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I Can't Compete
Songs like
I Can't Compete
by
Balkans
Based on a tempo of (+/- 10%) and a similar genre
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Balkans
I Can't Compete
176 bpm • E min • 02:48 • -3.76db
31% Popularity • 44% Danceability • 95% Energy • 31% Liveness
0% Instrumentalness • 90% Positiveness
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The Buttertones
Dak's Back
176 bpm • C Maj • 02:05 • -5db
38% Popularity • 22% Danceability • 97% Energy • 17% Liveness
0% Instrumentalness • 37% Positiveness
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Beach Goons
Miedo
176 bpm • A Maj • 01:57 • -4.83db
32% Popularity • 28% Danceability • 84% Energy • 8% Liveness
2% Instrumentalness • 25% Positiveness
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Makeout Reef
So Slowly
175 bpm • G# min • 04:28 • 1.26db
35% Popularity • 19% Danceability • 95% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Mexican Slum Rats
Ripped!
175 bpm • D Maj • 01:55 • -10db
31% Popularity • 39% Danceability • 85% Energy • 29% Liveness
98% Instrumentalness • 76% Positiveness
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Israel's Arcade
Wimp
175 bpm • A# Maj • 03:53 • -3.65db
24% Popularity • 24% Danceability • 92% Energy • 13% Liveness
9% Instrumentalness • 28% Positiveness
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Bad Kids
Hurt / Worse
177 bpm • C Maj • 02:01 • -4.14db
14% Popularity • 27% Danceability • 93% Energy • 39% Liveness
0% Instrumentalness • 53% Positiveness
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The Buttertones
Rainbow Wine
176 bpm • B min • 01:43 • -7db
49% Popularity • 32% Danceability • 88% Energy • 19% Liveness
88% Instrumentalness • 84% Positiveness
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Cende
Vice
174 bpm • F# Maj • 01:23 • -4.24db
20% Popularity • 30% Danceability • 98% Energy • 49% Liveness
18% Instrumentalness • 36% Positiveness
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Makeout Reef
Get Here
177 bpm • G Maj • 03:59 • -5db
28% Popularity • 31% Danceability • 94% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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Mexican Slum Rats
Spirited Away!
175 bpm • C# min • 04:40 • -16.33db
21% Popularity • 24% Danceability • 55% Energy • 10% Liveness
84% Instrumentalness • 31% Positiveness
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Jurassic Shark
Summer
178 bpm • F Maj • 02:50 • -6db
28% Popularity • 28% Danceability • 79% Energy • 43% Liveness
2% Instrumentalness • 58% Positiveness
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The Babies
Slow Walkin
178 bpm • G Maj • 03:01 • -5.66db
26% Popularity • 24% Danceability • 88% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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Jons
Gutter Master
179 bpm • C# Maj • 02:55 • -5.22db
17% Popularity • 15% Danceability • 80% Energy • 6% Liveness
0% Instrumentalness • 49% Positiveness
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Radiator Hospital
Long Distance Dedication
179 bpm • E Maj • 01:21 • -4.38db
21% Popularity • 26% Danceability • 94% Energy • 31% Liveness
1% Instrumentalness • 69% Positiveness
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Makeout Reef
The Dead
174 bpm • A Maj • 02:01 • 2.26db
23% Popularity • 32% Danceability • 96% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
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Twin Peaks
Out of Commission
180 bpm • B min • 01:23 • -4.52db
22% Popularity • 7% Danceability • 86% Energy • 37% Liveness
1% Instrumentalness • 21% Positiveness
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BRONCHO
Can't Get Past the Lips
173 bpm • B min • 01:48 • -7.4db
38% Popularity • 29% Danceability • 86% Energy • 57% Liveness
5% Instrumentalness • 89% Positiveness
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Floats
Dancing With Our Feet
180 bpm • G Maj • 02:32 • -8db
38% Popularity • 41% Danceability • 87% Energy • 12% Liveness
3% Instrumentalness • 18% Positiveness
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Sexy Girls
Kicking Gravestones
180 bpm • A Maj • 02:43 • -10.71db
23% Popularity • 50% Danceability • 66% Energy • 8% Liveness
75% Instrumentalness • 87% Positiveness
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Balkans
Zebra Print
180 bpm • E min • 02:07 • -3.94db
28% Popularity • 42% Danceability • 97% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Makeout Reef
Sheik Sheba
173 bpm • A min • 02:11 • 0.19db
21% Popularity • 36% Danceability • 98% Energy • 15% Liveness
1% Instrumentalness • 77% Positiveness
