Songs like I Cannot Dance O Lord by San Francisco Girls Chorus
Based on a tempo of (+/- 10%) and a similar genre
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Anton Bruckner
Tantum ergo, WAB 42
140 bpm • D Maj • 02:42 • -23.22db
14% Popularity • 14% Danceability • 11% Energy • 10% Liveness
90% Instrumentalness • 6% Positiveness
14% Popularity • 14% Danceability • 11% Energy • 10% Liveness
90% Instrumentalness • 6% Positiveness
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Larimar Music Vibes
Behind the ocean
140 bpm • G# min • 03:59 • -18.52db
32% Popularity • 53% Danceability • 4% Energy • 11% Liveness
60% Instrumentalness • 13% Positiveness
32% Popularity • 53% Danceability • 4% Energy • 11% Liveness
60% Instrumentalness • 13% Positiveness
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Niccolò Jommelli
Miserere in G Minor, HocJ C1.23: I. Mise...
140 bpm • B min • 01:35 • -23.52db
17% Popularity • 14% Danceability • 3% Energy • 11% Liveness
88% Instrumentalness • 3% Positiveness
17% Popularity • 14% Danceability • 3% Energy • 11% Liveness
88% Instrumentalness • 3% Positiveness
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Felix Mendelssohn
Elijah, Op. 70: "Holy, Holy, Holy Is God...
140 bpm • C Maj • 03:27 • -19.46db
8% Popularity • 16% Danceability • 14% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
8% Popularity • 16% Danceability • 14% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
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San Francisco Girls Chorus
I Cannot Dance O Lord
140 bpm • D Maj • 03:25 • -19.81db
0% Popularity • 35% Danceability • 12% Energy • 9% Liveness
21% Instrumentalness • 12% Positiveness
0% Popularity • 35% Danceability • 12% Energy • 9% Liveness
21% Instrumentalness • 12% Positiveness
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Charles Wood
O Most Merciful
139 bpm • G min • 01:28 • -28db
11% Popularity • 15% Danceability • 3% Energy • 7% Liveness
1% Instrumentalness • 4% Positiveness
11% Popularity • 15% Danceability • 3% Energy • 7% Liveness
1% Instrumentalness • 4% Positiveness
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Carl Orff
Carmina Burana - 3. Cour d'amours: "Temp...
139 bpm • D Maj • 02:23 • -20.97db
3% Popularity • 49% Danceability • 23% Energy • 84% Liveness
0% Instrumentalness • 49% Positiveness
3% Popularity • 49% Danceability • 23% Energy • 84% Liveness
0% Instrumentalness • 49% Positiveness
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Friedrich Cerha
4 Hölderlin-Fragmente: No. 4, Ihr wande...
141 bpm • F# min • 03:36 • -29.88db
9% Popularity • 20% Danceability • 5% Energy • 7% Liveness
18% Instrumentalness • 3% Positiveness
9% Popularity • 20% Danceability • 5% Energy • 7% Liveness
18% Instrumentalness • 3% Positiveness
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Gunnar Eriksson
Music for a While
141 bpm • A min • 04:04 • -23.9db
8% Popularity • 23% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
8% Popularity • 23% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
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Christoph Willibald Gluck
Gluck: Orfeo ed Euridice, Wq. 30, Act 3:...
138 bpm • B Maj • 04:17 • -17.17db
23% Popularity • 27% Danceability • 10% Energy • 14% Liveness
0% Instrumentalness • 11% Positiveness
23% Popularity • 27% Danceability • 10% Energy • 14% Liveness
0% Instrumentalness • 11% Positiveness
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San Francisco Girls Chorus
Ave Verum Corpus, FP 154
139 bpm • A min • 02:35 • -28.27db
0% Popularity • 24% Danceability • 1% Energy • 7% Liveness
68% Instrumentalness • 4% Positiveness
0% Popularity • 24% Danceability • 1% Energy • 7% Liveness
68% Instrumentalness • 4% Positiveness
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Mårten Jansson
Missa Popularis: V. Agnus Dei
139 bpm • B min • 06:28 • -22.1db
8% Popularity • 15% Danceability • 8% Energy • 9% Liveness
62% Instrumentalness • 4% Positiveness
8% Popularity • 15% Danceability • 8% Energy • 9% Liveness
62% Instrumentalness • 4% Positiveness
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Percy Grainger
Australian Up-Country Song
138 bpm • F Maj • 01:41 • -27.11db
9% Popularity • 15% Danceability • 8% Energy • 8% Liveness
79% Instrumentalness • 4% Positiveness
9% Popularity • 15% Danceability • 8% Energy • 8% Liveness
79% Instrumentalness • 4% Positiveness
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Niccolò Jommelli
Missa pro Defunctis in E-Flat Major, Hoc...
