Songs like I Can't Get Started Without You - Rerecorded by Artie Shaw
Based on a tempo of (+/- 10%) and a similar genre
► Preview
Jimmy Dorsey & His Orchestra
Blueberry Hill
114 bpm • G# Maj • 02:35 • -9.51db
20% Popularity • 56% Danceability • 23% Energy • 6% Liveness
12% Instrumentalness • 57% Positiveness
20% Popularity • 56% Danceability • 23% Energy • 6% Liveness
12% Instrumentalness • 57% Positiveness
► Preview
Cab Calloway
Moon Glow
114 bpm • F min • 03:11 • -10.01db
15% Popularity • 68% Danceability • 22% Energy • 10% Liveness
58% Instrumentalness • 55% Positiveness
15% Popularity • 68% Danceability • 22% Energy • 10% Liveness
58% Instrumentalness • 55% Positiveness
► Preview
June Christy
Softly As In A Morning Sunrise - Mono
115 bpm • F min • 02:14 • -11.01db
32% Popularity • 40% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
32% Popularity • 40% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
► Preview
Fletcher Henderson & His Orchestra
Alabamy Bound
114 bpm • C# Maj • 03:05 • -12db
13% Popularity • 77% Danceability • 40% Energy • 16% Liveness
94% Instrumentalness • 74% Positiveness
13% Popularity • 77% Danceability • 40% Energy • 16% Liveness
94% Instrumentalness • 74% Positiveness
► Preview
The Cast
Bill Bailey, Won't You Please Come Home
113 bpm • C min • 02:01 • -8.01db
36% Popularity • 70% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 92% Positiveness
36% Popularity • 70% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 92% Positiveness
► Preview
Vaughn Monroe
Seems Like Old Times
115 bpm • B min • 02:52 • -11db
27% Popularity • 52% Danceability • 16% Energy • 40% Liveness
0% Instrumentalness • 54% Positiveness
27% Popularity • 52% Danceability • 16% Energy • 40% Liveness
0% Instrumentalness • 54% Positiveness
► Preview
Woody Herman & His Orchestra
Blues on Parade
113 bpm • C# min • 03:01 • -12.07db
13% Popularity • 72% Danceability • 43% Energy • 17% Liveness
73% Instrumentalness • 66% Positiveness
13% Popularity • 72% Danceability • 43% Energy • 17% Liveness
73% Instrumentalness • 66% Positiveness
► Preview
Tommy Dorsey
On the Sunny Side of the Street
113 bpm • D# Maj • 03:14 • -13.02db
34% Popularity • 68% Danceability • 18% Energy • 18% Liveness
0% Instrumentalness • 58% Positiveness
34% Popularity • 68% Danceability • 18% Energy • 18% Liveness
0% Instrumentalness • 58% Positiveness
► Preview
Gene Krupa
Sing, Sing, Sing
113 bpm • G Maj • 04:22 • -11db
24% Popularity • 60% Danceability • 38% Energy • 10% Liveness
93% Instrumentalness • 35% Positiveness
24% Popularity • 60% Danceability • 38% Energy • 10% Liveness
93% Instrumentalness • 35% Positiveness
► Preview
Lee Wiley
Let's Fly Away
115 bpm • G Maj • 03:04 • -14db
21% Popularity • 63% Danceability • 8% Energy • 16% Liveness
10% Instrumentalness • 34% Positiveness
21% Popularity • 63% Danceability • 8% Energy • 16% Liveness
10% Instrumentalness • 34% Positiveness
► Preview
Woody Herman
Don't Get Around Much Anymore
115 bpm • F min • 04:18 • -13.83db
16% Popularity • 67% Danceability • 29% Energy • 4% Liveness
2% Instrumentalness • 57% Positiveness
16% Popularity • 67% Danceability • 29% Energy • 4% Liveness
2% Instrumentalness • 57% Positiveness
► Preview
Charlie Barnet & His Orchestra
Things Ain't What They Used to Be
113 bpm • G# Maj • 02:40 • -20db
33% Popularity • 65% Danceability • 10% Energy • 9% Liveness
79% Instrumentalness • 67% Positiveness
