Songs like I Carry Your Heart by The Wartburg Choir
Based on a tempo of (+/- 10%) and a similar genre
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The Wartburg Choir
When Jordan Hushed His Waters Still
136 bpm • E Maj • 04:34 • -27.88db
1% Popularity • 15% Danceability • 3% Energy • 10% Liveness
78% Instrumentalness • 4% Positiveness
1% Popularity • 15% Danceability • 3% Energy • 10% Liveness
78% Instrumentalness • 4% Positiveness
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Johann Sebastian Bach
O Sacred Head, Surrounded
136 bpm • C Maj • 02:19 • -11db
30% Popularity • 22% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
30% Popularity • 22% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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The Singers - Minnesota Choral Artists
Three Whitman Settings: 3. The Last Invo...
136 bpm • G min • 03:04 • -26.5db
9% Popularity • 16% Danceability • 8% Energy • 11% Liveness
90% Instrumentalness • 3% Positiveness
9% Popularity • 16% Danceability • 8% Energy • 11% Liveness
90% Instrumentalness • 3% Positiveness
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Unknown
Randall Thompson : Alleluia
136 bpm • D Maj • 05:03 • -18.81db
7% Popularity • 19% Danceability • 23% Energy • 9% Liveness
49% Instrumentalness • 4% Positiveness
7% Popularity • 19% Danceability • 23% Energy • 9% Liveness
49% Instrumentalness • 4% Positiveness
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Jacobus Gallus
Domine ad adjuvandum
136 bpm • D# Maj • 02:24 • -19db
30% Popularity • 23% Danceability • 14% Energy • 12% Liveness
70% Instrumentalness • 9% Positiveness
30% Popularity • 23% Danceability • 14% Energy • 12% Liveness
70% Instrumentalness • 9% Positiveness
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Craig Hella Johnson
Considering Matthew Shepard, Passion: No...
136 bpm • E Maj • 00:39 • -29.15db
14% Popularity • 19% Danceability • 3% Energy • 10% Liveness
55% Instrumentalness • 14% Positiveness
14% Popularity • 19% Danceability • 3% Energy • 10% Liveness
55% Instrumentalness • 14% Positiveness
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The Wartburg Choir
I Will Not Leave You Comfortless
136 bpm • A Maj • 01:41 • -19db
11% Popularity • 20% Danceability • 22% Energy • 10% Liveness
97% Instrumentalness • 28% Positiveness
11% Popularity • 20% Danceability • 22% Energy • 10% Liveness
97% Instrumentalness • 28% Positiveness
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Emma Lou Diemer
3 Madrigals: No. 1. O Mistress Mine, Whe...
135 bpm • G min • 01:00 • -23.4db
17% Popularity • 44% Danceability • 10% Energy • 16% Liveness
0% Instrumentalness • 13% Positiveness
17% Popularity • 44% Danceability • 10% Energy • 16% Liveness
0% Instrumentalness • 13% Positiveness
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The Singers - Minnesota Choral Artists
Prayer
136 bpm • A Maj • 04:48 • -22.35db
14% Popularity • 16% Danceability • 10% Energy • 10% Liveness
62% Instrumentalness • 4% Positiveness
14% Popularity • 16% Danceability • 10% Energy • 10% Liveness
62% Instrumentalness • 4% Positiveness
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Cantus
M L K
136 bpm • G Maj • 03:01 • -25.79db
10% Popularity • 15% Danceability • 1% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
10% Popularity • 15% Danceability • 1% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Sven-David Sandström
Four Songs of Love: II. Until the Daybre...
