil Scott-Heron
Morning Thoughts
115 bpm • E min • 04:40 • -14.56db
26% Popularity • 51% Danceability • 40% Energy • 36% Liveness
31% Instrumentalness • 24% Positiveness
26% Popularity • 51% Danceability • 40% Energy • 36% Liveness
31% Instrumentalness • 24% Positiveness
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Christy Essien Igbokwe
Take Life Easy
103 bpm • A min • 04:15 • -10.88db
40% Popularity • 83% Danceability • 67% Energy • 10% Liveness
17% Instrumentalness • 87% Positiveness
40% Popularity • 83% Danceability • 67% Energy • 10% Liveness
17% Instrumentalness • 87% Positiveness
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Roy Ayers
Kwajilori
115 bpm • F Maj • 05:30 • -7.36db
14% Popularity • 72% Danceability • 88% Energy • 16% Liveness
0% Instrumentalness • 96% Positiveness
14% Popularity • 72% Danceability • 88% Energy • 16% Liveness
0% Instrumentalness • 96% Positiveness
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Stimulator Jones
Give My All
103 bpm • G Maj • 03:31 • -7.56db
32% Popularity • 74% Danceability • 62% Energy • 9% Liveness
70% Instrumentalness • 78% Positiveness
32% Popularity • 74% Danceability • 62% Energy • 9% Liveness
70% Instrumentalness • 78% Positiveness
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Sharon Revoal
Reaching for Our Star
103 bpm • A# min • 03:40 • -12db
32% Popularity • 81% Danceability • 57% Energy • 12% Liveness
2% Instrumentalness • 96% Positiveness
32% Popularity • 81% Danceability • 57% Energy • 12% Liveness
2% Instrumentalness • 96% Positiveness
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Donald Byrd
Dominoes
104 bpm • C# min • 04:33 • -11db
44% Popularity • 69% Danceability • 60% Energy • 7% Liveness
1% Instrumentalness • 82% Positiveness
44% Popularity • 69% Danceability • 60% Energy • 7% Liveness
1% Instrumentalness • 82% Positiveness
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Herbie Hancock
I Thought It Was You
116 bpm • C# Maj • 08:55 • -11.38db
39% Popularity • 73% Danceability • 79% Energy • 11% Liveness
5% Instrumentalness • 72% Positiveness
39% Popularity • 73% Danceability • 79% Energy • 11% Liveness
5% Instrumentalness • 72% Positiveness
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Pleasure
Ghettos Of The Mind
116 bpm • F Maj • 05:06 • -11.47db
18% Popularity • 47% Danceability • 68% Energy • 13% Liveness
38% Instrumentalness • 72% Positiveness
18% Popularity • 47% Danceability • 68% Energy • 13% Liveness
38% Instrumentalness • 72% Positiveness
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Roy Ayers
Can't You See Me
115 bpm • G Maj • 06:58 • -8.9db
25% Popularity • 73% Danceability • 82% Energy • 6% Liveness
3% Instrumentalness • 78% Positiveness
25% Popularity • 73% Danceability • 82% Energy • 6% Liveness
3% Instrumentalness • 78% Positiveness
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Azymuth
Rico Suave Bossa Nova
102 bpm • F Maj • 05:53 • -8.85db
29% Popularity • 70% Danceability • 88% Energy • 53% Liveness
78% Instrumentalness • 69% Positiveness
29% Popularity • 70% Danceability • 88% Energy • 53% Liveness
78% Instrumentalness • 69% Positiveness
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Twilight
You're in Love
116 bpm • A min • 03:58 • -8.52db
16% Popularity • 85% Danceability • 57% Energy • 32% Liveness
2% Instrumentalness • 91% Positiveness
16% Popularity • 85% Danceability • 57% Energy • 32% Liveness
2% Instrumentalness • 91% Positiveness
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Donald Byrd
Woman Of The World
115 bpm • F Maj • 06:51 • -10.53db
32% Popularity • 68% Danceability • 53% Energy • 38% Liveness
21% Instrumentalness • 38% Positiveness
32% Popularity • 68% Danceability • 53% Energy • 38% Liveness
21% Instrumentalness • 38% Positiveness
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Donny Hathaway
Memory of Our Love
102 bpm • G# Maj • 02:55 • -20db
39% Popularity • 65% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
39% Popularity • 65% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
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Pure Essence
Third Rock
102 bpm • F Maj • 04:01 • -7db
30% Popularity • 66% Danceability • 61% Energy • 6% Liveness
0% Instrumentalness • 90% Positiveness
30% Popularity • 66% Danceability • 61% Energy • 6% Liveness
0% Instrumentalness • 90% Positiveness
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Roy Ayers
Searching - Yoruba Suite Mix
115 bpm • E min • 09:40 • -9.66db
8% Popularity • 65% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
8% Popularity • 65% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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Syreeta
Black Maybe
117 bpm • F# Maj • 04:34 • -10db
24% Popularity • 36% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
24% Popularity • 36% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
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Light Of The World
London Town
102 bpm • G min • 04:31 • -13db
39% Popularity • 67% Danceability • 49% Energy • 11% Liveness
3% Instrumentalness • 73% Positiveness
39% Popularity • 67% Danceability • 49% Energy • 11% Liveness
3% Instrumentalness • 73% Positiveness
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Donald Byrd
You And The Music
102 bpm • F min • 05:21 • -10.05db
36% Popularity • 67% Danceability • 71% Energy • 9% Liveness
32% Instrumentalness • 96% Positiveness
36% Popularity • 67% Danceability • 71% Energy • 9% Liveness
32% Instrumentalness • 96% Positiveness
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Weldon Irvine
Heard It All Before
102 bpm • D Maj • 04:13 • -8.78db
16% Popularity • 54% Danceability • 64% Energy • 6% Liveness
