Songs like I Didn't Know by The Colorful Quiet
Based on a tempo of (+/- 10%) and a similar genre
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The Colorful Quiet
I Didn't Know
104 bpm • D Maj • 03:57 • -10.76db
3% Popularity • 47% Danceability • 33% Energy • 8% Liveness
12% Instrumentalness • 34% Positiveness
3% Popularity • 47% Danceability • 33% Energy • 8% Liveness
12% Instrumentalness • 34% Positiveness
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Bar Jay Bar
The Leather Man
104 bpm • B Maj • 03:07 • -11.97db
15% Popularity • 59% Danceability • 31% Energy • 21% Liveness
1% Instrumentalness • 63% Positiveness
15% Popularity • 59% Danceability • 31% Energy • 21% Liveness
1% Instrumentalness • 63% Positiveness
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Inland Sky
You Be You
104 bpm • G Maj • 03:54 • -16.69db
22% Popularity • 46% Danceability • 9% Energy • 9% Liveness
1% Instrumentalness • 14% Positiveness
22% Popularity • 46% Danceability • 9% Energy • 9% Liveness
1% Instrumentalness • 14% Positiveness
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Holler Choir
Hard Pill
103 bpm • G Maj • 03:50 • -7.29db
22% Popularity • 39% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
22% Popularity • 39% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
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Ricky Reilly
Tell 'Em I Was Here
104 bpm • A Maj • 03:15 • -9.65db
8% Popularity • 66% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
8% Popularity • 66% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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Roy Williams
The Welcome of the Dawn
105 bpm • G Maj • 02:56 • -11.61db
16% Popularity • 59% Danceability • 44% Energy • 22% Liveness
32% Instrumentalness • 43% Positiveness
16% Popularity • 59% Danceability • 44% Energy • 22% Liveness
32% Instrumentalness • 43% Positiveness
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Nate Richert
The Girl I Haven't Met
105 bpm • D# Maj • 02:59 • -12.13db
32% Popularity • 64% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
32% Popularity • 64% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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The Droptines
Bill of Sale
103 bpm • F min • 02:48 • -7.56db
40% Popularity • 40% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 72% Positiveness
40% Popularity • 40% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 72% Positiveness
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November South
20,000 Leagues
105 bpm • F# min • 03:44 • -6.96db
19% Popularity • 55% Danceability • 71% Energy • 22% Liveness
4% Instrumentalness • 43% Positiveness
19% Popularity • 55% Danceability • 71% Energy • 22% Liveness
4% Instrumentalness • 43% Positiveness
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Christian Parker
Dark Eyed Gal
103 bpm • F Maj • 03:52 • -8db
16% Popularity • 59% Danceability • 55% Energy • 19% Liveness
0% Instrumentalness • 45% Positiveness
16% Popularity • 59% Danceability • 55% Energy • 19% Liveness
0% Instrumentalness • 45% Positiveness
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Kieran Campbell
North End
103 bpm • D# Maj • 01:02 • -7.76db
25% Popularity • 38% Danceability • 36% Energy • 15% Liveness
9% Instrumentalness • 36% Positiveness
25% Popularity • 38% Danceability • 36% Energy • 15% Liveness
9% Instrumentalness • 36% Positiveness
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Bob Schneider
40 Dogs (T.B.M. Version)
105 bpm • A Maj • 05:46 • -13.62db
16% Popularity • 48% Danceability • 67% Energy • 26% Liveness
2% Instrumentalness • 49% Positiveness
16% Popularity • 48% Danceability • 67% Energy • 26% Liveness
2% Instrumentalness • 49% Positiveness
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Dylan Smucker
Hot Cups of Coffee
106 bpm • F Maj • 02:32 • -12.04db
19% Popularity • 43% Danceability • 32% Energy • 41% Liveness
0% Instrumentalness • 57% Positiveness
19% Popularity • 43% Danceability • 32% Energy • 41% Liveness
0% Instrumentalness • 57% Positiveness
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Trevor Leonard
Today Tomorrow
106 bpm • E Maj • 03:35 • -12.36db
21% Popularity • 66% Danceability • 31% Energy • 16% Liveness
2% Instrumentalness • 29% Positiveness
21% Popularity • 66% Danceability • 31% Energy • 16% Liveness
2% Instrumentalness • 29% Positiveness
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Jack Wharff
Away
106 bpm • A Maj • 03:33 • -10.14db
17% Popularity • 64% Danceability • 27% Energy • 14% Liveness
0% Instrumentalness • 17% Positiveness
17% Popularity • 64% Danceability • 27% Energy • 14% Liveness
0% Instrumentalness • 17% Positiveness
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Ocie Elliott
Raincoat
105 bpm • D# Maj • 02:20 • -12.43db
46% Popularity • 71% Danceability • 30% Energy • 12% Liveness
2% Instrumentalness • 40% Positiveness
46% Popularity • 71% Danceability • 30% Energy • 12% Liveness
