Songs like I Can´t Stop Loving You by Orchestra
Based on a tempo of (+/- 10%) and a similar genre
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Nat King Cole
Illusion
88 bpm • A# Maj • 02:55 • -13.64db
7% Popularity • 18% Danceability • 18% Energy • 33% Liveness
0% Instrumentalness • 13% Positiveness
7% Popularity • 18% Danceability • 18% Energy • 33% Liveness
0% Instrumentalness • 13% Positiveness
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Pierre Charlon
Woman in Love
88 bpm • C Maj • 03:57 • -12.05db
31% Popularity • 64% Danceability • 44% Energy • 10% Liveness
95% Instrumentalness • 22% Positiveness
31% Popularity • 64% Danceability • 44% Energy • 10% Liveness
95% Instrumentalness • 22% Positiveness
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Orchestra
I Can´t Stop Loving You
88 bpm • F Maj • 02:39 • -9.93db
13% Popularity • 25% Danceability • 31% Energy • 13% Liveness
90% Instrumentalness • 19% Positiveness
13% Popularity • 25% Danceability • 31% Energy • 13% Liveness
90% Instrumentalness • 19% Positiveness
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101 String Royal Orchestra
The Last Time I Saw Paris
88 bpm • A Maj • 01:42 • -11db
22% Popularity • 45% Danceability • 27% Energy • 15% Liveness
34% Instrumentalness • 7% Positiveness
22% Popularity • 45% Danceability • 27% Energy • 15% Liveness
34% Instrumentalness • 7% Positiveness
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Nancy Hamilton
How High The Moon
88 bpm • D# Maj • 03:21 • -10.25db
10% Popularity • 20% Danceability • 39% Energy • 30% Liveness
85% Instrumentalness • 10% Positiveness
10% Popularity • 20% Danceability • 39% Energy • 30% Liveness
85% Instrumentalness • 10% Positiveness
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Angel Roque
Momentos
88 bpm • G Maj • 03:59 • -11.67db
33% Popularity • 53% Danceability • 38% Energy • 11% Liveness
92% Instrumentalness • 36% Positiveness
33% Popularity • 53% Danceability • 38% Energy • 11% Liveness
92% Instrumentalness • 36% Positiveness
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Francis Pourcel Orchestra
Estás Sola Esta Noche?
88 bpm • G Maj • 02:42 • -13.01db
29% Popularity • 40% Danceability • 22% Energy • 11% Liveness
88% Instrumentalness • 26% Positiveness
29% Popularity • 40% Danceability • 22% Energy • 11% Liveness
88% Instrumentalness • 26% Positiveness
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Zantalino and his Orchestra
Greensleeves
88 bpm • F min • 02:58 • -10db
28% Popularity • 23% Danceability • 32% Energy • 11% Liveness
75% Instrumentalness • 14% Positiveness
28% Popularity • 23% Danceability • 32% Energy • 11% Liveness
75% Instrumentalness • 14% Positiveness
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Irven Tidswell and His Festival Orchestra
Emmeline
88 bpm • A min • 02:26 • -14.32db
8% Popularity • 23% Danceability • 27% Energy • 26% Liveness
12% Instrumentalness • 13% Positiveness
8% Popularity • 23% Danceability • 27% Energy • 26% Liveness
12% Instrumentalness • 13% Positiveness
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Joaquin Borges
Deje Mi Corazón En San Francisco
88 bpm • A# Maj • 02:37 • -25.46db
17% Popularity • 23% Danceability • 10% Energy • 10% Liveness
79% Instrumentalness • 19% Positiveness
17% Popularity • 23% Danceability • 10% Energy • 10% Liveness
79% Instrumentalness • 19% Positiveness
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The Orchestra Of Sergio Rafael
Nikita
88 bpm • G Maj • 04:55 • -12.82db
6% Popularity • 70% Danceability • 38% Energy • 6% Liveness
86% Instrumentalness • 56% Positiveness
6% Popularity • 70% Danceability • 38% Energy • 6% Liveness
86% Instrumentalness • 56% Positiveness
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Botticelli
Don't Cry for Me Argentina
87 bpm • C# Maj • 03:50 • -19.07db
21% Popularity • 26% Danceability • 20% Energy • 7% Liveness
96% Instrumentalness • 16% Positiveness
21% Popularity • 26% Danceability • 20% Energy • 7% Liveness
96% Instrumentalness • 16% Positiveness
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Living Strings
Come to Capri
87 bpm • D min • 05:47 • -16db