142 bpm • D Maj • 04:02 • -16.75db
8% Popularity • 24% Danceability • 13% Energy • 23% Liveness
1% Instrumentalness • 12% Positiveness
8% Popularity • 24% Danceability • 13% Energy • 23% Liveness
1% Instrumentalness • 12% Positiveness
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Robin Milford
The Moon Shines Bright
142 bpm • B min • 01:33 • -27db
15% Popularity • 14% Danceability • 3% Energy • 8% Liveness
96% Instrumentalness • 6% Positiveness
15% Popularity • 14% Danceability • 3% Energy • 8% Liveness
96% Instrumentalness • 6% Positiveness
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Laestadian Lutheran Church
Psalm 23
138 bpm • A Maj • 02:31 • -18.5db
11% Popularity • 19% Danceability • 18% Energy • 11% Liveness
95% Instrumentalness • 8% Positiveness
11% Popularity • 19% Danceability • 18% Energy • 11% Liveness
95% Instrumentalness • 8% Positiveness
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Margaret Rizza
Jesus, You Are the Way
143 bpm • E Maj • 03:27 • -22.58db
9% Popularity • 23% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
9% Popularity • 23% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Markku Liukkonen
Aaria, Kun Herra Kulkee Pyhään Kaupunk...
137 bpm • C min • 04:22 • -18.78db
11% Popularity • 18% Danceability • 16% Energy • 12% Liveness
82% Instrumentalness • 9% Positiveness
11% Popularity • 18% Danceability • 16% Energy • 12% Liveness
82% Instrumentalness • 9% Positiveness
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Antonín Dvořák
Mass in D Major, Op. 86, B. 153: VI. Agn...
137 bpm • G Maj • 05:03 • -27.39db
9% Popularity • 17% Danceability • 4% Energy • 13% Liveness
2% Instrumentalness • 4% Positiveness
9% Popularity • 17% Danceability • 4% Energy • 13% Liveness
2% Instrumentalness • 4% Positiveness
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James Whitbourn
Annelies (chamber version): VI. Courage
137 bpm • B min • 04:18 • -24.87db
11% Popularity • 22% Danceability • 4% Energy • 10% Liveness
12% Instrumentalness • 4% Positiveness
11% Popularity • 22% Danceability • 4% Energy • 10% Liveness
12% Instrumentalness • 4% Positiveness
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Franz Schubert
Lacrimosa son io, D. 131b
136 bpm • D min • 04:20 • -26.94db
8% Popularity • 22% Danceability • 5% Energy • 6% Liveness
78% Instrumentalness • 3% Positiveness
8% Popularity • 22% Danceability • 5% Energy • 6% Liveness
78% Instrumentalness • 3% Positiveness
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San Francisco Girls Chorus
Over The Rainbow
136 bpm • E min • 03:05 • -26.07db
0% Popularity • 25% Danceability • 4% Energy • 10% Liveness
87% Instrumentalness • 10% Positiveness
0% Popularity • 25% Danceability • 4% Energy • 10% Liveness
87% Instrumentalness • 10% Positiveness
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Lorenzo Perosi
Missa Pontificalis: Benedictus
144 bpm • F Maj • 01:35 • -32.21db
19% Popularity • 13% Danceability • 1% Energy • 10% Liveness
1% Instrumentalness • 3% Positiveness
19% Popularity • 13% Danceability • 1% Energy • 10% Liveness
1% Instrumentalness • 3% Positiveness
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Frank La Rocca
Requiem for the Forgotten: I. Introit
136 bpm • A min • 06:11 • -19.79db
7% Popularity • 15% Danceability • 14% Energy • 11% Liveness
93% Instrumentalness • 3% Positiveness
7% Popularity • 15% Danceability • 14% Energy • 11% Liveness
93% Instrumentalness • 3% Positiveness
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Philip Glass
Father Death Blues
136 bpm • A Maj • 06:38 • -26.63db
0% Popularity • 24% Danceability • 4% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
0% Popularity • 24% Danceability • 4% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
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Anton Bruckner
Tantum ergo, WAB 43
135 bpm • A Maj • 01:35 • -21.58db
25% Popularity • 22% Danceability • 18% Energy • 7% Liveness
98% Instrumentalness • 5% Positiveness
25% Popularity • 22% Danceability • 18% Energy • 7% Liveness
98% Instrumentalness • 5% Positiveness
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Giovanni Bononcini
Stabat Mater a quatro in C Minor: IX. Vi...