33% Popularity • 65% Danceability • 10% Energy • 9% Liveness
79% Instrumentalness • 67% Positiveness
► Preview
The Ink Spots
I'm Beginning To See The Light
113 bpm • F Maj • 02:42 • -12db
50% Popularity • 79% Danceability • 16% Energy • 44% Liveness
0% Instrumentalness • 46% Positiveness
50% Popularity • 79% Danceability • 16% Energy • 44% Liveness
0% Instrumentalness • 46% Positiveness
► Preview
The Merry Macs
Sentimental Journey
113 bpm • C min • 03:02 • -12db
23% Popularity • 89% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
23% Popularity • 89% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
► Preview
Fletcher Henderson
Stampede
113 bpm • F min • 03:15 • -7.71db
13% Popularity • 66% Danceability • 62% Energy • 33% Liveness
94% Instrumentalness • 88% Positiveness
13% Popularity • 66% Danceability • 62% Energy • 33% Liveness
94% Instrumentalness • 88% Positiveness
► Preview
Jimmie Lunceford
Rhythm Is Our Business
112 bpm • G Maj • 03:15 • -12.61db
21% Popularity • 72% Danceability • 22% Energy • 5% Liveness
6% Instrumentalness • 66% Positiveness
21% Popularity • 72% Danceability • 22% Energy • 5% Liveness
6% Instrumentalness • 66% Positiveness
► Preview
Pete Fountain
You're Nobody 'Til Somebody Loves You
113 bpm • C min • 02:53 • -17.33db
33% Popularity • 57% Danceability • 17% Energy • 30% Liveness
81% Instrumentalness • 50% Positiveness
33% Popularity • 57% Danceability • 17% Energy • 30% Liveness
81% Instrumentalness • 50% Positiveness
► Preview
Benny Goodman
Moonglow - Previously Unissued
112 bpm • G# Maj • 03:11 • -21.64db
36% Popularity • 60% Danceability • 10% Energy • 10% Liveness
69% Instrumentalness • 40% Positiveness
36% Popularity • 60% Danceability • 10% Energy • 10% Liveness
69% Instrumentalness • 40% Positiveness
► Preview
Cab Calloway & His Orchestra
Nagasaki
116 bpm • G min • 02:56 • -12.99db
9% Popularity • 66% Danceability • 40% Energy • 19% Liveness
40% Instrumentalness • 76% Positiveness
9% Popularity • 66% Danceability • 40% Energy • 19% Liveness
40% Instrumentalness • 76% Positiveness
► Preview
Fletcher Henderson & His Orchestra
The Stampede
112 bpm • F min • 03:14 • -11.81db
20% Popularity • 64% Danceability • 48% Energy • 23% Liveness
92% Instrumentalness • 90% Positiveness
20% Popularity • 64% Danceability • 48% Energy • 23% Liveness
92% Instrumentalness • 90% Positiveness
► Preview
Woody Herman & His Orchestra
Blues Downstairs
112 bpm • F Maj • 02:47 • -11.06db
18% Popularity • 69% Danceability • 40% Energy • 22% Liveness
6% Instrumentalness • 75% Positiveness
18% Popularity • 69% Danceability • 40% Energy • 22% Liveness
6% Instrumentalness • 75% Positiveness
► Preview
Jimmie Lunceford
Organ Grinder's Swing
116 bpm • F# Maj • 02:41 • -12db
18% Popularity • 62% Danceability • 13% Energy • 15% Liveness
15% Instrumentalness • 37% Positiveness
18% Popularity • 62% Danceability • 13% Energy • 15% Liveness
15% Instrumentalness • 37% Positiveness
► Preview
Tommy Dorsey
I'll Be Seeing You
116 bpm • D Maj • 03:02 • -17.64db
44% Popularity • 44% Danceability • 7% Energy • 22% Liveness
0% Instrumentalness • 30% Positiveness
44% Popularity • 44% Danceability • 7% Energy • 22% Liveness
0% Instrumentalness • 30% Positiveness
► Preview
Carroll Gibbons
I Stumbled Over Love
112 bpm • D min • 03:07 • -20.83db
25% Popularity • 61% Danceability • 12% Energy • 11% Liveness
90% Instrumentalness • 42% Positiveness