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Krill
Purity of Heart
171 bpm • E Maj • 03:42 • -5db
29% Popularity • 22% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
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BRONCHO
Insert Coin
180 bpm • G Maj • 02:09 • -6.09db
35% Popularity • 32% Danceability • 88% Energy • 35% Liveness
1% Instrumentalness • 48% Positiveness
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Dead Ghosts
I Want You Back
180 bpm • C Maj • 02:20 • -7db
31% Popularity • 23% Danceability • 74% Energy • 22% Liveness
95% Instrumentalness • 50% Positiveness
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The Babies
Meet Me in the City
171 bpm • A Maj • 02:48 • -3db
27% Popularity • 27% Danceability • 89% Energy • 16% Liveness
1% Instrumentalness • 58% Positiveness
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Adult Books
Casual Wrecks
171 bpm • D Maj • 03:23 • -5db
31% Popularity • 42% Danceability • 94% Energy • 23% Liveness
16% Instrumentalness • 56% Positiveness
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Makeout Reef
Sitar
173 bpm • D Maj • 02:57 • 1.67db
17% Popularity • 36% Danceability • 91% Energy • 12% Liveness
16% Instrumentalness • 66% Positiveness
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The Buttertones
Connie
171 bpm • F# min • 02:33 • -7.12db
47% Popularity • 27% Danceability • 87% Energy • 11% Liveness
1% Instrumentalness • 75% Positiveness
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LVL UP
Stoned Alone
181 bpm • F# Maj • 01:51 • -3.78db
30% Popularity • 22% Danceability • 92% Energy • 27% Liveness
5% Instrumentalness • 84% Positiveness
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SadGirl
Sex in Sleep
182 bpm • C Maj • 03:26 • -6.23db
23% Popularity • 21% Danceability • 73% Energy • 14% Liveness
20% Instrumentalness • 37% Positiveness
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Omni
Afterlife
170 bpm • B Maj • 01:46 • -5db
30% Popularity • 59% Danceability • 97% Energy • 17% Liveness
34% Instrumentalness • 76% Positiveness
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Astronaut Samurais
Cha Cha Cha
170 bpm • E Maj • 03:10 • -0.41db
17% Popularity • 17% Danceability • 96% Energy • 38% Liveness
6% Instrumentalness • 69% Positiveness
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Makeout Reef
She's Not Right
180 bpm • C# min • 03:06 • 1.16db
28% Popularity • 40% Danceability • 98% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
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Adult Books
In Front of Myself
170 bpm • A Maj • 03:55 • -5.5db
17% Popularity • 51% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
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Beachtape
Figure It Out
170 bpm • F# Maj • 02:57 • -6.11db
23% Popularity • 44% Danceability • 69% Energy • 9% Liveness
95% Instrumentalness • 47% Positiveness
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White Reaper
She Wants To
170 bpm • E Maj • 01:20 • -4.43db
38% Popularity • 24% Danceability • 100% Energy • 55% Liveness
7% Instrumentalness • 48% Positiveness
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Junkie
What I Call Luv
170 bpm • B min • 02:19 • -8db
31% Popularity • 48% Danceability • 93% Energy • 8% Liveness
91% Instrumentalness • 30% Positiveness
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Sexy Girls
Broken Glass Kids
170 bpm • A Maj • 02:46 • -12.1db
20% Popularity • 50% Danceability • 65% Energy • 42% Liveness
74% Instrumentalness • 76% Positiveness
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Professor Caveman
Black
182 bpm • A Maj • 03:40 • -6.63db
16% Popularity • 22% Danceability • 92% Energy • 13% Liveness
26% Instrumentalness • 24% Positiveness
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Adult Books
Nihilism for Begginers
170 bpm • E Maj • 03:13 • -6db
17% Popularity • 32% Danceability • 94% Energy • 11% Liveness
2% Instrumentalness • 61% Positiveness
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Furnsss
Charm
182 bpm • G# Maj • 03:12 • -13db
13% Popularity • 24% Danceability • 48% Energy • 58% Liveness
33% Instrumentalness • 14% Positiveness
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Deeper
4U
170 bpm • A min • 03:20 • -8.24db
25% Popularity • 61% Danceability • 52% Energy • 19% Liveness
85% Instrumentalness • 52% Positiveness
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Witchin Alleys
Haunted
170 bpm • C# Maj • 02:46 • -7.25db
15% Popularity • 34% Danceability • 77% Energy • 15% Liveness
76% Instrumentalness • 25% Positiveness
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Mexican Slum Rats
