Songs like I Better Love You - Acoustic by Will Heard
Based on a tempo of (+/- 10%) and a similar genre
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Will Heard
Fallin' 4 U
114 bpm • A# min • 03:24 • -3.48db
25% Popularity • 70% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
25% Popularity • 70% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
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Klangkarussell
Sonnentanz - Sun Don't Shine / Rob Da Ba...
114 bpm • G# Maj • 04:23 • -5.78db
6% Popularity • 84% Danceability • 47% Energy • 8% Liveness
72% Instrumentalness • 55% Positiveness
6% Popularity • 84% Danceability • 47% Energy • 8% Liveness
72% Instrumentalness • 55% Positiveness
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Rudimental
Rumour Mill - TV Noise Remix
114 bpm • F# Maj • 03:41 • -8.03db
7% Popularity • 79% Danceability • 45% Energy • 34% Liveness
0% Instrumentalness • 28% Positiveness
7% Popularity • 79% Danceability • 45% Energy • 34% Liveness
0% Instrumentalness • 28% Positiveness
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Elli Ingram
Table For Two
114 bpm • A min • 04:03 • -5db
28% Popularity • 81% Danceability • 57% Energy • 22% Liveness
0% Instrumentalness • 40% Positiveness
28% Popularity • 81% Danceability • 57% Energy • 22% Liveness
0% Instrumentalness • 40% Positiveness
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Jorja Smith
Lost - Recorded at Metropolis Studios, L...
114 bpm • F min • 03:54 • -11.27db
41% Popularity • 64% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
41% Popularity • 64% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Phlake
Brush
115 bpm • F min • 04:35 • -7db
29% Popularity • 58% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
29% Popularity • 58% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Will Heard
I Better Love You - Acoustic
114 bpm • B min • 03:45 • -6.72db
26% Popularity • 57% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
26% Popularity • 57% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Joy Crookes
London Mine
115 bpm • D Maj • 03:43 • -6db
40% Popularity • 64% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
40% Popularity • 64% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Lewis Bootle
Routes
115 bpm • C Maj • 03:38 • -8.37db
24% Popularity • 58% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 63% Positiveness
24% Popularity • 58% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 63% Positiveness
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Kwaku Asante
The Way That You Move
113 bpm • G min • 03:40 • -10.71db
51% Popularity • 80% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
51% Popularity • 80% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Campbell
Rough Baby
113 bpm • B min • 03:16 • -11db
25% Popularity • 70% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
25% Popularity • 70% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Octave Lissner
Little Mary
116 bpm • A# Maj • 02:26 • -5.81db
37% Popularity • 73% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
37% Popularity • 73% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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Tiggs Da Author
Loose Ideas
112 bpm • F min • 02:55 • -6.46db
22% Popularity • 64% Danceability • 64% Energy • 40% Liveness
0% Instrumentalness • 76% Positiveness
22% Popularity • 64% Danceability • 64% Energy • 40% Liveness
0% Instrumentalness • 76% Positiveness
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Joy Crookes
Mother May I Sleep With Danger?
