Songs like I Can't Go for That (No Can Do) by Daryl Hall & John Oates
Based on a tempo of (+/- 10%) and a similar genre
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Daryl Hall & John Oates
I Can't Go for That (No Can Do) - Pomo R...
111 bpm • F min • 05:07 • -8.6db
52% Popularity • 74% Danceability • 72% Energy • 13% Liveness
2% Instrumentalness • 46% Positiveness
52% Popularity • 74% Danceability • 72% Energy • 13% Liveness
2% Instrumentalness • 46% Positiveness
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Bruce Hornsby
The Way It Is
111 bpm • G Maj • 04:57 • -12.2db
68% Popularity • 58% Danceability • 69% Energy • 14% Liveness
6% Instrumentalness • 53% Positiveness
68% Popularity • 58% Danceability • 69% Energy • 14% Liveness
6% Instrumentalness • 53% Positiveness
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The Pointer Sisters
Slow Hand
111 bpm • F# Maj • 03:51 • -7.77db
58% Popularity • 83% Danceability • 56% Energy • 6% Liveness
0% Instrumentalness • 36% Positiveness
58% Popularity • 83% Danceability • 56% Energy • 6% Liveness
0% Instrumentalness • 36% Positiveness
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CHIC
Good Times
111 bpm • D Maj • 08:15 • -7.32db
64% Popularity • 87% Danceability • 66% Energy • 5% Liveness
1% Instrumentalness • 89% Positiveness
64% Popularity • 87% Danceability • 66% Energy • 5% Liveness
1% Instrumentalness • 89% Positiveness
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Stevie Nicks
Edge of Seventeen - 2016 Remaster
111 bpm • C Maj • 05:29 • -7.3db
73% Popularity • 59% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
73% Popularity • 59% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
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Rod Stewart
Da Ya Think I'm Sexy?
112 bpm • D min • 05:31 • -8.07db
73% Popularity • 72% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 85% Positiveness
73% Popularity • 72% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 85% Positiveness
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Daryl Hall & John Oates
I Can't Go for That (No Can Do)
111 bpm • C min • 05:07 • -9.51db
67% Popularity • 89% Danceability • 44% Energy • 4% Liveness
0% Instrumentalness • 96% Positiveness
67% Popularity • 89% Danceability • 44% Energy • 4% Liveness
0% Instrumentalness • 96% Positiveness
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Robert Palmer
Addicted To Love
112 bpm • D Maj • 06:03 • -13.42db
66% Popularity • 70% Danceability • 58% Energy • 4% Liveness
0% Instrumentalness • 98% Positiveness
66% Popularity • 70% Danceability • 58% Energy • 4% Liveness
0% Instrumentalness • 98% Positiveness
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The Pointer Sisters
Automatic
111 bpm • F Maj • 04:47 • -7.53db
51% Popularity • 80% Danceability • 66% Energy • 32% Liveness
0% Instrumentalness • 93% Positiveness
51% Popularity • 80% Danceability • 66% Energy • 32% Liveness
0% Instrumentalness • 93% Positiveness
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George Benson
Give Me the Night
110 bpm • C# Maj • 05:01 • -7.83db
64% Popularity • 84% Danceability • 76% Energy • 12% Liveness
7% Instrumentalness • 86% Positiveness
64% Popularity • 84% Danceability • 76% Energy • 12% Liveness
7% Instrumentalness • 86% Positiveness
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Barry White
Can't Get Enough Of Your Love, Babe
112 bpm • F Maj • 04:34 • -7.6db
71% Popularity • 73% Danceability • 78% Energy • 8% Liveness
11% Instrumentalness • 80% Positiveness
71% Popularity • 73% Danceability • 78% Energy • 8% Liveness
11% Instrumentalness • 80% Positiveness
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Stevie Wonder
For Once In My Life
110 bpm • F# Maj • 02:49 • -11.9db
76% Popularity • 52% Danceability • 52% Energy • 52% Liveness
0% Instrumentalness • 85% Positiveness
76% Popularity • 52% Danceability • 52% Energy • 52% Liveness
0% Instrumentalness • 85% Positiveness
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Daryl Hall & John Oates
I Can't Go for That (No Can Do) - Extend...
