Songs like I Can’t Believe That You’re In Love With Me by Helen Forrest
Based on a tempo of (+/- 10%) and a similar genre
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Bob Crosby
I Don'T Know Whether to Laugh or Cry ove...
104 bpm • C min • 01:48 • -11.44db
29% Popularity • 72% Danceability • 23% Energy • 12% Liveness
94% Instrumentalness • 79% Positiveness
29% Popularity • 72% Danceability • 23% Energy • 12% Liveness
94% Instrumentalness • 79% Positiveness
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Bunny Berigan
All God s Chillun Got Rhyth
105 bpm • A# Maj • 02:25 • -11db
19% Popularity • 71% Danceability • 47% Energy • 8% Liveness
63% Instrumentalness • 80% Positiveness
19% Popularity • 71% Danceability • 47% Energy • 8% Liveness
63% Instrumentalness • 80% Positiveness
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Larry Clinton & His Orchestra
Deep Purple
104 bpm • D# Maj • 02:52 • -11db
14% Popularity • 56% Danceability • 39% Energy • 40% Liveness
0% Instrumentalness • 58% Positiveness
14% Popularity • 56% Danceability • 39% Energy • 40% Liveness
0% Instrumentalness • 58% Positiveness
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Eddie Fisher
After I Say I'm Sorry?
103 bpm • A# Maj • 02:05 • -16.49db
34% Popularity • 52% Danceability • 7% Energy • 12% Liveness
1% Instrumentalness • 54% Positiveness
34% Popularity • 52% Danceability • 7% Energy • 12% Liveness
1% Instrumentalness • 54% Positiveness
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Marion Harris
Charleston Crazy
103 bpm • D# min • 02:43 • -11db
20% Popularity • 83% Danceability • 42% Energy • 23% Liveness
84% Instrumentalness • 89% Positiveness
20% Popularity • 83% Danceability • 42% Energy • 23% Liveness
84% Instrumentalness • 89% Positiveness
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Cab Calloway
Evenin'
103 bpm • G min • 02:47 • -15.01db
15% Popularity • 49% Danceability • 17% Energy • 10% Liveness
2% Instrumentalness • 32% Positiveness
15% Popularity • 49% Danceability • 17% Energy • 10% Liveness
2% Instrumentalness • 32% Positiveness
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Gerhard Trede
Clear as Daylight
105 bpm • F Maj • 02:33 • -13.2db
18% Popularity • 44% Danceability • 33% Energy • 26% Liveness
82% Instrumentalness • 72% Positiveness
18% Popularity • 44% Danceability • 33% Energy • 26% Liveness
82% Instrumentalness • 72% Positiveness
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Rudy Vallee and His Connecticut Yankees
P.s. - I Love You
105 bpm • G min • 03:30 • -24.49db
36% Popularity • 42% Danceability • 6% Energy • 14% Liveness
3% Instrumentalness • 33% Positiveness
36% Popularity • 42% Danceability • 6% Energy • 14% Liveness
3% Instrumentalness • 33% Positiveness
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Lee Wiley
Manhattan
105 bpm • C# Maj • 03:25 • -14db
27% Popularity • 54% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 45% Positiveness
27% Popularity • 54% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 45% Positiveness
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Bob Crosby & His Orchestra
What's New?