115 bpm • E min • 03:27 • -7.42db
49% Popularity • 73% Danceability • 73% Energy • 17% Liveness
0% Instrumentalness • 44% Positiveness
49% Popularity • 73% Danceability • 73% Energy • 17% Liveness
0% Instrumentalness • 44% Positiveness
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Natty Reeves
Good as Gold
112 bpm • D# min • 04:35 • -14.72db
26% Popularity • 75% Danceability • 13% Energy • 11% Liveness
3% Instrumentalness • 22% Positiveness
26% Popularity • 75% Danceability • 13% Energy • 11% Liveness
3% Instrumentalness • 22% Positiveness
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Klyne
Your Touch
117 bpm • C# Maj • 03:28 • -5.6db
47% Popularity • 80% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
47% Popularity • 80% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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GeeJay
Sun and Rain
117 bpm • C# min • 03:04 • -10.52db
12% Popularity • 88% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 79% Positiveness
12% Popularity • 88% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 79% Positiveness
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Octave Lissner
Waves of Time
112 bpm • G Maj • 04:23 • -7.75db
26% Popularity • 73% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
26% Popularity • 73% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Scary Pockets
Passionfruit
111 bpm • G# min • 03:38 • -7.37db
36% Popularity • 71% Danceability • 69% Energy • 14% Liveness
1% Instrumentalness • 92% Positiveness
36% Popularity • 71% Danceability • 69% Energy • 14% Liveness
1% Instrumentalness • 92% Positiveness
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Joy Crookes
For a Minute
112 bpm • G min • 03:12 • -11db
32% Popularity • 70% Danceability • 50% Energy • 19% Liveness
0% Instrumentalness • 73% Positiveness
32% Popularity • 70% Danceability • 50% Energy • 19% Liveness
0% Instrumentalness • 73% Positiveness
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Lily Moore
Not That Special
117 bpm • C# Maj • 03:39 • -6.83db
31% Popularity • 65% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
31% Popularity • 65% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Franc Moody
In Too Deep
111 bpm • G min • 04:07 • -8db
46% Popularity • 86% Danceability • 67% Energy • 86% Liveness
2% Instrumentalness • 44% Positiveness
46% Popularity • 86% Danceability • 67% Energy • 86% Liveness
2% Instrumentalness • 44% Positiveness
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Deva Mahal
It's Down to You
110 bpm • G min • 05:01 • -9.17db
37% Popularity • 48% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 11% Positiveness
37% Popularity • 48% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 11% Positiveness
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Lucy Lu
Insomniac - A COLORS SHOW
111 bpm • E Maj • 03:47 • -15.88db
24% Popularity • 73% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
24% Popularity • 73% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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fika
love funk
110 bpm • C Maj • 03:57 • -8.45db
35% Popularity • 81% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
35% Popularity • 81% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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Max Pope
Man On The Wire
118 bpm • B min • 04:04 • -12.07db
30% Popularity • 77% Danceability • 38% Energy • 11% Liveness
42% Instrumentalness • 49% Positiveness
30% Popularity • 77% Danceability • 38% Energy • 11% Liveness
42% Instrumentalness • 49% Positiveness
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Rudimental
Rumour Mill - Midas Hutch Remix
118 bpm • A# min • 03:38 • -6.42db
7% Popularity • 69% Danceability • 70% Energy • 21% Liveness
0% Instrumentalness • 80% Positiveness
7% Popularity • 69% Danceability • 70% Energy • 21% Liveness
0% Instrumentalness • 80% Positiveness
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JNR WILLIAMS
Blue River
110 bpm • F Maj • 03:46 • -6.74db
15% Popularity • 71% Danceability • 65% Energy • 10% Liveness
1% Instrumentalness • 57% Positiveness
15% Popularity • 71% Danceability • 65% Energy • 10% Liveness
1% Instrumentalness • 57% Positiveness
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JMSN
Patiently
110 bpm • D Maj • 03:44 • -10db
33% Popularity • 72% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
33% Popularity • 72% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Saux
LIWY
110 bpm • A# min • 03:32 • -13db
31% Popularity • 95% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
31% Popularity • 95% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Nataly Dawn
The Less I Know the Better
110 bpm • F# min • 03:55 • -10.37db
32% Popularity • 77% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