27% Popularity • 16% Danceability • 23% Energy • 87% Liveness
91% Instrumentalness • 28% Positiveness
27% Popularity • 16% Danceability • 23% Energy • 87% Liveness
91% Instrumentalness • 28% Positiveness
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The Melachrino Strings
Smile
89 bpm • C Maj • 04:15 • -18.96db
27% Popularity • 16% Danceability • 19% Energy • 11% Liveness
82% Instrumentalness • 4% Positiveness
27% Popularity • 16% Danceability • 19% Energy • 11% Liveness
82% Instrumentalness • 4% Positiveness
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101 String Royal Orchestra
Thanks For The Memory
87 bpm • F Maj • 02:32 • -10.11db
13% Popularity • 24% Danceability • 31% Energy • 44% Liveness
69% Instrumentalness • 6% Positiveness
13% Popularity • 24% Danceability • 31% Energy • 44% Liveness
69% Instrumentalness • 6% Positiveness
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Billy May & His Orchestra
Lovewise
89 bpm • A Maj • 02:34 • -14.31db
32% Popularity • 24% Danceability • 36% Energy • 28% Liveness
90% Instrumentalness • 32% Positiveness
32% Popularity • 24% Danceability • 36% Energy • 28% Liveness
90% Instrumentalness • 32% Positiveness
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Angel Roque
El Reloj
89 bpm • A min • 03:04 • -11.83db
18% Popularity • 54% Danceability • 40% Energy • 13% Liveness
94% Instrumentalness • 52% Positiveness
18% Popularity • 54% Danceability • 40% Energy • 13% Liveness
94% Instrumentalness • 52% Positiveness
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Botticelli
Le lac majeur
89 bpm • A Maj • 02:56 • -12.17db
17% Popularity • 22% Danceability • 36% Energy • 11% Liveness
71% Instrumentalness • 23% Positiveness
17% Popularity • 22% Danceability • 36% Energy • 11% Liveness
71% Instrumentalness • 23% Positiveness
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Living Strings
Edelweiss
87 bpm • D Maj • 03:00 • -19db
20% Popularity • 27% Danceability • 13% Energy • 11% Liveness
50% Instrumentalness • 14% Positiveness
20% Popularity • 27% Danceability • 13% Energy • 11% Liveness
50% Instrumentalness • 14% Positiveness
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Frank Chacksfield
Don't It Make My Brown Eyes Blue
87 bpm • A min • 02:50 • -15.52db
11% Popularity • 50% Danceability • 16% Energy • 11% Liveness
87% Instrumentalness • 28% Positiveness
11% Popularity • 50% Danceability • 16% Energy • 11% Liveness
87% Instrumentalness • 28% Positiveness
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Paul Francis Webster
Love Is A Many Splendored Thing
87 bpm • D# Maj • 01:57 • -11.46db
21% Popularity • 26% Danceability • 29% Energy • 22% Liveness
2% Instrumentalness • 24% Positiveness
21% Popularity • 26% Danceability • 29% Energy • 22% Liveness
2% Instrumentalness • 24% Positiveness
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Ron Goodwin
Love's Grown Deep
89 bpm • G Maj • 03:48 • -15.86db
9% Popularity • 17% Danceability • 20% Energy • 10% Liveness
82% Instrumentalness • 20% Positiveness
9% Popularity • 17% Danceability • 20% Energy • 10% Liveness
82% Instrumentalness • 20% Positiveness
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David Rose
Love Is a Many Splendoured Thing
87 bpm • A# min • 03:05 • -12.73db
27% Popularity • 34% Danceability • 44% Energy • 15% Liveness
94% Instrumentalness • 15% Positiveness
27% Popularity • 34% Danceability • 44% Energy • 15% Liveness
94% Instrumentalness • 15% Positiveness
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Orchestra
Moon River
87 bpm • C Maj • 03:08 • -10.43db
1% Popularity • 23% Danceability • 31% Energy • 36% Liveness
61% Instrumentalness • 7% Positiveness
1% Popularity • 23% Danceability • 31% Energy • 36% Liveness
61% Instrumentalness • 7% Positiveness
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Botticelli
Seasons in the Sun
90 bpm • G Maj • 02:54 • -12.83db
12% Popularity • 21% Danceability • 43% Energy • 14% Liveness
64% Instrumentalness • 56% Positiveness
12% Popularity • 21% Danceability • 43% Energy • 14% Liveness
64% Instrumentalness • 56% Positiveness
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Living Strings
