Songs like I Can't Slow Down by Sloppy Seconds
Based on a tempo of (+/- 10%) and a similar genre
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Chixdiggit!
Sikome Beach
185 bpm • C# Maj • 01:49 • -5db
18% Popularity • 34% Danceability • 94% Energy • 7% Liveness
1% Instrumentalness • 60% Positiveness
18% Popularity • 34% Danceability • 94% Energy • 7% Liveness
1% Instrumentalness • 60% Positiveness
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Sloppy Seconds
I Can't Slow Down
185 bpm • G Maj • 02:42 • -11.64db
13% Popularity • 39% Danceability • 88% Energy • 38% Liveness
0% Instrumentalness • 88% Positiveness
13% Popularity • 39% Danceability • 88% Energy • 38% Liveness
0% Instrumentalness • 88% Positiveness
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Huntingtons
I Wanna Be A Ramone
185 bpm • G Maj • 02:29 • -2db
9% Popularity • 39% Danceability • 99% Energy • 29% Liveness
0% Instrumentalness • 90% Positiveness
9% Popularity • 39% Danceability • 99% Energy • 29% Liveness
0% Instrumentalness • 90% Positiveness
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Groovie Ghoulies
Come On
185 bpm • E min • 01:34 • -5.13db
15% Popularity • 22% Danceability • 96% Energy • 21% Liveness
0% Instrumentalness • 58% Positiveness
15% Popularity • 22% Danceability • 96% Energy • 21% Liveness
0% Instrumentalness • 58% Positiveness
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Gas Huffer
Rotten Egg
185 bpm • B min • 02:44 • -6db
17% Popularity • 28% Danceability • 96% Energy • 43% Liveness
0% Instrumentalness • 55% Positiveness
17% Popularity • 28% Danceability • 96% Energy • 43% Liveness
0% Instrumentalness • 55% Positiveness
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The Briefs
Silver Bullet
186 bpm • A Maj • 01:08 • -4db
24% Popularity • 33% Danceability • 99% Energy • 50% Liveness
0% Instrumentalness • 50% Positiveness
24% Popularity • 33% Danceability • 99% Energy • 50% Liveness
0% Instrumentalness • 50% Positiveness
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Bombshell Rocks
Joker In The Pack
186 bpm • D Maj • 02:32 • -4.69db
28% Popularity • 24% Danceability • 96% Energy • 19% Liveness
0% Instrumentalness • 90% Positiveness
28% Popularity • 24% Danceability • 96% Energy • 19% Liveness
0% Instrumentalness • 90% Positiveness
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Sloppy Seconds
Someone Else's Pills
186 bpm • E Maj • 02:05 • -6.73db
13% Popularity • 24% Danceability • 93% Energy • 24% Liveness
0% Instrumentalness • 44% Positiveness
13% Popularity • 24% Danceability • 93% Energy • 24% Liveness
0% Instrumentalness • 44% Positiveness
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Marginal Man
Friend
184 bpm • C Maj • 01:41 • -11.1db
23% Popularity • 33% Danceability • 92% Energy • 31% Liveness
0% Instrumentalness • 48% Positiveness
23% Popularity • 33% Danceability • 92% Energy • 31% Liveness
0% Instrumentalness • 48% Positiveness
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Zero Boys
Anti-Breakdown
184 bpm • A# Maj • 02:05 • -5.43db
23% Popularity • 34% Danceability • 89% Energy • 70% Liveness
0% Instrumentalness • 60% Positiveness
23% Popularity • 34% Danceability • 89% Energy • 70% Liveness
0% Instrumentalness • 60% Positiveness
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Riverdales
She's Gonna Break Your Heart
184 bpm • A Maj • 01:27 • -3.92db
16% Popularity • 24% Danceability • 91% Energy • 38% Liveness
0% Instrumentalness • 70% Positiveness
16% Popularity • 24% Danceability • 91% Energy • 38% Liveness
0% Instrumentalness • 70% Positiveness
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U.S. Bombs
Jaks
186 bpm • F# Maj • 02:40 • -5db
28% Popularity • 28% Danceability • 87% Energy • 44% Liveness
0% Instrumentalness • 82% Positiveness
28% Popularity • 28% Danceability • 87% Energy • 44% Liveness
0% Instrumentalness • 82% Positiveness