135 bpm • D# Maj • 01:26 • -17.73db
19% Popularity • 24% Danceability • 19% Energy • 16% Liveness
0% Instrumentalness • 31% Positiveness
19% Popularity • 24% Danceability • 19% Energy • 16% Liveness
0% Instrumentalness • 31% Positiveness
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San Francisco Girls Chorus
Niska Banja
145 bpm • F Maj • 02:33 • -21.76db
4% Popularity • 42% Danceability • 17% Energy • 16% Liveness
0% Instrumentalness • 28% Positiveness
4% Popularity • 42% Danceability • 17% Energy • 16% Liveness
0% Instrumentalness • 28% Positiveness
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Wolfgang Amadeus Mozart
Ascanio in Alba, K. 111: Act I Scene 1: ...
135 bpm • C# Maj • 02:21 • -19.23db
9% Popularity • 34% Danceability • 9% Energy • 9% Liveness
2% Instrumentalness • 44% Positiveness
9% Popularity • 34% Danceability • 9% Energy • 9% Liveness
2% Instrumentalness • 44% Positiveness
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Francesco Brusa
Missa Pro Defunctis: Sequentia: Dies Ira...
135 bpm • B min • 02:05 • -21.76db
2% Popularity • 36% Danceability • 4% Energy • 17% Liveness
0% Instrumentalness • 13% Positiveness
2% Popularity • 36% Danceability • 4% Energy • 17% Liveness
0% Instrumentalness • 13% Positiveness
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Louis Vierne
Messe Solennelle, Op. 16 - Agnus Dei
135 bpm • G# Maj • 05:33 • -22.98db
8% Popularity • 16% Danceability • 8% Energy • 12% Liveness
91% Instrumentalness • 3% Positiveness
8% Popularity • 16% Danceability • 8% Energy • 12% Liveness
91% Instrumentalness • 3% Positiveness
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George Frideric Handel
Israel in Egypt, HWV 54, Pt 3. "Moses' S...
135 bpm • D# Maj • 01:15 • -20.38db
15% Popularity • 21% Danceability • 6% Energy • 10% Liveness
90% Instrumentalness • 3% Positiveness
15% Popularity • 21% Danceability • 6% Energy • 10% Liveness
90% Instrumentalness • 3% Positiveness
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Hugo Wolf
Six sacred Songs after Poems of Joseph v...
135 bpm • E Maj • 01:04 • -22.61db
28% Popularity • 25% Danceability • 18% Energy • 9% Liveness
17% Instrumentalness • 3% Positiveness
28% Popularity • 25% Danceability • 18% Energy • 9% Liveness
17% Instrumentalness • 3% Positiveness
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John Blow
Let my Prayer come up
134 bpm • A# min • 01:08 • -30.63db
8% Popularity • 17% Danceability • 5% Energy • 10% Liveness
1% Instrumentalness • 4% Positiveness
8% Popularity • 17% Danceability • 5% Energy • 10% Liveness
1% Instrumentalness • 4% Positiveness
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Philippe Rogier
Cantantibus organis
134 bpm • A Maj • 03:42 • -18.57db
8% Popularity • 20% Danceability • 21% Energy • 15% Liveness
67% Instrumentalness • 9% Positiveness
8% Popularity • 20% Danceability • 21% Energy • 15% Liveness
67% Instrumentalness • 9% Positiveness
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KNOXVILLETRACKZ
HFTEPF
134 bpm • D min • 01:04 • -45.51db
13% Popularity • 19% Danceability • 0% Energy • 10% Liveness
100% Instrumentalness • 23% Positiveness
13% Popularity • 19% Danceability • 0% Energy • 10% Liveness
100% Instrumentalness • 23% Positiveness
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Francis Poulenc
Dialogues des Carmélites, FP 159: Ave M...
134 bpm • B min • 01:46 • -29.48db
12% Popularity • 19% Danceability • 5% Energy • 9% Liveness
87% Instrumentalness • 4% Positiveness
12% Popularity • 19% Danceability • 5% Energy • 9% Liveness
87% Instrumentalness • 4% Positiveness
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George Frideric Handel
Dixit Dominus, HWV 232: V. Tu es sacerdo...