137 bpm • G# Maj • 02:23 • -34.11db
8% Popularity • 15% Danceability • 2% Energy • 11% Liveness
50% Instrumentalness • 4% Positiveness
8% Popularity • 15% Danceability • 2% Energy • 11% Liveness
50% Instrumentalness • 4% Positiveness
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Richard Burchard
Sitivit anima mea (Live)
135 bpm • D# Maj • 06:08 • -29.73db
22% Popularity • 16% Danceability • 3% Energy • 69% Liveness
17% Instrumentalness • 3% Positiveness
22% Popularity • 16% Danceability • 3% Energy • 69% Liveness
17% Instrumentalness • 3% Positiveness
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The Concordia Choir
Pilgrim's Chorus
137 bpm • A Maj • 04:03 • -27.64db
13% Popularity • 15% Danceability • 6% Energy • 8% Liveness
3% Instrumentalness • 4% Positiveness
13% Popularity • 15% Danceability • 6% Energy • 8% Liveness
3% Instrumentalness • 4% Positiveness
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Robert Lucas Pearsall
Tu es Petrus
137 bpm • D# Maj • 02:48 • -29db
17% Popularity • 15% Danceability • 6% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
17% Popularity • 15% Danceability • 6% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
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The Singers - Minnesota Choral Artists
Nocturnes: II. Soneto De La Noche
135 bpm • F# Maj • 05:45 • -24.3db
11% Popularity • 17% Danceability • 5% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
11% Popularity • 17% Danceability • 5% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
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James MacMillan
O Radiant Dawn
135 bpm • C min • 04:54 • -24.84db
24% Popularity • 18% Danceability • 7% Energy • 11% Liveness
28% Instrumentalness • 3% Positiveness
24% Popularity • 18% Danceability • 7% Energy • 11% Liveness
28% Instrumentalness • 3% Positiveness
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Lux Singers
Go to Dark Gethsemane
137 bpm • D min • 04:39 • -32.38db
8% Popularity • 15% Danceability • 1% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
8% Popularity • 15% Danceability • 1% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
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The Tallis Scholars
Tallis: Sancte Deus - 4. Quia Per Crucem...
137 bpm • A min • 01:26 • -23.78db
39% Popularity • 17% Danceability • 11% Energy • 11% Liveness
11% Instrumentalness • 4% Positiveness
39% Popularity • 17% Danceability • 11% Energy • 11% Liveness
11% Instrumentalness • 4% Positiveness
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Elaine Hagenberg
Measure Me, Sky!
135 bpm • A# Maj • 04:16 • -16db
22% Popularity • 20% Danceability • 20% Energy • 11% Liveness
85% Instrumentalness • 6% Positiveness
22% Popularity • 20% Danceability • 20% Energy • 11% Liveness
85% Instrumentalness • 6% Positiveness
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Frank Martin
Mass for Double Choir: Credo
135 bpm • A min • 06:15 • -25.51db
10% Popularity • 19% Danceability • 4% Energy • 9% Liveness
9% Instrumentalness • 4% Positiveness
10% Popularity • 19% Danceability • 4% Energy • 9% Liveness
9% Instrumentalness • 4% Positiveness
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The Singers - Minnesota Choral Artists
Les Chansons Des Roses: IV. La Rose Comp...
135 bpm • C# Maj • 03:59 • -28.65db
11% Popularity • 17% Danceability • 2% Energy • 10% Liveness
26% Instrumentalness • 6% Positiveness
11% Popularity • 17% Danceability • 2% Energy • 10% Liveness
26% Instrumentalness • 6% Positiveness
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The Wartburg Choir
Wade in the Water
137 bpm • A Maj • 02:46 • -23.29db
2% Popularity • 25% Danceability • 20% Energy • 10% Liveness
10% Instrumentalness • 6% Positiveness
2% Popularity • 25% Danceability • 20% Energy • 10% Liveness
10% Instrumentalness • 6% Positiveness
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Jefferey L. Ames
I've Been in the Storm So Long (version ...
135 bpm • E min • 04:58 • -25.5db
8% Popularity • 17% Danceability • 10% Energy • 12% Liveness
6% Instrumentalness • 4% Positiveness
8% Popularity • 17% Danceability • 10% Energy • 12% Liveness
6% Instrumentalness • 4% Positiveness
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Phoenix Chamber Choir
Why the Caged Bird Sings
137 bpm • B Maj • 08:51 • -28.9db
9% Popularity • 16% Danceability • 2% Energy • 7% Liveness
12% Instrumentalness • 3% Positiveness
9% Popularity • 16% Danceability • 2% Energy • 7% Liveness
12% Instrumentalness • 3% Positiveness
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Salt Lake Vocal Artists
O Filii Et Filiae
134 bpm • G# Maj • 03:46 • -18.09db
10% Popularity • 20% Danceability • 15% Energy • 8% Liveness
49% Instrumentalness • 7% Positiveness
10% Popularity • 20% Danceability • 15% Energy • 8% Liveness
49% Instrumentalness • 7% Positiveness
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Craig Hella Johnson
Considering Matthew Shepard, Prologue: N...
