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I Do
Songs like
I Do
by
Gin Wigmore
Based on a tempo of (+/- 10%) and a similar genre
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Gin Wigmore
Cold Cave
138 bpm • C min • 04:12 • -5.61db
17% Popularity • 31% Danceability • 43% Energy • 16% Liveness
0% Instrumentalness • 11% Positiveness
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Brandon & Leah
Vaseline
138 bpm • F Maj • 03:43 • -5.62db
11% Popularity • 74% Danceability • 65% Energy • 35% Liveness
0% Instrumentalness • 82% Positiveness
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Katy Perry
Black And Gold
139 bpm • B min • 03:26 • -6.89db
14% Popularity • 76% Danceability • 43% Energy • 36% Liveness
0% Instrumentalness • 34% Positiveness
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Dave Dobbyn
Beside You
139 bpm • C# Maj • 03:42 • -6.96db
19% Popularity • 54% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Opshop
Maybe
137 bpm • F# Maj • 03:27 • -4.1db
32% Popularity • 56% Danceability • 88% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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The Exponents
Whatever Happened To Tracey
137 bpm • A Maj • 02:51 • -6.37db
27% Popularity • 64% Danceability • 69% Energy • 21% Liveness
0% Instrumentalness • 88% Positiveness
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Gin Wigmore
I Do - Radio Edit
138 bpm • C# Maj • 03:44 • -5.13db
8% Popularity • 78% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 66% Positiveness
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Midnight Youth
All on Our Own
137 bpm • F# Maj • 03:46 • -5.03db
30% Popularity • 52% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
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Mama Kin
To My Table
137 bpm • C min • 03:28 • -4.99db
13% Popularity • 72% Danceability • 90% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
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Little Jackie
31 Flavors
137 bpm • G Maj • 03:08 • -2.44db
14% Popularity • 70% Danceability • 96% Energy • 85% Liveness
0% Instrumentalness • 85% Positiveness
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Paloma Faith
The Bigger You Love (The Harder You Fall...
140 bpm • E Maj • 03:01 • -5.64db
28% Popularity • 68% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 87% Positiveness
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Goldenhorse
Baby's Been Bad
140 bpm • G Maj • 02:53 • -5.18db
13% Popularity • 70% Danceability • 82% Energy • 17% Liveness
1% Instrumentalness • 96% Positiveness
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Gin Wigmore
I Do
138 bpm • C# Maj • 04:07 • -7.6db
17% Popularity • 77% Danceability • 48% Energy • 6% Liveness
0% Instrumentalness • 80% Positiveness
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Seeker Lover Keeper
Light All My Lights
140 bpm • F Maj • 03:22 • -12db
28% Popularity • 69% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Benny Tipene
Lonely
140 bpm • C Maj • 03:54 • -7.17db
22% Popularity • 64% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Kyla Fletcher
Exs and Ohs (Acoustic Version)
140 bpm • E min • 03:24 • -8db
27% Popularity • 83% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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Meg Mac
Turning
136 bpm • F min • 03:42 • -7.88db
21% Popularity • 63% Danceability • 55% Energy • 9% Liveness
3% Instrumentalness • 18% Positiveness
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Ginny Blackmore
SFM
140 bpm • C# Maj • 04:09 • -7.58db
11% Popularity • 45% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Gin Wigmore
This Old Heart
140 bpm • E Maj • 04:42 • -7.12db
14% Popularity • 46% Danceability • 46% Energy • 18% Liveness
0% Instrumentalness • 11% Positiveness
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Breaks Co-Op
Sounds Familiar
140 bpm • G Maj • 03:38 • -5.82db
9% Popularity • 74% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 87% Positiveness
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Paloma Faith
Let Your Love Walk In
136 bpm • G# Maj • 04:23 • -6.76db
22% Popularity • 65% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Emma Louise
Bugs
136 bpm • B Maj • 03:52 • -10.83db
15% Popularity • 74% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Fly My Pretties
Singing in My Soul
140 bpm • F Maj • 06:00 • -8.45db
30% Popularity • 47% Danceability • 58% Energy • 70% Liveness
0% Instrumentalness • 47% Positiveness
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Opshop
One Day
140 bpm • D Maj • 04:25 • -7.6db
41% Popularity • 54% Danceability • 40% Energy • 21% Liveness
0% Instrumentalness • 18% Positiveness
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Gin Wigmore
Mr. Freakshow
140 bpm • F Maj • 03:50 • -4.63db
13% Popularity • 57% Danceability • 77% Energy • 7% Liveness
42% Instrumentalness • 67% Positiveness
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Fur Patrol
Andrew
135 bpm • G Maj • 03:46 • -6.68db
16% Popularity • 38% Danceability • 92% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Kate Ceberano
Pash
135 bpm • F min • 04:20 • -5db
36% Popularity • 70% Danceability • 91% Energy • 7% Liveness
2% Instrumentalness • 95% Positiveness
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Ben Lee
Apple Candy
141 bpm • A Maj • 03:22 • -12.49db
11% Popularity • 52% Danceability • 42% Energy • 11% Liveness
3% Instrumentalness • 35% Positiveness
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Hollie Smith
I Will Do
135 bpm • F# min • 04:44 • -8.77db
8% Popularity • 46% Danceability • 42% Energy • 9% Liveness
1% Instrumentalness • 8% Positiveness
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Lily Allen
He Wasn't There
141 bpm • F Maj • 02:52 • -8.01db