The Overlook Hotel
170 bpm • D Maj • 01:47 • -15db
36% Popularity • 48% Danceability • 59% Energy • 10% Liveness
55% Instrumentalness • 61% Positiveness
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Bleached
Dazed
183 bpm • A Maj • 01:23 • -5.51db
43% Popularity • 37% Danceability • 98% Energy • 36% Liveness
48% Instrumentalness • 86% Positiveness
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Adult Books
Suburban Girlfriend
170 bpm • A Maj • 02:56 • -4db
24% Popularity • 43% Danceability • 92% Energy • 24% Liveness
0% Instrumentalness • 95% Positiveness
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SadGirl
Drowning (2023 Remastered Version)
169 bpm • B min • 01:09 • -3.39db
35% Popularity • 44% Danceability • 93% Energy • 13% Liveness
2% Instrumentalness • 50% Positiveness
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Cende
End
183 bpm • B Maj • 01:34 • -3.54db
31% Popularity • 29% Danceability • 99% Energy • 36% Liveness
7% Instrumentalness • 90% Positiveness
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Jaded Juice Riders
Blackies
170 bpm • F Maj • 03:44 • -12db
29% Popularity • 37% Danceability • 59% Energy • 30% Liveness
1% Instrumentalness • 30% Positiveness
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Junkie
Always Bummed Always in Love
184 bpm • G Maj • 03:23 • -6.88db
15% Popularity • 23% Danceability • 78% Energy • 33% Liveness
71% Instrumentalness • 20% Positiveness
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Harlem
Pissed
184 bpm • D min • 02:23 • -4.82db
18% Popularity • 20% Danceability • 91% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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Slow Pulp
Houseboat
168 bpm • C# Maj • 02:51 • -3.01db
34% Popularity • 52% Danceability • 76% Energy • 9% Liveness
6% Instrumentalness • 61% Positiveness
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SadGirl
Breakfast Is Over
184 bpm • G Maj • 04:14 • -5db
27% Popularity • 30% Danceability • 45% Energy • 12% Liveness
42% Instrumentalness • 20% Positiveness
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Native America
Digital Lobotomy
184 bpm • G# min • 03:02 • -4.55db
16% Popularity • 17% Danceability • 92% Energy • 8% Liveness
91% Instrumentalness • 24% Positiveness
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Archer Oh
Aimless Is Home
185 bpm • D Maj • 02:52 • -9.83db
19% Popularity • 17% Danceability • 68% Energy • 23% Liveness
0% Instrumentalness • 39% Positiveness
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The Younger Lovers
Easy Afternoon
168 bpm • A Maj • 01:12 • -5.47db
24% Popularity • 37% Danceability • 71% Energy • 62% Liveness
30% Instrumentalness • 82% Positiveness
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Beach Fossils
Generational Synthetic
168 bpm • B Maj • 02:44 • -6db
37% Popularity • 37% Danceability • 90% Energy • 14% Liveness
62% Instrumentalness • 57% Positiveness
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Adult Books
Bedsit Infamies
185 bpm • G Maj • 02:48 • -5.09db
19% Popularity • 27% Danceability • 96% Energy • 35% Liveness
79% Instrumentalness • 74% Positiveness
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Furnsss
Manic Pixie Dream Girl
168 bpm • A min • 04:54 • -9.55db
19% Popularity • 26% Danceability • 61% Energy • 20% Liveness
0% Instrumentalness • 40% Positiveness
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Spendtime Palace
At Your Convenience
185 bpm • B min • 02:46 • -4.08db
19% Popularity • 19% Danceability • 94% Energy • 29% Liveness
1% Instrumentalness • 94% Positiveness
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High Sunn
Those Last Words
185 bpm • E min • 02:46 • -6.52db
29% Popularity • 37% Danceability • 86% Energy • 47% Liveness
0% Instrumentalness • 43% Positiveness
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Ovlov
Short Morgan
185 bpm • G Maj • 02:00 • -1.11db
36% Popularity • 11% Danceability • 95% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Balkans
Dressed In Black
185 bpm • G Maj • 03:00 • -2.9db
27% Popularity • 35% Danceability • 98% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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No Age
Cruise Control
186 bpm • A Maj • 03:31 • -5.57db
27% Popularity • 14% Danceability • 97% Energy • 64% Liveness
0% Instrumentalness • 7% Positiveness
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Astronaut Samurais
Anime Dreams
167 bpm • B Maj • 03:21 • -0.95db
23% Popularity • 23% Danceability • 93% Energy • 6% Liveness
0% Instrumentalness • 78% Positiveness
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Beach Goons
A.M.
