Songs like I Carry Your Heart with Me by Atlanta Master Chorale
Based on a tempo of (+/- 10%) and a similar genre
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Z. Randall Stroope
I Am Not Yours
92 bpm • B Maj • 04:23 • -24.99db
15% Popularity • 11% Danceability • 4% Energy • 61% Liveness
5% Instrumentalness • 4% Positiveness
15% Popularity • 11% Danceability • 4% Energy • 61% Liveness
5% Instrumentalness • 4% Positiveness
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Andrea Ramsey
Truth
92 bpm • F# min • 03:44 • -23db
8% Popularity • 32% Danceability • 16% Energy • 11% Liveness
61% Instrumentalness • 12% Positiveness
8% Popularity • 32% Danceability • 16% Energy • 11% Liveness
61% Instrumentalness • 12% Positiveness
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Atlanta Master Chorale
I Carry Your Heart with Me
92 bpm • E Maj • 04:25 • -21.5db
6% Popularity • 20% Danceability • 8% Energy • 7% Liveness
82% Instrumentalness • 7% Positiveness
6% Popularity • 20% Danceability • 8% Energy • 7% Liveness
82% Instrumentalness • 7% Positiveness
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James Whitbourn
A Prayer of Desmond Tutu
92 bpm • D Maj • 01:37 • -21.35db
25% Popularity • 29% Danceability • 11% Energy • 14% Liveness
2% Instrumentalness • 7% Positiveness
25% Popularity • 29% Danceability • 11% Energy • 14% Liveness
2% Instrumentalness • 7% Positiveness
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Elaine Hagenberg
O Love - Live
92 bpm • G Maj • 04:11 • -20.32db
9% Popularity • 12% Danceability • 14% Energy • 68% Liveness
92% Instrumentalness • 6% Positiveness
9% Popularity • 12% Danceability • 14% Energy • 68% Liveness
92% Instrumentalness • 6% Positiveness
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The University Of Utah Singers
Not One Sparrow Is Forgotten
92 bpm • D# Maj • 02:32 • -23.22db
7% Popularity • 11% Danceability • 8% Energy • 9% Liveness
2% Instrumentalness • 6% Positiveness
7% Popularity • 11% Danceability • 8% Energy • 9% Liveness
2% Instrumentalness • 6% Positiveness
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Jaakko Mäntyjärvi
Double, Double Toil and Trouble
91 bpm • F# Maj • 03:01 • -23db
12% Popularity • 30% Danceability • 13% Energy • 21% Liveness
0% Instrumentalness • 5% Positiveness
12% Popularity • 30% Danceability • 13% Energy • 21% Liveness
0% Instrumentalness • 5% Positiveness
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Craig Hella Johnson
Considering Matthew Shepard, Passion: No...
93 bpm • A# min • 03:22 • -17.82db
13% Popularity • 44% Danceability • 11% Energy • 11% Liveness
1% Instrumentalness • 17% Positiveness
13% Popularity • 44% Danceability • 11% Energy • 11% Liveness
1% Instrumentalness • 17% Positiveness
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Samuel Barber
Sure on This Shining Night
91 bpm • A# Maj • 02:18 • -27.29db
12% Popularity • 13% Danceability • 3% Energy • 7% Liveness
99% Instrumentalness • 4% Positiveness
12% Popularity • 13% Danceability • 3% Energy • 7% Liveness
99% Instrumentalness • 4% Positiveness
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Kim André Arnesen
Flight Song
91 bpm • C# Maj • 04:22 • -27.37db
31% Popularity • 12% Danceability • 5% Energy • 12% Liveness
92% Instrumentalness • 12% Positiveness
31% Popularity • 12% Danceability • 5% Energy • 12% Liveness
92% Instrumentalness • 12% Positiveness
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DU Chamber Singers
Tres Cantos Nativos
91 bpm • B Maj • 03:17 • -25db
9% Popularity • 24% Danceability • 15% Energy • 28% Liveness
0% Instrumentalness • 24% Positiveness
9% Popularity • 24% Danceability • 15% Energy • 28% Liveness
0% Instrumentalness • 24% Positiveness
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Charles Villiers Stanford
Te Deum in B-Flat
91 bpm • A# Maj • 06:11 • -20.35db
7% Popularity • 18% Danceability • 19% Energy • 11% Liveness
22% Instrumentalness • 7% Positiveness
7% Popularity • 18% Danceability • 19% Energy • 11% Liveness
