Songs like I Capuleti e i Montecchi: Act II Scene 3: Ecco la tomba … (Romeo, Montecchi) by Vincenzo Bellini

171 bpm • G Maj • 03:14 • -25.02db

6% Popularity • 12% Danceability • 3% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness

171 bpm • A Maj • 04:40 • -17db

30% Popularity • 25% Danceability • 19% Energy • 32% Liveness
0% Instrumentalness • 24% Positiveness

172 bpm • E min • 03:41 • -13.09db

23% Popularity • 23% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness

172 bpm • D Maj • 02:31 • -14.58db

28% Popularity • 20% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness

169 bpm • F Maj • 03:05 • -23db

37% Popularity • 27% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness

173 bpm • G Maj • 03:54 • -18.53db

30% Popularity • 39% Danceability • 11% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness

171 bpm • F min • 05:55 • -29.74db

0% Popularity • 26% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness

168 bpm • A# min • 02:47 • -17.47db

39% Popularity • 18% Danceability • 11% Energy • 10% Liveness
8% Instrumentalness • 4% Positiveness

175 bpm • A# Maj • 04:41 • -18.31db

15% Popularity • 24% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 8% Positiveness

167 bpm • F min • 02:18 • -30db

28% Popularity • 15% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness

168 bpm • E Maj • 06:26 • -27.18db

4% Popularity • 26% Danceability • 2% Energy • 6% Liveness
0% Instrumentalness • 7% Positiveness

176 bpm • E Maj • 04:45 • -24.12db

46% Popularity • 20% Danceability • 7% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness

171 bpm • F Maj • 02:46 • -11.69db

4% Popularity • 34% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness

176 bpm • G Maj • 04:53 • -19.67db

21% Popularity • 21% Danceability • 10% Energy • 30% Liveness
0% Instrumentalness • 8% Positiveness

177 bpm • A# Maj • 03:18 • -24.5db

18% Popularity • 23% Danceability • 8% Energy • 23% Liveness
0% Instrumentalness • 40% Positiveness

178 bpm • G Maj • 02:02 • -16db

31% Popularity • 35% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness

174 bpm • C# Maj • 03:59 • -15.34db

16% Popularity • 22% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness

178 bpm • G# Maj • 05:29 • -20db

19% Popularity • 30% Danceability • 5% Energy • 18% Liveness
0% Instrumentalness • 14% Positiveness

170 bpm • F Maj • 05:18 • -17.32db

13% Popularity • 23% Danceability • 18% Energy • 5% Liveness
0% Instrumentalness • 5% Positiveness

160 bpm • D# min • 01:56 • -16db

38% Popularity • 23% Danceability • 14% Energy • 20% Liveness
0% Instrumentalness • 21% Positiveness

170 bpm • C Maj • 03:13 • -25.87db

2% Popularity • 32% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness

170 bpm • C Maj • 03:06 • -15.36db

13% Popularity • 27% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness

172 bpm • D# Maj • 01:46 • -20.87db

0% Popularity • 16% Danceability • 11% Energy • 26% Liveness
40% Instrumentalness • 15% Positiveness

170 bpm • F Maj • 05:38 • -22db

8% Popularity • 22% Danceability • 11% Energy • 27% Liveness
0% Instrumentalness • 4% Positiveness

170 bpm • C# Maj • 02:14 • -32db

20% Popularity • 16% Danceability • 2% Energy • 10% Liveness
2% Instrumentalness • 4% Positiveness

169 bpm • F Maj • 01:39 • -22.78db

0% Popularity • 29% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness

170 bpm • C Maj • 04:50 • -21.54db

4% Popularity • 25% Danceability • 14% Energy • 61% Liveness
4% Instrumentalness • 17% Positiveness

169 bpm • C Maj • 07:38 • -22.9db

0% Popularity • 29% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 9% Positiveness

173 bpm • G# Maj • 05:09 • -18.73db

0% Popularity • 25% Danceability • 20% Energy • 17% Liveness
0% Instrumentalness • 7% Positiveness