135 bpm • A Maj • 04:05 • -25.76db
16% Popularity • 24% Danceability • 3% Energy • 9% Liveness
2% Instrumentalness • 8% Positiveness
16% Popularity • 24% Danceability • 3% Energy • 9% Liveness
2% Instrumentalness • 8% Positiveness
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Jacobus Gallus
Repleti sunt
134 bpm • F min • 01:58 • -20.77db
34% Popularity • 20% Danceability • 13% Energy • 7% Liveness
64% Instrumentalness • 9% Positiveness
34% Popularity • 20% Danceability • 13% Energy • 7% Liveness
64% Instrumentalness • 9% Positiveness
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Sarah Quartel
Sing, my Child - SATB
138 bpm • F Maj • 04:24 • -20.99db
13% Popularity • 25% Danceability • 13% Energy • 22% Liveness
0% Instrumentalness • 5% Positiveness
13% Popularity • 25% Danceability • 13% Energy • 22% Liveness
0% Instrumentalness • 5% Positiveness
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Sjaella
Christ fuhr gen Himmel
134 bpm • E min • 02:17 • -24.65db
30% Popularity • 26% Danceability • 7% Energy • 16% Liveness
92% Instrumentalness • 4% Positiveness
30% Popularity • 26% Danceability • 7% Energy • 16% Liveness
92% Instrumentalness • 4% Positiveness
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Z. Randall Stroope
Amor de mi Alma
134 bpm • C# Maj • 06:16 • -25db
18% Popularity • 18% Danceability • 5% Energy • 14% Liveness
6% Instrumentalness • 4% Positiveness
18% Popularity • 18% Danceability • 5% Energy • 14% Liveness
6% Instrumentalness • 4% Positiveness
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Millikin University Choir
Wade In De Water
134 bpm • D min • 02:49 • -18.58db
21% Popularity • 34% Danceability • 16% Energy • 8% Liveness
0% Instrumentalness • 7% Positiveness
21% Popularity • 34% Danceability • 16% Energy • 8% Liveness
0% Instrumentalness • 7% Positiveness
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Fernand Laloux
Tantum ergo
134 bpm • E min • 02:01 • -31.69db
12% Popularity • 18% Danceability • 3% Energy • 8% Liveness
62% Instrumentalness • 7% Positiveness
12% Popularity • 18% Danceability • 3% Energy • 8% Liveness
62% Instrumentalness • 7% Positiveness
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The Wartburg Choir
Ich bin die auferstehung und das leben
134 bpm • B Maj • 03:08 • -21.27db
1% Popularity • 19% Danceability • 19% Energy • 13% Liveness
78% Instrumentalness • 4% Positiveness
1% Popularity • 19% Danceability • 19% Energy • 13% Liveness
78% Instrumentalness • 4% Positiveness
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Stephen Paulus
The Three Hermits: Pilgrims' Hymn
134 bpm • G Maj • 03:35 • -27.76db
21% Popularity • 18% Danceability • 4% Energy • 6% Liveness
31% Instrumentalness • 4% Positiveness
21% Popularity • 18% Danceability • 4% Energy • 6% Liveness
31% Instrumentalness • 4% Positiveness
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Judith Weir
My Guardian Angel
134 bpm • D Maj • 02:12 • -19.45db
7% Popularity • 17% Danceability • 16% Energy • 7% Liveness
2% Instrumentalness • 7% Positiveness
7% Popularity • 17% Danceability • 16% Energy • 7% Liveness
2% Instrumentalness • 7% Positiveness
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Valentin Silvestrov
2 Sacred Songs: No. 1, Alleluia
138 bpm • A# Maj • 03:18 • -32.53db
14% Popularity • 18% Danceability • 3% Energy • 18% Liveness
90% Instrumentalness • 3% Positiveness
14% Popularity • 18% Danceability • 3% Energy • 18% Liveness
90% Instrumentalness • 3% Positiveness
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Susan LaBarr
Grace Before Sleep (Live)
134 bpm • C# Maj • 04:14 • -27.58db
7% Popularity • 19% Danceability • 12% Energy • 70% Liveness
40% Instrumentalness • 4% Positiveness