22% Instrumentalness • 7% Positiveness
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Atlanta Master Chorale
Bonnie Blue Flag
93 bpm • F Maj • 03:55 • -27.69db
0% Popularity • 38% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
0% Popularity • 38% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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David Brunner
Yo le Canto todo el Dia
93 bpm • E min • 03:32 • -16db
9% Popularity • 38% Danceability • 39% Energy • 70% Liveness
11% Instrumentalness • 56% Positiveness
9% Popularity • 38% Danceability • 39% Energy • 70% Liveness
11% Instrumentalness • 56% Positiveness
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Daniel Elder
Ballade to the Moon
91 bpm • E Maj • 05:27 • -34.82db
4% Popularity • 13% Danceability • 1% Energy • 18% Liveness
18% Instrumentalness • 4% Positiveness
4% Popularity • 13% Danceability • 1% Energy • 18% Liveness
18% Instrumentalness • 4% Positiveness
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William Cornysh
Ah Robin
93 bpm • C min • 02:29 • -24.29db
16% Popularity • 21% Danceability • 11% Energy • 8% Liveness
0% Instrumentalness • 9% Positiveness
16% Popularity • 21% Danceability • 11% Energy • 8% Liveness
0% Instrumentalness • 9% Positiveness
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Lodovico Grossi da Viadana
Exultate Justi!
94 bpm • A Maj • 02:11 • -18db
15% Popularity • 26% Danceability • 24% Energy • 12% Liveness
74% Instrumentalness • 19% Positiveness
15% Popularity • 26% Danceability • 24% Energy • 12% Liveness
74% Instrumentalness • 19% Positiveness
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Hans Leo Hassler
Verbum caro factum est
94 bpm • G Maj • 02:56 • -21db
14% Popularity • 17% Danceability • 10% Energy • 6% Liveness
24% Instrumentalness • 8% Positiveness
14% Popularity • 17% Danceability • 10% Energy • 6% Liveness
24% Instrumentalness • 8% Positiveness
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Patrick Vu
A Golden Day
90 bpm • A# Maj • 05:18 • -26.61db
11% Popularity • 11% Danceability • 6% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
11% Popularity • 11% Danceability • 6% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
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Augustana Choir
Sit Down Servant, Stacey V. Gibbs
94 bpm • E min • 03:53 • -21.3db
8% Popularity • 22% Danceability • 20% Energy • 68% Liveness
0% Instrumentalness • 9% Positiveness
8% Popularity • 22% Danceability • 20% Energy • 68% Liveness
0% Instrumentalness • 9% Positiveness
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Jason Max Ferdinand Singers
God Be in My Head
94 bpm • F min • 03:02 • -27db
8% Popularity • 11% Danceability • 10% Energy • 12% Liveness
98% Instrumentalness • 4% Positiveness
8% Popularity • 11% Danceability • 10% Energy • 12% Liveness
98% Instrumentalness • 4% Positiveness
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Randall Thompson
The Last Words of David
94 bpm • G Maj • 03:56 • -24.61db
7% Popularity • 21% Danceability • 3% Energy • 7% Liveness
30% Instrumentalness • 4% Positiveness
7% Popularity • 21% Danceability • 3% Energy • 7% Liveness
30% Instrumentalness • 4% Positiveness
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Cantus
Lift Thine Eyes
90 bpm • D Maj • 02:07 • -26db
11% Popularity • 14% Danceability • 7% Energy • 9% Liveness
7% Instrumentalness • 7% Positiveness
11% Popularity • 14% Danceability • 7% Energy • 9% Liveness
7% Instrumentalness • 7% Positiveness
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DU Chamber Singers
Praise His Holy Name!
94 bpm • A# Maj • 04:35 • -17db
9% Popularity • 38% Danceability • 13% Energy • 9% Liveness
13% Instrumentalness • 46% Positiveness
9% Popularity • 38% Danceability • 13% Energy • 9% Liveness
13% Instrumentalness • 46% Positiveness
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The Chapel Choir of Pembroke College, Cambridge
Walford Davies: A Short Requiem - De pro...