25% Popularity • 61% Danceability • 12% Energy • 11% Liveness
90% Instrumentalness • 42% Positiveness
► Preview
Artie Shaw
April In Paris
117 bpm • D# Maj • 03:23 • -12.34db
22% Popularity • 47% Danceability • 18% Energy • 24% Liveness
0% Instrumentalness • 42% Positiveness
22% Popularity • 47% Danceability • 18% Energy • 24% Liveness
0% Instrumentalness • 42% Positiveness
► Preview
Benny Goodman Sextet
If I Had You
111 bpm • C Maj • 03:01 • -19db
46% Popularity • 72% Danceability • 11% Energy • 12% Liveness
90% Instrumentalness • 49% Positiveness
46% Popularity • 72% Danceability • 11% Energy • 12% Liveness
90% Instrumentalness • 49% Positiveness
► Preview
Fletcher Henderson
Rug Cutter's Swing
111 bpm • G Maj • 03:07 • -12db
20% Popularity • 81% Danceability • 39% Energy • 9% Liveness
77% Instrumentalness • 91% Positiveness
20% Popularity • 81% Danceability • 39% Energy • 9% Liveness
77% Instrumentalness • 91% Positiveness
► Preview
Fletcher Henderson & His Orchestra
King Porter Stomp
111 bpm • F# Maj • 02:53 • -7db
11% Popularity • 64% Danceability • 76% Energy • 56% Liveness
18% Instrumentalness • 80% Positiveness
11% Popularity • 64% Danceability • 76% Energy • 56% Liveness
18% Instrumentalness • 80% Positiveness
► Preview
King Oliver
Speakeasy Blues
111 bpm • A# Maj • 02:51 • -13db
27% Popularity • 74% Danceability • 20% Energy • 17% Liveness
90% Instrumentalness • 58% Positiveness
27% Popularity • 74% Danceability • 20% Energy • 17% Liveness
90% Instrumentalness • 58% Positiveness
► Preview
Artie Shaw Rhythm Makers
Blue Fantasy (arr. J. Gray)
111 bpm • C# Maj • 03:02 • -13.48db
7% Popularity • 69% Danceability • 11% Energy • 14% Liveness
64% Instrumentalness • 43% Positiveness
7% Popularity • 69% Danceability • 11% Energy • 14% Liveness
64% Instrumentalness • 43% Positiveness
► Preview
Jeri Southern
Let's Fly Away
117 bpm • D Maj • 02:31 • -8.46db
41% Popularity • 57% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
41% Popularity • 57% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
► Preview
The Cast
Back Home Again in Indiana
111 bpm • C min • 01:55 • -9db
29% Popularity • 76% Danceability • 46% Energy • 21% Liveness
4% Instrumentalness • 91% Positiveness
29% Popularity • 76% Danceability • 46% Energy • 21% Liveness
4% Instrumentalness • 91% Positiveness
► Preview
Fletcher Henderson
Sugarfoot Stomp
111 bpm • A Maj • 03:01 • -5.67db
15% Popularity • 64% Danceability • 61% Energy • 23% Liveness
77% Instrumentalness • 93% Positiveness
15% Popularity • 64% Danceability • 61% Energy • 23% Liveness
77% Instrumentalness • 93% Positiveness
► Preview
Glenn Miller & The Army Air Force Band
G.I. Jive - Remastered 2001
118 bpm • G min • 03:04 • -11db
17% Popularity • 56% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
17% Popularity • 56% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
► Preview
Artie Shaw
Alone Together
118 bpm • G min • 03:23 • -11.99db
18% Popularity • 62% Danceability • 13% Energy • 24% Liveness
65% Instrumentalness • 24% Positiveness
18% Popularity • 62% Danceability • 13% Energy • 24% Liveness
65% Instrumentalness • 24% Positiveness
► Preview
Gene Krupa
Drummin' Man
110 bpm • D# Maj • 03:03 • -3db
19% Popularity • 78% Danceability • 84% Energy • 7% Liveness
74% Instrumentalness • 76% Positiveness
19% Popularity • 78% Danceability • 84% Energy • 7% Liveness
74% Instrumentalness • 76% Positiveness