110 bpm • A# Maj • 06:04 • -7db
34% Popularity • 86% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
34% Popularity • 86% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
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The Alan Parsons Project
Eye In The Sky
112 bpm • D Maj • 04:36 • -12.64db
73% Popularity • 82% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
73% Popularity • 82% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
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Diana Ross
I'm Coming Out
110 bpm • F Maj • 05:23 • -9.21db
70% Popularity • 72% Danceability • 83% Energy • 8% Liveness
43% Instrumentalness • 77% Positiveness
70% Popularity • 72% Danceability • 83% Energy • 8% Liveness
43% Instrumentalness • 77% Positiveness
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Eagles
One of These Nights - 2013 Remaster
110 bpm • G Maj • 04:51 • -10.39db
73% Popularity • 66% Danceability • 61% Energy • 8% Liveness
8% Instrumentalness • 76% Positiveness
73% Popularity • 66% Danceability • 61% Energy • 8% Liveness
8% Instrumentalness • 76% Positiveness
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Tears For Fears
Everybody Wants To Rule The World
112 bpm • G Maj • 04:11 • -12.1db
88% Popularity • 64% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
88% Popularity • 64% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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George Benson
Give Me the Night
110 bpm • C# Maj • 03:42 • -15.67db
67% Popularity • 85% Danceability • 47% Energy • 13% Liveness
2% Instrumentalness • 86% Positiveness
67% Popularity • 85% Danceability • 47% Energy • 13% Liveness
2% Instrumentalness • 86% Positiveness
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Luther Vandross
Never Too Much
110 bpm • D Maj • 03:50 • -11.87db
72% Popularity • 73% Danceability • 59% Energy • 4% Liveness
0% Instrumentalness • 76% Positiveness
72% Popularity • 73% Danceability • 59% Energy • 4% Liveness
0% Instrumentalness • 76% Positiveness
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Bruce Springsteen
Hungry Heart
110 bpm • G# Maj • 03:19 • -7.41db
70% Popularity • 64% Danceability • 89% Energy • 16% Liveness
1% Instrumentalness • 97% Positiveness
70% Popularity • 64% Danceability • 89% Energy • 16% Liveness
1% Instrumentalness • 97% Positiveness
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The Spinners
I'll Be Around
112 bpm • G# min • 03:08 • -8.7db
66% Popularity • 59% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
66% Popularity • 59% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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KC & The Sunshine Band
(Shake, Shake, Shake) Shake Your Booty
112 bpm • A# Maj • 03:05 • -7.92db
56% Popularity • 65% Danceability • 94% Energy • 15% Liveness
48% Instrumentalness • 94% Positiveness
56% Popularity • 65% Danceability • 94% Energy • 15% Liveness
48% Instrumentalness • 94% Positiveness
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Diana Ross
Love Hangover
112 bpm • C# Maj • 07:48 • -10.34db
51% Popularity • 51% Danceability • 67% Energy • 5% Liveness
2% Instrumentalness • 88% Positiveness
51% Popularity • 51% Danceability • 67% Energy • 5% Liveness
2% Instrumentalness • 88% Positiveness
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Glenn Frey
You Belong To The City
109 bpm • E min • 05:52 • -5.79db
55% Popularity • 67% Danceability • 70% Energy • 6% Liveness
0% Instrumentalness • 44% Positiveness
55% Popularity • 67% Danceability • 70% Energy • 6% Liveness
0% Instrumentalness • 44% Positiveness
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Culture Club
I'll Tumble 4 Ya
113 bpm • G Maj • 02:36 • -14db
51% Popularity • 82% Danceability • 76% Energy • 35% Liveness
0% Instrumentalness • 77% Positiveness
51% Popularity • 82% Danceability • 76% Energy • 35% Liveness
0% Instrumentalness • 77% Positiveness
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Wild Cherry
Play That Funky Music
109 bpm • A Maj • 05:00 • -12.07db
71% Popularity • 81% Danceability • 67% Energy • 6% Liveness
0% Instrumentalness • 93% Positiveness
71% Popularity • 81% Danceability • 67% Energy • 6% Liveness
0% Instrumentalness • 93% Positiveness
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Frankie Valli
Grease - 2007 Remaster