105 bpm • A# min • 02:57 • -25db
13% Popularity • 56% Danceability • 6% Energy • 7% Liveness
90% Instrumentalness • 35% Positiveness
13% Popularity • 56% Danceability • 6% Energy • 7% Liveness
90% Instrumentalness • 35% Positiveness
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Maxine Sullivan
When Your Lover Has Gone
103 bpm • G Maj • 02:45 • -14.9db
2% Popularity • 61% Danceability • 6% Energy • 11% Liveness
1% Instrumentalness • 18% Positiveness
2% Popularity • 61% Danceability • 6% Energy • 11% Liveness
1% Instrumentalness • 18% Positiveness
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Ella Mae Morse
Shoo Shoo Baby
103 bpm • A min • 03:15 • -11.81db
13% Popularity • 72% Danceability • 9% Energy • 32% Liveness
0% Instrumentalness • 50% Positiveness
13% Popularity • 72% Danceability • 9% Energy • 32% Liveness
0% Instrumentalness • 50% Positiveness
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Connee Boswell
Basin Street Blues
103 bpm • D# Maj • 03:00 • -13.75db
16% Popularity • 61% Danceability • 11% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
16% Popularity • 61% Danceability • 11% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
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Bea Wain
My Reverie
102 bpm • F Maj • 03:25 • -12db
16% Popularity • 35% Danceability • 15% Energy • 36% Liveness
3% Instrumentalness • 40% Positiveness
16% Popularity • 35% Danceability • 15% Energy • 36% Liveness
3% Instrumentalness • 40% Positiveness
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Anne Shelton
Coming in on a Wing & a Prayer
106 bpm • D# Maj • 02:45 • -10.75db
23% Popularity • 66% Danceability • 26% Energy • 16% Liveness
0% Instrumentalness • 69% Positiveness
23% Popularity • 66% Danceability • 26% Energy • 16% Liveness
0% Instrumentalness • 69% Positiveness
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Annette Hanshaw
Carolina Moon
102 bpm • C Maj • 02:56 • -16.05db
20% Popularity • 67% Danceability • 12% Energy • 23% Liveness
2% Instrumentalness • 54% Positiveness
20% Popularity • 67% Danceability • 12% Energy • 23% Liveness
2% Instrumentalness • 54% Positiveness
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Lee Wiley
Manhattan
106 bpm • G# Maj • 03:25 • -17.66db
20% Popularity • 56% Danceability • 16% Energy • 17% Liveness
2% Instrumentalness • 49% Positiveness
20% Popularity • 56% Danceability • 16% Energy • 17% Liveness
2% Instrumentalness • 49% Positiveness
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Jimmy Dorsey & His Orchestra
King Porter Stomp
106 bpm • G# Maj • 02:52 • -8.64db
25% Popularity • 72% Danceability • 60% Energy • 66% Liveness
97% Instrumentalness • 89% Positiveness
25% Popularity • 72% Danceability • 60% Energy • 66% Liveness
97% Instrumentalness • 89% Positiveness
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Connee Boswell
In the Middle of a Kiss
106 bpm • G Maj • 02:58 • -20.68db
11% Popularity • 32% Danceability • 8% Energy • 18% Liveness
12% Instrumentalness • 21% Positiveness
11% Popularity • 32% Danceability • 8% Energy • 18% Liveness
12% Instrumentalness • 21% Positiveness
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Tony Martin
Lilacs in the Rain
106 bpm • G Maj • 02:41 • -17db
18% Popularity • 34% Danceability • 10% Energy • 19% Liveness
0% Instrumentalness • 22% Positiveness
18% Popularity • 34% Danceability • 10% Energy • 19% Liveness
0% Instrumentalness • 22% Positiveness
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Cab Calloway & His Orchestra
Happy Feet
106 bpm • G min • 02:38 • -8.17db
20% Popularity • 78% Danceability • 62% Energy • 5% Liveness
87% Instrumentalness • 96% Positiveness
20% Popularity • 78% Danceability • 62% Energy • 5% Liveness
87% Instrumentalness • 96% Positiveness
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Tennessee Ernie Ford
(Did You Ever Get) That Feeling in the M...