166 bpm • G# Maj • 04:03 • -4db
44% Popularity • 18% Danceability • 92% Energy • 9% Liveness
87% Instrumentalness • 38% Positiveness
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Professor Caveman
Puffin' Down the Dart
166 bpm • B min • 03:06 • -7.03db
26% Popularity • 48% Danceability • 79% Energy • 10% Liveness
2% Instrumentalness • 61% Positiveness
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Harlem
Spray Paint
166 bpm • F# min • 02:03 • -4.36db
21% Popularity • 28% Danceability • 96% Energy • 10% Liveness
35% Instrumentalness • 87% Positiveness
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Forth Wanderers
Painting of Blue
166 bpm • C# Maj • 03:07 • -3db
38% Popularity • 47% Danceability • 86% Energy • 33% Liveness
35% Instrumentalness • 71% Positiveness
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Stevie Dinner
Happiness
165 bpm • D min • 03:06 • -8.36db
37% Popularity • 48% Danceability • 83% Energy • 9% Liveness
92% Instrumentalness • 96% Positiveness
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Bleached
No Friend of Mine
187 bpm • D Maj • 02:41 • -4.39db
23% Popularity • 13% Danceability • 97% Energy • 34% Liveness
93% Instrumentalness • 64% Positiveness
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Beach Goons
The End
187 bpm • E Maj • 01:44 • -4.54db
30% Popularity • 47% Danceability • 93% Energy • 10% Liveness
24% Instrumentalness • 32% Positiveness
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tommy oeffling
siano
165 bpm • G Maj • 01:16 • -10.84db
34% Popularity • 37% Danceability • 63% Energy • 52% Liveness
22% Instrumentalness • 33% Positiveness
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The Buttertones
A Tear for Rosie
165 bpm • C Maj • 02:56 • -4.04db
34% Popularity • 48% Danceability • 91% Energy • 20% Liveness
71% Instrumentalness • 61% Positiveness
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Makeout Reef
Trash Barrels
165 bpm • B Maj • 02:48 • 1.86db
21% Popularity • 32% Danceability • 98% Energy • 24% Liveness
7% Instrumentalness • 40% Positiveness
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Jurassic Shark
Miracle
188 bpm • B min • 03:32 • -5.43db
34% Popularity • 18% Danceability • 92% Energy • 39% Liveness
3% Instrumentalness • 39% Positiveness
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Balkans
Cave
165 bpm • E Maj • 02:32 • -6.5db
27% Popularity • 45% Danceability • 88% Energy • 34% Liveness
0% Instrumentalness • 62% Positiveness
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The Pesos
Chapel
165 bpm • A min • 02:26 • -3.09db
29% Popularity • 32% Danceability • 93% Energy • 58% Liveness
0% Instrumentalness • 69% Positiveness
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SadGirl
Feel Like Shit
188 bpm • C Maj • 02:05 • -6db
36% Popularity • 20% Danceability • 74% Energy • 9% Liveness
79% Instrumentalness • 73% Positiveness
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Peach Kelli Pop
Dreamphone
163 bpm • C# Maj • 02:27 • -5.97db
35% Popularity • 37% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
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Floats
I Don't Give A Fuck
164 bpm • G Maj • 02:46 • -6.3db
22% Popularity • 37% Danceability • 94% Energy • 16% Liveness
78% Instrumentalness • 61% Positiveness
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Jons
Equestrian Form
190 bpm • F# Maj • 02:39 • -5.35db
16% Popularity • 21% Danceability • 91% Energy • 9% Liveness
58% Instrumentalness • 65% Positiveness
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Balkans
Edita V