2% Instrumentalness • 40% Positiveness
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The Colorful Quiet
Country Life
106 bpm • A Maj • 04:05 • -8.51db
16% Popularity • 51% Danceability • 43% Energy • 37% Liveness
0% Instrumentalness • 38% Positiveness
16% Popularity • 51% Danceability • 43% Energy • 37% Liveness
0% Instrumentalness • 38% Positiveness
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Thomas Hien
Home Is Where Your Heart Is
102 bpm • B Maj • 03:14 • -9.44db
12% Popularity • 73% Danceability • 46% Energy • 10% Liveness
6% Instrumentalness • 57% Positiveness
12% Popularity • 73% Danceability • 46% Energy • 10% Liveness
6% Instrumentalness • 57% Positiveness
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Taylor Kingman
Wannabe
102 bpm • E Maj • 03:37 • -14.39db
25% Popularity • 61% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
25% Popularity • 61% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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The Newton Brothers
All the Pretty Horses
102 bpm • B min • 03:43 • -11.48db
15% Popularity • 38% Danceability • 30% Energy • 7% Liveness
0% Instrumentalness • 19% Positiveness
15% Popularity • 38% Danceability • 30% Energy • 7% Liveness
0% Instrumentalness • 19% Positiveness
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Nowhere Man and a Whiskey Girl
Down Here
102 bpm • C Maj • 03:33 • -12.4db
21% Popularity • 70% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
21% Popularity • 70% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Dean Dyson
Wichita Lineman
101 bpm • G# min • 03:21 • -11.25db
1% Popularity • 61% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
1% Popularity • 61% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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The Colorful Quiet
One Day
106 bpm • B min • 04:38 • -14.24db
0% Popularity • 47% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
0% Popularity • 47% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
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Water Liars
Let It Breathe | OurVinyl Sessions
107 bpm • B Maj • 03:12 • -9.66db
27% Popularity • 44% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
27% Popularity • 44% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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David Wax Museum
When You Are Still
107 bpm • E Maj • 02:43 • -7.8db
10% Popularity • 63% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
10% Popularity • 63% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Taylor
You Got Me Feeling Again
107 bpm • D Maj • 03:08 • -13.05db
12% Popularity • 66% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
12% Popularity • 66% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
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Patrick James Bolster
Follow You
107 bpm • G# Maj • 02:28 • -9.34db
11% Popularity • 61% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
11% Popularity • 61% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
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Roz Bell
In Love with You
107 bpm • D Maj • 03:08 • -7.91db
7% Popularity • 56% Danceability • 56% Energy • 24% Liveness
0% Instrumentalness • 64% Positiveness
7% Popularity • 56% Danceability • 56% Energy • 24% Liveness
0% Instrumentalness • 64% Positiveness
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The Colorful Quiet
Knife Words
107 bpm • A# Maj • 05:06 • -12.45db
0% Popularity • 53% Danceability • 48% Energy • 55% Liveness
44% Instrumentalness • 4% Positiveness
0% Popularity • 53% Danceability • 48% Energy • 55% Liveness
44% Instrumentalness • 4% Positiveness
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Great Peacock
Take Me to the Mountain
101 bpm • A# Maj • 03:58 • -8.65db
31% Popularity • 25% Danceability • 56% Energy • 11% Liveness
3% Instrumentalness • 18% Positiveness
31% Popularity • 25% Danceability • 56% Energy • 11% Liveness
3% Instrumentalness • 18% Positiveness
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Adam Selzer
I'll Be Around
101 bpm • A Maj • 02:57 • -10.12db
19% Popularity • 82% Danceability • 49% Energy • 11% Liveness
40% Instrumentalness • 97% Positiveness
19% Popularity • 82% Danceability • 49% Energy • 11% Liveness
40% Instrumentalness • 97% Positiveness
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Ben Bailey
Make This Journey Our Home
101 bpm • C Maj • 02:45 • -7.21db
13% Popularity • 53% Danceability • 57% Energy • 28% Liveness
0% Instrumentalness • 58% Positiveness
13% Popularity • 53% Danceability • 57% Energy • 28% Liveness
0% Instrumentalness • 58% Positiveness
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Melissa Erin
Indigo Skies
108 bpm • G Maj • 03:04 • -6.94db
13% Popularity • 54% Danceability • 52% Energy • 10% Liveness
1% Instrumentalness • 32% Positiveness
13% Popularity • 54% Danceability • 52% Energy • 10% Liveness