94 bpm • D Maj • 02:09 • -34.59db
34% Popularity • 20% Danceability • 1% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
34% Popularity • 20% Danceability • 1% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
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Atlanta Master Chorale
We Are Coming Father Abraham
90 bpm • A# Maj • 01:55 • -23.09db
1% Popularity • 53% Danceability • 6% Energy • 9% Liveness
9% Instrumentalness • 39% Positiveness
1% Popularity • 53% Danceability • 6% Energy • 9% Liveness
9% Instrumentalness • 39% Positiveness
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Pablo Casals
O vos omnes
90 bpm • F min • 03:35 • -23db
20% Popularity • 12% Danceability • 3% Energy • 6% Liveness
4% Instrumentalness • 4% Positiveness
20% Popularity • 12% Danceability • 3% Energy • 6% Liveness
4% Instrumentalness • 4% Positiveness
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Henry Purcell
Hear My Prayer (Psalm 102) - Live
90 bpm • C# min • 02:37 • -19.64db
11% Popularity • 11% Danceability • 16% Energy • 9% Liveness
96% Instrumentalness • 6% Positiveness
11% Popularity • 11% Danceability • 16% Energy • 9% Liveness
96% Instrumentalness • 6% Positiveness
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Cantus
E'en So, Lord Jesus, Quickly Come
90 bpm • D# min • 02:32 • -22db
9% Popularity • 23% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
9% Popularity • 23% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
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Stuart Beatch
The Debate
89 bpm • G# min • 01:36 • -19.48db
14% Popularity • 24% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
14% Popularity • 24% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Andrew Smith
An Old Irish Blessing
89 bpm • C# Maj • 02:44 • -23.17db
19% Popularity • 20% Danceability • 16% Energy • 36% Liveness
89% Instrumentalness • 11% Positiveness
19% Popularity • 20% Danceability • 16% Energy • 36% Liveness
89% Instrumentalness • 11% Positiveness
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Paul Aitken
Flanders Fields
89 bpm • A# min • 03:28 • -28db
12% Popularity • 13% Danceability • 4% Energy • 12% Liveness
8% Instrumentalness • 4% Positiveness
12% Popularity • 13% Danceability • 4% Energy • 12% Liveness
8% Instrumentalness • 4% Positiveness
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Phoenix Chamber Choir
Deep in the Night
90 bpm • B Maj • 02:40 • -33.18db
18% Popularity • 24% Danceability • 4% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
18% Popularity • 24% Danceability • 4% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Felix Mendelssohn
Beati Mortui
95 bpm • C Maj • 03:14 • -19.56db
9% Popularity • 23% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
9% Popularity • 23% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Dale Warland Singers
Requiem - Herbert Howells: I. Salvator M...
89 bpm • G Maj • 01:54 • -35.07db
15% Popularity • 17% Danceability • 2% Energy • 6% Liveness
22% Instrumentalness • 4% Positiveness
15% Popularity • 17% Danceability • 2% Energy • 6% Liveness
22% Instrumentalness • 4% Positiveness
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![Bring Me a Little Water, Sylvie (Arr. M. Smiley) [Live] cover art](https://i.scdn.co/image/ab67616d00001e02005d4756ff3bffa89314d07b)
Hudie Leadbelly Ledbetter
Bring Me a Little Water, Sylvie (Arr. M....