173 bpm • D# Maj • 03:34 • -18db

12% Popularity • 33% Danceability • 13% Energy • 64% Liveness
1% Instrumentalness • 9% Positiveness

173 bpm • F Maj • 03:02 • -16.95db

0% Popularity • 28% Danceability • 33% Energy • 66% Liveness
0% Instrumentalness • 49% Positiveness

168 bpm • F Maj • 03:37 • -22.19db

0% Popularity • 34% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 5% Positiveness

168 bpm • C Maj • 03:10 • -21.73db

16% Popularity • 39% Danceability • 12% Energy • 25% Liveness
0% Instrumentalness • 34% Positiveness

176 bpm • F Maj • 06:30 • -20.45db

36% Popularity • 21% Danceability • 9% Energy • 9% Liveness
30% Instrumentalness • 4% Positiveness

176 bpm • A# Maj • 03:26 • -18.92db

2% Popularity • 26% Danceability • 18% Energy • 16% Liveness
0% Instrumentalness • 12% Positiveness

166 bpm • G# Maj • 01:53 • -22.35db

2% Popularity • 34% Danceability • 4% Energy • 33% Liveness
0% Instrumentalness • 5% Positiveness

176 bpm • C Maj • 05:03 • -24db

17% Popularity • 20% Danceability • 4% Energy • 14% Liveness
42% Instrumentalness • 4% Positiveness

165 bpm • F Maj • 05:28 • -16db

36% Popularity • 21% Danceability • 26% Energy • 67% Liveness
2% Instrumentalness • 17% Positiveness

177 bpm • F Maj • 01:47 • -19.65db

2% Popularity • 31% Danceability • 20% Energy • 32% Liveness
0% Instrumentalness • 19% Positiveness

178 bpm • F Maj • 07:10 • -21.15db

24% Popularity • 14% Danceability • 10% Energy • 18% Liveness
2% Instrumentalness • 6% Positiveness

164 bpm • C Maj • 06:03 • -18.31db

0% Popularity • 33% Danceability • 21% Energy • 44% Liveness
0% Instrumentalness • 31% Positiveness

180 bpm • A min • 04:27 • -21.6db

0% Popularity • 24% Danceability • 8% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness

180 bpm • A Maj • 05:18 • -21.21db

2% Popularity • 20% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness

181 bpm • A# Maj • 03:03 • -17db

18% Popularity • 27% Danceability • 17% Energy • 44% Liveness
0% Instrumentalness • 22% Positiveness

160 bpm • F Maj • 03:33 • -23db

31% Popularity • 27% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness

160 bpm • D# Maj • 04:44 • -21.35db

2% Popularity • 26% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness

159 bpm • A Maj • 03:22 • -17.11db

0% Popularity • 23% Danceability • 30% Energy • 25% Liveness
67% Instrumentalness • 25% Positiveness

158 bpm • D min • 07:00 • -14.71db

5% Popularity • 34% Danceability • 29% Energy • 10% Liveness
22% Instrumentalness • 24% Positiveness

149 bpm • G# Maj • 01:12 • -12.2db

9% Popularity • 38% Danceability • 53% Energy • 24% Liveness
1% Instrumentalness • 5% Positiveness

159 bpm • F Maj • 10:43 • -19.45db

0% Popularity • 30% Danceability • 14% Energy • 70% Liveness
0% Instrumentalness • 6% Positiveness

146 bpm • D# min • 01:52 • -26.75db

0% Popularity • 26% Danceability • 7% Energy • 13% Liveness
2% Instrumentalness • 4% Positiveness

146 bpm • G# Maj • 05:15 • -21.85db

0% Popularity • 30% Danceability • 13% Energy • 12% Liveness
2% Instrumentalness • 11% Positiveness

202 bpm • F Maj • 01:43 • -22.22db

13% Popularity • 38% Danceability • 10% Energy • 22% Liveness
0% Instrumentalness • 21% Positiveness

208 bpm • G Maj • 03:15 • -22.72db

0% Popularity • 32% Danceability • 6% Energy • 14% Liveness
5% Instrumentalness • 42% Positiveness