7% Popularity • 19% Danceability • 12% Energy • 70% Liveness
40% Instrumentalness • 4% Positiveness
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Connor Koppin
I Still Possess
134 bpm • A Maj • 05:23 • -20.52db
2% Popularity • 18% Danceability • 14% Energy • 13% Liveness
93% Instrumentalness • 4% Positiveness
2% Popularity • 18% Danceability • 14% Energy • 13% Liveness
93% Instrumentalness • 4% Positiveness
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Paul J. Christiansen
Wondrous Love
139 bpm • G# min • 02:39 • -27.8db
20% Popularity • 24% Danceability • 3% Energy • 9% Liveness
86% Instrumentalness • 6% Positiveness
20% Popularity • 24% Danceability • 3% Energy • 9% Liveness
86% Instrumentalness • 6% Positiveness
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Nathan James Dearden
i breathe
134 bpm • G min • 05:40 • -27.45db
21% Popularity • 16% Danceability • 8% Energy • 21% Liveness
36% Instrumentalness • 3% Positiveness
21% Popularity • 16% Danceability • 8% Energy • 21% Liveness
36% Instrumentalness • 3% Positiveness
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Atlanta Master Chorale
Fare Thee Well, Love
133 bpm • F# Maj • 04:47 • -26.28db
11% Popularity • 16% Danceability • 5% Energy • 10% Liveness
5% Instrumentalness • 3% Positiveness
11% Popularity • 16% Danceability • 5% Energy • 10% Liveness
5% Instrumentalness • 3% Positiveness
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Mike Dixon
3 Love Songs: No. 1. To Love and be Belo...
139 bpm • A# Maj • 02:57 • -23.04db
13% Popularity • 21% Danceability • 10% Energy • 26% Liveness
15% Instrumentalness • 9% Positiveness
13% Popularity • 21% Danceability • 10% Energy • 26% Liveness
15% Instrumentalness • 9% Positiveness
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The Wartburg Choir
Let Everything that hath Breath
133 bpm • C# Maj • 03:56 • -20.62db
2% Popularity • 31% Danceability • 25% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
2% Popularity • 31% Danceability • 25% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
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Henry Purcell
Remember Not, Lord, Our Offences, Z. 50
133 bpm • A min • 03:16 • -24.9db
17% Popularity • 17% Danceability • 11% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
17% Popularity • 17% Danceability • 11% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
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Algirdas Martiniatis
Alleluia
139 bpm • C Maj • 04:19 • -27db
11% Popularity • 17% Danceability • 13% Energy • 11% Liveness
62% Instrumentalness • 7% Positiveness
11% Popularity • 17% Danceability • 13% Energy • 11% Liveness
62% Instrumentalness • 7% Positiveness
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Ola Gjeilo
Evening Prayer
133 bpm • A Maj • 05:54 • -28.41db
23% Popularity • 16% Danceability • 3% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
23% Popularity • 16% Danceability • 3% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Kenneth Jennings
The Lord Is the Everlasting God
133 bpm • E Maj • 02:59 • -20.51db
4% Popularity • 17% Danceability • 11% Energy • 8% Liveness
65% Instrumentalness • 4% Positiveness
4% Popularity • 17% Danceability • 11% Energy • 8% Liveness
65% Instrumentalness • 4% Positiveness
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Sydney Guillaume
Gagòt (Live)
133 bpm • C# Maj • 05:20 • -23.58db
8% Popularity • 23% Danceability • 12% Energy • 73% Liveness
0% Instrumentalness • 9% Positiveness
8% Popularity • 23% Danceability • 12% Energy • 73% Liveness
0% Instrumentalness • 9% Positiveness
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Stephen Paulus
The Road Home
133 bpm • F Maj • 03:56 • -28.22db
43% Popularity • 20% Danceability • 5% Energy • 12% Liveness