106 bpm • A# Maj • 01:49 • -13.2db
0% Popularity • 82% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
0% Popularity • 82% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
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Larry Clinton & His Orchestra
My Reverie
106 bpm • F Maj • 02:57 • -17.22db
24% Popularity • 37% Danceability • 8% Energy • 9% Liveness
1% Instrumentalness • 11% Positiveness
24% Popularity • 37% Danceability • 8% Energy • 9% Liveness
1% Instrumentalness • 11% Positiveness
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Jimmy Dorsey & His Orchestra
The Nearness of You
106 bpm • F Maj • 03:42 • -11.86db
8% Popularity • 41% Danceability • 22% Energy • 16% Liveness
16% Instrumentalness • 41% Positiveness
8% Popularity • 41% Danceability • 22% Energy • 16% Liveness
16% Instrumentalness • 41% Positiveness
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Dick Haymes
All Through the Day
102 bpm • E Maj • 03:01 • -19.52db
5% Popularity • 23% Danceability • 14% Energy • 11% Liveness
10% Instrumentalness • 24% Positiveness
5% Popularity • 23% Danceability • 14% Energy • 11% Liveness
10% Instrumentalness • 24% Positiveness
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Rudy Vallee and His Connecticut Yankees
I'm Just a Vagabond Lover
106 bpm • A# Maj • 03:18 • -19.24db
33% Popularity • 60% Danceability • 9% Energy • 9% Liveness
12% Instrumentalness • 65% Positiveness
33% Popularity • 60% Danceability • 9% Energy • 9% Liveness
12% Instrumentalness • 65% Positiveness
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Frank Sinatra with Tommy Dorsey and His Orchestra
Moments in the Moonlight
106 bpm • G min • 03:17 • -12.97db
7% Popularity • 46% Danceability • 9% Energy • 25% Liveness
4% Instrumentalness • 41% Positiveness
7% Popularity • 46% Danceability • 9% Energy • 25% Liveness
4% Instrumentalness • 41% Positiveness
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Rudy Vallee
If I Had a Girl Like You
102 bpm • F# min • 03:08 • -13.54db
13% Popularity • 53% Danceability • 14% Energy • 23% Liveness
7% Instrumentalness • 33% Positiveness
13% Popularity • 53% Danceability • 14% Energy • 23% Liveness
7% Instrumentalness • 33% Positiveness
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The Dorsey Brothers
My Melancholy Baby
101 bpm • D# Maj • 03:00 • -9.87db
20% Popularity • 73% Danceability • 34% Energy • 21% Liveness
14% Instrumentalness • 85% Positiveness
20% Popularity • 73% Danceability • 34% Energy • 21% Liveness
14% Instrumentalness • 85% Positiveness
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Ted Heath
Stardust
101 bpm • C# Maj • 02:42 • -13db
20% Popularity • 46% Danceability • 24% Energy • 12% Liveness
6% Instrumentalness • 32% Positiveness
20% Popularity • 46% Danceability • 24% Energy • 12% Liveness
6% Instrumentalness • 32% Positiveness
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Bob Crosby
There'S an 'X' in the Middle of Texas
107 bpm • C min • 02:05 • -11.39db
20% Popularity • 72% Danceability • 44% Energy • 16% Liveness
96% Instrumentalness • 97% Positiveness
20% Popularity • 72% Danceability • 44% Energy • 16% Liveness
96% Instrumentalness • 97% Positiveness
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Bea Wain
Heart and Soul
107 bpm • A min • 03:09 • -14db
28% Popularity • 61% Danceability • 7% Energy • 22% Liveness
0% Instrumentalness • 51% Positiveness
28% Popularity • 61% Danceability • 7% Energy • 22% Liveness
0% Instrumentalness • 51% Positiveness
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Buddy Clark
Linda
101 bpm • F Maj • 03:18 • -19db
15% Popularity • 55% Danceability • 8% Energy • 10% Liveness
3% Instrumentalness • 53% Positiveness
15% Popularity • 55% Danceability • 8% Energy • 10% Liveness
3% Instrumentalness • 53% Positiveness
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Rudy Vallee and His Connecticut Yankees
The You and Me That Used to Be
101 bpm • F Maj • 03:13 • -20db
32% Popularity • 46% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