1% Instrumentalness • 32% Positiveness
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Dante Mazzetti
Here I Go
108 bpm • F# min • 03:11 • -15.75db
31% Popularity • 75% Danceability • 25% Energy • 11% Liveness
7% Instrumentalness • 28% Positiveness
31% Popularity • 75% Danceability • 25% Energy • 11% Liveness
7% Instrumentalness • 28% Positiveness
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The Colorful Quiet
Would It Matter
100 bpm • A# Maj • 03:14 • -14.92db
0% Popularity • 56% Danceability • 22% Energy • 11% Liveness
4% Instrumentalness • 18% Positiveness
0% Popularity • 56% Danceability • 22% Energy • 11% Liveness
4% Instrumentalness • 18% Positiveness
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The Tobasco Donkeys
I Don't Mind
100 bpm • D# Maj • 04:25 • -8.01db
13% Popularity • 54% Danceability • 46% Energy • 16% Liveness
0% Instrumentalness • 38% Positiveness
13% Popularity • 54% Danceability • 46% Energy • 16% Liveness
0% Instrumentalness • 38% Positiveness
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The Whiskey Wasps
Casa Monte Negra
108 bpm • C Maj • 03:10 • -12.61db
20% Popularity • 68% Danceability • 38% Energy • 13% Liveness
84% Instrumentalness • 18% Positiveness
20% Popularity • 68% Danceability • 38% Energy • 13% Liveness
84% Instrumentalness • 18% Positiveness
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Frances & Simone
Find My Way
100 bpm • A# Maj • 03:37 • -11.71db
16% Popularity • 59% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
16% Popularity • 59% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Birds are better
Seven In The Morning
100 bpm • E Maj • 02:25 • -9.13db
32% Popularity • 50% Danceability • 53% Energy • 15% Liveness
9% Instrumentalness • 14% Positiveness
32% Popularity • 50% Danceability • 53% Energy • 15% Liveness
9% Instrumentalness • 14% Positiveness
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H. Scott Salinas
Had To Be There
100 bpm • B Maj • 03:25 • -11.07db
21% Popularity • 64% Danceability • 32% Energy • 10% Liveness
72% Instrumentalness • 26% Positiveness
21% Popularity • 64% Danceability • 32% Energy • 10% Liveness
72% Instrumentalness • 26% Positiveness
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The National Forest
No Matter The Miles
100 bpm • E Maj • 03:12 • -16.71db
33% Popularity • 66% Danceability • 23% Energy • 11% Liveness
75% Instrumentalness • 11% Positiveness
33% Popularity • 66% Danceability • 23% Energy • 11% Liveness
75% Instrumentalness • 11% Positiveness
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Binkley
Million Things I'd Rather Do
100 bpm • A# Maj • 03:55 • -11.21db
13% Popularity • 65% Danceability • 37% Energy • 15% Liveness
52% Instrumentalness • 48% Positiveness
13% Popularity • 65% Danceability • 37% Energy • 15% Liveness
52% Instrumentalness • 48% Positiveness
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Dan Graul
Better Angels
100 bpm • G Maj • 04:50 • -7.18db
8% Popularity • 34% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
8% Popularity • 34% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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William Prince
When You Miss Someone
108 bpm • G Maj • 03:05 • -10.54db
45% Popularity • 56% Danceability • 48% Energy • 11% Liveness
1% Instrumentalness • 31% Positiveness
45% Popularity • 56% Danceability • 48% Energy • 11% Liveness
1% Instrumentalness • 31% Positiveness
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Daniel Short
Nose On The Grindstone
100 bpm • D# Maj • 02:57 • -10.89db
10% Popularity • 53% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
10% Popularity • 53% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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The Colorful Quiet
Every Single Hour
109 bpm • C Maj • 03:31 • -17.34db
0% Popularity • 63% Danceability • 14% Energy • 8% Liveness
4% Instrumentalness • 37% Positiveness
0% Popularity • 63% Danceability • 14% Energy • 8% Liveness
4% Instrumentalness • 37% Positiveness
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The National Forest
Love I'm Looking For
109 bpm • E Maj • 02:57 • -19.07db
30% Popularity • 67% Danceability • 15% Energy • 11% Liveness
1% Instrumentalness • 25% Positiveness
30% Popularity • 67% Danceability • 15% Energy • 11% Liveness
1% Instrumentalness • 25% Positiveness
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Peacemode
Changes
109 bpm • B Maj • 02:41 • -9.93db
26% Popularity • 38% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
26% Popularity • 38% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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The Painted Horses
All the Pines in the West
109 bpm • F min • 03:21 • -10.55db
14% Popularity • 77% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
14% Popularity • 77% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Stephen Wilson Jr.