95 bpm • F Maj • 02:47 • -26.32db
5% Popularity • 31% Danceability • 22% Energy • 68% Liveness
0% Instrumentalness • 14% Positiveness
5% Popularity • 31% Danceability • 22% Energy • 68% Liveness
0% Instrumentalness • 14% Positiveness
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Atlanta Master Chorale
Ubi Caritas
95 bpm • E Maj • 03:38 • -27.82db
4% Popularity • 14% Danceability • 4% Energy • 11% Liveness
7% Instrumentalness • 3% Positiveness
4% Popularity • 14% Danceability • 4% Energy • 11% Liveness
7% Instrumentalness • 3% Positiveness
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Edward Henderson
Your Fragrance
95 bpm • G# Maj • 03:47 • -29.09db
0% Popularity • 15% Danceability • 3% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
0% Popularity • 15% Danceability • 3% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
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Maurice Duruflé
Requiem, Op. 9: IX. In Paradisum
89 bpm • B Maj • 03:00 • -29.16db
9% Popularity • 10% Danceability • 3% Energy • 10% Liveness
69% Instrumentalness • 3% Positiveness
9% Popularity • 10% Danceability • 3% Energy • 10% Liveness
69% Instrumentalness • 3% Positiveness
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Amy Beach
Peace I Leave With You
89 bpm • D# Maj • 01:30 • -32.18db
28% Popularity • 17% Danceability • 4% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
28% Popularity • 17% Danceability • 4% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
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Sarah Quartel
Snow Angel: God Will Give Orders - Sweet...
89 bpm • F Maj • 05:06 • -21.99db
8% Popularity • 25% Danceability • 14% Energy • 13% Liveness
1% Instrumentalness • 8% Positiveness
8% Popularity • 25% Danceability • 14% Energy • 13% Liveness
1% Instrumentalness • 8% Positiveness
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Gwyneth Van Anden Walker
I Thank You God
95 bpm • G min • 06:36 • -17.91db
9% Popularity • 17% Danceability • 21% Energy • 68% Liveness
0% Instrumentalness • 5% Positiveness
9% Popularity • 17% Danceability • 21% Energy • 68% Liveness
0% Instrumentalness • 5% Positiveness
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Nicolas Fayolle
Evry Stone Crys
95 bpm • A# Maj • 03:39 • -22.94db
26% Popularity • 20% Danceability • 12% Energy • 11% Liveness
77% Instrumentalness • 14% Positiveness
26% Popularity • 20% Danceability • 12% Energy • 11% Liveness
77% Instrumentalness • 14% Positiveness
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Herbert Brewer
Magnificat in D Major
95 bpm • D Maj • 03:59 • -24.78db
8% Popularity • 20% Danceability • 10% Energy • 20% Liveness
95% Instrumentalness • 4% Positiveness
8% Popularity • 20% Danceability • 10% Energy • 20% Liveness
95% Instrumentalness • 4% Positiveness
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Atlanta Master Chorale
Wade in the Water
89 bpm • C min • 04:01 • -23.6db
0% Popularity • 22% Danceability • 7% Energy • 23% Liveness
0% Instrumentalness • 13% Positiveness
0% Popularity • 22% Danceability • 7% Energy • 23% Liveness
0% Instrumentalness • 13% Positiveness
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Rivertree Singers Festival Chorus
Jubilate Deo: V. Bendecid su nombre
89 bpm • G Maj • 06:31 • -16.76db
10% Popularity • 11% Danceability • 23% Energy • 14% Liveness
63% Instrumentalness • 10% Positiveness
10% Popularity • 11% Danceability • 23% Energy • 14% Liveness
63% Instrumentalness • 10% Positiveness
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Craig Hella Johnson
Considering Matthew Shepard, Prologue: N...
96 bpm • E Maj • 06:55 • -17.16db
18% Popularity • 29% Danceability • 12% Energy • 15% Liveness
1% Instrumentalness • 21% Positiveness
18% Popularity • 29% Danceability • 12% Energy • 15% Liveness
1% Instrumentalness • 21% Positiveness
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The Schola Cantorum of St. Peter's in the Loop
By All Your Saints In Warfare
88 bpm • D min • 02:22 • -20.82db
7% Popularity • 13% Danceability • 15% Energy • 11% Liveness
92% Instrumentalness • 16% Positiveness
7% Popularity • 13% Danceability • 15% Energy • 11% Liveness
92% Instrumentalness • 16% Positiveness
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Sergei Rachmaninoff
All-Night Vigil, Op. 37: No. 6, Rejoice,...
88 bpm • F Maj • 03:06 • -28.3db
10% Popularity • 9% Danceability • 3% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
10% Popularity • 9% Danceability • 3% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
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Emma Lou Diemer
Three Madrigals: I. O Mistress mine, whe...