109 bpm • B Maj • 03:27 • -8.45db
65% Popularity • 82% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 87% Positiveness
65% Popularity • 82% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 87% Positiveness
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The Jackson 5
Dancing Machine
109 bpm • F# Maj • 02:41 • -7.72db
54% Popularity • 78% Danceability • 79% Energy • 69% Liveness
0% Instrumentalness • 84% Positiveness
54% Popularity • 78% Danceability • 79% Energy • 69% Liveness
0% Instrumentalness • 84% Positiveness
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Stevie Wonder
Do I Do
113 bpm • B Maj • 05:03 • -11.3db
58% Popularity • 72% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 92% Positiveness
58% Popularity • 72% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 92% Positiveness
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Bee Gees
Night Fever
109 bpm • C# min • 03:32 • -7.22db
76% Popularity • 73% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 89% Positiveness
76% Popularity • 73% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 89% Positiveness
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Shalamar
A Night to Remember (Single Version)
109 bpm • C# Maj • 03:32 • -10.12db
59% Popularity • 76% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 93% Positiveness
59% Popularity • 76% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 93% Positiveness
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Commodores
Machine Gun
113 bpm • F Maj • 02:39 • -6db
50% Popularity • 74% Danceability • 97% Energy • 30% Liveness
84% Instrumentalness • 78% Positiveness
50% Popularity • 74% Danceability • 97% Energy • 30% Liveness
84% Instrumentalness • 78% Positiveness
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Sly & The Family Stone
Family Affair - Single Version
109 bpm • D min • 03:05 • -13.83db
52% Popularity • 82% Danceability • 60% Energy • 20% Liveness
2% Instrumentalness • 80% Positiveness
52% Popularity • 82% Danceability • 60% Energy • 20% Liveness
2% Instrumentalness • 80% Positiveness
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Level 42
Lessons In Love
113 bpm • G Maj • 04:06 • -8.4db
66% Popularity • 71% Danceability • 84% Energy • 30% Liveness
0% Instrumentalness • 86% Positiveness
66% Popularity • 71% Danceability • 84% Energy • 30% Liveness
0% Instrumentalness • 86% Positiveness
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Stevie Wonder
Signed, Sealed, Delivered (I'm Yours)
109 bpm • F Maj • 02:41 • -11.33db
77% Popularity • 68% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
77% Popularity • 68% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
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Lionel Richie
All Night Long (All Night) - Single Vers...
109 bpm • C# Maj • 04:18 • -12.04db
73% Popularity • 75% Danceability • 60% Energy • 3% Liveness
0% Instrumentalness • 83% Positiveness
73% Popularity • 75% Danceability • 60% Energy • 3% Liveness
0% Instrumentalness • 83% Positiveness
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Stephanie Mills
Never Knew Love Like This Before
113 bpm • B Maj • 05:26 • -8.9db
52% Popularity • 69% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 73% Positiveness
52% Popularity • 69% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 73% Positiveness
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Fine Young Cannibals
She Drives Me Crazy
109 bpm • D Maj • 03:35 • -5.68db
75% Popularity • 80% Danceability • 69% Energy • 3% Liveness
0% Instrumentalness • 96% Positiveness
75% Popularity • 80% Danceability • 69% Energy • 3% Liveness
0% Instrumentalness • 96% Positiveness
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Sister Sledge
He's the Greatest Dancer - 1995 Remaster
113 bpm • G min • 06:15 • -9.71db
63% Popularity • 70% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 84% Positiveness
63% Popularity • 70% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 84% Positiveness
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Boston
More Than a Feeling
109 bpm • G Maj • 04:45 • -8.04db
81% Popularity • 38% Danceability • 68% Energy • 5% Liveness
0% Instrumentalness • 28% Positiveness
81% Popularity • 38% Danceability • 68% Energy • 5% Liveness
0% Instrumentalness • 28% Positiveness
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The Jacksons