32% Popularity • 77% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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Mom Tudie
Isn't Right
110 bpm • G# min • 03:43 • -9db
26% Popularity • 75% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
26% Popularity • 75% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
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TÂCHES
Don't Walk Ahead
110 bpm • G Maj • 03:31 • -15.06db
29% Popularity • 72% Danceability • 10% Energy • 10% Liveness
5% Instrumentalness • 24% Positiveness
29% Popularity • 72% Danceability • 10% Energy • 10% Liveness
5% Instrumentalness • 24% Positiveness
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Dorsh
Je t'aime
110 bpm • C Maj • 02:54 • -13db
35% Popularity • 84% Danceability • 36% Energy • 9% Liveness
4% Instrumentalness • 62% Positiveness
35% Popularity • 84% Danceability • 36% Energy • 9% Liveness
4% Instrumentalness • 62% Positiveness
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Francis Dale
Pie in the Sky
110 bpm • F min • 04:28 • -8.23db
15% Popularity • 78% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
15% Popularity • 78% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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Kwaku Asante
Who You Are
110 bpm • F# Maj • 03:36 • -8db
32% Popularity • 68% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
32% Popularity • 68% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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Ted Jasper
Stella
110 bpm • B min • 02:41 • -11.62db
31% Popularity • 66% Danceability • 54% Energy • 9% Liveness
1% Instrumentalness • 80% Positiveness
31% Popularity • 66% Danceability • 54% Energy • 9% Liveness
1% Instrumentalness • 80% Positiveness
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Roman GianArthur
High & Dry
119 bpm • A Maj • 04:36 • -10.09db
25% Popularity • 44% Danceability • 30% Energy • 20% Liveness
2% Instrumentalness • 18% Positiveness
25% Popularity • 44% Danceability • 30% Energy • 20% Liveness
2% Instrumentalness • 18% Positiveness
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Leon Bridges
Forgive You
110 bpm • E min • 03:41 • -4.89db
49% Popularity • 73% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
49% Popularity • 73% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
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Mega Jawns
Little Lady
119 bpm • G# Maj • 05:56 • -9.45db
19% Popularity • 88% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
19% Popularity • 88% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Will Heard
Wasteman
119 bpm • F min • 04:33 • -6.43db
16% Popularity • 76% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 85% Positiveness
16% Popularity • 76% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 85% Positiveness
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Zach Said
Drag Me
119 bpm • C Maj • 03:18 • -7.61db
11% Popularity • 71% Danceability • 65% Energy • 25% Liveness
0% Instrumentalness • 19% Positiveness
11% Popularity • 71% Danceability • 65% Energy • 25% Liveness
0% Instrumentalness • 19% Positiveness
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Rachel Bobbitt
Japanese Denim
119 bpm • D# Maj • 06:09 • -21.95db
31% Popularity • 53% Danceability • 4% Energy • 8% Liveness
13% Instrumentalness • 33% Positiveness
31% Popularity • 53% Danceability • 4% Energy • 8% Liveness
13% Instrumentalness • 33% Positiveness
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AKA Block
Miserable
120 bpm • C# Maj • 03:51 • -9.31db
12% Popularity • 81% Danceability • 40% Energy • 18% Liveness
0% Instrumentalness • 79% Positiveness
12% Popularity • 81% Danceability • 40% Energy • 18% Liveness
0% Instrumentalness • 79% Positiveness
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Leon Bridges
Mrs.
120 bpm • F# Maj • 04:02 • -9.59db
52% Popularity • 71% Danceability • 35% Energy • 7% Liveness
0% Instrumentalness • 38% Positiveness
52% Popularity • 71% Danceability • 35% Energy • 7% Liveness
0% Instrumentalness • 38% Positiveness
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The O'My's
Baskets
120 bpm • A# Maj • 03:34 • -5.57db
28% Popularity • 53% Danceability • 53% Energy • 17% Liveness
0% Instrumentalness • 24% Positiveness
28% Popularity • 53% Danceability • 53% Energy • 17% Liveness
0% Instrumentalness • 24% Positiveness
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Pip Millett
Try a Little Tenderness
120 bpm • D Maj • 03:12 • -12.84db
52% Popularity • 82% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
52% Popularity • 82% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Marie Dahlstrom
Bring Me Back
120 bpm • C# Maj • 03:36 • -7.79db
25% Popularity • 65% Danceability • 71% Energy • 23% Liveness
0% Instrumentalness • 31% Positiveness