82% Instrumentalness • 77% Positiveness
16% Popularity • 54% Danceability • 64% Energy • 6% Liveness
82% Instrumentalness • 77% Positiveness
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Milton Wright
Leave Me Alone
117 bpm • E min • 03:41 • -9.89db
25% Popularity • 77% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
25% Popularity • 77% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
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Idris Muhammad
Say What
101 bpm • G Maj • 03:59 • -7.05db
26% Popularity • 85% Danceability • 66% Energy • 9% Liveness
72% Instrumentalness • 93% Positiveness
26% Popularity • 85% Danceability • 66% Energy • 9% Liveness
72% Instrumentalness • 93% Positiveness
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Roy Ayers
Come Out And Play
118 bpm • B min • 03:46 • -6.81db
17% Popularity • 80% Danceability • 88% Energy • 5% Liveness
0% Instrumentalness • 83% Positiveness
17% Popularity • 80% Danceability • 88% Energy • 5% Liveness
0% Instrumentalness • 83% Positiveness
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Don Blackman
Heart's Desire
101 bpm • C Maj • 04:31 • -12.72db
33% Popularity • 70% Danceability • 71% Energy • 7% Liveness
23% Instrumentalness • 67% Positiveness
33% Popularity • 70% Danceability • 71% Energy • 7% Liveness
23% Instrumentalness • 67% Positiveness
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Donald Byrd
Lansana's Priestess
117 bpm • C Maj • 07:39 • -9db
33% Popularity • 48% Danceability • 88% Energy • 38% Liveness
34% Instrumentalness • 89% Positiveness
33% Popularity • 48% Danceability • 88% Energy • 38% Liveness
34% Instrumentalness • 89% Positiveness
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Pamoja
Oooh, Baby
101 bpm • D Maj • 03:40 • -11.86db
37% Popularity • 74% Danceability • 67% Energy • 8% Liveness
1% Instrumentalness • 89% Positiveness
37% Popularity • 74% Danceability • 67% Energy • 8% Liveness
1% Instrumentalness • 89% Positiveness
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Milton Wright
Black Man
118 bpm • D Maj • 04:15 • -6.81db
19% Popularity • 57% Danceability • 67% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
19% Popularity • 57% Danceability • 67% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
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RAMP
Try, Try, Try
101 bpm • F min • 04:57 • -11.56db
14% Popularity • 76% Danceability • 73% Energy • 65% Liveness
0% Instrumentalness • 96% Positiveness
14% Popularity • 76% Danceability • 73% Energy • 65% Liveness
0% Instrumentalness • 96% Positiveness
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Dexter Wansel
Life on Mars
118 bpm • G Maj • 05:49 • -9.87db
31% Popularity • 64% Danceability • 86% Energy • 31% Liveness
56% Instrumentalness • 35% Positiveness
31% Popularity • 64% Danceability • 86% Energy • 31% Liveness
56% Instrumentalness • 35% Positiveness
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Inner Life
Make It Last Forever
101 bpm • C Maj • 07:20 • -12.44db
27% Popularity • 58% Danceability • 42% Energy • 9% Liveness
1% Instrumentalness • 77% Positiveness
27% Popularity • 58% Danceability • 42% Energy • 9% Liveness
1% Instrumentalness • 77% Positiveness
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Dr. Buzzard's Original Savannah Band
Sunshower
118 bpm • G# min • 04:05 • -19.71db
40% Popularity • 56% Danceability • 34% Energy • 7% Liveness
0% Instrumentalness • 52% Positiveness
40% Popularity • 56% Danceability • 34% Energy • 7% Liveness
0% Instrumentalness • 52% Positiveness
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WAYNE SNOW
Nothing Wrong
118 bpm • C Maj • 03:12 • -10.25db
38% Popularity • 76% Danceability • 64% Energy • 9% Liveness
16% Instrumentalness • 83% Positiveness
38% Popularity • 76% Danceability • 64% Energy • 9% Liveness
16% Instrumentalness • 83% Positiveness
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Marvin Gaye
Woman Of The World
101 bpm • A# min • 03:30 • -8.49db
38% Popularity • 66% Danceability • 81% Energy • 37% Liveness
0% Instrumentalness • 71% Positiveness
38% Popularity • 66% Danceability • 81% Energy • 37% Liveness
0% Instrumentalness • 71% Positiveness
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Milton Wright
Get No Lovin' Tonight
118 bpm • B min • 03:59 • -7db
33% Popularity • 70% Danceability • 70% Energy • 19% Liveness
0% Instrumentalness • 83% Positiveness
33% Popularity • 70% Danceability • 70% Energy • 19% Liveness
0% Instrumentalness • 83% Positiveness
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Admas
Anchi Bale Game
119 bpm • A# min • 05:14 • -9.78db
36% Popularity • 55% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
36% Popularity • 55% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
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Noriko Miyamoto
My Life
100 bpm • E min • 06:09 • -8db
33% Popularity • 48% Danceability • 78% Energy • 26% Liveness
1% Instrumentalness • 60% Positiveness
33% Popularity • 48% Danceability • 78% Energy • 26% Liveness
1% Instrumentalness • 60% Positiveness
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Wildcookie
Heroine
100 bpm • C# min • 03:49 • -6.7db
24% Popularity • 80% Danceability • 45% Energy • 5% Liveness
0% Instrumentalness • 53% Positiveness
24% Popularity • 80% Danceability • 45% Energy • 5% Liveness
0% Instrumentalness • 53% Positiveness
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Eugene McDaniels
Lovin' Man
100 bpm • D Maj • 04:49 • -11db
20% Popularity • 59% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
20% Popularity • 59% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