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7 Seconds
Slogan On A Shirt
186 bpm • A Maj • 03:04 • -2.93db
14% Popularity • 32% Danceability • 94% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
14% Popularity • 32% Danceability • 94% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
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Guns n' Wankers
Raise Your Glass
186 bpm • G# Maj • 02:53 • -5.17db
21% Popularity • 24% Danceability • 96% Energy • 19% Liveness
6% Instrumentalness • 44% Positiveness
21% Popularity • 24% Danceability • 96% Energy • 19% Liveness
6% Instrumentalness • 44% Positiveness
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The Dickies
Just Say Yes
186 bpm • D Maj • 02:15 • -7.52db
8% Popularity • 34% Danceability • 97% Energy • 6% Liveness
0% Instrumentalness • 48% Positiveness
8% Popularity • 34% Danceability • 97% Energy • 6% Liveness
0% Instrumentalness • 48% Positiveness
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Teenage Bottlerocket
So Cool
184 bpm • A Maj • 02:36 • -4.72db
20% Popularity • 34% Danceability • 98% Energy • 21% Liveness
0% Instrumentalness • 46% Positiveness
20% Popularity • 34% Danceability • 98% Energy • 21% Liveness
0% Instrumentalness • 46% Positiveness
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Riverdales
Bad Seed Baby
186 bpm • B min • 01:46 • -4db
18% Popularity • 44% Danceability • 98% Energy • 14% Liveness
6% Instrumentalness • 80% Positiveness
18% Popularity • 44% Danceability • 98% Energy • 14% Liveness
6% Instrumentalness • 80% Positiveness
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The Humpers
Murder City Revolution
184 bpm • C Maj • 02:23 • -8.81db
9% Popularity • 25% Danceability • 81% Energy • 72% Liveness
0% Instrumentalness • 53% Positiveness
9% Popularity • 25% Danceability • 81% Energy • 72% Liveness
0% Instrumentalness • 53% Positiveness
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Sloppy Seconds
The Kids Are All Drunk
183 bpm • D Maj • 02:44 • -10.89db
15% Popularity • 42% Danceability • 81% Energy • 22% Liveness
21% Instrumentalness • 92% Positiveness
15% Popularity • 42% Danceability • 81% Energy • 22% Liveness
21% Instrumentalness • 92% Positiveness
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Zero Boys
Livin' In the 80's
183 bpm • C Maj • 02:10 • -1.48db
25% Popularity • 20% Danceability • 97% Energy • 83% Liveness
57% Instrumentalness • 66% Positiveness
25% Popularity • 20% Danceability • 97% Energy • 83% Liveness
57% Instrumentalness • 66% Positiveness
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The Dickies
Golden Boys
183 bpm • G Maj • 02:32 • -7.6db
11% Popularity • 37% Danceability • 88% Energy • 23% Liveness
0% Instrumentalness • 67% Positiveness
11% Popularity • 37% Danceability • 88% Energy • 23% Liveness
0% Instrumentalness • 67% Positiveness
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The Manges
Vengeance Is Mine
187 bpm • B Maj • 02:00 • -2.79db
30% Popularity • 35% Danceability • 90% Energy • 7% Liveness
0% Instrumentalness • 90% Positiveness
30% Popularity • 35% Danceability • 90% Energy • 7% Liveness
0% Instrumentalness • 90% Positiveness
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Riverdales
Mental Retard
186 bpm • F# min • 02:51 • -5db
18% Popularity • 50% Danceability • 94% Energy • 8% Liveness
0% Instrumentalness • 95% Positiveness
18% Popularity • 50% Danceability • 94% Energy • 8% Liveness
0% Instrumentalness • 95% Positiveness
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Dag Nasty
100 Punks Rule
183 bpm • A Maj • 03:21 • -6.88db
8% Popularity • 30% Danceability • 91% Energy • 55% Liveness
0% Instrumentalness • 52% Positiveness
8% Popularity • 30% Danceability • 91% Energy • 55% Liveness
0% Instrumentalness • 52% Positiveness
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Sloppy Seconds
Veronica
187 bpm • C Maj • 02:44 • -6.21db