25% Popularity • 65% Danceability • 71% Energy • 23% Liveness
0% Instrumentalness • 31% Positiveness
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Francesco Yates
Sugar - Acoustic
120 bpm • F min • 03:29 • -15db
47% Popularity • 78% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
47% Popularity • 78% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Raveena
Spell
120 bpm • A Maj • 03:13 • -10db
45% Popularity • 80% Danceability • 37% Energy • 30% Liveness
0% Instrumentalness • 15% Positiveness
45% Popularity • 80% Danceability • 37% Energy • 30% Liveness
0% Instrumentalness • 15% Positiveness
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JONES
Hoops - Acoustic
120 bpm • B min • 03:26 • -7db
32% Popularity • 74% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
32% Popularity • 74% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Son Little
i'm a builder - outtake
120 bpm • B min • 04:42 • -11.39db
19% Popularity • 71% Danceability • 20% Energy • 7% Liveness
0% Instrumentalness • 29% Positiveness
19% Popularity • 71% Danceability • 20% Energy • 7% Liveness
0% Instrumentalness • 29% Positiveness
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Goss
These Days. I Don't Know
120 bpm • G Maj • 03:34 • -6.98db
16% Popularity • 71% Danceability • 49% Energy • 18% Liveness
0% Instrumentalness • 54% Positiveness
16% Popularity • 71% Danceability • 49% Energy • 18% Liveness
0% Instrumentalness • 54% Positiveness
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Celeste
Coco Blood
120 bpm • F min • 03:35 • -7db
41% Popularity • 57% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
41% Popularity • 57% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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narou
Prophecy
120 bpm • A Maj • 04:23 • -14.36db
20% Popularity • 64% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
20% Popularity • 64% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Elli Ingram
Bells Club / Last Night At Home - Skit
120 bpm • A min • 04:02 • -7.9db
16% Popularity • 81% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
16% Popularity • 81% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Will Heard
I Better Love You - Shy Luv Remix
120 bpm • D# min • 03:44 • -5.15db
3% Popularity • 68% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
3% Popularity • 68% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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Charlotte Day Wilson
After All
108 bpm • D# Maj • 04:12 • -8db
42% Popularity • 74% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
42% Popularity • 74% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Jean Tonique
Guest - Jean Tonique Alternate Vision
108 bpm • G# Maj • 04:20 • -9db
37% Popularity • 77% Danceability • 38% Energy • 10% Liveness
4% Instrumentalness • 31% Positiveness
37% Popularity • 77% Danceability • 38% Energy • 10% Liveness
4% Instrumentalness • 31% Positiveness
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Aaron Taylor
Blue
108 bpm • G# Maj • 05:36 • -8.34db
53% Popularity • 85% Danceability • 20% Energy • 11% Liveness
5% Instrumentalness • 37% Positiveness
53% Popularity • 85% Danceability • 20% Energy • 11% Liveness
5% Instrumentalness • 37% Positiveness
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NEL
In Case You Change Your Mind
108 bpm • F Maj • 03:28 • -14db
27% Popularity • 69% Danceability • 18% Energy • 11% Liveness
2% Instrumentalness • 37% Positiveness
27% Popularity • 69% Danceability • 18% Energy • 11% Liveness
2% Instrumentalness • 37% Positiveness
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Klyne
Break Away
108 bpm • G# min • 03:08 • -10db
32% Popularity • 89% Danceability • 58% Energy • 11% Liveness
17% Instrumentalness • 59% Positiveness
32% Popularity • 89% Danceability • 58% Energy • 11% Liveness
17% Instrumentalness • 59% Positiveness
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Joy Crookes
Darkest Hour
121 bpm • B min • 03:36 • -6.88db
36% Popularity • 75% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
36% Popularity • 75% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
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Isaac Waddington
Doing Wrong
121 bpm • F# Maj • 03:17 • -6.51db
14% Popularity • 78% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
14% Popularity • 78% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Steven Bamidele
Things Could Be Better
107 bpm • F# min • 03:59 • -10.32db
16% Popularity • 33% Danceability • 31% Energy • 7% Liveness
0% Instrumentalness • 11% Positiveness
16% Popularity • 33% Danceability • 31% Energy • 7% Liveness
0% Instrumentalness • 11% Positiveness
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City Park
Remedy
107 bpm • F Maj • 03:39 • -12.05db
25% Popularity • 89% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