► Preview
Paul Whiteman
China Boy
110 bpm • F Maj • 02:43 • -14.29db
23% Popularity • 77% Danceability • 25% Energy • 10% Liveness
90% Instrumentalness • 64% Positiveness
23% Popularity • 77% Danceability • 25% Energy • 10% Liveness
90% Instrumentalness • 64% Positiveness
► Preview
Pete Fountain
A Closer Walk
110 bpm • F Maj • 02:10 • -15.21db
33% Popularity • 60% Danceability • 29% Energy • 9% Liveness
49% Instrumentalness • 50% Positiveness
33% Popularity • 60% Danceability • 29% Energy • 9% Liveness
49% Instrumentalness • 50% Positiveness
► Preview
Helen Forrest
How High the Moon - Remastered
118 bpm • A# Maj • 02:59 • -9.29db
10% Popularity • 73% Danceability • 16% Energy • 5% Liveness
1% Instrumentalness • 62% Positiveness
10% Popularity • 73% Danceability • 16% Energy • 5% Liveness
1% Instrumentalness • 62% Positiveness
► Preview
Woody Herman & His Orchestra
Four Brothers
110 bpm • G# Maj • 03:15 • -10db
26% Popularity • 61% Danceability • 48% Energy • 30% Liveness
0% Instrumentalness • 87% Positiveness
26% Popularity • 61% Danceability • 48% Energy • 30% Liveness
0% Instrumentalness • 87% Positiveness
► Preview
Martha Tilton
Deep Purple - Remastered
118 bpm • F Maj • 03:08 • -7.78db
5% Popularity • 64% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
5% Popularity • 64% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
► Preview
Jelly Roll Morton
Wolverine Blues
110 bpm • D# Maj • 03:25 • -13.01db
20% Popularity • 57% Danceability • 51% Energy • 14% Liveness
91% Instrumentalness • 91% Positiveness
20% Popularity • 57% Danceability • 51% Energy • 14% Liveness
91% Instrumentalness • 91% Positiveness
► Preview
Bunny Berigan
When I Take My Sugar to Tea
110 bpm • C Maj • 03:12 • -9.08db
21% Popularity • 86% Danceability • 31% Energy • 8% Liveness
4% Instrumentalness • 91% Positiveness
21% Popularity • 86% Danceability • 31% Energy • 8% Liveness
4% Instrumentalness • 91% Positiveness
► Preview
Lee Wiley
Any Time, Any Day, Anywhere
119 bpm • C# Maj • 02:30 • -13.76db
30% Popularity • 68% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
30% Popularity • 68% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
► Preview
Glen Gray
Melancholy Mood
109 bpm • F min • 03:14 • -12.72db
12% Popularity • 59% Danceability • 18% Energy • 19% Liveness
4% Instrumentalness • 51% Positiveness
12% Popularity • 59% Danceability • 18% Energy • 19% Liveness
4% Instrumentalness • 51% Positiveness
► Preview
Les Brown & His Orchestra
I'm Making Believe
119 bpm • C# Maj • 02:02 • -15.45db
23% Popularity • 64% Danceability • 13% Energy • 54% Liveness
0% Instrumentalness • 56% Positiveness
23% Popularity • 64% Danceability • 13% Energy • 54% Liveness
0% Instrumentalness • 56% Positiveness
► Preview
Artie Shaw
Blues In The Night - Alt Take -1
119 bpm • G Maj • 03:13 • -11.04db
24% Popularity • 59% Danceability • 13% Energy • 40% Liveness
0% Instrumentalness • 46% Positiveness
24% Popularity • 59% Danceability • 13% Energy • 40% Liveness
0% Instrumentalness • 46% Positiveness
► Preview
Charlie Barnet
Skyliner
109 bpm • C# Maj • 03:00 • -11db
28% Popularity • 64% Danceability • 38% Energy • 53% Liveness
91% Instrumentalness • 81% Positiveness
28% Popularity • 64% Danceability • 38% Energy • 53% Liveness
91% Instrumentalness • 81% Positiveness
► Preview
Glenn Miller & The Army Air Force Band
Londonderry Air (Danny Boy)/Shoo-Shoo Ba...