3% Instrumentalness • 5% Positiveness
43% Popularity • 20% Danceability • 5% Energy • 12% Liveness
3% Instrumentalness • 5% Positiveness
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The University Of Utah Singers
My Spirit Sang All Day
139 bpm • G Maj • 01:30 • -17.25db
11% Popularity • 28% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
11% Popularity • 28% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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The Wartburg Choir
O Salutaris Hostia
133 bpm • D Maj • 03:20 • -22.79db
2% Popularity • 18% Danceability • 12% Energy • 10% Liveness
80% Instrumentalness • 4% Positiveness
2% Popularity • 18% Danceability • 12% Energy • 10% Liveness
80% Instrumentalness • 4% Positiveness
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Ola Gjeilo
Phoenix
139 bpm • A Maj • 04:25 • -30db
16% Popularity • 15% Danceability • 3% Energy • 7% Liveness
48% Instrumentalness • 3% Positiveness
16% Popularity • 15% Danceability • 3% Energy • 7% Liveness
48% Instrumentalness • 3% Positiveness
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The Concordia Choir
Witness
140 bpm • D Maj • 02:53 • -20.99db
23% Popularity • 33% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
23% Popularity • 33% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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Jason Max Ferdinand Singers
A Prayer
133 bpm • G Maj • 05:15 • -22.88db
19% Popularity • 17% Danceability • 14% Energy • 11% Liveness
71% Instrumentalness • 4% Positiveness
19% Popularity • 17% Danceability • 14% Energy • 11% Liveness
71% Instrumentalness • 4% Positiveness
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Jean Berger
The Eyes of All Wait Upon Thee
132 bpm • E min • 02:36 • -22db
24% Popularity • 20% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 5% Positiveness
24% Popularity • 20% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 5% Positiveness
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The University Of Utah Singers
Alleluia
140 bpm • D# Maj • 03:45 • -14.47db
10% Popularity • 16% Danceability • 32% Energy • 18% Liveness
58% Instrumentalness • 5% Positiveness
10% Popularity • 16% Danceability • 32% Energy • 18% Liveness
58% Instrumentalness • 5% Positiveness
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Thomas Weelkes
Hosanna to the Son of David
132 bpm • A# min • 02:00 • -24.11db
18% Popularity • 19% Danceability • 15% Energy • 6% Liveness
7% Instrumentalness • 14% Positiveness
18% Popularity • 19% Danceability • 15% Energy • 6% Liveness
7% Instrumentalness • 14% Positiveness
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Ola Gjeilo
Ave Generosa
139 bpm • G min • 04:32 • -19.72db
30% Popularity • 17% Danceability • 17% Energy • 14% Liveness
3% Instrumentalness • 4% Positiveness
30% Popularity • 17% Danceability • 17% Energy • 14% Liveness
3% Instrumentalness • 4% Positiveness
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Eric William Barnum
Afternoon on a Hill
132 bpm • D Maj • 04:41 • -16db
18% Popularity • 29% Danceability • 14% Energy • 13% Liveness
91% Instrumentalness • 8% Positiveness
18% Popularity • 29% Danceability • 14% Energy • 13% Liveness
91% Instrumentalness • 8% Positiveness
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Giuseppe Ottavio Pitoni
Cantate Domino
140 bpm • A# Maj • 01:11 • -20.07db
24% Popularity • 20% Danceability • 16% Energy • 25% Liveness
39% Instrumentalness • 23% Positiveness
24% Popularity • 20% Danceability • 16% Energy • 25% Liveness
39% Instrumentalness • 23% Positiveness
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The Schola Cantorum of St. Peter's in the Loop
Festival Canticle: Worthy Is Christ (Thi...