17% Popularity • 41% Danceability • 92% Energy • 15% Liveness
0% Instrumentalness • 80% Positiveness
17% Popularity • 41% Danceability • 92% Energy • 15% Liveness
0% Instrumentalness • 80% Positiveness
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The Murder City Devils
Hey Sailor
183 bpm • G Maj • 02:05 • -8.05db
23% Popularity • 20% Danceability • 98% Energy • 20% Liveness
0% Instrumentalness • 40% Positiveness
23% Popularity • 20% Danceability • 98% Energy • 20% Liveness
0% Instrumentalness • 40% Positiveness
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The Dickies
Fan Mail
187 bpm • F Maj • 03:04 • -6db
29% Popularity • 36% Danceability • 99% Energy • 26% Liveness
0% Instrumentalness • 77% Positiveness
29% Popularity • 36% Danceability • 99% Energy • 26% Liveness
0% Instrumentalness • 77% Positiveness
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Social Distortion
Let It Be Me
187 bpm • F# Maj • 04:15 • -8.26db
37% Popularity • 28% Danceability • 97% Energy • 27% Liveness
2% Instrumentalness • 18% Positiveness
37% Popularity • 28% Danceability • 97% Energy • 27% Liveness
2% Instrumentalness • 18% Positiveness
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Riverdales
Make Way
187 bpm • B Maj • 01:58 • -5db
25% Popularity • 48% Danceability • 97% Energy • 54% Liveness
0% Instrumentalness • 89% Positiveness
25% Popularity • 48% Danceability • 97% Energy • 54% Liveness
0% Instrumentalness • 89% Positiveness
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Nobodys
Beer for Breakfast
188 bpm • D Maj • 01:31 • -3.81db
26% Popularity • 39% Danceability • 91% Energy • 34% Liveness
0% Instrumentalness • 60% Positiveness
26% Popularity • 39% Danceability • 91% Energy • 34% Liveness
0% Instrumentalness • 60% Positiveness
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Sloppy Seconds
I Don't Wanna Be Your Boyfriend
183 bpm • F Maj • 02:32 • -4.22db
10% Popularity • 29% Danceability • 93% Energy • 60% Liveness
12% Instrumentalness • 84% Positiveness
10% Popularity • 29% Danceability • 93% Energy • 60% Liveness
12% Instrumentalness • 84% Positiveness
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Groovie Ghoulies
99 Lives
188 bpm • D Maj • 02:10 • -4.66db
13% Popularity • 42% Danceability • 95% Energy • 23% Liveness
0% Instrumentalness • 67% Positiveness
13% Popularity • 42% Danceability • 95% Energy • 23% Liveness
0% Instrumentalness • 67% Positiveness
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Operation Ivy
The Crowd - 2007 Remaster
188 bpm • A Maj • 02:11 • -5db
46% Popularity • 28% Danceability • 97% Energy • 38% Liveness
0% Instrumentalness • 56% Positiveness
46% Popularity • 28% Danceability • 97% Energy • 38% Liveness
0% Instrumentalness • 56% Positiveness
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Social Distortion
She's a Knockout
182 bpm • C# Maj • 03:52 • -9.26db
32% Popularity • 24% Danceability • 95% Energy • 10% Liveness
2% Instrumentalness • 32% Positiveness
32% Popularity • 24% Danceability • 95% Energy • 10% Liveness
2% Instrumentalness • 32% Positiveness
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Riverdales
Riverdale Stomp
188 bpm • A Maj • 02:14 • -6db
26% Popularity • 54% Danceability • 86% Energy • 6% Liveness
0% Instrumentalness • 85% Positiveness
26% Popularity • 54% Danceability • 86% Energy • 6% Liveness
0% Instrumentalness • 85% Positiveness
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Darkbuster
Shoulda Known Better
181 bpm • B Maj • 02:22 • -2.03db
16% Popularity • 29% Danceability • 96% Energy • 26% Liveness
0% Instrumentalness • 49% Positiveness
16% Popularity • 29% Danceability • 96% Energy • 26% Liveness
0% Instrumentalness • 49% Positiveness
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Lars Frederiksen and the Bastards
1%
182 bpm • E min • 02:46 • -2.73db
31% Popularity • 33% Danceability • 99% Energy • 21% Liveness