119 bpm • G# Maj • 08:49 • -14.23db
12% Popularity • 34% Danceability • 22% Energy • 40% Liveness
4% Instrumentalness • 18% Positiveness
12% Popularity • 34% Danceability • 22% Energy • 40% Liveness
4% Instrumentalness • 18% Positiveness
► Preview
Glen Gray & The Casa Loma Orchestra
Blue Moon
109 bpm • D# Maj • 03:12 • -16.81db
21% Popularity • 40% Danceability • 11% Energy • 19% Liveness
79% Instrumentalness • 21% Positiveness
21% Popularity • 40% Danceability • 11% Energy • 19% Liveness
79% Instrumentalness • 21% Positiveness
► Preview
Frank Sinatra with Tommy Dorsey and His Orchestra
Too Romantic
109 bpm • F Maj • 03:11 • -12.68db
13% Popularity • 39% Danceability • 13% Energy • 38% Liveness
81% Instrumentalness • 36% Positiveness
13% Popularity • 39% Danceability • 13% Energy • 38% Liveness
81% Instrumentalness • 36% Positiveness
► Preview
Eddie Condon
(You're Some) Pretty Doll
119 bpm • G min • 02:50 • -14.09db
27% Popularity • 64% Danceability • 22% Energy • 35% Liveness
94% Instrumentalness • 61% Positiveness
27% Popularity • 64% Danceability • 22% Energy • 35% Liveness
94% Instrumentalness • 61% Positiveness
► Preview
Fletcher Henderson & His Orchestra
Sing, Sing, Sing (With a Swing)
109 bpm • E min • 02:32 • -13.33db
17% Popularity • 78% Danceability • 26% Energy • 11% Liveness
64% Instrumentalness • 88% Positiveness
17% Popularity • 78% Danceability • 26% Energy • 11% Liveness
64% Instrumentalness • 88% Positiveness
► Preview
Nelson Riddle
Gabrielle
120 bpm • G min • 02:46 • -13.01db
36% Popularity • 46% Danceability • 24% Energy • 16% Liveness
1% Instrumentalness • 47% Positiveness
36% Popularity • 46% Danceability • 24% Energy • 16% Liveness
1% Instrumentalness • 47% Positiveness
► Preview
Woody Herman
Jazz Me Blues
108 bpm • A min • 03:04 • -11.33db
33% Popularity • 59% Danceability • 64% Energy • 93% Liveness
25% Instrumentalness • 84% Positiveness
33% Popularity • 59% Danceability • 64% Energy • 93% Liveness
25% Instrumentalness • 84% Positiveness
► Preview
Earl Hines
Song Of The Islands
108 bpm • G# Maj • 02:37 • -7.32db
34% Popularity • 71% Danceability • 22% Energy • 8% Liveness
45% Instrumentalness • 56% Positiveness
34% Popularity • 71% Danceability • 22% Energy • 8% Liveness
45% Instrumentalness • 56% Positiveness
► Preview
Artie Shaw
A Room With A View
120 bpm • G min • 03:28 • -11.52db
33% Popularity • 55% Danceability • 14% Energy • 17% Liveness
0% Instrumentalness • 47% Positiveness
33% Popularity • 55% Danceability • 14% Energy • 17% Liveness
0% Instrumentalness • 47% Positiveness
► Preview
Jelly Roll Morton
Georgia Swing
108 bpm • G# Maj • 02:29 • -13.45db
36% Popularity • 79% Danceability • 39% Energy • 8% Liveness
92% Instrumentalness • 89% Positiveness
36% Popularity • 79% Danceability • 39% Energy • 8% Liveness
92% Instrumentalness • 89% Positiveness
► Preview
Billy Eckstine
As Long As I Live
108 bpm • C min • 02:50 • -15.57db
20% Popularity • 48% Danceability • 15% Energy • 22% Liveness
0% Instrumentalness • 54% Positiveness
20% Popularity • 48% Danceability • 15% Energy • 22% Liveness
0% Instrumentalness • 54% Positiveness
► Preview
Charlie Barnet
Skyliner (Alternate Take)
108 bpm • F min • 03:01 • -6.75db
28% Popularity • 65% Danceability • 55% Energy • 11% Liveness
72% Instrumentalness • 81% Positiveness
28% Popularity • 65% Danceability • 55% Energy • 11% Liveness
72% Instrumentalness • 81% Positiveness
► Preview
Lee Wiley
It's Only a Paper Moon
120 bpm • C Maj • 03:12 • -11.99db