32% Popularity • 46% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Jimmy Dorsey & His Orchestra
All This and Heaven Too
101 bpm • G min • 03:02 • -9.27db
9% Popularity • 48% Danceability • 30% Energy • 37% Liveness
0% Instrumentalness • 47% Positiveness
9% Popularity • 48% Danceability • 30% Energy • 37% Liveness
0% Instrumentalness • 47% Positiveness
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Gerhard Trede
Swinging World
101 bpm • A# Maj • 02:49 • -9.28db
21% Popularity • 51% Danceability • 37% Energy • 6% Liveness
86% Instrumentalness • 60% Positiveness
21% Popularity • 51% Danceability • 37% Energy • 6% Liveness
86% Instrumentalness • 60% Positiveness
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Helen Forrest
My Heart Belongs to Daddy
101 bpm • G min • 02:17 • -8.83db
6% Popularity • 54% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 49% Positiveness
6% Popularity • 54% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 49% Positiveness
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Helen O'Connell
Green Eyes
101 bpm • G# Maj • 02:38 • -18db
31% Popularity • 57% Danceability • 23% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
31% Popularity • 57% Danceability • 23% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
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Ella Fitzgerald and Her Savoy Eight
I Was Doing All Right
101 bpm • C# Maj • 02:54 • -11.93db
21% Popularity • 75% Danceability • 10% Energy • 15% Liveness
0% Instrumentalness • 54% Positiveness
21% Popularity • 75% Danceability • 10% Energy • 15% Liveness
0% Instrumentalness • 54% Positiveness
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Eddy Howard
I Married an Angel
101 bpm • F Maj • 02:27 • -9db
22% Popularity • 69% Danceability • 46% Energy • 26% Liveness
34% Instrumentalness • 82% Positiveness
22% Popularity • 69% Danceability • 46% Energy • 26% Liveness
34% Instrumentalness • 82% Positiveness
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Jimmy Dorsey & His Orchestra
All Of Me
100 bpm • D min • 03:08 • -14db
24% Popularity • 44% Danceability • 11% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
24% Popularity • 44% Danceability • 11% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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Ella Mae Morse
No Love, No Nothin’
108 bpm • A# Maj • 02:35 • -7.88db
25% Popularity • 56% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
25% Popularity • 56% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Helen Forrest
I Had The Craziest Dream
101 bpm • G# Maj • 02:41 • -12.45db
11% Popularity • 31% Danceability • 16% Energy • 28% Liveness
0% Instrumentalness • 15% Positiveness
11% Popularity • 31% Danceability • 16% Energy • 28% Liveness
0% Instrumentalness • 15% Positiveness
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Bob Crosby
Let'S Go Around Together
100 bpm • C Maj • 02:28 • -13.25db
21% Popularity • 57% Danceability • 19% Energy • 32% Liveness
0% Instrumentalness • 40% Positiveness
21% Popularity • 57% Danceability • 19% Energy • 32% Liveness
0% Instrumentalness • 40% Positiveness
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Ted Lewis
On the Sunny Side of the Street
108 bpm • D# Maj • 03:34 • -17.87db
13% Popularity • 52% Danceability • 14% Energy • 10% Liveness
26% Instrumentalness • 59% Positiveness
13% Popularity • 52% Danceability • 14% Energy • 10% Liveness
26% Instrumentalness • 59% Positiveness
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Erskine Hawkins
Knock Me a Kiss
100 bpm • F min • 02:47 • -9.46db
13% Popularity • 46% Danceability • 24% Energy • 25% Liveness
0% Instrumentalness • 51% Positiveness
13% Popularity • 46% Danceability • 24% Energy • 25% Liveness
0% Instrumentalness • 51% Positiveness
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Frank Sinatra with Tommy Dorsey and His Orchestra
This Is the Beginning of the End
108 bpm • G min • 03:14 • -14.43db
5% Popularity • 59% Danceability • 12% Energy • 50% Liveness
15% Instrumentalness • 43% Positiveness
5% Popularity • 59% Danceability • 12% Energy • 50% Liveness