132 bpm • B min • 03:47 • -23.67db
14% Popularity • 16% Danceability • 16% Energy • 12% Liveness
78% Instrumentalness • 17% Positiveness
14% Popularity • 16% Danceability • 16% Energy • 12% Liveness
78% Instrumentalness • 17% Positiveness
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Emma Lou Diemer
Three Madrigals: II. Take, oh, take thos...
132 bpm • G min • 02:17 • -35.61db
12% Popularity • 16% Danceability • 2% Energy • 11% Liveness
1% Instrumentalness • 5% Positiveness
12% Popularity • 16% Danceability • 2% Energy • 11% Liveness
1% Instrumentalness • 5% Positiveness
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Ivo Antognini
I am the rose of Sharon
132 bpm • A min • 05:28 • -29.68db
9% Popularity • 16% Danceability • 6% Energy • 9% Liveness
18% Instrumentalness • 4% Positiveness
9% Popularity • 16% Danceability • 6% Energy • 9% Liveness
18% Instrumentalness • 4% Positiveness
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Philip Stopford
Missa Deus nobiscum (Version for Soprano...
132 bpm • A# Maj • 02:13 • -17.07db
9% Popularity • 38% Danceability • 19% Energy • 14% Liveness
4% Instrumentalness • 34% Positiveness
9% Popularity • 38% Danceability • 19% Energy • 14% Liveness
4% Instrumentalness • 34% Positiveness
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Kammerkoor Head Ööd Vend
Õhtul
141 bpm • D# Maj • 03:41 • -27db
32% Popularity • 14% Danceability • 1% Energy • 12% Liveness
84% Instrumentalness • 4% Positiveness
32% Popularity • 14% Danceability • 1% Energy • 12% Liveness
84% Instrumentalness • 4% Positiveness
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Shawn Kirchner
O! What a Beautiful City
132 bpm • D# Maj • 05:01 • -18.59db
9% Popularity • 20% Danceability • 28% Energy • 9% Liveness
17% Instrumentalness • 14% Positiveness
9% Popularity • 20% Danceability • 28% Energy • 9% Liveness
17% Instrumentalness • 14% Positiveness
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The Wartburg Choir
Adoramus Te, Christe
131 bpm • E Maj • 02:02 • -30.19db
29% Popularity • 16% Danceability • 2% Energy • 10% Liveness
98% Instrumentalness • 3% Positiveness
29% Popularity • 16% Danceability • 2% Energy • 10% Liveness
98% Instrumentalness • 3% Positiveness
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Stacey V. Gibbs
Hold On!
131 bpm • F# min • 03:37 • -13.51db
11% Popularity • 20% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
11% Popularity • 20% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Patrick Vu
On the Hillside
131 bpm • C# Maj • 05:22 • -31.2db
11% Popularity • 18% Danceability • 1% Energy • 7% Liveness
86% Instrumentalness • 4% Positiveness
11% Popularity • 18% Danceability • 1% Energy • 7% Liveness
86% Instrumentalness • 4% Positiveness
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Pärt Uusberg
Muusika
131 bpm • F Maj • 02:55 • -27db
9% Popularity • 19% Danceability • 6% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
9% Popularity • 19% Danceability • 6% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
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The Singers - Minnesota Choral Artists
Les Chansons Des Roses: I. En Une Seule ...