146 bpm • A Maj • 01:39 • -20.68db
21% Popularity • 18% Danceability • 22% Energy • 12% Liveness
72% Instrumentalness • 33% Positiveness
21% Popularity • 18% Danceability • 22% Energy • 12% Liveness
72% Instrumentalness • 33% Positiveness
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Charles Davidson
I Never Saw Another Butterfly: The Littl...
134 bpm • G Maj • 01:25 • -29.71db
0% Popularity • 42% Danceability • 4% Energy • 16% Liveness
86% Instrumentalness • 31% Positiveness
0% Popularity • 42% Danceability • 4% Energy • 16% Liveness
86% Instrumentalness • 31% Positiveness
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Antonio Vivaldi
Gloria in D Major, Rv 589: Qui Tollis Pe...
134 bpm • D# min • 01:06 • -24.81db
1% Popularity • 24% Danceability • 6% Energy • 28% Liveness
24% Instrumentalness • 4% Positiveness
1% Popularity • 24% Danceability • 6% Energy • 28% Liveness
24% Instrumentalness • 4% Positiveness
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Pierre de Manchicourt
Osculetur me: I. Osculetur me osculo ori...
134 bpm • C min • 03:24 • -19.62db
22% Popularity • 20% Danceability • 18% Energy • 8% Liveness
84% Instrumentalness • 4% Positiveness
22% Popularity • 20% Danceability • 18% Energy • 8% Liveness
84% Instrumentalness • 4% Positiveness
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Camille Saint-Saëns
Les fleurs et les arbres
133 bpm • E Maj • 02:00 • -23db
11% Popularity • 25% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
11% Popularity • 25% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
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Basilica of the National Shrine of the Immaculate Conception Choir
Christus vincit
133 bpm • G Maj • 03:47 • -20.07db
17% Popularity • 22% Danceability • 19% Energy • 8% Liveness
55% Instrumentalness • 11% Positiveness
17% Popularity • 22% Danceability • 19% Energy • 8% Liveness
55% Instrumentalness • 11% Positiveness
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Arvo Pärt
De profundis
133 bpm • E min • 06:55 • -24.78db
21% Popularity • 16% Danceability • 6% Energy • 26% Liveness
56% Instrumentalness • 4% Positiveness
21% Popularity • 16% Danceability • 6% Energy • 26% Liveness
56% Instrumentalness • 4% Positiveness
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Charles Davidson
I Never Saw Another Butterfly: Terezin
133 bpm • F min • 05:38 • -28.93db
0% Popularity • 22% Danceability • 1% Energy • 10% Liveness
85% Instrumentalness • 3% Positiveness
0% Popularity • 22% Danceability • 1% Energy • 10% Liveness
85% Instrumentalness • 3% Positiveness
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Nicola Porpora
Magnificat: Fecit Potentiam
133 bpm • G# min • 02:45 • -20.79db
3% Popularity • 33% Danceability • 9% Energy • 14% Liveness
32% Instrumentalness • 41% Positiveness
3% Popularity • 33% Danceability • 9% Energy • 14% Liveness
32% Instrumentalness • 41% Positiveness
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San Francisco Girls Chorus
My Lagan Love
133 bpm • G Maj • 02:28 • -32.64db
0% Popularity • 22% Danceability • 1% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
0% Popularity • 22% Danceability • 1% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Benjamin Britten
Advance Democracy
132 bpm • D# Maj • 03:25 • -23.39db
10% Popularity • 29% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
10% Popularity • 29% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
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George Frideric Handel
Israel in Egypt, HWV 54: Part II, The Ex...
132 bpm • B Maj • 02:14 • -18.24db
9% Popularity • 45% Danceability • 44% Energy • 7% Liveness
94% Instrumentalness • 49% Positiveness
9% Popularity • 45% Danceability • 44% Energy • 7% Liveness
94% Instrumentalness • 49% Positiveness
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Michael Haydn
Missa Sanctae Crucis, MH 56: Sanctus
132 bpm • D# Maj • 01:23 • -19.76db
26% Popularity • 22% Danceability • 14% Energy • 16% Liveness
0% Instrumentalness • 7% Positiveness
26% Popularity • 22% Danceability • 14% Energy • 16% Liveness
0% Instrumentalness • 7% Positiveness
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Marianna Martines
Psalm 110: I. Dixit Dominus
132 bpm • C# Maj • 04:13 • -12.18db
8% Popularity • 38% Danceability • 29% Energy • 8% Liveness
14% Instrumentalness • 41% Positiveness
8% Popularity • 38% Danceability • 29% Energy • 8% Liveness
14% Instrumentalness • 41% Positiveness
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Antonio Vivaldi
Domine Deus, Rex Coelestis
133 bpm • B Maj • 04:03 • -28.72db
1% Popularity • 23% Danceability • 1% Energy • 11% Liveness
78% Instrumentalness • 14% Positiveness
1% Popularity • 23% Danceability • 1% Energy • 11% Liveness
78% Instrumentalness • 14% Positiveness
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Marc-Antoine Charpentier
Te Deum, H. 146: V. Tu de victo mortis a...