Blame It on the Boogie
113 bpm • C# Maj • 03:34 • -10.19db
70% Popularity • 77% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
70% Popularity • 77% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
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Lionel Richie
All Night Long (All Night)
109 bpm • C# Maj • 06:23 • -13.92db
55% Popularity • 72% Danceability • 56% Energy • 4% Liveness
1% Instrumentalness • 80% Positiveness
55% Popularity • 72% Danceability • 56% Energy • 4% Liveness
1% Instrumentalness • 80% Positiveness
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Pet Shop Boys
West End Girls - 2018 Remaster
113 bpm • E min • 04:45 • -7.47db
73% Popularity • 66% Danceability • 91% Energy • 16% Liveness
6% Instrumentalness • 58% Positiveness
73% Popularity • 66% Danceability • 91% Energy • 16% Liveness
6% Instrumentalness • 58% Positiveness
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INXS
Need You Tonight
109 bpm • A# min • 03:01 • -7.22db
76% Popularity • 80% Danceability • 63% Energy • 9% Liveness
57% Instrumentalness • 78% Positiveness
76% Popularity • 80% Danceability • 63% Energy • 9% Liveness
57% Instrumentalness • 78% Positiveness
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KC & The Sunshine Band
I'm Your Boogie Man
113 bpm • F min • 04:01 • -5.72db
56% Popularity • 76% Danceability • 93% Energy • 4% Liveness
0% Instrumentalness • 93% Positiveness
56% Popularity • 76% Danceability • 93% Energy • 4% Liveness
0% Instrumentalness • 93% Positiveness
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Bananarama
Cruel Summer
109 bpm • C# min • 03:35 • -6.02db
68% Popularity • 67% Danceability • 87% Energy • 26% Liveness
2% Instrumentalness • 94% Positiveness
68% Popularity • 67% Danceability • 87% Energy • 26% Liveness
2% Instrumentalness • 94% Positiveness
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Duran Duran
Save a Prayer - 2009 Remaster
114 bpm • A min • 05:33 • -8.71db
63% Popularity • 57% Danceability • 71% Energy • 16% Liveness
0% Instrumentalness • 67% Positiveness
63% Popularity • 57% Danceability • 71% Energy • 16% Liveness
0% Instrumentalness • 67% Positiveness
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Thompson Twins
Hold Me Now
108 bpm • G Maj • 04:46 • -9.81db
64% Popularity • 79% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
64% Popularity • 79% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
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Billy Ocean
Caribbean Queen (No More Love On the Run...
114 bpm • F Maj • 04:04 • -7.51db
71% Popularity • 79% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 95% Positiveness
71% Popularity • 79% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 95% Positiveness
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Queen
Under Pressure - Remastered 2011
114 bpm • D Maj • 04:08 • -7.82db
82% Popularity • 67% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
82% Popularity • 67% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Gerry Rafferty
Baker Street
114 bpm • G Maj • 06:05 • -14db
69% Popularity • 50% Danceability • 35% Energy • 26% Liveness
3% Instrumentalness • 42% Positiveness
69% Popularity • 50% Danceability • 35% Energy • 26% Liveness
3% Instrumentalness • 42% Positiveness
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Howard Jones
Things Can Only Get Better
108 bpm • G Maj • 03:55 • -6.08db
56% Popularity • 75% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 83% Positiveness
56% Popularity • 75% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 83% Positiveness
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Patrice Rushen
Forget Me Nots - Remastered
114 bpm • F# min • 04:44 • -6.96db
69% Popularity • 92% Danceability • 46% Energy • 5% Liveness
6% Instrumentalness • 96% Positiveness
69% Popularity • 92% Danceability • 46% Energy • 5% Liveness
6% Instrumentalness • 96% Positiveness
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Huey Lewis & The News
If This Is It
108 bpm • G Maj • 03:53 • -7db
57% Popularity • 38% Danceability • 67% Energy • 32% Liveness
0% Instrumentalness • 84% Positiveness
57% Popularity • 38% Danceability • 67% Energy • 32% Liveness
0% Instrumentalness • 84% Positiveness
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Michael Jackson