Year to Be Young 1994 (Unplugged)
109 bpm • C Maj • 03:58 • -7.5db
40% Popularity • 70% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
40% Popularity • 70% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Layup
All The Best
110 bpm • D# Maj • 02:11 • -10.79db
44% Popularity • 60% Danceability • 36% Energy • 18% Liveness
2% Instrumentalness • 26% Positiveness
44% Popularity • 60% Danceability • 36% Energy • 18% Liveness
2% Instrumentalness • 26% Positiveness
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The Colorful Quiet
In My Heart
99 bpm • D# min • 03:10 • -15.92db
0% Popularity • 36% Danceability • 16% Energy • 10% Liveness
3% Instrumentalness • 17% Positiveness
0% Popularity • 36% Danceability • 16% Energy • 10% Liveness
3% Instrumentalness • 17% Positiveness
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Bea Parks
Another Perfect Day
110 bpm • G Maj • 02:21 • -11.15db
10% Popularity • 54% Danceability • 40% Energy • 11% Liveness
78% Instrumentalness • 15% Positiveness
10% Popularity • 54% Danceability • 40% Energy • 11% Liveness
78% Instrumentalness • 15% Positiveness
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Oey James
going for a walk
110 bpm • D Maj • 02:16 • -21.99db
20% Popularity • 47% Danceability • 22% Energy • 10% Liveness
6% Instrumentalness • 38% Positiveness
20% Popularity • 47% Danceability • 22% Energy • 10% Liveness
6% Instrumentalness • 38% Positiveness
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Nowhere Man and a Whiskey Girl
Tumbleweed
110 bpm • D Maj • 04:22 • -8.41db
39% Popularity • 54% Danceability • 27% Energy • 20% Liveness
0% Instrumentalness • 14% Positiveness
39% Popularity • 54% Danceability • 27% Energy • 20% Liveness
0% Instrumentalness • 14% Positiveness
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Michael James Greco
Wherever Forever
110 bpm • C Maj • 03:26 • -15.13db
17% Popularity • 51% Danceability • 17% Energy • 10% Liveness
2% Instrumentalness • 14% Positiveness
17% Popularity • 51% Danceability • 17% Energy • 10% Liveness
2% Instrumentalness • 14% Positiveness
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Jonny Houlihan
Life Is Good
110 bpm • A Maj • 03:33 • -10db
20% Popularity • 67% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
20% Popularity • 67% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
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The Colorful Quiet
Freeman's Song
110 bpm • G Maj • 03:48 • -10.25db
0% Popularity • 54% Danceability • 31% Energy • 12% Liveness
4% Instrumentalness • 70% Positiveness
0% Popularity • 54% Danceability • 31% Energy • 12% Liveness
4% Instrumentalness • 70% Positiveness
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Rivers
Bad Men
98 bpm • G min • 04:39 • -14.61db
9% Popularity • 82% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
9% Popularity • 82% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Sean Tobin
Song for the End of the World
110 bpm • A# Maj • 03:13 • -11.77db
15% Popularity • 47% Danceability • 46% Energy • 10% Liveness
42% Instrumentalness • 29% Positiveness
15% Popularity • 47% Danceability • 46% Energy • 10% Liveness
42% Instrumentalness • 29% Positiveness
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Jesse Woods
Broken Cowboy
110 bpm • B Maj • 02:20 • -12.26db
33% Popularity • 62% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
33% Popularity • 62% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Darla Hawn
Don't Fence Me In
98 bpm • C Maj • 02:58 • -10.06db
18% Popularity • 29% Danceability • 25% Energy • 10% Liveness
1% Instrumentalness • 28% Positiveness
18% Popularity • 29% Danceability • 25% Energy • 10% Liveness
1% Instrumentalness • 28% Positiveness
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Shulman Smith
Better
98 bpm • G Maj • 02:44 • -11.54db
27% Popularity • 62% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
27% Popularity • 62% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
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Skyline
Season of Fall
98 bpm • D Maj • 05:03 • -8db
15% Popularity • 36% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
15% Popularity • 36% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Patrick Dugan
In the Country
98 bpm • G Maj • 02:59 • -13.17db
9% Popularity • 69% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 86% Positiveness
9% Popularity • 69% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 86% Positiveness
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Cujo Moon
California Fire (acoustic)
98 bpm • C Maj • 04:09 • -9.72db
12% Popularity • 46% Danceability • 27% Energy • 12% Liveness