0% Instrumentalness • 83% Positiveness
31% Popularity • 33% Danceability • 99% Energy • 21% Liveness
0% Instrumentalness • 83% Positiveness
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U.S. Bombs
Roll Around
181 bpm • C# Maj • 02:21 • -3.89db
25% Popularity • 22% Danceability • 94% Energy • 28% Liveness
0% Instrumentalness • 68% Positiveness
25% Popularity • 22% Danceability • 94% Energy • 28% Liveness
0% Instrumentalness • 68% Positiveness
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Agent Orange
It's All A Blur
181 bpm • C# min • 02:17 • -7.47db
23% Popularity • 29% Danceability • 88% Energy • 30% Liveness
0% Instrumentalness • 55% Positiveness
23% Popularity • 29% Danceability • 88% Energy • 30% Liveness
0% Instrumentalness • 55% Positiveness
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The Riffs
Poison Boys
180 bpm • E Maj • 03:08 • -4.46db
9% Popularity • 20% Danceability • 97% Energy • 66% Liveness
0% Instrumentalness • 42% Positiveness
9% Popularity • 20% Danceability • 97% Energy • 66% Liveness
0% Instrumentalness • 42% Positiveness
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Teen Idols
Every Day Is Saturday
190 bpm • D Maj • 02:35 • -5.12db
13% Popularity • 26% Danceability • 96% Energy • 30% Liveness
0% Instrumentalness • 75% Positiveness
13% Popularity • 26% Danceability • 96% Energy • 30% Liveness
0% Instrumentalness • 75% Positiveness
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Social Distortion
So Far Away
180 bpm • G# min • 03:37 • -8.32db
43% Popularity • 29% Danceability • 98% Energy • 35% Liveness
0% Instrumentalness • 40% Positiveness
43% Popularity • 29% Danceability • 98% Energy • 35% Liveness
0% Instrumentalness • 40% Positiveness
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Sloppy Seconds
Why Don't Lesbians Love Me?
190 bpm • G Maj • 02:45 • -3.32db
17% Popularity • 26% Danceability • 97% Energy • 29% Liveness
24% Instrumentalness • 63% Positiveness
17% Popularity • 26% Danceability • 97% Energy • 29% Liveness
24% Instrumentalness • 63% Positiveness
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U.S. Bombs
Shot Down
180 bpm • G# Maj • 02:02 • -2.14db
27% Popularity • 29% Danceability • 97% Energy • 13% Liveness
42% Instrumentalness • 57% Positiveness
27% Popularity • 29% Danceability • 97% Energy • 13% Liveness
42% Instrumentalness • 57% Positiveness
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The Dickies
Manny Moe And Jack
190 bpm • A Maj • 02:50 • -6.43db
30% Popularity • 27% Danceability • 96% Energy • 39% Liveness
0% Instrumentalness • 82% Positiveness
30% Popularity • 27% Danceability • 96% Energy • 39% Liveness
0% Instrumentalness • 82% Positiveness
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Skankin' Pickle
Gates of Steel
190 bpm • C Maj • 02:48 • -7.65db
14% Popularity • 42% Danceability • 86% Energy • 14% Liveness
32% Instrumentalness • 79% Positiveness
14% Popularity • 42% Danceability • 86% Energy • 14% Liveness
32% Instrumentalness • 79% Positiveness
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Electric Frankenstein
Action High
180 bpm • G# Maj • 02:49 • -6.04db
17% Popularity • 26% Danceability • 95% Energy • 14% Liveness
4% Instrumentalness • 77% Positiveness
17% Popularity • 26% Danceability • 95% Energy • 14% Liveness
4% Instrumentalness • 77% Positiveness
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Social Distortion
All The Answers
191 bpm • G# Maj • 02:12 • -5.43db
14% Popularity • 24% Danceability • 95% Energy • 49% Liveness
0% Instrumentalness • 52% Positiveness
14% Popularity • 24% Danceability • 95% Energy • 49% Liveness
0% Instrumentalness • 52% Positiveness
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Sloppy Seconds
Human Waste
190 bpm • E Maj • 02:22 • -9.8db
18% Popularity • 23% Danceability • 86% Energy • 41% Liveness
50% Instrumentalness • 62% Positiveness
18% Popularity • 23% Danceability • 86% Energy • 41% Liveness