Climb Ev'ry Mountain
86 bpm • C Maj • 02:29 • -15db
23% Popularity • 25% Danceability • 17% Energy • 13% Liveness
86% Instrumentalness • 24% Positiveness
23% Popularity • 25% Danceability • 17% Energy • 13% Liveness
86% Instrumentalness • 24% Positiveness
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Pyotr Ilyich Tchaikovsky
Love Theme From Romeo And Juliet
86 bpm • A min • 02:14 • -14.18db
20% Popularity • 21% Danceability • 32% Energy • 13% Liveness
82% Instrumentalness • 40% Positiveness
20% Popularity • 21% Danceability • 32% Energy • 13% Liveness
82% Instrumentalness • 40% Positiveness
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Ballroom Dance Orchestra
Spring Waltz - Vienna Waltz
90 bpm • F# Maj • 02:28 • -11db
46% Popularity • 65% Danceability • 46% Energy • 23% Liveness
60% Instrumentalness • 81% Positiveness
46% Popularity • 65% Danceability • 46% Energy • 23% Liveness
60% Instrumentalness • 81% Positiveness
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Al Hirt
Strangers In the Night
90 bpm • G Maj • 02:41 • -13.41db
29% Popularity • 28% Danceability • 28% Energy • 10% Liveness
86% Instrumentalness • 47% Positiveness
29% Popularity • 28% Danceability • 28% Energy • 10% Liveness
86% Instrumentalness • 47% Positiveness
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Orchestra
Unchained Melody
90 bpm • G Maj • 03:26 • -9.34db
3% Popularity • 13% Danceability • 38% Energy • 21% Liveness
1% Instrumentalness • 14% Positiveness
3% Popularity • 13% Danceability • 38% Energy • 21% Liveness
1% Instrumentalness • 14% Positiveness
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Don Costa
Lisboa Antigua - Remastered
86 bpm • C# Maj • 02:52 • -9db
32% Popularity • 46% Danceability • 50% Energy • 31% Liveness
39% Instrumentalness • 96% Positiveness
32% Popularity • 46% Danceability • 50% Energy • 31% Liveness
39% Instrumentalness • 96% Positiveness
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Das Orchester Claudius Alzner
Sentimental Journey - I left my heart in...
90 bpm • F Maj • 03:20 • -17.41db
10% Popularity • 70% Danceability • 15% Energy • 9% Liveness
82% Instrumentalness • 52% Positiveness
10% Popularity • 70% Danceability • 15% Energy • 9% Liveness
82% Instrumentalness • 52% Positiveness
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101 Strings Orchestra
If Ever I Would Leave You
86 bpm • C Maj • 03:15 • -13.2db
12% Popularity • 15% Danceability • 29% Energy • 39% Liveness
88% Instrumentalness • 21% Positiveness
12% Popularity • 15% Danceability • 29% Energy • 39% Liveness
88% Instrumentalness • 21% Positiveness
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The Fantasy Strings
La Mer
90 bpm • D# Maj • 03:51 • -7.38db
28% Popularity • 37% Danceability • 65% Energy • 9% Liveness
57% Instrumentalness • 43% Positiveness
28% Popularity • 37% Danceability • 65% Energy • 9% Liveness
57% Instrumentalness • 43% Positiveness
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Ballroom Dance Orchestra
Do That to Me One More Time
90 bpm • C Maj • 03:38 • -12.03db
13% Popularity • 62% Danceability • 37% Energy • 18% Liveness
0% Instrumentalness • 54% Positiveness
13% Popularity • 62% Danceability • 37% Energy • 18% Liveness
0% Instrumentalness • 54% Positiveness
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Orchestra
San Francisco (If You´re Going To)
90 bpm • C Maj • 03:44 • -14.21db
2% Popularity • 64% Danceability • 40% Energy • 14% Liveness
19% Instrumentalness • 44% Positiveness
2% Popularity • 64% Danceability • 40% Energy • 14% Liveness
19% Instrumentalness • 44% Positiveness
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Russ Conway
Cabaret
91 bpm • D# Maj • 02:47 • -15.4db
10% Popularity • 69% Danceability • 33% Energy • 7% Liveness
89% Instrumentalness • 65% Positiveness
10% Popularity • 69% Danceability • 33% Energy • 7% Liveness
89% Instrumentalness • 65% Positiveness
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The Orchestra Of Sergio Rafael
Woman In Love
85 bpm • D# min • 03:34 • -12.75db
2% Popularity • 47% Danceability • 36% Energy • 5% Liveness