88 bpm • D# Maj • 01:04 • -25.4db
12% Popularity • 40% Danceability • 7% Energy • 7% Liveness
1% Instrumentalness • 10% Positiveness
12% Popularity • 40% Danceability • 7% Energy • 7% Liveness
1% Instrumentalness • 10% Positiveness
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Atlanta Master Chorale
O Come, Let Us Sing Unto the Lord
88 bpm • A min • 04:33 • -20.38db
2% Popularity • 18% Danceability • 14% Energy • 19% Liveness
2% Instrumentalness • 19% Positiveness
2% Popularity • 18% Danceability • 14% Energy • 19% Liveness
2% Instrumentalness • 19% Positiveness
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Rivertree Singers Festival Chorus
Jubilate Deo: IV. Ngokujabula!
96 bpm • C Maj • 04:55 • -13.02db
11% Popularity • 38% Danceability • 56% Energy • 6% Liveness
30% Instrumentalness • 42% Positiveness
11% Popularity • 38% Danceability • 56% Energy • 6% Liveness
30% Instrumentalness • 42% Positiveness
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Kim André Arnesen
Even When He is Silent
97 bpm • C Maj • 04:23 • -24db
30% Popularity • 16% Danceability • 5% Energy • 8% Liveness
20% Instrumentalness • 3% Positiveness
30% Popularity • 16% Danceability • 5% Energy • 8% Liveness
20% Instrumentalness • 3% Positiveness
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Felix Mendelssohn
Lift Thine Eyes
97 bpm • C# Maj • 01:52 • -23.81db
15% Popularity • 33% Danceability • 8% Energy • 7% Liveness
54% Instrumentalness • 5% Positiveness
15% Popularity • 33% Danceability • 8% Energy • 7% Liveness
54% Instrumentalness • 5% Positiveness
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George Dyson
Magnificat in F Major (1)
88 bpm • G min • 03:42 • -33db
9% Popularity • 12% Danceability • 2% Energy • 11% Liveness
1% Instrumentalness • 7% Positiveness
9% Popularity • 12% Danceability • 2% Energy • 11% Liveness
1% Instrumentalness • 7% Positiveness
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Jacob Narverud
Dominus Vobiscum
88 bpm • D# min • 04:09 • -31.43db
12% Popularity • 10% Danceability • 1% Energy • 7% Liveness
14% Instrumentalness • 3% Positiveness
12% Popularity • 10% Danceability • 1% Energy • 7% Liveness
14% Instrumentalness • 3% Positiveness
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Sergey Khvoshchinsky
Bogoroditse Devo, raduysia
87 bpm • D# Maj • 05:18 • -19db
9% Popularity • 14% Danceability • 18% Energy • 16% Liveness
1% Instrumentalness • 6% Positiveness
9% Popularity • 14% Danceability • 18% Energy • 16% Liveness
1% Instrumentalness • 6% Positiveness
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Elaine Hagenberg
Song of Miriam (Live)
87 bpm • D# min • 04:33 • -19.87db
10% Popularity • 17% Danceability • 14% Energy • 70% Liveness
0% Instrumentalness • 5% Positiveness
10% Popularity • 17% Danceability • 14% Energy • 70% Liveness
0% Instrumentalness • 5% Positiveness
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Douglas Guest
For the Fallen
97 bpm • C# min • 01:17 • -27.13db
16% Popularity • 18% Danceability • 10% Energy • 10% Liveness
42% Instrumentalness • 4% Positiveness
16% Popularity • 18% Danceability • 10% Energy • 10% Liveness
42% Instrumentalness • 4% Positiveness
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John Bennet
Weep, Oh Mine Eyes
87 bpm • A# min • 02:39 • -23db
23% Popularity • 14% Danceability • 10% Energy • 10% Liveness
19% Instrumentalness • 4% Positiveness
23% Popularity • 14% Danceability • 10% Energy • 10% Liveness