50% Instrumentalness • 62% Positiveness
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U.S. Bombs
U.S. Bombs
179 bpm • G# Maj • 03:36 • -8.13db
28% Popularity • 24% Danceability • 86% Energy • 6% Liveness
0% Instrumentalness • 73% Positiveness
28% Popularity • 24% Danceability • 86% Energy • 6% Liveness
0% Instrumentalness • 73% Positiveness
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Cock Sparrer
Chip on My Shoulder 1
179 bpm • E min • 02:01 • -5.08db
24% Popularity • 35% Danceability • 96% Energy • 34% Liveness
0% Instrumentalness • 79% Positiveness
24% Popularity • 35% Danceability • 96% Energy • 34% Liveness
0% Instrumentalness • 79% Positiveness
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Down By Law
Independence Day
192 bpm • E Maj • 01:13 • -2db
37% Popularity • 35% Danceability • 99% Energy • 27% Liveness
0% Instrumentalness • 84% Positiveness
37% Popularity • 35% Danceability • 99% Energy • 27% Liveness
0% Instrumentalness • 84% Positiveness
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M.O.T.O.
Gonna Get Drunk Tonight
178 bpm • A Maj • 02:33 • -6.38db
12% Popularity • 33% Danceability • 98% Energy • 8% Liveness
1% Instrumentalness • 62% Positiveness
12% Popularity • 33% Danceability • 98% Energy • 8% Liveness
1% Instrumentalness • 62% Positiveness
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Social Distortion
Hour Of Darkness
192 bpm • G# Maj • 02:44 • -8.67db
34% Popularity • 21% Danceability • 93% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
34% Popularity • 21% Danceability • 93% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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Sloppy Seconds
Jerry's Kids
178 bpm • D Maj • 02:21 • -10.93db
10% Popularity • 32% Danceability • 88% Energy • 32% Liveness
0% Instrumentalness • 84% Positiveness
10% Popularity • 32% Danceability • 88% Energy • 32% Liveness
0% Instrumentalness • 84% Positiveness
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New Bomb Turks
End Of The Great Credibility Race
178 bpm • C Maj • 03:06 • -3.95db
12% Popularity • 12% Danceability • 100% Energy • 32% Liveness
0% Instrumentalness • 9% Positiveness
12% Popularity • 12% Danceability • 100% Energy • 32% Liveness
0% Instrumentalness • 9% Positiveness
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Cock Sparrer
Working
178 bpm • G Maj • 02:46 • -4.31db
38% Popularity • 34% Danceability • 94% Energy • 22% Liveness
0% Instrumentalness • 83% Positiveness
38% Popularity • 34% Danceability • 94% Energy • 22% Liveness
0% Instrumentalness • 83% Positiveness
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Dag Nasty
Million Days
178 bpm • D Maj • 03:38 • -7.97db
23% Popularity • 33% Danceability • 91% Energy • 13% Liveness
0% Instrumentalness • 62% Positiveness
23% Popularity • 33% Danceability • 91% Energy • 13% Liveness
0% Instrumentalness • 62% Positiveness
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Nobodys
Dude's Gonna Shoot
178 bpm • A Maj • 01:31 • -3db
25% Popularity • 32% Danceability • 100% Energy • 19% Liveness
67% Instrumentalness • 63% Positiveness
25% Popularity • 32% Danceability • 100% Energy • 19% Liveness
67% Instrumentalness • 63% Positiveness
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Riverdales
Party At The Beach
178 bpm • A Maj • 01:43 • -5db
16% Popularity • 37% Danceability • 92% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
16% Popularity • 37% Danceability • 92% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
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Sloppy Seconds
Ice Cream Man
191 bpm • C Maj • 02:06 • -10.85db
14% Popularity • 35% Danceability • 75% Energy • 36% Liveness
6% Instrumentalness • 72% Positiveness
14% Popularity • 35% Danceability • 75% Energy • 36% Liveness
6% Instrumentalness • 72% Positiveness
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U.S. Bombs