131 bpm • C# Maj • 02:36 • -27db
9% Popularity • 24% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
9% Popularity • 24% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Erich Kunzel
Morning Hymn
131 bpm • B min • 00:56 • -37.4db
24% Popularity • 16% Danceability • 1% Energy • 12% Liveness
94% Instrumentalness • 6% Positiveness
24% Popularity • 16% Danceability • 1% Energy • 12% Liveness
94% Instrumentalness • 6% Positiveness
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The Wartburg Choir
Laudate
131 bpm • C Maj • 02:45 • -18.9db
2% Popularity • 25% Danceability • 20% Energy • 21% Liveness
0% Instrumentalness • 17% Positiveness
2% Popularity • 25% Danceability • 20% Energy • 21% Liveness
0% Instrumentalness • 17% Positiveness
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The University Of Utah Singers
My Soul's Been Anchored In The Lord
141 bpm • E Maj • 03:34 • -27db
20% Popularity • 33% Danceability • 8% Energy • 7% Liveness
0% Instrumentalness • 11% Positiveness
20% Popularity • 33% Danceability • 8% Energy • 7% Liveness
0% Instrumentalness • 11% Positiveness
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Stacey V. Gibbs
Somebody Talkin' 'Bout Jesus
131 bpm • G min • 02:53 • -13.43db
9% Popularity • 25% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
9% Popularity • 25% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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James Whitbourn
Son of God Mass: Sanctus and Benedictus
131 bpm • F Maj • 03:00 • -21.5db
26% Popularity • 19% Danceability • 12% Energy • 6% Liveness
90% Instrumentalness • 4% Positiveness
26% Popularity • 19% Danceability • 12% Energy • 6% Liveness
90% Instrumentalness • 4% Positiveness
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Elaine Hagenberg
The Music of Stillness - SATB
130 bpm • F# Maj • 05:37 • -24db
23% Popularity • 16% Danceability • 4% Energy • 19% Liveness
7% Instrumentalness • 4% Positiveness
23% Popularity • 16% Danceability • 4% Energy • 19% Liveness
7% Instrumentalness • 4% Positiveness
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Phoenix Chamber Choir
Ballade to the Moon
130 bpm • E Maj • 05:25 • -30.67db
16% Popularity • 22% Danceability • 2% Energy • 5% Liveness
15% Instrumentalness • 6% Positiveness
16% Popularity • 22% Danceability • 2% Energy • 5% Liveness
15% Instrumentalness • 6% Positiveness
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Philip Stopford
Ave verum
142 bpm • F# min • 03:35 • -27.27db
28% Popularity • 14% Danceability • 9% Energy • 13% Liveness
2% Instrumentalness • 4% Positiveness
28% Popularity • 14% Danceability • 9% Energy • 13% Liveness
2% Instrumentalness • 4% Positiveness
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The University Of Utah Singers
All That Hath Life And Breath Praise Ye ...
131 bpm • G min • 02:47 • -18.42db
8% Popularity • 29% Danceability • 24% Energy • 34% Liveness
19% Instrumentalness • 13% Positiveness
8% Popularity • 29% Danceability • 24% Energy • 34% Liveness
19% Instrumentalness • 13% Positiveness
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Herbert Howells
Requiem: Salvator Mundi
130 bpm • G Maj • 02:19 • -30.35db
24% Popularity • 17% Danceability • 2% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
24% Popularity • 17% Danceability • 2% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
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Jonathan Dove
The Passing of the Year: No. 1. Invocati...
143 bpm • G Maj • 01:31 • -21db
28% Popularity • 21% Danceability • 7% Energy • 6% Liveness
15% Instrumentalness • 9% Positiveness
28% Popularity • 21% Danceability • 7% Energy • 6% Liveness
15% Instrumentalness • 9% Positiveness
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Larimar Music Vibes
From the heart
130 bpm • E Maj • 03:18 • -19.4db
24% Popularity • 33% Danceability • 14% Energy • 11% Liveness
92% Instrumentalness • 8% Positiveness
24% Popularity • 33% Danceability • 14% Energy • 11% Liveness
92% Instrumentalness • 8% Positiveness
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Ola Gjeilo
Ave Generosa
130 bpm • F min • 04:55 • -27.96db
17% Popularity • 17% Danceability • 8% Energy • 16% Liveness
70% Instrumentalness • 4% Positiveness
17% Popularity • 17% Danceability • 8% Energy • 16% Liveness
70% Instrumentalness • 4% Positiveness
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Philip Stopford