Rock with You - Single Version
114 bpm • C# Maj • 03:40 • -12.52db
79% Popularity • 81% Danceability • 54% Energy • 16% Liveness
0% Instrumentalness • 85% Positiveness
79% Popularity • 81% Danceability • 54% Energy • 16% Liveness
0% Instrumentalness • 85% Positiveness
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Chaka Khan
I'm Every Woman
114 bpm • C min • 04:09 • -7.3db
66% Popularity • 60% Danceability • 89% Energy • 30% Liveness
0% Instrumentalness • 73% Positiveness
66% Popularity • 60% Danceability • 89% Energy • 30% Liveness
0% Instrumentalness • 73% Positiveness
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Kajagoogoo
Too Shy
108 bpm • A# min • 03:41 • -6.73db
62% Popularity • 70% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
62% Popularity • 70% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
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Commodores
Brick House
108 bpm • E min • 03:28 • -10.48db
66% Popularity • 83% Danceability • 78% Energy • 3% Liveness
2% Instrumentalness • 63% Positiveness
66% Popularity • 83% Danceability • 78% Energy • 3% Liveness
2% Instrumentalness • 63% Positiveness
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Daryl Hall & John Oates
Say It Isn't So
114 bpm • E min • 04:17 • -7.07db
50% Popularity • 77% Danceability • 79% Energy • 15% Liveness
0% Instrumentalness • 97% Positiveness
50% Popularity • 77% Danceability • 79% Energy • 15% Liveness
0% Instrumentalness • 97% Positiveness
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Diana Ross
Upside Down
108 bpm • F min • 04:05 • -8.56db
70% Popularity • 87% Danceability • 86% Energy • 4% Liveness
3% Instrumentalness • 88% Positiveness
70% Popularity • 87% Danceability • 86% Energy • 4% Liveness
3% Instrumentalness • 88% Positiveness
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CHIC
I Want Your Love - 2018 Remaster
114 bpm • A min • 06:53 • -13.4db
57% Popularity • 70% Danceability • 60% Energy • 9% Liveness
7% Instrumentalness • 96% Positiveness
57% Popularity • 70% Danceability • 60% Energy • 9% Liveness
7% Instrumentalness • 96% Positiveness
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Carl Carlton
She's A Bad Mama Jama (She's Built, She'...
114 bpm • A min • 03:55 • -6.27db
60% Popularity • 90% Danceability • 55% Energy • 5% Liveness
0% Instrumentalness • 78% Positiveness
60% Popularity • 90% Danceability • 55% Energy • 5% Liveness
0% Instrumentalness • 78% Positiveness
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Chicago
Saturday in the Park - 2002 Remaster
114 bpm • G Maj • 03:55 • -6.86db
62% Popularity • 67% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
62% Popularity • 67% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
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Talking Heads
This Must Be the Place (Naive Melody) - ...
114 bpm • G Maj • 04:56 • -10.15db
72% Popularity • 94% Danceability • 64% Energy • 3% Liveness
18% Instrumentalness • 97% Positiveness
72% Popularity • 94% Danceability • 64% Energy • 3% Liveness
18% Instrumentalness • 97% Positiveness
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Daryl Hall & John Oates
Your Imagination
114 bpm • C Maj • 03:32 • -7.46db
38% Popularity • 78% Danceability • 76% Energy • 22% Liveness
0% Instrumentalness • 96% Positiveness
38% Popularity • 78% Danceability • 76% Energy • 22% Liveness
0% Instrumentalness • 96% Positiveness
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Blondie
Heart Of Glass - Special Mix
114 bpm • E Maj • 04:35 • -14.63db
67% Popularity • 69% Danceability • 58% Energy • 9% Liveness
1% Instrumentalness • 84% Positiveness
67% Popularity • 69% Danceability • 58% Energy • 9% Liveness
1% Instrumentalness • 84% Positiveness
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Sister Sledge
Lost in Music - 1995 Remaster
114 bpm • C Maj • 04:47 • -7.51db
55% Popularity • 76% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
55% Popularity • 76% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
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Earth, Wind & Fire
In the Stone
115 bpm • E Maj • 04:48 • -10.35db
55% Popularity • 66% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
55% Popularity • 66% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
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Cheryl Lynn