15% Instrumentalness • 43% Positiveness
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Charlie Barnet
Skyliner (Alternate Take)
108 bpm • F min • 03:01 • -6.75db
28% Popularity • 65% Danceability • 55% Energy • 11% Liveness
72% Instrumentalness • 81% Positiveness
28% Popularity • 65% Danceability • 55% Energy • 11% Liveness
72% Instrumentalness • 81% Positiveness
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Guy Lombardo & His Royal Canadians
Bell Bottom Trousers
108 bpm • F Maj • 02:30 • -11.35db
8% Popularity • 86% Danceability • 28% Energy • 27% Liveness
0% Instrumentalness • 88% Positiveness
8% Popularity • 86% Danceability • 28% Energy • 27% Liveness
0% Instrumentalness • 88% Positiveness
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Maxine Sullivan
It Was a Lover and His Lass
108 bpm • A# Maj • 03:18 • -15.4db
18% Popularity • 73% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
18% Popularity • 73% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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His Orchestra
On a Slow Boat to China
109 bpm • G min • 01:21 • -12.34db
20% Popularity • 47% Danceability • 18% Energy • 13% Liveness
12% Instrumentalness • 35% Positiveness
20% Popularity • 47% Danceability • 18% Energy • 13% Liveness
12% Instrumentalness • 35% Positiveness
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Billy Eckstine
As Long As I Live
108 bpm • C min • 02:50 • -15.57db
20% Popularity • 48% Danceability • 15% Energy • 22% Liveness
0% Instrumentalness • 54% Positiveness
20% Popularity • 48% Danceability • 15% Energy • 22% Liveness
0% Instrumentalness • 54% Positiveness
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Larry Clinton & His Orchestra
You Go To My Head
100 bpm • D# Maj • 03:41 • -24.76db
25% Popularity • 35% Danceability • 3% Energy • 12% Liveness
1% Instrumentalness • 13% Positiveness
25% Popularity • 35% Danceability • 3% Energy • 12% Liveness
1% Instrumentalness • 13% Positiveness
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Ben Selvin & His Orchestra
Love, Your Spell Is Everywhere
99 bpm • C# Maj • 02:45 • -21.7db
20% Popularity • 54% Danceability • 10% Energy • 13% Liveness
14% Instrumentalness • 73% Positiveness
20% Popularity • 54% Danceability • 10% Energy • 13% Liveness
14% Instrumentalness • 73% Positiveness
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Frank Sinatra with Tommy Dorsey and His Orchestra
Too Romantic
109 bpm • F Maj • 03:11 • -12.68db
13% Popularity • 39% Danceability • 13% Energy • 38% Liveness
81% Instrumentalness • 36% Positiveness
13% Popularity • 39% Danceability • 13% Energy • 38% Liveness
81% Instrumentalness • 36% Positiveness
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Adrian Rollini
Ah, But is It Love
109 bpm • C Maj • 02:58 • -13db
18% Popularity • 60% Danceability • 21% Energy • 13% Liveness
1% Instrumentalness • 53% Positiveness
18% Popularity • 60% Danceability • 21% Energy • 13% Liveness
1% Instrumentalness • 53% Positiveness
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Ella Fitzgerald and Her Savoy Eight
It's Wonderful
99 bpm • A# Maj • 02:55 • -11.44db
39% Popularity • 65% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
39% Popularity • 65% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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Glen Gray & The Casa Loma Orchestra
Blue Moon
109 bpm • D# Maj • 03:12 • -16.81db
21% Popularity • 40% Danceability • 11% Energy • 19% Liveness
79% Instrumentalness • 21% Positiveness
21% Popularity • 40% Danceability • 11% Energy • 19% Liveness
79% Instrumentalness • 21% Positiveness
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Bea Wain
Two Dreams Got Together
109 bpm • A min • 03:17 • -22.78db
14% Popularity • 29% Danceability • 8% Energy • 15% Liveness
86% Instrumentalness • 24% Positiveness
14% Popularity • 29% Danceability • 8% Energy • 15% Liveness
86% Instrumentalness • 24% Positiveness
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Charlie Barnet
Skyliner
109 bpm • C# Maj • 03:00 • -11db