0% Instrumentalness • 27% Positiveness
2% Popularity • 47% Danceability • 36% Energy • 5% Liveness
0% Instrumentalness • 27% Positiveness
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Victor Silvester
Fascination (Waltz)
91 bpm • E min • 02:25 • -16.31db
43% Popularity • 25% Danceability • 22% Energy • 19% Liveness
93% Instrumentalness • 22% Positiveness
43% Popularity • 25% Danceability • 22% Energy • 19% Liveness
93% Instrumentalness • 22% Positiveness
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Bob Docker And His Orchestra
A Summer Place Theme
91 bpm • C# Maj • 02:59 • -10db
27% Popularity • 19% Danceability • 36% Energy • 16% Liveness
90% Instrumentalness • 32% Positiveness
27% Popularity • 19% Danceability • 36% Energy • 16% Liveness
90% Instrumentalness • 32% Positiveness
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Bill Evans
Days of Wine and Roses
91 bpm • A min • 02:40 • -14.08db
26% Popularity • 45% Danceability • 24% Energy • 9% Liveness
25% Instrumentalness • 24% Positiveness
26% Popularity • 45% Danceability • 24% Energy • 9% Liveness
25% Instrumentalness • 24% Positiveness
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Melodías Mágicas
La Vida en Rosa
91 bpm • D Maj • 02:15 • -15.16db
55% Popularity • 55% Danceability • 38% Energy • 27% Liveness
90% Instrumentalness • 63% Positiveness
55% Popularity • 55% Danceability • 38% Energy • 27% Liveness
90% Instrumentalness • 63% Positiveness
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Joaquin Borges
Tu Iluminas Mi Vida
91 bpm • E min • 02:36 • -8.51db
24% Popularity • 14% Danceability • 32% Energy • 15% Liveness
94% Instrumentalness • 15% Positiveness
24% Popularity • 14% Danceability • 32% Energy • 15% Liveness
94% Instrumentalness • 15% Positiveness
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Richard Clayderman
On The Street Where You Live
91 bpm • A# Maj • 02:40 • -11.13db
9% Popularity • 55% Danceability • 56% Energy • 41% Liveness
3% Instrumentalness • 70% Positiveness
9% Popularity • 55% Danceability • 56% Energy • 41% Liveness
3% Instrumentalness • 70% Positiveness
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The Melachrino Strings
Alone
85 bpm • C Maj • 02:44 • -18db
27% Popularity • 18% Danceability • 22% Energy • 9% Liveness
48% Instrumentalness • 5% Positiveness
27% Popularity • 18% Danceability • 22% Energy • 9% Liveness
48% Instrumentalness • 5% Positiveness
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Hugo Strasser und die Heinrich Haas jr. Combo
I LEFT MY HEART IN SAN FRANCISCO
85 bpm • C# Maj • 03:16 • -10db
30% Popularity • 50% Danceability • 33% Energy • 10% Liveness
12% Instrumentalness • 20% Positiveness
30% Popularity • 50% Danceability • 33% Energy • 10% Liveness
12% Instrumentalness • 20% Positiveness
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Tony Osborne
Springtime in Paris
91 bpm • C Maj • 02:40 • -10db
15% Popularity • 71% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
15% Popularity • 71% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
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Victor Silvester
Moon River (Waltz)
85 bpm • G Maj • 03:01 • -15.13db
29% Popularity • 14% Danceability • 25% Energy • 8% Liveness
92% Instrumentalness • 8% Positiveness
29% Popularity • 14% Danceability • 25% Energy • 8% Liveness
92% Instrumentalness • 8% Positiveness
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The Fantasy Strings
I Only Have Eyes for You
85 bpm • A# Maj • 02:34 • -11db
15% Popularity • 36% Danceability • 52% Energy • 12% Liveness
96% Instrumentalness • 23% Positiveness
15% Popularity • 36% Danceability • 52% Energy • 12% Liveness
96% Instrumentalness • 23% Positiveness
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Living Strings
My Favourite Things
91 bpm • B min • 03:10 • -12.74db
19% Popularity • 35% Danceability • 18% Energy • 6% Liveness
64% Instrumentalness • 25% Positiveness
19% Popularity • 35% Danceability • 18% Energy • 6% Liveness
64% Instrumentalness • 25% Positiveness
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Nat King Cole
My Heart Tells Me (Should I Believe My H...