19% Instrumentalness • 4% Positiveness
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Maurice Duruflé
Maurice Duruflé: Ubi caritas
87 bpm • D# Maj • 02:26 • -29db
29% Popularity • 14% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
29% Popularity • 14% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
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Ola Gjeilo
Ave Generosa
97 bpm • E min • 04:18 • -18.49db
7% Popularity • 20% Danceability • 13% Energy • 12% Liveness
78% Instrumentalness • 4% Positiveness
7% Popularity • 20% Danceability • 13% Energy • 12% Liveness
78% Instrumentalness • 4% Positiveness
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Joan Szymko
Illumina le tenebre
87 bpm • A Maj • 05:21 • -26.72db
9% Popularity • 11% Danceability • 4% Energy • 7% Liveness
90% Instrumentalness • 4% Positiveness
9% Popularity • 11% Danceability • 4% Energy • 7% Liveness
90% Instrumentalness • 4% Positiveness
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Z. Randall Stroope
I Am Not Yours
87 bpm • B Maj • 04:52 • -24.35db
7% Popularity • 18% Danceability • 2% Energy • 9% Liveness
16% Instrumentalness • 3% Positiveness
7% Popularity • 18% Danceability • 2% Energy • 9% Liveness
16% Instrumentalness • 3% Positiveness
► Preview
Sven-Erik Bäck
Sven Erik Bäck: Våren
87 bpm • G Maj • 01:19 • -32.85db
10% Popularity • 10% Danceability • 3% Energy • 7% Liveness
10% Instrumentalness • 3% Positiveness
10% Popularity • 10% Danceability • 3% Energy • 7% Liveness
10% Instrumentalness • 3% Positiveness
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Philippine Madrigal Singers
Passing Through
98 bpm • C# Maj • 05:03 • -19.59db
8% Popularity • 16% Danceability • 11% Energy • 10% Liveness
15% Instrumentalness • 4% Positiveness
8% Popularity • 16% Danceability • 11% Energy • 10% Liveness
15% Instrumentalness • 4% Positiveness
► Preview
Maurice Duruflé
Notre Père, Op. 14
97 bpm • F Maj • 01:38 • -29.85db
17% Popularity • 16% Danceability • 3% Energy • 7% Liveness
10% Instrumentalness • 6% Positiveness
17% Popularity • 16% Danceability • 3% Energy • 7% Liveness
10% Instrumentalness • 6% Positiveness
► Preview
Atlanta Master Chorale
Wondrous Love
98 bpm • F min • 04:10 • -25.66db
1% Popularity • 18% Danceability • 4% Energy • 7% Liveness
1% Instrumentalness • 7% Positiveness
1% Popularity • 18% Danceability • 4% Energy • 7% Liveness
1% Instrumentalness • 7% Positiveness
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Emil Adler
Turn: From The Book of Rounds
86 bpm • G Maj • 03:42 • -17.36db
9% Popularity • 19% Danceability • 17% Energy • 11% Liveness
2% Instrumentalness • 19% Positiveness
9% Popularity • 19% Danceability • 17% Energy • 11% Liveness
2% Instrumentalness • 19% Positiveness
► Preview
Felix Mendelssohn
Die deutsche Liturgie: Heilig, heilig is...
87 bpm • D Maj • 02:00 • -24db
11% Popularity • 23% Danceability • 17% Energy • 6% Liveness
80% Instrumentalness • 4% Positiveness
11% Popularity • 23% Danceability • 17% Energy • 6% Liveness
80% Instrumentalness • 4% Positiveness
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George Lloyd
Requiem for counter-tenor, choir & organ...
86 bpm • C# Maj • 03:30 • -16.55db
9% Popularity • 27% Danceability • 24% Energy • 34% Liveness
90% Instrumentalness • 5% Positiveness
9% Popularity • 27% Danceability • 24% Energy • 34% Liveness
90% Instrumentalness • 5% Positiveness
► Preview
Cecilia McDowall
The Girl from Aleppo: No. 5, Everyday Wo...