28% Popularity • 64% Danceability • 38% Energy • 53% Liveness
91% Instrumentalness • 81% Positiveness
28% Popularity • 64% Danceability • 38% Energy • 53% Liveness
91% Instrumentalness • 81% Positiveness
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Lionel Hampton
When Lights Are Low
99 bpm • C# Maj • 02:14 • -9.3db
28% Popularity • 87% Danceability • 46% Energy • 9% Liveness
1% Instrumentalness • 95% Positiveness
28% Popularity • 87% Danceability • 46% Energy • 9% Liveness
1% Instrumentalness • 95% Positiveness
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Ben Selvin & His Orchestra
Let Me Sing and I'm Happy
99 bpm • D min • 03:04 • -14.82db
16% Popularity • 81% Danceability • 24% Energy • 10% Liveness
60% Instrumentalness • 87% Positiveness
16% Popularity • 81% Danceability • 24% Energy • 10% Liveness
60% Instrumentalness • 87% Positiveness
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Ella Mae Morse
Cow Cow Boogie
109 bpm • G# Maj • 03:11 • -3.96db
12% Popularity • 62% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
12% Popularity • 62% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
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Glen Gray
Melancholy Mood
109 bpm • F min • 03:14 • -12.72db
12% Popularity • 59% Danceability • 18% Energy • 19% Liveness
4% Instrumentalness • 51% Positiveness
12% Popularity • 59% Danceability • 18% Energy • 19% Liveness
4% Instrumentalness • 51% Positiveness
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Paul Whiteman
Whispering
99 bpm • D Maj • 03:16 • -21.62db
14% Popularity • 65% Danceability • 25% Energy • 48% Liveness
92% Instrumentalness • 45% Positiveness
14% Popularity • 65% Danceability • 25% Energy • 48% Liveness
92% Instrumentalness • 45% Positiveness
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Bunny Berigan
When I Take My Sugar to Tea
110 bpm • C Maj • 03:12 • -9.08db
21% Popularity • 86% Danceability • 31% Energy • 8% Liveness
4% Instrumentalness • 91% Positiveness
21% Popularity • 86% Danceability • 31% Energy • 8% Liveness
4% Instrumentalness • 91% Positiveness
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The Merry Macs
I Got Rings on My Fingers
110 bpm • G# Maj • 02:30 • -15.32db
22% Popularity • 79% Danceability • 24% Energy • 16% Liveness
0% Instrumentalness • 50% Positiveness
22% Popularity • 79% Danceability • 24% Energy • 16% Liveness
0% Instrumentalness • 50% Positiveness
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Russ Columbo
When You're In Love
110 bpm • D# Maj • 03:10 • -13.26db
26% Popularity • 48% Danceability • 20% Energy • 10% Liveness
5% Instrumentalness • 41% Positiveness
26% Popularity • 48% Danceability • 20% Energy • 10% Liveness
5% Instrumentalness • 41% Positiveness
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Tennessee Ernie Ford
Singin’ in the Rain
98 bpm • A Maj • 01:30 • -9.49db
17% Popularity • 83% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 79% Positiveness
17% Popularity • 83% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 79% Positiveness
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Johnny Mercer & The Pied Pipers
My Sugar Is So Refined
110 bpm • F Maj • 02:40 • -11.47db
16% Popularity • 76% Danceability • 17% Energy • 22% Liveness
0% Instrumentalness • 58% Positiveness
16% Popularity • 76% Danceability • 17% Energy • 22% Liveness
0% Instrumentalness • 58% Positiveness
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Eddy Howard
You're Getting To Be A Habit With Me
98 bpm • G min • 02:01 • -15.11db
10% Popularity • 57% Danceability • 23% Energy • 24% Liveness
0% Instrumentalness • 54% Positiveness
10% Popularity • 57% Danceability • 23% Energy • 24% Liveness
0% Instrumentalness • 54% Positiveness
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Paul Whiteman
China Boy
110 bpm • F Maj • 02:43 • -14.29db
23% Popularity • 77% Danceability • 25% Energy • 10% Liveness
90% Instrumentalness • 64% Positiveness
23% Popularity • 77% Danceability • 25% Energy • 10% Liveness
90% Instrumentalness • 64% Positiveness
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The Merry Macs