149 bpm • C Maj • 01:19 • -14.89db
14% Popularity • 30% Danceability • 38% Energy • 16% Liveness
56% Instrumentalness • 69% Positiveness
14% Popularity • 30% Danceability • 38% Energy • 16% Liveness
56% Instrumentalness • 69% Positiveness
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Heidi en Berlín
Premium Sunsets.
131 bpm • D Maj • 03:55 • -19.4db
7% Popularity • 24% Danceability • 8% Energy • 9% Liveness
74% Instrumentalness • 6% Positiveness
7% Popularity • 24% Danceability • 8% Energy • 9% Liveness
74% Instrumentalness • 6% Positiveness
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Henry Purcell
Burial service: Thou knowest, Lord (Henr...
131 bpm • B Maj • 01:53 • -17db
14% Popularity • 25% Danceability • 14% Energy • 11% Liveness
85% Instrumentalness • 4% Positiveness
14% Popularity • 25% Danceability • 14% Energy • 11% Liveness
85% Instrumentalness • 4% Positiveness
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San Francisco Girls Chorus
Missa Brevis In D Major, Op. 63: II. Glo...
131 bpm • G Maj • 02:51 • -24.54db
0% Popularity • 26% Danceability • 5% Energy • 10% Liveness
23% Instrumentalness • 4% Positiveness
0% Popularity • 26% Danceability • 5% Energy • 10% Liveness
23% Instrumentalness • 4% Positiveness
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Anton Bruckner
Tota pulchra es, WAB 46
131 bpm • C Maj • 05:20 • -23.67db
12% Popularity • 18% Danceability • 4% Energy • 9% Liveness
4% Instrumentalness • 4% Positiveness
12% Popularity • 18% Danceability • 4% Energy • 9% Liveness
4% Instrumentalness • 4% Positiveness
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LeoRoads
Harmony of Angels
130 bpm • E min • 02:19 • -16.85db
8% Popularity • 48% Danceability • 18% Energy • 14% Liveness
95% Instrumentalness • 4% Positiveness
8% Popularity • 48% Danceability • 18% Energy • 14% Liveness
95% Instrumentalness • 4% Positiveness
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Henri Desmarets
Te Deum "de Lyon": IV. Te martyrum candi...
131 bpm • F Maj • 01:09 • -16.55db
17% Popularity • 26% Danceability • 49% Energy • 19% Liveness
99% Instrumentalness • 30% Positiveness
17% Popularity • 26% Danceability • 49% Energy • 19% Liveness
99% Instrumentalness • 30% Positiveness
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Andrea Gabrieli
Gabrieli, A: Intonatione del primo tono
130 bpm • D min • 01:00 • -34.86db
17% Popularity • 22% Danceability • 2% Energy • 6% Liveness
89% Instrumentalness • 9% Positiveness
17% Popularity • 22% Danceability • 2% Energy • 6% Liveness
89% Instrumentalness • 9% Positiveness
► Preview
Antonio Vivaldi
Jubilate, o amoeni chori, RV 639 - Glori...
129 bpm • F# Maj • 01:11 • -21.27db
16% Popularity • 21% Danceability • 13% Energy • 7% Liveness
2% Instrumentalness • 13% Positiveness
16% Popularity • 21% Danceability • 13% Energy • 7% Liveness
2% Instrumentalness • 13% Positiveness
► Preview
San Francisco Girls Chorus
Echo
131 bpm • F Maj • 06:24 • -31.27db
0% Popularity • 20% Danceability • 1% Energy • 7% Liveness
15% Instrumentalness • 3% Positiveness
0% Popularity • 20% Danceability • 1% Energy • 7% Liveness
15% Instrumentalness • 3% Positiveness
► Preview
George de La Hèle
Missa Praeter rerum seriem: V. Benedictu...