Got to Be Real
115 bpm • A min • 05:07 • -10.14db
68% Popularity • 84% Danceability • 63% Energy • 15% Liveness
74% Instrumentalness • 90% Positiveness
68% Popularity • 84% Danceability • 63% Energy • 15% Liveness
74% Instrumentalness • 90% Positiveness
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Roy Orbison
You Got It
115 bpm • A Maj • 03:30 • -10.73db
72% Popularity • 65% Danceability • 62% Energy • 19% Liveness
0% Instrumentalness • 67% Positiveness
72% Popularity • 65% Danceability • 62% Energy • 19% Liveness
0% Instrumentalness • 67% Positiveness
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David Bowie
Let's Dance - 2002 Remaster
115 bpm • G# Maj • 04:07 • -10db
63% Popularity • 65% Danceability • 64% Energy • 21% Liveness
0% Instrumentalness • 79% Positiveness
63% Popularity • 65% Danceability • 64% Energy • 21% Liveness
0% Instrumentalness • 79% Positiveness
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Blondie
Rapture - Remastered 2001
108 bpm • D Maj • 06:31 • -5.69db
44% Popularity • 70% Danceability • 84% Energy • 34% Liveness
0% Instrumentalness • 81% Positiveness
44% Popularity • 70% Danceability • 84% Energy • 34% Liveness
0% Instrumentalness • 81% Positiveness
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George Benson
Love X Love
115 bpm • C# Maj • 04:46 • -12.72db
50% Popularity • 80% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 85% Positiveness
50% Popularity • 80% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 85% Positiveness
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Daryl Hall & John Oates
Possession Obsession
115 bpm • G min • 04:36 • -6.43db
37% Popularity • 75% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
37% Popularity • 75% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
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CHIC
Soup for One
115 bpm • C Maj • 05:35 • -11.24db
49% Popularity • 82% Danceability • 51% Energy • 11% Liveness
81% Instrumentalness • 80% Positiveness
49% Popularity • 82% Danceability • 51% Energy • 11% Liveness
81% Instrumentalness • 80% Positiveness
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Michael McDonald
Sweet Freedom
115 bpm • C min • 07:39 • -12.03db
48% Popularity • 78% Danceability • 62% Energy • 7% Liveness
2% Instrumentalness • 96% Positiveness
48% Popularity • 78% Danceability • 62% Energy • 7% Liveness
2% Instrumentalness • 96% Positiveness
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David Bowie
Let's Dance - 2018 Remaster
115 bpm • A# min • 07:37 • -7.44db
70% Popularity • 65% Danceability • 74% Energy • 15% Liveness
3% Instrumentalness • 63% Positiveness
70% Popularity • 65% Danceability • 74% Energy • 15% Liveness
3% Instrumentalness • 63% Positiveness
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Blondie
Rapture
108 bpm • B min • 04:59 • -8.24db
47% Popularity • 72% Danceability • 70% Energy • 55% Liveness
0% Instrumentalness • 95% Positiveness
47% Popularity • 72% Danceability • 70% Energy • 55% Liveness
0% Instrumentalness • 95% Positiveness
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Chaka Khan
Like Sugar
107 bpm • G Maj • 03:59 • -8.48db
56% Popularity • 81% Danceability • 79% Energy • 34% Liveness
5% Instrumentalness • 94% Positiveness
56% Popularity • 81% Danceability • 79% Energy • 34% Liveness
5% Instrumentalness • 94% Positiveness
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Daryl Hall & John Oates
Out of Touch
115 bpm • A min • 04:09 • -9db
67% Popularity • 81% Danceability • 65% Energy • 6% Liveness
0% Instrumentalness • 90% Positiveness
67% Popularity • 81% Danceability • 65% Energy • 6% Liveness
0% Instrumentalness • 90% Positiveness
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Frankie Goes To Hollywood
Relax
115 bpm • B min • 03:56 • -13.4db
71% Popularity • 68% Danceability • 70% Energy • 5% Liveness
0% Instrumentalness • 69% Positiveness
71% Popularity • 68% Danceability • 70% Energy • 5% Liveness
0% Instrumentalness • 69% Positiveness
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Hues Corporation
Rock the Boat
107 bpm • D# Maj • 03:22 • -9.72db
65% Popularity • 60% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
65% Popularity • 60% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
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Wham!