34% Popularity • 76% Danceability • 24% Energy • 10% Liveness
1% Instrumentalness • 76% Positiveness
34% Popularity • 76% Danceability • 24% Energy • 10% Liveness
1% Instrumentalness • 76% Positiveness
► Preview
Carroll Gibbons
These Foolish Things
108 bpm • D Maj • 03:08 • -22.85db
43% Popularity • 61% Danceability • 9% Energy • 11% Liveness
80% Instrumentalness • 59% Positiveness
43% Popularity • 61% Danceability • 9% Energy • 11% Liveness
80% Instrumentalness • 59% Positiveness
► Preview
Artie Shaw
Where Or When
108 bpm • D min • 03:17 • -8.57db
34% Popularity • 49% Danceability • 27% Energy • 25% Liveness
1% Instrumentalness • 33% Positiveness
34% Popularity • 49% Danceability • 27% Energy • 25% Liveness
1% Instrumentalness • 33% Positiveness
► Preview
Ella Mae Morse
No Love, No Nothin’
108 bpm • A# Maj • 02:35 • -7.88db
25% Popularity • 56% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
25% Popularity • 56% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
► Preview
Tommy Dorsey
On the Sunny Side of the Street
108 bpm • D# Maj • 03:27 • -14.18db
32% Popularity • 65% Danceability • 10% Energy • 5% Liveness
0% Instrumentalness • 57% Positiveness
32% Popularity • 65% Danceability • 10% Energy • 5% Liveness
0% Instrumentalness • 57% Positiveness
► Preview
Clyde McCoy and His Orchestra
Sugar Blues
107 bpm • G Maj • 03:00 • -7.9db
19% Popularity • 67% Danceability • 41% Energy • 20% Liveness
47% Instrumentalness • 67% Positiveness
19% Popularity • 67% Danceability • 41% Energy • 20% Liveness
47% Instrumentalness • 67% Positiveness
► Preview
Rudy Vallee and His Connecticut Yankees
Say It Isn't So
121 bpm • D# Maj • 03:39 • -20.9db
29% Popularity • 40% Danceability • 8% Energy • 26% Liveness
0% Instrumentalness • 24% Positiveness
29% Popularity • 40% Danceability • 8% Energy • 26% Liveness
0% Instrumentalness • 24% Positiveness
► Preview
Lester Lanin
Just One Of Those Things - Society
121 bpm • D min • 02:12 • -14.52db
30% Popularity • 80% Danceability • 36% Energy • 4% Liveness
92% Instrumentalness • 86% Positiveness
30% Popularity • 80% Danceability • 36% Energy • 4% Liveness
92% Instrumentalness • 86% Positiveness
► Preview
Artie Shaw
The Carioca
108 bpm • C Maj • 04:09 • -14.18db
18% Popularity • 58% Danceability • 46% Energy • 5% Liveness
83% Instrumentalness • 67% Positiveness
18% Popularity • 58% Danceability • 46% Energy • 5% Liveness
83% Instrumentalness • 67% Positiveness
► Preview
Harry James
I've Heard That Song Before
122 bpm • D min • 02:56 • -10.73db
35% Popularity • 71% Danceability • 22% Energy • 25% Liveness
82% Instrumentalness • 73% Positiveness
35% Popularity • 71% Danceability • 22% Energy • 25% Liveness
82% Instrumentalness • 73% Positiveness
► Preview
Peggy Lee With The Benny Goodman Orchestra
On The Sunny Side Of The Street
122 bpm • G min • 03:12 • -13.59db
28% Popularity • 80% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
28% Popularity • 80% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
► Preview
Carroll Gibbons
So Rare
122 bpm • C Maj • 03:03 • -20.49db
43% Popularity • 54% Danceability • 12% Energy • 10% Liveness
19% Instrumentalness • 37% Positiveness
43% Popularity • 54% Danceability • 12% Energy • 10% Liveness
19% Instrumentalness • 37% Positiveness
► Preview
The Boswell Sisters
When I Take My Sugar to Tea
122 bpm • A# Maj • 03:12 • -13db
15% Popularity • 77% Danceability • 25% Energy • 7% Liveness
3% Instrumentalness • 81% Positiveness
15% Popularity • 77% Danceability • 25% Energy • 7% Liveness