86 bpm • B min • 04:01 • -20.25db
7% Popularity • 19% Danceability • 16% Energy • 6% Liveness
0% Instrumentalness • 6% Positiveness
7% Popularity • 19% Danceability • 16% Energy • 6% Liveness
0% Instrumentalness • 6% Positiveness
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Maurice Duruflé
Ubi caritas
98 bpm • D# Maj • 02:18 • -30db
19% Popularity • 19% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
19% Popularity • 19% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
► Preview
Susan LaBarr
We Remember Them
98 bpm • G Maj • 07:11 • -16.98db
12% Popularity • 20% Danceability • 17% Energy • 7% Liveness
87% Instrumentalness • 11% Positiveness
12% Popularity • 20% Danceability • 17% Energy • 7% Liveness
87% Instrumentalness • 11% Positiveness
► Preview
Aaron Copland
Zion's Walls
86 bpm • F Maj • 01:54 • -14.92db
9% Popularity • 32% Danceability • 20% Energy • 8% Liveness
14% Instrumentalness • 42% Positiveness
9% Popularity • 32% Danceability • 20% Energy • 8% Liveness
14% Instrumentalness • 42% Positiveness
► Preview
Anton Bruckner
Tantum ergo, WAB 32
86 bpm • D Maj • 03:07 • -26.68db
18% Popularity • 14% Danceability • 7% Energy • 8% Liveness
42% Instrumentalness • 8% Positiveness
18% Popularity • 14% Danceability • 7% Energy • 8% Liveness
42% Instrumentalness • 8% Positiveness
► Preview
Jacob Hintze
At the Lamb's High Feast We Sing
98 bpm • D Maj • 03:22 • -21.8db
12% Popularity • 15% Danceability • 15% Energy • 10% Liveness
23% Instrumentalness • 26% Positiveness
12% Popularity • 15% Danceability • 15% Energy • 10% Liveness
23% Instrumentalness • 26% Positiveness
► Preview
Craig Hella Johnson
Considering Matthew Shepard, Passion: No...
86 bpm • B Maj • 04:22 • -32.08db
9% Popularity • 15% Danceability • 2% Energy • 10% Liveness
5% Instrumentalness • 4% Positiveness
9% Popularity • 15% Danceability • 2% Energy • 10% Liveness
5% Instrumentalness • 4% Positiveness
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Peter Anglea
Jubilate Deo
98 bpm • E Maj • 02:27 • -21.13db
23% Popularity • 20% Danceability • 18% Energy • 17% Liveness
83% Instrumentalness • 18% Positiveness
23% Popularity • 20% Danceability • 18% Energy • 17% Liveness
83% Instrumentalness • 18% Positiveness
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Sarah Quartel
Amabile Alleluia
99 bpm • D# Maj • 02:11 • -20.98db
15% Popularity • 16% Danceability • 20% Energy • 9% Liveness
85% Instrumentalness • 6% Positiveness
15% Popularity • 16% Danceability • 20% Energy • 9% Liveness
85% Instrumentalness • 6% Positiveness
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Ola Gjeilo
Prelude
86 bpm • G# min • 03:00 • -28db
15% Popularity • 11% Danceability • 5% Energy • 6% Liveness
79% Instrumentalness • 6% Positiveness
15% Popularity • 11% Danceability • 5% Energy • 6% Liveness
79% Instrumentalness • 6% Positiveness
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Millikin University Choir
Stetit Angelus
86 bpm • A min • 04:38 • -24db
29% Popularity • 12% Danceability • 8% Energy • 8% Liveness
92% Instrumentalness • 3% Positiveness
29% Popularity • 12% Danceability • 8% Energy • 8% Liveness
92% Instrumentalness • 3% Positiveness
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Susan Brumfield
No Time
86 bpm • F Maj • 06:05 • -30.76db
13% Popularity • 17% Danceability • 2% Energy • 68% Liveness
0% Instrumentalness • 4% Positiveness
13% Popularity • 17% Danceability • 2% Energy • 68% Liveness
0% Instrumentalness • 4% Positiveness
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Margaret Rizza
As Joseph Was a-Walking
99 bpm • D min • 03:30 • -21.66db
9% Popularity • 23% Danceability • 6% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
9% Popularity • 23% Danceability • 6% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
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Levente Gyöngyösi
Laudate Dominum
86 bpm • G Maj • 03:06 • -22.16db
7% Popularity • 33% Danceability • 9% Energy • 28% Liveness
0% Instrumentalness • 13% Positiveness
7% Popularity • 33% Danceability • 9% Energy • 28% Liveness
0% Instrumentalness • 13% Positiveness
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McFarland High School A Cappella Choir
The Blessing of Aaron
85 bpm • C# Maj • 01:33 • -25.35db
26% Popularity • 22% Danceability • 8% Energy • 9% Liveness
54% Instrumentalness • 11% Positiveness
26% Popularity • 22% Danceability • 8% Energy • 9% Liveness
54% Instrumentalness • 11% Positiveness
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Harvard University Choir
This Is My Song, O God of All the Nation...