There Is No Rose
130 bpm • A# Maj • 03:27 • -27db
13% Popularity • 22% Danceability • 5% Energy • 13% Liveness
92% Instrumentalness • 4% Positiveness
13% Popularity • 22% Danceability • 5% Energy • 13% Liveness
92% Instrumentalness • 4% Positiveness
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The Singers - Minnesota Choral Artists
O Nata Lux
143 bpm • D Maj • 05:11 • -26.75db
7% Popularity • 14% Danceability • 2% Energy • 7% Liveness
95% Instrumentalness • 4% Positiveness
7% Popularity • 14% Danceability • 2% Energy • 7% Liveness
95% Instrumentalness • 4% Positiveness
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The Wartburg Choir
Daniel, Servant of the Lord
143 bpm • D Maj • 03:03 • -17.89db
6% Popularity • 23% Danceability • 24% Energy • 7% Liveness
3% Instrumentalness • 4% Positiveness
6% Popularity • 23% Danceability • 24% Energy • 7% Liveness
3% Instrumentalness • 4% Positiveness
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Kim André Arnesen
Infinity
129 bpm • F Maj • 07:41 • -27db
11% Popularity • 16% Danceability • 10% Energy • 12% Liveness
96% Instrumentalness • 3% Positiveness
11% Popularity • 16% Danceability • 10% Energy • 12% Liveness
96% Instrumentalness • 3% Positiveness
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David N. Childs
Weep No more
129 bpm • D Maj • 04:02 • -28.23db
15% Popularity • 20% Danceability • 2% Energy • 7% Liveness
96% Instrumentalness • 4% Positiveness
15% Popularity • 20% Danceability • 2% Energy • 7% Liveness
96% Instrumentalness • 4% Positiveness
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Ola Gjeilo
Sacred Heart (Ubi Caritas III)
129 bpm • G# Maj • 05:09 • -26.68db
16% Popularity • 17% Danceability • 9% Energy • 17% Liveness
79% Instrumentalness • 4% Positiveness
16% Popularity • 17% Danceability • 9% Energy • 17% Liveness
79% Instrumentalness • 4% Positiveness
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Philip Stopford
For the Beauty of the Earth (Version for...
143 bpm • G# Maj • 03:21 • -25.26db
13% Popularity • 19% Danceability • 11% Energy • 12% Liveness
43% Instrumentalness • 6% Positiveness
13% Popularity • 19% Danceability • 11% Energy • 12% Liveness
43% Instrumentalness • 6% Positiveness
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Atlanta Master Chorale
When Memory Fades
129 bpm • G Maj • 05:02 • -32.01db
12% Popularity • 22% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
12% Popularity • 22% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
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Christopher Harris
I Am Loved (Live)
129 bpm • C# Maj • 03:21 • -17.22db
4% Popularity • 23% Danceability • 28% Energy • 70% Liveness
0% Instrumentalness • 14% Positiveness
4% Popularity • 23% Danceability • 28% Energy • 70% Liveness
0% Instrumentalness • 14% Positiveness
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Susan LaBarr
Grace Before Sleep
129 bpm • C# Maj • 03:45 • -23db
21% Popularity • 20% Danceability • 12% Energy • 13% Liveness
85% Instrumentalness • 4% Positiveness
21% Popularity • 20% Danceability • 12% Energy • 13% Liveness
85% Instrumentalness • 4% Positiveness
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William Croft
Burial Sentences: II. I Know That My Red...
144 bpm • C min • 01:10 • -23.05db
19% Popularity • 18% Danceability • 12% Energy • 26% Liveness
0% Instrumentalness • 5% Positiveness
19% Popularity • 18% Danceability • 12% Energy • 26% Liveness
0% Instrumentalness • 5% Positiveness
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Howard D. McKinney
Brothers, Sing On! (after Grieg's Sanger...
144 bpm • A Maj • 01:46 • -17.66db
9% Popularity • 26% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
9% Popularity • 26% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Voce
Across the Vast, Eternal Sky
144 bpm • C# Maj • 05:02 • -27.26db
8% Popularity • 17% Danceability • 3% Energy • 8% Liveness
96% Instrumentalness • 4% Positiveness
8% Popularity • 17% Danceability • 3% Energy • 8% Liveness
96% Instrumentalness • 4% Positiveness
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Atlanta Master Chorale
Hark, I Hear the Harps Eternal
128 bpm • C Maj • 02:13 • -21db
21% Popularity • 27% Danceability • 11% Energy • 15% Liveness
0% Instrumentalness • 14% Positiveness
21% Popularity • 27% Danceability • 11% Energy • 15% Liveness
0% Instrumentalness • 14% Positiveness