3% Instrumentalness • 81% Positiveness
► Preview
Bob Crosby & The Bob Cats
March Of The Bob Cats
107 bpm • E Maj • 02:38 • -10.64db
39% Popularity • 79% Danceability • 65% Energy • 4% Liveness
73% Instrumentalness • 84% Positiveness
39% Popularity • 79% Danceability • 65% Energy • 4% Liveness
73% Instrumentalness • 84% Positiveness
► Preview
Artie Shaw
Oh! Lady Be Good - Remasterd - 1999
108 bpm • G Maj • 03:07 • -10.99db
27% Popularity • 65% Danceability • 50% Energy • 16% Liveness
0% Instrumentalness • 89% Positiveness
27% Popularity • 65% Danceability • 50% Energy • 16% Liveness
0% Instrumentalness • 89% Positiveness
► Preview
Woody Herman & His Orchestra
Las Chiapanecas
106 bpm • G# Maj • 03:02 • -9.52db
11% Popularity • 58% Danceability • 46% Energy • 8% Liveness
91% Instrumentalness • 51% Positiveness
11% Popularity • 58% Danceability • 46% Energy • 8% Liveness
91% Instrumentalness • 51% Positiveness
► Preview
Bennie Moten
New Moten Stomp
106 bpm • G# Maj • 02:56 • -9.34db
21% Popularity • 81% Danceability • 47% Energy • 14% Liveness
79% Instrumentalness • 90% Positiveness
21% Popularity • 81% Danceability • 47% Energy • 14% Liveness
79% Instrumentalness • 90% Positiveness
► Preview
James P. Johnson
If I Could Be With You
106 bpm • C# Maj • 02:46 • -19db
42% Popularity • 80% Danceability • 13% Energy • 19% Liveness
79% Instrumentalness • 63% Positiveness
42% Popularity • 80% Danceability • 13% Energy • 19% Liveness
79% Instrumentalness • 63% Positiveness
► Preview
Frank Sinatra with Tommy Dorsey and His Orchestra
Moments in the Moonlight
106 bpm • G min • 03:17 • -12.97db
7% Popularity • 46% Danceability • 9% Energy • 25% Liveness
4% Instrumentalness • 41% Positiveness
7% Popularity • 46% Danceability • 9% Energy • 25% Liveness
4% Instrumentalness • 41% Positiveness
► Preview
Bob Crosby & The Bob Cats
Sugar Foot Stomp
107 bpm • C Maj • 03:05 • -10db
21% Popularity • 70% Danceability • 54% Energy • 9% Liveness
94% Instrumentalness • 95% Positiveness
21% Popularity • 70% Danceability • 54% Energy • 9% Liveness
94% Instrumentalness • 95% Positiveness
► Preview
Jimmie Lunceford
Harlem Shout
106 bpm • D Maj • 03:03 • -10.74db
20% Popularity • 70% Danceability • 50% Energy • 9% Liveness
95% Instrumentalness • 93% Positiveness
20% Popularity • 70% Danceability • 50% Energy • 9% Liveness
95% Instrumentalness • 93% Positiveness
► Preview
Artie Shaw
Oh! Lady Be Good
108 bpm • G Maj • 03:10 • -12.68db
18% Popularity • 65% Danceability • 46% Energy • 37% Liveness
16% Instrumentalness • 71% Positiveness
18% Popularity • 65% Danceability • 46% Energy • 37% Liveness
16% Instrumentalness • 71% Positiveness
► Preview
Rudy Vallee and His Connecticut Yankees
I'm Just a Vagabond Lover
106 bpm • A# Maj • 03:18 • -19.24db
33% Popularity • 60% Danceability • 9% Energy • 9% Liveness
12% Instrumentalness • 65% Positiveness
33% Popularity • 60% Danceability • 9% Energy • 9% Liveness
12% Instrumentalness • 65% Positiveness
► Preview
Fletcher Henderson
Fidgety Feet
123 bpm • D# Maj • 02:53 • -9db
23% Popularity • 68% Danceability • 53% Energy • 25% Liveness
84% Instrumentalness • 96% Positiveness
23% Popularity • 68% Danceability • 53% Energy • 25% Liveness
84% Instrumentalness • 96% Positiveness
► Preview
Larry Clinton & His Orchestra
My Reverie
106 bpm • F Maj • 02:57 • -17.22db
24% Popularity • 37% Danceability • 8% Energy • 9% Liveness
1% Instrumentalness • 11% Positiveness
24% Popularity • 37% Danceability • 8% Energy • 9% Liveness
1% Instrumentalness • 11% Positiveness
► Preview