85 bpm • G# Maj • 04:11 • -10.78db
13% Popularity • 14% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 8% Positiveness
13% Popularity • 14% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 8% Positiveness
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Hugo Strasser und die Heinrich Haas jr. Combo
WHO SORRY NOW
91 bpm • C Maj • 02:40 • -9.74db
14% Popularity • 68% Danceability • 40% Energy • 8% Liveness
6% Instrumentalness • 77% Positiveness
14% Popularity • 68% Danceability • 40% Energy • 8% Liveness
6% Instrumentalness • 77% Positiveness
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Joaquin Borges
Charmaine
91 bpm • A min • 03:06 • -12db
41% Popularity • 13% Danceability • 31% Energy • 36% Liveness
77% Instrumentalness • 8% Positiveness
41% Popularity • 13% Danceability • 31% Energy • 36% Liveness
77% Instrumentalness • 8% Positiveness
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Victor Silvester
Around The World (Waltz)
92 bpm • C min • 02:22 • -15.57db
32% Popularity • 19% Danceability • 28% Energy • 18% Liveness
84% Instrumentalness • 21% Positiveness
32% Popularity • 19% Danceability • 28% Energy • 18% Liveness
84% Instrumentalness • 21% Positiveness
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Ron Goodwin
True Love Ways
92 bpm • D Maj • 02:31 • -14.38db
22% Popularity • 21% Danceability • 30% Energy • 36% Liveness
27% Instrumentalness • 20% Positiveness
22% Popularity • 21% Danceability • 30% Energy • 36% Liveness
27% Instrumentalness • 20% Positiveness
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Charles
Love Is Blue
92 bpm • E min • 02:17 • -11.73db
13% Popularity • 29% Danceability • 43% Energy • 16% Liveness
61% Instrumentalness • 62% Positiveness
13% Popularity • 29% Danceability • 43% Energy • 16% Liveness
61% Instrumentalness • 62% Positiveness
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The Miscellaneous Soundtrack Band
Mañana De Carnaval
92 bpm • A min • 03:36 • -14db
4% Popularity • 30% Danceability • 35% Energy • 34% Liveness
35% Instrumentalness • 37% Positiveness
4% Popularity • 30% Danceability • 35% Energy • 34% Liveness
35% Instrumentalness • 37% Positiveness
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Eddie Fernandez Quintet
Sabor a Mi
92 bpm • G Maj • 03:04 • -13db
25% Popularity • 74% Danceability • 44% Energy • 24% Liveness
95% Instrumentalness • 74% Positiveness
25% Popularity • 74% Danceability • 44% Energy • 24% Liveness
95% Instrumentalness • 74% Positiveness
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Vic Damone
Tell Me You're Mine
84 bpm • A# Maj • 03:25 • -15.65db
10% Popularity • 19% Danceability • 21% Energy • 6% Liveness
0% Instrumentalness • 12% Positiveness
10% Popularity • 19% Danceability • 21% Energy • 6% Liveness
0% Instrumentalness • 12% Positiveness
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Manuel & The Music Of The Mountains
Fools Rush In (Where Angels Fear to Trea...