1% Instrumentalness • 25% Positiveness
12% Popularity • 46% Danceability • 27% Energy • 12% Liveness
1% Instrumentalness • 25% Positiveness
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Allison Young
Not In Nottingham
98 bpm • G Maj • 02:16 • -12.22db
34% Popularity • 52% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
34% Popularity • 52% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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West Texas Wind
Roaming Home
98 bpm • E Maj • 03:16 • -6.83db
17% Popularity • 57% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
17% Popularity • 57% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Scott Ballew
Good Luck Kid
111 bpm • C# Maj • 02:45 • -9.07db
31% Popularity • 63% Danceability • 36% Energy • 11% Liveness
1% Instrumentalness • 15% Positiveness
31% Popularity • 63% Danceability • 36% Energy • 11% Liveness
1% Instrumentalness • 15% Positiveness
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Kylie Dailey
Copper Horse
111 bpm • C Maj • 03:06 • -12.77db
27% Popularity • 52% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
27% Popularity • 52% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Ocie Elliott
This Beautiful Life
97 bpm • G# Maj • 02:30 • -12.68db
52% Popularity • 60% Danceability • 35% Energy • 12% Liveness
15% Instrumentalness • 40% Positiveness
52% Popularity • 60% Danceability • 35% Energy • 12% Liveness
15% Instrumentalness • 40% Positiveness
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Zack Couron
Not Today
97 bpm • C Maj • 02:55 • -12.82db
18% Popularity • 45% Danceability • 30% Energy • 15% Liveness
0% Instrumentalness • 25% Positiveness
18% Popularity • 45% Danceability • 30% Energy • 15% Liveness
0% Instrumentalness • 25% Positiveness
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Adam Carroll
Screen Door
111 bpm • G Maj • 04:32 • -9.11db
18% Popularity • 49% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
18% Popularity • 49% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
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Vinnie Paolizzi
Proud Of What I Did Today
97 bpm • E Maj • 03:34 • -6.52db
8% Popularity • 59% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
8% Popularity • 59% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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Emmylou Harris
Bury Me Beneath the Willow
97 bpm • C Maj • 03:18 • -7.44db
32% Popularity • 54% Danceability • 61% Energy • 58% Liveness
0% Instrumentalness • 79% Positiveness
32% Popularity • 54% Danceability • 61% Energy • 58% Liveness
0% Instrumentalness • 79% Positiveness
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Christian Beck
Rosaline
97 bpm • E Maj • 03:00 • -11.62db
20% Popularity • 61% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
20% Popularity • 61% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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N. Kerbin
The Best Day of My Life
112 bpm • C# Maj • 03:50 • -10.4db
13% Popularity • 55% Danceability • 16% Energy • 17% Liveness
0% Instrumentalness • 23% Positiveness
13% Popularity • 55% Danceability • 16% Energy • 17% Liveness
0% Instrumentalness • 23% Positiveness
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Jenn Grant
Dreamer
112 bpm • A min • 04:48 • -7.74db
15% Popularity • 55% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
15% Popularity • 55% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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Sunriver
Find Our Way
112 bpm • C# Maj • 04:33 • -12.7db
11% Popularity • 46% Danceability • 34% Energy • 10% Liveness
4% Instrumentalness • 9% Positiveness
11% Popularity • 46% Danceability • 34% Energy • 10% Liveness
4% Instrumentalness • 9% Positiveness
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Hayes Peebles
When I Find My Love
112 bpm • C# Maj • 03:32 • -7.2db
14% Popularity • 72% Danceability • 47% Energy • 12% Liveness
1% Instrumentalness • 71% Positiveness
14% Popularity • 72% Danceability • 47% Energy • 12% Liveness
1% Instrumentalness • 71% Positiveness
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Tophouse
Galway Girl
97 bpm • A Maj • 05:40 • -10.02db
38% Popularity • 38% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
38% Popularity • 38% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Nathan Reich
Somewhere In Colorado
112 bpm • B Maj • 03:53 • -13.81db
9% Popularity • 51% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
9% Popularity • 51% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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The National Forest