130 bpm • G# min • 02:40 • -20.86db
9% Popularity • 19% Danceability • 11% Energy • 11% Liveness
22% Instrumentalness • 6% Positiveness
9% Popularity • 19% Danceability • 11% Energy • 11% Liveness
22% Instrumentalness • 6% Positiveness
► Preview
Charles Davidson
I Never Saw Another Butterfly: Man Propo...
129 bpm • C min • 01:22 • -26.15db
0% Popularity • 49% Danceability • 7% Energy • 14% Liveness
97% Instrumentalness • 9% Positiveness
0% Popularity • 49% Danceability • 7% Energy • 14% Liveness
97% Instrumentalness • 9% Positiveness
► Preview
Gioachino Rossini
Petite messe solennelle: XI. Credo. Cred...
129 bpm • B Maj • 04:17 • -18.99db
8% Popularity • 26% Danceability • 13% Energy • 17% Liveness
8% Instrumentalness • 9% Positiveness
8% Popularity • 26% Danceability • 13% Energy • 17% Liveness
8% Instrumentalness • 9% Positiveness
► Preview
George Frideric Handel
Israel in Egypt, HWV 54: Part II, The Ex...
129 bpm • E min • 02:40 • -30db
13% Popularity • 19% Danceability • 2% Energy • 14% Liveness
2% Instrumentalness • 3% Positiveness
13% Popularity • 19% Danceability • 2% Energy • 14% Liveness
2% Instrumentalness • 3% Positiveness
► Preview
Mårten Jansson
Missa Popularis: II. Gloria
129 bpm • F Maj • 04:19 • -18db
9% Popularity • 21% Danceability • 15% Energy • 9% Liveness
8% Instrumentalness • 12% Positiveness
9% Popularity • 21% Danceability • 15% Energy • 9% Liveness
8% Instrumentalness • 12% Positiveness
► Preview
San Francisco Girls Chorus
Anne Frank: A Living Voice
151 bpm • D min • 07:18 • -25.81db
0% Popularity • 12% Danceability • 3% Energy • 6% Liveness
19% Instrumentalness • 4% Positiveness
0% Popularity • 12% Danceability • 3% Energy • 6% Liveness
19% Instrumentalness • 4% Positiveness
► Preview
Oulun kamariorkesteri
Alkukuoro, Vuorten Ylle Aurinko on Nouss...
128 bpm • G Maj • 04:27 • -23.6db
14% Popularity • 17% Danceability • 10% Energy • 10% Liveness
79% Instrumentalness • 4% Positiveness
14% Popularity • 17% Danceability • 10% Energy • 10% Liveness
79% Instrumentalness • 4% Positiveness
► Preview
Antonio Vivaldi
Gloria in D Major, RV 589: IX. Qui tolli...
128 bpm • E min • 01:08 • -19.39db
12% Popularity • 19% Danceability • 16% Energy • 11% Liveness
76% Instrumentalness • 4% Positiveness
12% Popularity • 19% Danceability • 16% Energy • 11% Liveness
76% Instrumentalness • 4% Positiveness
► Preview
Josef Rheinberger
Messe in Es, Op. 109 "Cantus Missae": Ky...
127 bpm • D# Maj • 04:32 • -25.66db
13% Popularity • 17% Danceability • 5% Energy • 12% Liveness
75% Instrumentalness • 4% Positiveness
13% Popularity • 17% Danceability • 5% Energy • 12% Liveness
75% Instrumentalness • 4% Positiveness
► Preview
George Frideric Handel
L'Allegro, il Penseroso ed il Moderato, ...
127 bpm • G# Maj • 01:18 • -18.54db
8% Popularity • 40% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
8% Popularity • 40% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
► Preview
Colin Jacobsen
If I Were Not Me: From Below, As a Neigh...
127 bpm • G Maj • 03:27 • -21.88db
0% Popularity • 35% Danceability • 14% Energy • 17% Liveness
2% Instrumentalness • 13% Positiveness
0% Popularity • 35% Danceability • 14% Energy • 17% Liveness
2% Instrumentalness • 13% Positiveness
► Preview
San Francisco Girls Chorus
Two E.e.cummings Songs: I. Sky Candy Spo...