92 bpm • D min • 03:08 • -10.85db
38% Popularity • 23% Danceability • 32% Energy • 12% Liveness
83% Instrumentalness • 25% Positiveness
38% Popularity • 23% Danceability • 32% Energy • 12% Liveness
83% Instrumentalness • 25% Positiveness
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Nat King Cole
Magnificent Obsession
84 bpm • C min • 03:54 • -10.55db
16% Popularity • 22% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 11% Positiveness
16% Popularity • 22% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 11% Positiveness
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The Romantic Sound Orchestra
Eine Melodie geht um die Welt
84 bpm • G Maj • 03:43 • -8db
22% Popularity • 10% Danceability • 52% Energy • 31% Liveness
29% Instrumentalness • 15% Positiveness
22% Popularity • 10% Danceability • 52% Energy • 31% Liveness
29% Instrumentalness • 15% Positiveness
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Victor Silvester
The Song From “Moulin Rouge” (Waltz)
93 bpm • D Maj • 02:26 • -19.44db
38% Popularity • 23% Danceability • 23% Energy • 9% Liveness
67% Instrumentalness • 40% Positiveness
38% Popularity • 23% Danceability • 23% Energy • 9% Liveness
67% Instrumentalness • 40% Positiveness
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Norman Candler
Deep in the Night
84 bpm • A Maj • 03:24 • -6db
29% Popularity • 30% Danceability • 51% Energy • 13% Liveness
94% Instrumentalness • 15% Positiveness
29% Popularity • 30% Danceability • 51% Energy • 13% Liveness
94% Instrumentalness • 15% Positiveness
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101 String Royal Orchestra
Around The World
93 bpm • C# Maj • 02:37 • -10.36db
15% Popularity • 26% Danceability • 37% Energy • 13% Liveness
96% Instrumentalness • 7% Positiveness
15% Popularity • 26% Danceability • 37% Energy • 13% Liveness
96% Instrumentalness • 7% Positiveness
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René Cloërec and His Orchestra
Amoureux
93 bpm • D Maj • 02:28 • -15.6db
1% Popularity • 21% Danceability • 24% Energy • 9% Liveness
80% Instrumentalness • 14% Positiveness
1% Popularity • 21% Danceability • 24% Energy • 9% Liveness
80% Instrumentalness • 14% Positiveness
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Don Costa
Streets of Paris - Remastered
93 bpm • D Maj • 02:40 • -6.92db
12% Popularity • 19% Danceability • 47% Energy • 15% Liveness
1% Instrumentalness • 24% Positiveness
12% Popularity • 19% Danceability • 47% Energy • 15% Liveness
1% Instrumentalness • 24% Positiveness
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Al Hirt
Java
93 bpm • G Maj • 01:56 • -10db
38% Popularity • 61% Danceability • 74% Energy • 5% Liveness
96% Instrumentalness • 97% Positiveness
38% Popularity • 61% Danceability • 74% Energy • 5% Liveness
96% Instrumentalness • 97% Positiveness
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Living Strings
Something Good
83 bpm • D Maj • 02:03 • -12.97db
20% Popularity • 32% Danceability • 31% Energy • 39% Liveness
45% Instrumentalness • 33% Positiveness
20% Popularity • 32% Danceability • 31% Energy • 39% Liveness
45% Instrumentalness • 33% Positiveness
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Hugo Winterhalter And His Orchestra
There Will Never Be Another You - Instru...
83 bpm • D# Maj • 03:08 • -12.23db
21% Popularity • 28% Danceability • 26% Energy • 11% Liveness
89% Instrumentalness • 18% Positiveness
21% Popularity • 28% Danceability • 26% Energy • 11% Liveness
89% Instrumentalness • 18% Positiveness
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101 String Royal Orchestra
Over The Rainbow
93 bpm • C Maj • 02:01 • -12.13db
20% Popularity • 16% Danceability • 30% Energy • 20% Liveness
90% Instrumentalness • 7% Positiveness
20% Popularity • 16% Danceability • 30% Energy • 20% Liveness
90% Instrumentalness • 7% Positiveness
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The Melachrino Strings
The Champagne Waltz
83 bpm • D Maj • 02:20 • -13.35db
16% Popularity • 12% Danceability • 34% Energy • 11% Liveness
73% Instrumentalness • 28% Positiveness
16% Popularity • 12% Danceability • 34% Energy • 11% Liveness
73% Instrumentalness • 28% Positiveness
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Joaquin Borges