190 bpm • F# min • 02:49 • -5.09db
28% Popularity • 36% Danceability • 91% Energy • 5% Liveness
0% Instrumentalness • 44% Positiveness
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BRONCHO
Get off My Reservations
162 bpm • F# Maj • 01:14 • -6.53db
39% Popularity • 51% Danceability • 88% Energy • 22% Liveness
0% Instrumentalness • 93% Positiveness
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The Pesos
Another Life
164 bpm • A Maj • 03:50 • -6.33db
18% Popularity • 38% Danceability • 54% Energy • 16% Liveness
91% Instrumentalness • 66% Positiveness
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Hot Flash Heat Wave
Homecoming
162 bpm • A min • 03:30 • -4.5db
8% Popularity • 23% Danceability • 87% Energy • 21% Liveness
91% Instrumentalness • 34% Positiveness
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Super Lunch
Super Lunch
192 bpm • D Maj • 02:55 • -9.42db
20% Popularity • 21% Danceability • 86% Energy • 7% Liveness
2% Instrumentalness • 42% Positiveness
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Cende
Bed
161 bpm • A min • 02:50 • -4.63db
37% Popularity • 38% Danceability • 92% Energy • 14% Liveness
0% Instrumentalness • 71% Positiveness
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Balkans
Oh Dear
190 bpm • A Maj • 02:00 • -4.81db
12% Popularity • 16% Danceability • 95% Energy • 4% Liveness
4% Instrumentalness • 68% Positiveness
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The Soaks
We're Gonna Get You High
192 bpm • A Maj • 02:00 • -6db
14% Popularity • 32% Danceability • 91% Energy • 16% Liveness
72% Instrumentalness • 69% Positiveness
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P.H.F.
Ur An Excuse
160 bpm • F# Maj • 04:37 • -6.98db
26% Popularity • 21% Danceability • 53% Energy • 34% Liveness
51% Instrumentalness • 12% Positiveness
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Warehouse
Audrey Horne
161 bpm • B min • 03:24 • -5.36db
18% Popularity • 55% Danceability • 90% Energy • 25% Liveness
57% Instrumentalness • 86% Positiveness
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Adult Books
I Don't Think I Can Stay
160 bpm • G Maj • 02:36 • -4.61db
34% Popularity • 54% Danceability • 96% Energy • 11% Liveness
0% Instrumentalness • 85% Positiveness
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Cende
Widow
193 bpm • C Maj • 02:27 • -4.24db
16% Popularity • 16% Danceability • 99% Energy • 36% Liveness
11% Instrumentalness • 35% Positiveness
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Junkie
I Like the Things You Say
160 bpm • G Maj • 03:07 • -9.23db
21% Popularity • 48% Danceability • 66% Energy • 19% Liveness
24% Instrumentalness • 68% Positiveness
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Slow Pulp
Husband Pillow
160 bpm • B min • 02:33 • -1.02db
29% Popularity • 55% Danceability • 88% Energy • 7% Liveness
2% Instrumentalness • 52% Positiveness
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The Pesos
B Sides
160 bpm • D min • 02:36 • -6db
27% Popularity • 46% Danceability • 89% Energy • 34% Liveness
4% Instrumentalness • 79% Positiveness
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Floats
Stealing Turf from a Cowboy
160 bpm • D Maj • 02:24 • -17db
35% Popularity • 52% Danceability • 46% Energy • 24% Liveness
84% Instrumentalness • 18% Positiveness
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Mexican Slum Rats
Fresas Con Crema
160 bpm • C# Maj • 03:13 • -16db
25% Popularity • 41% Danceability • 68% Energy • 9% Liveness
97% Instrumentalness • 67% Positiveness
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I Can't Compete