129 bpm • B min • 03:18 • -27.51db
0% Popularity • 26% Danceability • 4% Energy • 5% Liveness
7% Instrumentalness • 7% Positiveness
0% Popularity • 26% Danceability • 4% Energy • 5% Liveness
7% Instrumentalness • 7% Positiveness
► Preview
Anton Bruckner
Locus iste, WAB 23
125 bpm • C Maj • 03:21 • -26.29db
17% Popularity • 17% Danceability • 3% Energy • 8% Liveness
4% Instrumentalness • 3% Positiveness
17% Popularity • 17% Danceability • 3% Energy • 8% Liveness
4% Instrumentalness • 3% Positiveness
► Preview
Stacey Philipps
Close Distancing
125 bpm • G Maj • 02:45 • -25.44db
9% Popularity • 20% Danceability • 7% Energy • 6% Liveness
84% Instrumentalness • 4% Positiveness
9% Popularity • 20% Danceability • 7% Energy • 6% Liveness
84% Instrumentalness • 4% Positiveness
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Josef Rheinberger
Mass in Es, Kyrie
127 bpm • D# Maj • 03:54 • -22.06db
9% Popularity • 17% Danceability • 12% Energy • 12% Liveness
96% Instrumentalness • 4% Positiveness
9% Popularity • 17% Danceability • 12% Energy • 12% Liveness
96% Instrumentalness • 4% Positiveness
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Antonio Vivaldi
Gloria in D Major, Rv 589: Domine Fili U...
125 bpm • E Maj • 02:26 • -26.39db
1% Popularity • 33% Danceability • 6% Energy • 15% Liveness
0% Instrumentalness • 19% Positiveness
1% Popularity • 33% Danceability • 6% Energy • 15% Liveness
0% Instrumentalness • 19% Positiveness
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Aoife O'Donovan
Daughters
157 bpm • A# Maj • 04:20 • -11.04db
27% Popularity • 41% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
27% Popularity • 41% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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San Francisco Girls Chorus
Taivas On Sininen
128 bpm • D min • 03:12 • -29.72db
2% Popularity • 21% Danceability • 2% Energy • 16% Liveness
0% Instrumentalness • 9% Positiveness
2% Popularity • 21% Danceability • 2% Energy • 16% Liveness
0% Instrumentalness • 9% Positiveness
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Giovanni Pierluigi da Palestrina
Missa Ut re mi fa sol la (Hexachord Mass...
124 bpm • A# Maj • 03:14 • -21.89db
17% Popularity • 23% Danceability • 17% Energy • 21% Liveness
0% Instrumentalness • 10% Positiveness
17% Popularity • 23% Danceability • 17% Energy • 21% Liveness
0% Instrumentalness • 10% Positiveness
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Felix Mendelssohn
Elijah, Op. 70: "Blessed Are the Men Who...
124 bpm • G Maj • 03:51 • -19.01db
9% Popularity • 17% Danceability • 18% Energy • 8% Liveness
89% Instrumentalness • 5% Positiveness
9% Popularity • 17% Danceability • 18% Energy • 8% Liveness
89% Instrumentalness • 5% Positiveness
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The Royal Wind Music
All'Arm' all'Arme
124 bpm • G# Maj • 01:20 • -21.26db
15% Popularity • 30% Danceability • 9% Energy • 13% Liveness
98% Instrumentalness • 52% Positiveness
15% Popularity • 30% Danceability • 9% Energy • 13% Liveness
98% Instrumentalness • 52% Positiveness
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Antonio Vivaldi
Jubilate, o amoeni chori, RV 639 - Glori...
125 bpm • G# min • 02:39 • -27.8db
17% Popularity • 30% Danceability • 3% Energy • 21% Liveness
44% Instrumentalness • 12% Positiveness
17% Popularity • 30% Danceability • 3% Energy • 21% Liveness
44% Instrumentalness • 12% Positiveness
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Francesco Brusa
Missa Pro Defunctis: Introitus: Requiem
123 bpm • F# min • 02:46 • -25.79db
2% Popularity • 21% Danceability • 4% Energy • 11% Liveness
44% Instrumentalness • 7% Positiveness
2% Popularity • 21% Danceability • 4% Energy • 11% Liveness
44% Instrumentalness • 7% Positiveness
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San Francisco Girls Chorus
Psalm 150
128 bpm • F Maj • 02:04 • -24.59db
0% Popularity • 32% Danceability • 4% Energy • 18% Liveness
76% Instrumentalness • 4% Positiveness
0% Popularity • 32% Danceability • 4% Energy • 18% Liveness
76% Instrumentalness • 4% Positiveness
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George Frideric Handel
Israel in Egypt, HWV 54, Pt 2. "Exodus":...