Everything She Wants - Remix
115 bpm • F# min • 06:30 • -7.84db
41% Popularity • 87% Danceability • 68% Energy • 23% Liveness
0% Instrumentalness • 91% Positiveness
41% Popularity • 87% Danceability • 68% Energy • 23% Liveness
0% Instrumentalness • 91% Positiveness
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Fleetwood Mac
Everywhere - 2017 Remaster
115 bpm • E Maj • 03:46 • -10.99db
82% Popularity • 73% Danceability • 49% Energy • 9% Liveness
1% Instrumentalness • 73% Positiveness
82% Popularity • 73% Danceability • 49% Energy • 9% Liveness
1% Instrumentalness • 73% Positiveness
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Boz Scaggs
What Can I Say (2023 Remaster)
115 bpm • G Maj • 03:01 • -11.21db
53% Popularity • 74% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
53% Popularity • 74% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
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Daryl Hall & John Oates
Out of Touch - Club Version
115 bpm • C Maj • 07:42 • -4.52db
38% Popularity • 75% Danceability • 92% Energy • 13% Liveness
3% Instrumentalness • 94% Positiveness
38% Popularity • 75% Danceability • 92% Energy • 13% Liveness
3% Instrumentalness • 94% Positiveness
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DeBarge
Rhythm Of The Night
115 bpm • B min • 03:49 • -12.33db
64% Popularity • 71% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
64% Popularity • 71% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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The Pointer Sisters
He's so Shy
115 bpm • C min • 03:38 • -7.9db
52% Popularity • 87% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 97% Positiveness
52% Popularity • 87% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 97% Positiveness
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Wham!
Everything She Wants
115 bpm • F# min • 05:02 • -15.56db
69% Popularity • 90% Danceability • 46% Energy • 16% Liveness
0% Instrumentalness • 96% Positiveness
69% Popularity • 90% Danceability • 46% Energy • 16% Liveness
0% Instrumentalness • 96% Positiveness
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10cc
The Things We Do For Love
107 bpm • C# Maj • 03:27 • -9.84db
65% Popularity • 64% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 78% Positiveness
65% Popularity • 64% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 78% Positiveness
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Stevie Wonder
Sir Duke
107 bpm • F# Maj • 03:52 • -9.77db
72% Popularity • 59% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 95% Positiveness
72% Popularity • 59% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 95% Positiveness
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Daryl Hall & John Oates
Out of Touch
115 bpm • A min • 04:21 • -5.46db
46% Popularity • 78% Danceability • 83% Energy • 6% Liveness
0% Instrumentalness • 91% Positiveness
46% Popularity • 78% Danceability • 83% Energy • 6% Liveness
0% Instrumentalness • 91% Positiveness
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Candi Staton
Young Hearts Run Free
115 bpm • G min • 04:08 • -9.3db
70% Popularity • 65% Danceability • 65% Energy • 20% Liveness
0% Instrumentalness • 85% Positiveness
70% Popularity • 65% Danceability • 65% Energy • 20% Liveness
0% Instrumentalness • 85% Positiveness
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Billy Ocean
Nights (Feel Like Gettin' Down)
115 bpm • A min • 04:42 • -6db
42% Popularity • 88% Danceability • 83% Energy • 13% Liveness
0% Instrumentalness • 81% Positiveness
42% Popularity • 88% Danceability • 83% Energy • 13% Liveness
0% Instrumentalness • 81% Positiveness
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INXS
New Sensation
115 bpm • A Maj • 03:40 • -4.95db
67% Popularity • 68% Danceability • 95% Energy • 5% Liveness
0% Instrumentalness • 93% Positiveness
67% Popularity • 68% Danceability • 95% Energy • 5% Liveness
0% Instrumentalness • 93% Positiveness
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Dexys Midnight Runners
Come On Eileen
107 bpm • D Maj • 04:47 • -7.05db
78% Popularity • 45% Danceability • 66% Energy • 26% Liveness
0% Instrumentalness • 78% Positiveness
78% Popularity • 45% Danceability • 66% Energy • 26% Liveness
0% Instrumentalness • 78% Positiveness
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The Emotions
Best of My Love
115 bpm • C Maj • 03:40 • -6.87db
71% Popularity • 78% Danceability • 71% Energy • 9% Liveness
14% Instrumentalness • 97% Positiveness
71% Popularity • 78% Danceability • 71% Energy • 9% Liveness
14% Instrumentalness • 97% Positiveness
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Daryl Hall & John Oates
I'll Be Around
115 bpm • G min • 04:02 • -5.05db
36% Popularity • 87% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 90% Positiveness
36% Popularity • 87% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 90% Positiveness