25% Popularity • 89% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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NOVODOR
SECOND HAND LOVE
121 bpm • A min • 02:58 • -4.51db
34% Popularity • 78% Danceability • 85% Energy • 5% Liveness
0% Instrumentalness • 88% Positiveness
34% Popularity • 78% Danceability • 85% Energy • 5% Liveness
0% Instrumentalness • 88% Positiveness
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Mezzanine
Above the Sun
107 bpm • A# Maj • 03:09 • -9.98db
37% Popularity • 80% Danceability • 50% Energy • 14% Liveness
1% Instrumentalness • 34% Positiveness
37% Popularity • 80% Danceability • 50% Energy • 14% Liveness
1% Instrumentalness • 34% Positiveness
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kristina alcordo
No Good (White Room Sessions)
122 bpm • G min • 03:15 • -12.83db
16% Popularity • 53% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
16% Popularity • 53% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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DRAMA
Low Tide
107 bpm • A min • 03:46 • -7.2db
52% Popularity • 53% Danceability • 57% Energy • 17% Liveness
2% Instrumentalness • 47% Positiveness
52% Popularity • 53% Danceability • 57% Energy • 17% Liveness
2% Instrumentalness • 47% Positiveness
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KWAYE
I Go
122 bpm • A Maj • 03:17 • -9db
27% Popularity • 75% Danceability • 44% Energy • 31% Liveness
0% Instrumentalness • 44% Positiveness
27% Popularity • 75% Danceability • 44% Energy • 31% Liveness
0% Instrumentalness • 44% Positiveness
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Sasha Keable
Loyalty (Acoustic)
122 bpm • A min • 04:23 • -11.2db
28% Popularity • 50% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
28% Popularity • 50% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Atlas Bound
Soul
106 bpm • C# Maj • 03:21 • -10db
30% Popularity • 77% Danceability • 56% Energy • 14% Liveness
2% Instrumentalness • 36% Positiveness
30% Popularity • 77% Danceability • 56% Energy • 14% Liveness
2% Instrumentalness • 36% Positiveness
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HONNE
Good Together - Jarami Remix
106 bpm • F min • 03:50 • -8db
29% Popularity • 75% Danceability • 50% Energy • 15% Liveness
0% Instrumentalness • 36% Positiveness
29% Popularity • 75% Danceability • 50% Energy • 15% Liveness
0% Instrumentalness • 36% Positiveness
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Jackson Dyer
Fire That Will Never Burn
106 bpm • A# min • 04:00 • -6.75db
17% Popularity • 83% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 31% Positiveness
17% Popularity • 83% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 31% Positiveness
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DRAMA
Billy
106 bpm • G# min • 03:31 • -7db
56% Popularity • 82% Danceability • 49% Energy • 19% Liveness
0% Instrumentalness • 39% Positiveness
56% Popularity • 82% Danceability • 49% Energy • 19% Liveness
0% Instrumentalness • 39% Positiveness
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KWAYE
Lost in My Boots
106 bpm • D# min • 03:39 • -6.41db
53% Popularity • 56% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
53% Popularity • 56% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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Rudimental
Rumour Mill - Siege Remix
123 bpm • F# Maj • 05:21 • -6.93db
6% Popularity • 73% Danceability • 78% Energy • 3% Liveness
12% Instrumentalness • 87% Positiveness
6% Popularity • 73% Danceability • 78% Energy • 3% Liveness
12% Instrumentalness • 87% Positiveness
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Will Heard
Fallin' 4 U - Club Mix
123 bpm • C# Maj • 04:33 • -6.01db
6% Popularity • 78% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 65% Positiveness
6% Popularity • 78% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 65% Positiveness
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Cool Company
Beneath the Lights - Jean Tonique Remix
105 bpm • A Maj • 03:28 • -11.11db
42% Popularity • 93% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
42% Popularity • 93% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
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Jackson Dyer
Steal Away
123 bpm • B min • 04:44 • -9.69db
13% Popularity • 47% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 19% Positiveness
13% Popularity • 47% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 19% Positiveness
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Emil Landman
All the Time
105 bpm • F Maj • 02:56 • -6.43db
30% Popularity • 82% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
30% Popularity • 82% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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Knox White