Rio De Luna
83 bpm • C Maj • 02:31 • -22db
42% Popularity • 22% Danceability • 10% Energy • 7% Liveness
86% Instrumentalness • 9% Positiveness
42% Popularity • 22% Danceability • 10% Energy • 7% Liveness
86% Instrumentalness • 9% Positiveness
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Mila Khodorkovsky
Hasta Entonces (Till)
93 bpm • F Maj • 03:16 • -8.32db
30% Popularity • 45% Danceability • 37% Energy • 11% Liveness
57% Instrumentalness • 21% Positiveness
30% Popularity • 45% Danceability • 37% Energy • 11% Liveness
57% Instrumentalness • 21% Positiveness
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Dioni Velazquez
Otoño Sin Final - Instrumental Version
93 bpm • A# Maj • 03:15 • -14.58db
31% Popularity • 68% Danceability • 31% Energy • 9% Liveness
65% Instrumentalness • 32% Positiveness
31% Popularity • 68% Danceability • 31% Energy • 9% Liveness
65% Instrumentalness • 32% Positiveness
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Arthur Fiedler
Buttons and Bows
93 bpm • G Maj • 02:07 • -14.87db
35% Popularity • 60% Danceability • 38% Energy • 10% Liveness
3% Instrumentalness • 60% Positiveness
35% Popularity • 60% Danceability • 38% Energy • 10% Liveness
3% Instrumentalness • 60% Positiveness
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Johnny Pearson Y Su Orquesta
Matandome suavemente (Con su cancion)
93 bpm • F min • 03:53 • -16.22db
35% Popularity • 30% Danceability • 22% Energy • 21% Liveness
89% Instrumentalness • 17% Positiveness
35% Popularity • 30% Danceability • 22% Energy • 21% Liveness
89% Instrumentalness • 17% Positiveness
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The Melachrino Strings
La Vie En Rose
83 bpm • D Maj • 02:57 • -19db
35% Popularity • 16% Danceability • 21% Energy • 16% Liveness
29% Instrumentalness • 13% Positiveness
35% Popularity • 16% Danceability • 21% Energy • 16% Liveness
29% Instrumentalness • 13% Positiveness
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101 Strings Orchestra & Guitars
Up, Up and Away
93 bpm • C Maj • 02:08 • -11.11db
17% Popularity • 40% Danceability • 42% Energy • 12% Liveness
95% Instrumentalness • 43% Positiveness
17% Popularity • 40% Danceability • 42% Energy • 12% Liveness
95% Instrumentalness • 43% Positiveness
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Ronnie Aldrich
I'll Never Smile Again
93 bpm • A Maj • 02:43 • -11.79db
12% Popularity • 34% Danceability • 30% Energy • 16% Liveness
87% Instrumentalness • 16% Positiveness
12% Popularity • 34% Danceability • 30% Energy • 16% Liveness
87% Instrumentalness • 16% Positiveness
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Victor Silvester
Theme From “Limelight” (Eternally) (...
93 bpm • G Maj • 02:32 • -18.85db
20% Popularity • 28% Danceability • 20% Energy • 38% Liveness
95% Instrumentalness • 42% Positiveness
20% Popularity • 28% Danceability • 20% Energy • 38% Liveness
95% Instrumentalness • 42% Positiveness
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Claudius Alzner
Ich tanze mit dir in den Himmel hinein -...
94 bpm • G Maj • 04:23 • -12db
21% Popularity • 46% Danceability • 48% Energy • 9% Liveness
83% Instrumentalness • 47% Positiveness
21% Popularity • 46% Danceability • 48% Energy • 9% Liveness
83% Instrumentalness • 47% Positiveness
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Botticelli
Never Never Never
94 bpm • C# Maj • 02:45 • -14.89db
27% Popularity • 27% Danceability • 27% Energy • 11% Liveness
95% Instrumentalness • 35% Positiveness
27% Popularity • 27% Danceability • 27% Energy • 11% Liveness
95% Instrumentalness • 35% Positiveness
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The Orchestra Of Sergio Rafael
Love Story (Where Do I Begin)
94 bpm • A# min • 02:50 • -13.84db
13% Popularity • 49% Danceability • 25% Energy • 11% Liveness
69% Instrumentalness • 23% Positiveness
13% Popularity • 49% Danceability • 25% Energy • 11% Liveness
69% Instrumentalness • 23% Positiveness
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Pierre Charlon
Feelings
83 bpm • E min • 03:36 • -15.12db
39% Popularity • 59% Danceability • 21% Energy • 10% Liveness
94% Instrumentalness • 19% Positiveness
39% Popularity • 59% Danceability • 21% Energy • 10% Liveness
94% Instrumentalness • 19% Positiveness