Cab Calloway & His Orchestra
Happy Feet
106 bpm • G min • 02:38 • -8.17db
20% Popularity • 78% Danceability • 62% Energy • 5% Liveness
87% Instrumentalness • 96% Positiveness
20% Popularity • 78% Danceability • 62% Energy • 5% Liveness
87% Instrumentalness • 96% Positiveness
► Preview
Jimmy Dorsey & His Orchestra
King Porter Stomp
106 bpm • G# Maj • 02:52 • -8.64db
25% Popularity • 72% Danceability • 60% Energy • 66% Liveness
97% Instrumentalness • 89% Positiveness
25% Popularity • 72% Danceability • 60% Energy • 66% Liveness
97% Instrumentalness • 89% Positiveness
► Preview
Artie Shaw
Moon Ray
107 bpm • D# Maj • 03:07 • -14.9db
22% Popularity • 50% Danceability • 29% Energy • 54% Liveness
38% Instrumentalness • 58% Positiveness
22% Popularity • 50% Danceability • 29% Energy • 54% Liveness
38% Instrumentalness • 58% Positiveness
► Preview
Lee Wiley
Manhattan
106 bpm • G# Maj • 03:25 • -17.66db
20% Popularity • 56% Danceability • 16% Energy • 17% Liveness
2% Instrumentalness • 49% Positiveness
20% Popularity • 56% Danceability • 16% Energy • 17% Liveness
2% Instrumentalness • 49% Positiveness
► Preview
Fletcher Henderson
Wrappin' It Up
106 bpm • F# Maj • 02:41 • -9.53db
18% Popularity • 70% Danceability • 58% Energy • 9% Liveness
90% Instrumentalness • 88% Positiveness
18% Popularity • 70% Danceability • 58% Energy • 9% Liveness
90% Instrumentalness • 88% Positiveness
► Preview
Jeri Southern
It's Bad For Me
123 bpm • D# Maj • 02:13 • -8.91db
42% Popularity • 56% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
42% Popularity • 56% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
► Preview
Bix Beiderbecke
There'll Come A Time
106 bpm • F Maj • 02:57 • -14db
41% Popularity • 79% Danceability • 29% Energy • 7% Liveness
88% Instrumentalness • 93% Positiveness
41% Popularity • 79% Danceability • 29% Energy • 7% Liveness
88% Instrumentalness • 93% Positiveness
► Preview
Eddie Condon
Home Cooking
105 bpm • C min • 03:10 • -10db
21% Popularity • 67% Danceability • 36% Energy • 16% Liveness
4% Instrumentalness • 62% Positiveness
21% Popularity • 67% Danceability • 36% Energy • 16% Liveness
4% Instrumentalness • 62% Positiveness
► Preview
Artie Shaw
Take Your Shoes Off, Baby
121 bpm • G Maj • 03:25 • -11.64db
20% Popularity • 58% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
20% Popularity • 58% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
► Preview
Rudy Vallee and His Connecticut Yankees
P.s. - I Love You
105 bpm • G min • 03:30 • -24.49db
36% Popularity • 42% Danceability • 6% Energy • 14% Liveness
3% Instrumentalness • 33% Positiveness
36% Popularity • 42% Danceability • 6% Energy • 14% Liveness
3% Instrumentalness • 33% Positiveness
► Preview
James P. Johnson
Carolina Shout
124 bpm • C Maj • 02:34 • -18db
35% Popularity • 66% Danceability • 37% Energy • 11% Liveness
80% Instrumentalness • 93% Positiveness
35% Popularity • 66% Danceability • 37% Energy • 11% Liveness
80% Instrumentalness • 93% Positiveness
► Preview
Lee Wiley
Manhattan
105 bpm • C# Maj • 03:25 • -14db
27% Popularity • 54% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 45% Positiveness
27% Popularity • 54% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 45% Positiveness
► Preview
Bix Beiderbecke
Riverboat Shuffle
105 bpm • G# Maj • 03:11 • -10db
22% Popularity • 73% Danceability • 47% Energy • 10% Liveness
89% Instrumentalness • 95% Positiveness
22% Popularity • 73% Danceability • 47% Energy • 10% Liveness
89% Instrumentalness • 95% Positiveness