You've Been My Girl
105 bpm • C# min • 03:46 • -6.02db
38% Popularity • 81% Danceability • 71% Energy • 20% Liveness
0% Instrumentalness • 64% Positiveness
38% Popularity • 81% Danceability • 71% Energy • 20% Liveness
0% Instrumentalness • 64% Positiveness
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Parcels
Anotherclock
105 bpm • B min • 04:00 • -11.64db
48% Popularity • 92% Danceability • 38% Energy • 8% Liveness
3% Instrumentalness • 33% Positiveness
48% Popularity • 92% Danceability • 38% Energy • 8% Liveness
3% Instrumentalness • 33% Positiveness
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Big Words
Sunlight
105 bpm • F# Maj • 05:08 • -5.34db
27% Popularity • 49% Danceability • 72% Energy • 68% Liveness
0% Instrumentalness • 34% Positiveness
27% Popularity • 49% Danceability • 72% Energy • 68% Liveness
0% Instrumentalness • 34% Positiveness
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City Park
Nights Never End
105 bpm • C# min • 03:25 • -11db
41% Popularity • 87% Danceability • 37% Energy • 34% Liveness
1% Instrumentalness • 73% Positiveness
41% Popularity • 87% Danceability • 37% Energy • 34% Liveness
1% Instrumentalness • 73% Positiveness
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Wantigga
Take You There
105 bpm • F# Maj • 03:32 • -8db
38% Popularity • 79% Danceability • 64% Energy • 6% Liveness
0% Instrumentalness • 40% Positiveness
38% Popularity • 79% Danceability • 64% Energy • 6% Liveness
0% Instrumentalness • 40% Positiveness
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Aaron Taylor
Get Through This
105 bpm • G min • 02:47 • -7db
46% Popularity • 89% Danceability • 48% Energy • 6% Liveness
0% Instrumentalness • 81% Positiveness
46% Popularity • 89% Danceability • 48% Energy • 6% Liveness
0% Instrumentalness • 81% Positiveness
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Ayoni
Too Good - The Wild Honey Pie Buzzsessio...
105 bpm • A Maj • 04:36 • -8.56db
36% Popularity • 65% Danceability • 55% Energy • 6% Liveness
0% Instrumentalness • 48% Positiveness
36% Popularity • 65% Danceability • 55% Energy • 6% Liveness
0% Instrumentalness • 48% Positiveness
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Will Heard
I Better Love You - Club Mix
124 bpm • A# min • 04:28 • -3.27db
6% Popularity • 70% Danceability • 95% Energy • 18% Liveness
0% Instrumentalness • 51% Positiveness
6% Popularity • 70% Danceability • 95% Energy • 18% Liveness
0% Instrumentalness • 51% Positiveness
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Big Words
Get Your Way
105 bpm • A Maj • 02:46 • -7db
42% Popularity • 58% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
42% Popularity • 58% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Secret Rendezvous
At Your Best (You Are Love)
104 bpm • G Maj • 04:14 • -9.87db
30% Popularity • 46% Danceability • 25% Energy • 21% Liveness
0% Instrumentalness • 23% Positiveness
30% Popularity • 46% Danceability • 25% Energy • 21% Liveness
0% Instrumentalness • 23% Positiveness
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Saux
Lukewarm (Only You)
104 bpm • D# Maj • 03:36 • -12.69db
33% Popularity • 93% Danceability • 30% Energy • 11% Liveness
1% Instrumentalness • 38% Positiveness
33% Popularity • 93% Danceability • 30% Energy • 11% Liveness
1% Instrumentalness • 38% Positiveness
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Isaac Waddington
Pay the Bill
124 bpm • C Maj • 03:08 • -12.38db
11% Popularity • 78% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
11% Popularity • 78% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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FKJ
Is Magic Gone
104 bpm • G min • 04:04 • -7.94db
43% Popularity • 75% Danceability • 52% Energy • 11% Liveness
43% Instrumentalness • 15% Positiveness
43% Popularity • 75% Danceability • 52% Energy • 11% Liveness
43% Instrumentalness • 15% Positiveness
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Charlotte Day Wilson
Doubt
125 bpm • F# Maj • 04:19 • -7db
37% Popularity • 53% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
37% Popularity • 53% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
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Big Words
Miss Your Mind
105 bpm • E Maj • 03:12 • -4.18db
36% Popularity • 72% Danceability • 83% Energy • 16% Liveness
0% Instrumentalness • 43% Positiveness
36% Popularity • 72% Danceability • 83% Energy • 16% Liveness
0% Instrumentalness • 43% Positiveness
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Klangkarussell
Sonnentanz - Sun Don't Shine / Jakwob Re...
125 bpm • C# min • 06:00 • -4.63db
7% Popularity • 71% Danceability • 78% Energy • 12% Liveness
18% Instrumentalness • 24% Positiveness
7% Popularity • 71% Danceability • 78% Energy • 12% Liveness
18% Instrumentalness • 24% Positiveness