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Mantovali
Mounlin Rouge Theme
83 bpm • G Maj • 03:06 • -15.1db
21% Popularity • 20% Danceability • 18% Energy • 9% Liveness
85% Instrumentalness • 10% Positiveness
21% Popularity • 20% Danceability • 18% Energy • 9% Liveness
85% Instrumentalness • 10% Positiveness
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101 String Royal Orchestra
It'S Almost Like Being In Love
94 bpm • A# Maj • 03:30 • -12.27db
13% Popularity • 21% Danceability • 36% Energy • 12% Liveness
78% Instrumentalness • 17% Positiveness
13% Popularity • 21% Danceability • 36% Energy • 12% Liveness
78% Instrumentalness • 17% Positiveness
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Leroy Holmes
Dolce Far Niente
94 bpm • A Maj • 02:10 • -15.49db
13% Popularity • 18% Danceability • 19% Energy • 13% Liveness
69% Instrumentalness • 13% Positiveness
13% Popularity • 18% Danceability • 19% Energy • 13% Liveness
69% Instrumentalness • 13% Positiveness
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Aldo Livorno Y Su Acordeón Napolitano
Al Di La
94 bpm • F Maj • 02:39 • -10.85db
35% Popularity • 19% Danceability • 36% Energy • 32% Liveness
0% Instrumentalness • 12% Positiveness
35% Popularity • 19% Danceability • 36% Energy • 32% Liveness
0% Instrumentalness • 12% Positiveness
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Angel Roque
Usted
83 bpm • C Maj • 03:38 • -10.87db
18% Popularity • 54% Danceability • 44% Energy • 11% Liveness
91% Instrumentalness • 55% Positiveness
18% Popularity • 54% Danceability • 44% Energy • 11% Liveness
91% Instrumentalness • 55% Positiveness
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Ballroom Dance Orchestra
That's Amore - Vienna Waltz
82 bpm • A Maj • 02:43 • -11.78db
38% Popularity • 42% Danceability • 50% Energy • 30% Liveness
0% Instrumentalness • 68% Positiveness
38% Popularity • 42% Danceability • 50% Energy • 30% Liveness
0% Instrumentalness • 68% Positiveness
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Klaus Wunderlich
Shuffle-Fox-Medley - All of Me / You're ...
94 bpm • D min • 05:04 • -13.12db
9% Popularity • 74% Danceability • 36% Energy • 25% Liveness
76% Instrumentalness • 72% Positiveness
9% Popularity • 74% Danceability • 36% Energy • 25% Liveness
76% Instrumentalness • 72% Positiveness
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Lex DeAzevedo
Today
94 bpm • E Maj • 03:01 • -16.61db
11% Popularity • 20% Danceability • 23% Energy • 10% Liveness
89% Instrumentalness • 17% Positiveness
11% Popularity • 20% Danceability • 23% Energy • 10% Liveness
89% Instrumentalness • 17% Positiveness
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Frank Chacksfield
Jumpin' Jupiter
82 bpm • G min • 02:31 • -14.6db
9% Popularity • 52% Danceability • 23% Energy • 10% Liveness
95% Instrumentalness • 64% Positiveness
9% Popularity • 52% Danceability • 23% Energy • 10% Liveness
95% Instrumentalness • 64% Positiveness
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Grandes Violines Románticos
Perfidia
94 bpm • D Maj • 02:17 • -4.47db
45% Popularity • 39% Danceability • 53% Energy • 12% Liveness
78% Instrumentalness • 42% Positiveness
45% Popularity • 39% Danceability • 53% Energy • 12% Liveness
78% Instrumentalness • 42% Positiveness
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The Richard Romance Orchestra
What Now My Love
82 bpm • A# Maj • 03:24 • -12.85db
14% Popularity • 39% Danceability • 30% Energy • 16% Liveness
9% Instrumentalness • 30% Positiveness
14% Popularity • 39% Danceability • 30% Energy • 16% Liveness
9% Instrumentalness • 30% Positiveness
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Don Costa
The Third Man - Remastered
82 bpm • C# Maj • 02:06 • -9db
37% Popularity • 45% Danceability • 36% Energy • 20% Liveness
85% Instrumentalness • 78% Positiveness
37% Popularity • 45% Danceability • 36% Energy • 20% Liveness
85% Instrumentalness • 78% Positiveness
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Tony Mottola y Su Orquesta
Sorrento
82 bpm • A min • 02:47 • -12.94db
26% Popularity • 32% Danceability • 19% Energy • 12% Liveness
69% Instrumentalness • 49% Positiveness
26% Popularity • 32% Danceability • 19% Energy • 12% Liveness
69% Instrumentalness • 49% Positiveness