Don't Go Away
112 bpm • G# Maj • 02:45 • -15.89db
22% Popularity • 60% Danceability • 25% Energy • 34% Liveness
66% Instrumentalness • 39% Positiveness
22% Popularity • 60% Danceability • 25% Energy • 34% Liveness
66% Instrumentalness • 39% Positiveness
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Drew Holcomb
What a Wonderful World
96 bpm • D Maj • 02:32 • -13.42db
31% Popularity • 64% Danceability • 15% Energy • 18% Liveness
0% Instrumentalness • 23% Positiveness
31% Popularity • 64% Danceability • 15% Energy • 18% Liveness
0% Instrumentalness • 23% Positiveness
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Jess Ribeiro
It'll Come To Pass
96 bpm • G Maj • 03:19 • -6.02db
12% Popularity • 63% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
12% Popularity • 63% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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Marshall Mcferrin
Narrow Is the Road
96 bpm • C Maj • 02:52 • -9.45db
12% Popularity • 67% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
12% Popularity • 67% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
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Michael James Greco
Chameleon
96 bpm • C Maj • 02:53 • -10.7db
11% Popularity • 65% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
11% Popularity • 65% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
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Matt Hartke
Is This It
96 bpm • D# Maj • 02:08 • -13.05db
25% Popularity • 69% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
25% Popularity • 69% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
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Forest Sun
Precious Days
96 bpm • E Maj • 02:45 • -16.46db
31% Popularity • 64% Danceability • 22% Energy • 25% Liveness
4% Instrumentalness • 44% Positiveness
31% Popularity • 64% Danceability • 22% Energy • 25% Liveness
4% Instrumentalness • 44% Positiveness
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Adam Selzer
Swallow the Ocean
113 bpm • G Maj • 02:45 • -11.82db
14% Popularity • 66% Danceability • 49% Energy • 93% Liveness
8% Instrumentalness • 39% Positiveness
14% Popularity • 66% Danceability • 49% Energy • 93% Liveness
8% Instrumentalness • 39% Positiveness
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Sanders Bohlke
The Wolves
113 bpm • A Maj • 05:27 • -10.7db
7% Popularity • 57% Danceability • 32% Energy • 13% Liveness
32% Instrumentalness • 13% Positiveness
7% Popularity • 57% Danceability • 32% Energy • 13% Liveness
32% Instrumentalness • 13% Positiveness
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Jesse Woods
Broken Bottle
113 bpm • D Maj • 03:45 • -6.8db
20% Popularity • 62% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
20% Popularity • 62% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
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The Janzen Boys
Courthouse
113 bpm • F# min • 04:07 • -7.5db
14% Popularity • 65% Danceability • 45% Energy • 23% Liveness
0% Instrumentalness • 29% Positiveness
14% Popularity • 65% Danceability • 45% Energy • 23% Liveness
0% Instrumentalness • 29% Positiveness
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The Colorful Quiet
Hard Time
113 bpm • G# min • 02:31 • -14.77db
0% Popularity • 63% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 15% Positiveness
0% Popularity • 63% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 15% Positiveness
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Tubesounds
Higher Than The Sun
95 bpm • C Maj • 03:20 • -6.76db
11% Popularity • 40% Danceability • 69% Energy • 17% Liveness
3% Instrumentalness • 45% Positiveness
11% Popularity • 40% Danceability • 69% Energy • 17% Liveness
3% Instrumentalness • 45% Positiveness
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Sidney Bird
Getaway Cabin
95 bpm • A# Maj • 03:37 • -13.27db
48% Popularity • 76% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
48% Popularity • 76% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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Timmy Curran
Horses on the Range
95 bpm • D Maj • 03:04 • -11.06db
22% Popularity • 57% Danceability • 44% Energy • 27% Liveness
0% Instrumentalness • 62% Positiveness
22% Popularity • 57% Danceability • 44% Energy • 27% Liveness
0% Instrumentalness • 62% Positiveness
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The Nightjars
Direction
95 bpm • C Maj • 03:02 • -12db
16% Popularity • 58% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
16% Popularity • 58% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