Deep in the Heart of Texas
110 bpm • C# Maj • 03:10 • -14db
21% Popularity • 66% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
21% Popularity • 66% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
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Clarence Williams
Crazy Blues
111 bpm • G min • 02:26 • -10.61db
23% Popularity • 79% Danceability • 37% Energy • 8% Liveness
89% Instrumentalness • 81% Positiveness
23% Popularity • 79% Danceability • 37% Energy • 8% Liveness
89% Instrumentalness • 81% Positiveness
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Kay Kyser & His Orchestra
Bell bottom trousers
111 bpm • A# Maj • 03:07 • -10.05db
1% Popularity • 79% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 81% Positiveness
1% Popularity • 79% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 81% Positiveness
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Frank Sinatra with Tommy Dorsey and His Orchestra
Devil May Care
111 bpm • D# Maj • 03:07 • -12.14db
6% Popularity • 48% Danceability • 12% Energy • 35% Liveness
6% Instrumentalness • 24% Positiveness
6% Popularity • 48% Danceability • 12% Energy • 35% Liveness
6% Instrumentalness • 24% Positiveness
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Larry Clinton
Let'er Go
97 bpm • C Maj • 02:18 • -8.33db
20% Popularity • 83% Danceability • 52% Energy • 3% Liveness
0% Instrumentalness • 71% Positiveness
20% Popularity • 83% Danceability • 52% Energy • 3% Liveness
0% Instrumentalness • 71% Positiveness
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Jimmy Dorsey & His Orchestra
In A Sentimental Mood
97 bpm • G min • 03:02 • -12.82db
25% Popularity • 46% Danceability • 20% Energy • 14% Liveness
13% Instrumentalness • 40% Positiveness
25% Popularity • 46% Danceability • 20% Energy • 14% Liveness
13% Instrumentalness • 40% Positiveness
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Betty Hutton
It Had To Be You
97 bpm • A# min • 03:11 • -14.99db
34% Popularity • 54% Danceability • 5% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
34% Popularity • 54% Danceability • 5% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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Ginny Simms
Deep Purple
112 bpm • D Maj • 02:59 • -19.29db
10% Popularity • 39% Danceability • 8% Energy • 12% Liveness
63% Instrumentalness • 16% Positiveness
10% Popularity • 39% Danceability • 8% Energy • 12% Liveness
63% Instrumentalness • 16% Positiveness
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Connie Boswell
I Cover the Waterfront
97 bpm • G Maj • 02:59 • -16.04db
15% Popularity • 40% Danceability • 11% Energy • 30% Liveness
0% Instrumentalness • 26% Positiveness
15% Popularity • 40% Danceability • 11% Energy • 30% Liveness
0% Instrumentalness • 26% Positiveness
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Glen Gray & The Casa Loma Orchestra
Meet Me Tonight In Dreamland
97 bpm • G min • 02:47 • -11.93db
12% Popularity • 71% Danceability • 35% Energy • 12% Liveness
35% Instrumentalness • 72% Positiveness
12% Popularity • 71% Danceability • 35% Energy • 12% Liveness
35% Instrumentalness • 72% Positiveness
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Billy Munn
Jazzy Interlude
97 bpm • D# Maj • 02:54 • -8.45db
39% Popularity • 66% Danceability • 54% Energy • 6% Liveness
68% Instrumentalness • 95% Positiveness
39% Popularity • 66% Danceability • 54% Energy • 6% Liveness
68% Instrumentalness • 95% Positiveness
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Annette Hanshaw
What Wouldn't I Do for That Man
97 bpm • G# min • 02:49 • -13.6db
22% Popularity • 59% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
22% Popularity • 59% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Maxine Sullivan
My Blue Heaven
112 bpm • C min • 03:06 • -10.99db
3% Popularity • 67% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
3% Popularity • 67% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
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Frankie Carle
Cruising Down the River