85 bpm • D# Maj • 02:08 • -25.05db
19% Popularity • 12% Danceability • 10% Energy • 10% Liveness
41% Instrumentalness • 8% Positiveness
19% Popularity • 12% Danceability • 10% Energy • 10% Liveness
41% Instrumentalness • 8% Positiveness
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Norwich Cathedral Choir
Jesus Christ is Risen Today
85 bpm • C Maj • 02:30 • -21.17db
20% Popularity • 13% Danceability • 13% Energy • 12% Liveness
93% Instrumentalness • 33% Positiveness
20% Popularity • 13% Danceability • 13% Energy • 12% Liveness
93% Instrumentalness • 33% Positiveness
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Knut Nystedt
Cry Out and Shout
85 bpm • D min • 01:30 • -16db
22% Popularity • 28% Danceability • 28% Energy • 29% Liveness
0% Instrumentalness • 5% Positiveness
22% Popularity • 28% Danceability • 28% Energy • 29% Liveness
0% Instrumentalness • 5% Positiveness
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Reena Esmail
Tuttarana (Version for SATB Choir)
85 bpm • D Maj • 03:01 • -24.28db
11% Popularity • 25% Danceability • 12% Energy • 6% Liveness
3% Instrumentalness • 21% Positiveness
11% Popularity • 25% Danceability • 12% Energy • 6% Liveness
3% Instrumentalness • 21% Positiveness
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Z. Randall Stroope
In Paradisum
85 bpm • G# Maj • 03:57 • -20.69db
12% Popularity • 17% Danceability • 10% Energy • 11% Liveness
48% Instrumentalness • 4% Positiveness
12% Popularity • 17% Danceability • 10% Energy • 11% Liveness
48% Instrumentalness • 4% Positiveness
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William Dawson
Ain't A That Good News
100 bpm • F Maj • 01:57 • -15db
12% Popularity • 59% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
12% Popularity • 59% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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William Henry Monk
Abide With Me (Arr. Julian Lee)
85 bpm • G min • 02:58 • -17.73db
7% Popularity • 18% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
7% Popularity • 18% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Sarah Quartel
All the way home - Upper Voices
85 bpm • E Maj • 03:33 • -26.33db
10% Popularity • 22% Danceability • 3% Energy • 9% Liveness
5% Instrumentalness • 7% Positiveness
10% Popularity • 22% Danceability • 3% Energy • 9% Liveness
5% Instrumentalness • 7% Positiveness
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Charles Wesley
Oh, How Happy Are They
85 bpm • E Maj • 01:36 • -20.99db
8% Popularity • 39% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
8% Popularity • 39% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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Nicolas Fayolle
Best Room
85 bpm • A# Maj • 02:48 • -22.92db
27% Popularity • 18% Danceability • 6% Energy • 9% Liveness
23% Instrumentalness • 5% Positiveness
27% Popularity • 18% Danceability • 6% Energy • 9% Liveness
23% Instrumentalness • 5% Positiveness
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Eric William Barnum
Dawn
84 bpm • F Maj • 04:18 • -29db
11% Popularity • 9% Danceability • 3% Energy • 8% Liveness
83% Instrumentalness • 4% Positiveness
11% Popularity • 9% Danceability • 3% Energy • 8% Liveness
83% Instrumentalness • 4% Positiveness
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![Under the Willow (Arr. S. LaBarr for Choir) [Live] cover art](https://i.scdn.co/image/ab67616d00001e0210798e43973165e08ba83536)
Stephen Foster
Under the Willow (Arr. S. LaBarr for Cho...
100 bpm • D# Maj • 05:02 • -28.38db
8% Popularity • 19% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
8% Popularity • 19% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