The Rubber Room
178 bpm • G Maj • 02:21 • -3.2db
16% Popularity • 47% Danceability • 98% Energy • 32% Liveness
0% Instrumentalness • 73% Positiveness
16% Popularity • 47% Danceability • 98% Energy • 32% Liveness
0% Instrumentalness • 73% Positiveness
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Groovie Ghoulies
The Bay Bridge Club
178 bpm • G Maj • 02:05 • -5.35db
8% Popularity • 38% Danceability • 95% Energy • 18% Liveness
1% Instrumentalness • 49% Positiveness
8% Popularity • 38% Danceability • 95% Energy • 18% Liveness
1% Instrumentalness • 49% Positiveness
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The Beltones
Cheap Trinkets
193 bpm • A Maj • 02:44 • -7.27db
14% Popularity • 21% Danceability • 94% Energy • 10% Liveness
28% Instrumentalness • 87% Positiveness
14% Popularity • 21% Danceability • 94% Energy • 10% Liveness
28% Instrumentalness • 87% Positiveness
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Common Rider
Thief In A Sleeping Town
193 bpm • D Maj • 01:30 • -1.35db
10% Popularity • 41% Danceability • 100% Energy • 32% Liveness
1% Instrumentalness • 70% Positiveness
10% Popularity • 41% Danceability • 100% Energy • 32% Liveness
1% Instrumentalness • 70% Positiveness
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Riverdales
Judy Go Home
178 bpm • A Maj • 01:54 • -4db
19% Popularity • 27% Danceability • 95% Energy • 35% Liveness
0% Instrumentalness • 61% Positiveness
19% Popularity • 27% Danceability • 95% Energy • 35% Liveness
0% Instrumentalness • 61% Positiveness
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Social Distortion
Backstreet Girl
177 bpm • F# Maj • 04:22 • -7.77db
31% Popularity • 33% Danceability • 84% Energy • 16% Liveness
0% Instrumentalness • 70% Positiveness
31% Popularity • 33% Danceability • 84% Energy • 16% Liveness
0% Instrumentalness • 70% Positiveness
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Sloppy Seconds
Smashed Again
192 bpm • E Maj • 02:15 • -4.54db
12% Popularity • 32% Danceability • 99% Energy • 6% Liveness
0% Instrumentalness • 34% Positiveness
12% Popularity • 32% Danceability • 99% Energy • 6% Liveness
0% Instrumentalness • 34% Positiveness
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Groovie Ghoulies
Ghoulies Are Go!
177 bpm • D Maj • 03:04 • -5.42db
19% Popularity • 34% Danceability • 89% Energy • 34% Liveness
36% Instrumentalness • 64% Positiveness
19% Popularity • 34% Danceability • 89% Energy • 34% Liveness
36% Instrumentalness • 64% Positiveness
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Chixdiggit!
Folks Are Gone
177 bpm • C Maj • 02:25 • -7.4db
10% Popularity • 47% Danceability • 88% Energy • 21% Liveness
0% Instrumentalness • 74% Positiveness
10% Popularity • 47% Danceability • 88% Energy • 21% Liveness
0% Instrumentalness • 74% Positiveness
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U.S. Bombs
Die Alone
176 bpm • G Maj • 03:36 • -3.83db
20% Popularity • 44% Danceability • 95% Energy • 31% Liveness
22% Instrumentalness • 68% Positiveness
20% Popularity • 44% Danceability • 95% Energy • 31% Liveness
22% Instrumentalness • 68% Positiveness
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Riverdales
Kick Your Head In
194 bpm • E Maj • 02:55 • -7.32db
10% Popularity • 43% Danceability • 97% Energy • 20% Liveness
2% Instrumentalness • 96% Positiveness
10% Popularity • 43% Danceability • 97% Energy • 20% Liveness
2% Instrumentalness • 96% Positiveness
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The Dickies
See My Way
195 bpm • G Maj • 03:22 • -4.67db
10% Popularity • 22% Danceability • 87% Energy • 15% Liveness
0% Instrumentalness • 38% Positiveness
10% Popularity • 22% Danceability • 87% Energy • 15% Liveness
0% Instrumentalness • 38% Positiveness
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Sloppy Seconds
Kegs R 4 Kids
193 bpm • D Maj • 02:36 • -4.79db