123 bpm • G# min • 02:26 • -12.05db
7% Popularity • 43% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
7% Popularity • 43% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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Jan Dismas Zelenka
Missa Paschalis, ZWV 7: Kyrie. Kyrie ele...
121 bpm • C# Maj • 02:52 • -16db
13% Popularity • 27% Danceability • 23% Energy • 10% Liveness
91% Instrumentalness • 21% Positiveness
13% Popularity • 27% Danceability • 23% Energy • 10% Liveness
91% Instrumentalness • 21% Positiveness
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Johann Stadlmayr
Missa Jubilate Deo: Agnus Die
121 bpm • G min • 01:43 • -22.43db
22% Popularity • 18% Danceability • 9% Energy • 10% Liveness
69% Instrumentalness • 4% Positiveness
22% Popularity • 18% Danceability • 9% Energy • 10% Liveness
69% Instrumentalness • 4% Positiveness
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Aoife O'Donovan
Crisis
121 bpm • A Maj • 04:43 • -10.06db
30% Popularity • 50% Danceability • 38% Energy • 16% Liveness
0% Instrumentalness • 14% Positiveness
30% Popularity • 50% Danceability • 38% Energy • 16% Liveness
0% Instrumentalness • 14% Positiveness
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Charles Davidson
I Never Saw Another Butterfly: It All De...
121 bpm • G min • 03:22 • -30.32db
0% Popularity • 34% Danceability • 2% Energy • 6% Liveness
32% Instrumentalness • 6% Positiveness
0% Popularity • 34% Danceability • 2% Energy • 6% Liveness
32% Instrumentalness • 6% Positiveness
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San Francisco Girls Chorus
Glory To God For This Transient Life
128 bpm • G Maj • 05:03 • -25.04db
1% Popularity • 24% Danceability • 7% Energy • 8% Liveness
82% Instrumentalness • 6% Positiveness
1% Popularity • 24% Danceability • 7% Energy • 8% Liveness
82% Instrumentalness • 6% Positiveness
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Francesco Brusa
Missa Pro Defunctis: Adoramus Te
120 bpm • G# min • 01:25 • -26.53db
1% Popularity • 30% Danceability • 2% Energy • 14% Liveness
4% Instrumentalness • 7% Positiveness
1% Popularity • 30% Danceability • 2% Energy • 14% Liveness
4% Instrumentalness • 7% Positiveness
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Jan Dismas Zelenka
Missa Paschalis, ZWV 7: Kyrie. Kyrie ele...
121 bpm • C# Maj • 01:19 • -15.26db
22% Popularity • 31% Danceability • 26% Energy • 10% Liveness
74% Instrumentalness • 43% Positiveness
22% Popularity • 31% Danceability • 26% Energy • 10% Liveness
74% Instrumentalness • 43% Positiveness
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Smooth Moment
Maria jumping mountains
120 bpm • C Maj • 03:26 • -19.47db
11% Popularity • 20% Danceability • 18% Energy • 17% Liveness
88% Instrumentalness • 8% Positiveness
11% Popularity • 20% Danceability • 18% Energy • 17% Liveness
88% Instrumentalness • 8% Positiveness
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Bob Chilcott
St. John Passion, Part I: Sing, My Tongu...
163 bpm • C min • 02:09 • -13.13db
8% Popularity • 15% Danceability • 35% Energy • 6% Liveness
84% Instrumentalness • 9% Positiveness
8% Popularity • 15% Danceability • 35% Energy • 6% Liveness
84% Instrumentalness • 9% Positiveness
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Anónimo
Pasión: Vere Languóres. Alto Solo.
119 bpm • A Maj • 03:21 • -14.78db
12% Popularity • 37% Danceability • 15% Energy • 33% Liveness
0% Instrumentalness • 31% Positiveness
12% Popularity • 37% Danceability • 15% Energy • 33% Liveness
0% Instrumentalness • 31% Positiveness
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San Francisco Girls Chorus
Two Mountain Songs: I. Envuelto Por El V...
122 bpm • D min • 02:53 • -34.87db
0% Popularity • 21% Danceability • 1% Energy • 5% Liveness
35% Instrumentalness • 4% Positiveness
0% Popularity • 21% Danceability • 1% Energy • 5% Liveness
35% Instrumentalness • 4% Positiveness