97 bpm • D# Maj • 02:51 • -8.51db
8% Popularity • 62% Danceability • 33% Energy • 30% Liveness
0% Instrumentalness • 44% Positiveness
8% Popularity • 62% Danceability • 33% Energy • 30% Liveness
0% Instrumentalness • 44% Positiveness
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Carroll Gibbons & The Savoy Hotel Orpheans
Moonlight Becomes You
112 bpm • F Maj • 03:21 • -17db
15% Popularity • 47% Danceability • 10% Energy • 28% Liveness
95% Instrumentalness • 32% Positiveness
15% Popularity • 47% Danceability • 10% Energy • 28% Liveness
95% Instrumentalness • 32% Positiveness
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Paul Whiteman & His Orchestra
Whispering
96 bpm • D Maj • 03:21 • -8db
14% Popularity • 69% Danceability • 41% Energy • 11% Liveness
91% Instrumentalness • 52% Positiveness
14% Popularity • 69% Danceability • 41% Energy • 11% Liveness
91% Instrumentalness • 52% Positiveness
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Rudy Vallee and His Connecticut Yankees
You're Driving Me Crazy (1931)
112 bpm • B Maj • 03:30 • -23.44db
16% Popularity • 33% Danceability • 8% Energy • 13% Liveness
15% Instrumentalness • 49% Positiveness
16% Popularity • 33% Danceability • 8% Energy • 13% Liveness
15% Instrumentalness • 49% Positiveness
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Ted Weems
Somebody Stole My Gal
112 bpm • E Maj • 03:02 • -13db
20% Popularity • 81% Danceability • 41% Energy • 31% Liveness
96% Instrumentalness • 73% Positiveness
20% Popularity • 81% Danceability • 41% Energy • 31% Liveness
96% Instrumentalness • 73% Positiveness
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The Merry Macs
Sentimental Journey
113 bpm • C min • 03:02 • -12db
23% Popularity • 89% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
23% Popularity • 89% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Bea Wain
Put Your Arms Arround Me
96 bpm • A# Maj • 01:47 • -7.38db
19% Popularity • 68% Danceability • 48% Energy • 13% Liveness
1% Instrumentalness • 86% Positiveness
19% Popularity • 68% Danceability • 48% Energy • 13% Liveness
1% Instrumentalness • 86% Positiveness
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Eddie Cantor
Yes Sir, That's My Baby! - Remastered
113 bpm • G# Maj • 02:05 • -8.95db
18% Popularity • 87% Danceability • 45% Energy • 39% Liveness
0% Instrumentalness • 77% Positiveness
18% Popularity • 87% Danceability • 45% Energy • 39% Liveness
0% Instrumentalness • 77% Positiveness
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The Cast
Bill Bailey, Won't You Please Come Home
113 bpm • C min • 02:01 • -8.01db
36% Popularity • 70% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 92% Positiveness
36% Popularity • 70% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 92% Positiveness
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The Piccadilly Players
Sunny Skies
113 bpm • A# Maj • 03:14 • -10db
24% Popularity • 82% Danceability • 46% Energy • 11% Liveness
75% Instrumentalness • 92% Positiveness
24% Popularity • 82% Danceability • 46% Energy • 11% Liveness
75% Instrumentalness • 92% Positiveness
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Lee Wiley
A Ghost of a Chance - Studio
113 bpm • F Maj • 03:20 • -16.42db
27% Popularity • 45% Danceability • 11% Energy • 9% Liveness
2% Instrumentalness • 16% Positiveness
27% Popularity • 45% Danceability • 11% Energy • 9% Liveness
2% Instrumentalness • 16% Positiveness
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Bob Crosby
Don'T Say Goodbye
114 bpm • A min • 01:43 • -9db
26% Popularity • 72% Danceability • 45% Energy • 17% Liveness
95% Instrumentalness • 96% Positiveness
26% Popularity • 72% Danceability • 45% Energy • 17% Liveness
95% Instrumentalness • 96% Positiveness
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Annette Hanshaw
We Just Couldn't Say Goodbye - Remastere...
114 bpm • A min • 03:04 • -10.14db
11% Popularity • 69% Danceability • 29% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
11% Popularity • 69% Danceability • 29% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