16% Popularity • 36% Danceability • 95% Energy • 10% Liveness
0% Instrumentalness • 95% Positiveness
16% Popularity • 36% Danceability • 95% Energy • 10% Liveness
0% Instrumentalness • 95% Positiveness
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The Turbo A.C.'s
Be Fast
195 bpm • B Maj • 02:43 • -4.86db
23% Popularity • 16% Danceability • 90% Energy • 32% Liveness
40% Instrumentalness • 68% Positiveness
23% Popularity • 16% Danceability • 90% Energy • 32% Liveness
40% Instrumentalness • 68% Positiveness
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The Lillingtons
Lillington High
195 bpm • C Maj • 02:35 • -3.91db
29% Popularity • 29% Danceability • 91% Energy • 23% Liveness
0% Instrumentalness • 80% Positiveness
29% Popularity • 29% Danceability • 91% Energy • 23% Liveness
0% Instrumentalness • 80% Positiveness
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U.S. Bombs
Sex Machine
176 bpm • G# Maj • 03:19 • -9.18db
21% Popularity • 26% Danceability • 75% Energy • 7% Liveness
0% Instrumentalness • 89% Positiveness
21% Popularity • 26% Danceability • 75% Energy • 7% Liveness
0% Instrumentalness • 89% Positiveness
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Mercy Killers
Trauma
175 bpm • F Maj • 02:13 • -4db
7% Popularity • 32% Danceability • 93% Energy • 17% Liveness
0% Instrumentalness • 66% Positiveness
7% Popularity • 32% Danceability • 93% Energy • 17% Liveness
0% Instrumentalness • 66% Positiveness
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Nobodys
A Girl Like You
175 bpm • G Maj • 01:36 • -7db
22% Popularity • 24% Danceability • 90% Energy • 18% Liveness
82% Instrumentalness • 74% Positiveness
22% Popularity • 24% Danceability • 90% Energy • 18% Liveness
82% Instrumentalness • 74% Positiveness
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Sloppy Seconds
P.O. Box 33046
193 bpm • A Maj • 02:46 • -4.37db
11% Popularity • 14% Danceability • 97% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
11% Popularity • 14% Danceability • 97% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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New Bomb Turks
Defiled
175 bpm • B Maj • 03:38 • -4.55db
19% Popularity • 14% Danceability • 99% Energy • 40% Liveness
0% Instrumentalness • 7% Positiveness
19% Popularity • 14% Danceability • 99% Energy • 40% Liveness
0% Instrumentalness • 7% Positiveness
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The Lillingtons
Don't Trust The Humanoids
195 bpm • D Maj • 01:43 • -5.75db
32% Popularity • 25% Danceability • 92% Energy • 12% Liveness
0% Instrumentalness • 89% Positiveness
32% Popularity • 25% Danceability • 92% Energy • 12% Liveness
0% Instrumentalness • 89% Positiveness
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U.S. Bombs
Skater Dater
175 bpm • A Maj • 02:03 • -4.75db
25% Popularity • 33% Danceability • 95% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
25% Popularity • 33% Danceability • 95% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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The Partisans
So Neat
197 bpm • E Maj • 01:54 • -4db
20% Popularity • 25% Danceability • 93% Energy • 32% Liveness
0% Instrumentalness • 73% Positiveness
20% Popularity • 25% Danceability • 93% Energy • 32% Liveness
0% Instrumentalness • 73% Positiveness
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Nobodys
Best Damn Tits (I've Ever Seen)
174 bpm • A Maj • 01:40 • -3db
32% Popularity • 36% Danceability • 100% Energy • 40% Liveness
76% Instrumentalness • 55% Positiveness
32% Popularity • 36% Danceability • 100% Energy • 40% Liveness
76% Instrumentalness • 55% Positiveness
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Sloppy Seconds
Queen From Outer Space
197 bpm • C Maj • 03:12 • -5.19db
14% Popularity • 20% Danceability • 97% Energy • 36% Liveness
19% Instrumentalness • 53% Positiveness
14% Popularity • 20% Danceability • 97% Energy • 36% Liveness
19% Instrumentalness • 53% Positiveness
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The Vindictives
I'm in Trouble Now (2013 Remaster)
174 bpm • C Maj • 03:24 • -4.76db
11% Popularity • 26% Danceability • 97% Energy • 29% Liveness
0% Instrumentalness • 57% Positiveness
11% Popularity • 26% Danceability • 97% Energy • 29% Liveness
0% Instrumentalness • 57% Positiveness
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The Briefs
Orange Alert
173 bpm • E Maj • 02:00 • -4.06db
16% Popularity • 30% Danceability • 98% Energy • 85% Liveness
0% Instrumentalness • 39% Positiveness
16% Popularity • 30% Danceability • 98% Energy • 85% Liveness
0% Instrumentalness • 39% Positiveness
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The Beltones
Set ' Em Up, Stevie
198 bpm • A Maj • 02:52 • -7.4db
13% Popularity • 21% Danceability • 96% Energy • 34% Liveness
86% Instrumentalness • 69% Positiveness
13% Popularity • 21% Danceability • 96% Energy • 34% Liveness
86% Instrumentalness • 69% Positiveness
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Pulley
Cashed In
173 bpm • G# Maj • 02:12 • -5.39db
34% Popularity • 18% Danceability • 96% Energy • 7% Liveness
0% Instrumentalness • 49% Positiveness
34% Popularity • 18% Danceability • 96% Energy • 7% Liveness
0% Instrumentalness • 49% Positiveness
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SNFU
Don't Have The Cow
173 bpm • G Maj • 02:40 • -7.55db
30% Popularity • 21% Danceability • 91% Energy • 14% Liveness
1% Instrumentalness • 31% Positiveness
30% Popularity • 21% Danceability • 91% Energy • 14% Liveness
1% Instrumentalness • 31% Positiveness
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Sloppy Seconds
If I Had a Woman
194 bpm • G min • 02:55 • -4.39db
18% Popularity • 12% Danceability • 94% Energy • 42% Liveness
0% Instrumentalness • 43% Positiveness
18% Popularity • 12% Danceability • 94% Energy • 42% Liveness
0% Instrumentalness • 43% Positiveness
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The Lillingtons
Mindcontrol
198 bpm • C Maj • 01:05 • -3.62db
20% Popularity • 33% Danceability • 90% Energy • 35% Liveness
0% Instrumentalness • 95% Positiveness
20% Popularity • 33% Danceability • 90% Energy • 35% Liveness
0% Instrumentalness • 95% Positiveness
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Social Distortion
Live Before You Die
173 bpm • G# Maj • 02:47 • -3.77db
42% Popularity • 32% Danceability • 97% Energy • 26% Liveness
3% Instrumentalness • 43% Positiveness
42% Popularity • 32% Danceability • 97% Energy • 26% Liveness
3% Instrumentalness • 43% Positiveness
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D.I.
She's a Sensation
173 bpm • B min • 03:06 • -12.16db
9% Popularity • 30% Danceability • 78% Energy • 30% Liveness
1% Instrumentalness • 74% Positiveness
9% Popularity • 30% Danceability • 78% Energy • 30% Liveness
1% Instrumentalness • 74% Positiveness
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Riverdales
Blood on the Ice
198 bpm • C# Maj • 02:09 • -6.09db
14% Popularity • 44% Danceability • 90% Energy • 4% Liveness
0% Instrumentalness • 88% Positiveness
14% Popularity • 44% Danceability • 90% Energy • 4% Liveness
0% Instrumentalness • 88% Positiveness
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The Dickies
I'm OK You're OK
198 bpm • A Maj • 02:09 • -8.06db
16% Popularity • 24% Danceability • 93% Energy • 31% Liveness
0% Instrumentalness • 70% Positiveness
16% Popularity • 24% Danceability • 93% Energy • 31% Liveness
0% Instrumentalness • 70% Positiveness
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Sloppy Seconds
I Want 'em Dead
195 bpm • D Maj • 03:34 • -7.09db
21% Popularity • 34% Danceability • 72% Energy • 16% Liveness
0% Instrumentalness • 81% Positiveness
21% Popularity • 34% Danceability • 72% Energy • 16% Liveness
0% Instrumentalness • 81% Positiveness