27% Popularity • 70% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
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Gin Wigmore
Over The Rainbow
141 bpm • C# Maj • 03:14 • -7.14db
12% Popularity • 52% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
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Clare Bowditch
When The Lights Went Down
142 bpm • E min • 03:21 • -5.24db
15% Popularity • 41% Danceability • 68% Energy • 35% Liveness
0% Instrumentalness • 43% Positiveness
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Ladi6
Diamonds
142 bpm • F min • 03:54 • -8.31db
39% Popularity • 80% Danceability • 58% Energy • 6% Liveness
0% Instrumentalness • 84% Positiveness
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Josh Pyke
The Lighthouse Song
142 bpm • C Maj • 03:44 • -8.64db
37% Popularity • 58% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Cosmo Jarvis
She Doesn't Mind
133 bpm • G# min • 05:13 • -8.13db
20% Popularity • 85% Danceability • 42% Energy • 16% Liveness
0% Instrumentalness • 89% Positiveness
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Hello Sailor
Gutter Black
142 bpm • D Maj • 02:57 • -9db
46% Popularity • 59% Danceability • 79% Energy • 14% Liveness
0% Instrumentalness • 72% Positiveness
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Gin Wigmore
Feels Like Me
142 bpm • C Maj • 03:20 • -2.27db
22% Popularity • 52% Danceability • 84% Energy • 67% Liveness
0% Instrumentalness • 61% Positiveness
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Lily Allen
Never Gonna Happen
143 bpm • D Maj • 03:27 • -7.17db
33% Popularity • 76% Danceability • 74% Energy • 6% Liveness
0% Instrumentalness • 97% Positiveness
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Opshop
Big Energy in Little Spaces
133 bpm • D min • 03:59 • -4.18db
20% Popularity • 56% Danceability • 78% Energy • 31% Liveness
4% Instrumentalness • 35% Positiveness
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Leonardo's Bride
Buddha Baby
144 bpm • D min • 07:06 • -6.47db
10% Popularity • 36% Danceability • 0% Energy • 25% Liveness
0% Instrumentalness • 91% Positiveness
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Dukes
Self Control
133 bpm • F# min • 03:16 • -3.96db
12% Popularity • 70% Danceability • 75% Energy • 4% Liveness
0% Instrumentalness • 94% Positiveness
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Montaigne
I'm a Fantastic Wreck
144 bpm • B Maj • 03:14 • -5.67db
26% Popularity • 62% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
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Gin Wigmore
New Rush
133 bpm • C Maj • 03:49 • -5db
31% Popularity • 72% Danceability • 94% Energy • 10% Liveness
10% Instrumentalness • 49% Positiveness
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Killing Heidi
Calm Down
144 bpm • D Maj • 03:42 • -2.13db
25% Popularity • 46% Danceability • 97% Energy • 29% Liveness
0% Instrumentalness • 42% Positiveness
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Grace Potter & The Nocturnals
Medicine
132 bpm • A min • 04:05 • -4.07db
32% Popularity • 72% Danceability • 80% Energy • 5% Liveness
0% Instrumentalness • 74% Positiveness
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Lisa Mitchell
The Story of the Raven and the Mushroom ...
144 bpm • A Maj • 04:19 • -6.02db
11% Popularity • 63% Danceability • 87% Energy • 16% Liveness
0% Instrumentalness • 97% Positiveness
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The Hollywood Symphony Orchestra and Voices
Coconut
132 bpm • C Maj • 03:44 • -15.13db
5% Popularity • 81% Danceability • 49% Energy • 8% Liveness
1% Instrumentalness • 76% Positiveness
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Aaradhna
Wake Up
132 bpm • D# Maj • 03:51 • -4.16db
36% Popularity • 57% Danceability • 81% Energy • 16% Liveness
0% Instrumentalness • 91% Positiveness
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Gin Wigmore
Too Late For Lovers
144 bpm • A Maj • 03:47 • -6.73db
24% Popularity • 55% Danceability • 48% Energy • 15% Liveness
0% Instrumentalness • 36% Positiveness
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Tina Arena
Only Lonely
145 bpm • D Maj • 03:22 • -11.6db
17% Popularity • 44% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Clare Bowditch
You Look So Good
145 bpm • C# min • 04:08 • -6.54db
17% Popularity • 32% Danceability • 72% Energy • 17% Liveness
0% Instrumentalness • 38% Positiveness
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Grace Potter & The Nocturnals
Hot Summer Night
131 bpm • G Maj • 03:21 • -3.04db
25% Popularity • 68% Danceability • 80% Energy • 31% Liveness
0% Instrumentalness • 94% Positiveness
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Lily Allen
22 - Acoustic
131 bpm • D# Maj • 03:08 • -6.76db
23% Popularity • 71% Danceability • 41% Energy • 18% Liveness
0% Instrumentalness • 47% Positiveness
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Sandi Thom
Lonely Girl
131 bpm • D# Maj • 03:10 • -4.23db
21% Popularity • 58% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
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Gin Wigmore
Oh My
132 bpm • A Maj • 04:15 • -5.52db
39% Popularity • 64% Danceability • 81% Energy • 33% Liveness
3% Instrumentalness • 77% Positiveness
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Natalie Imbruglia
Pineapple Head
131 bpm • A Maj • 03:23 • -5.46db
24% Popularity • 41% Danceability • 78% Energy • 27% Liveness
0% Instrumentalness • 56% Positiveness
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Seeker Lover Keeper
On My Own
146 bpm • B Maj • 04:07 • -12.23db
13% Popularity • 60% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
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Goodshirt
Buck It Up
146 bpm • D Maj • 02:41 • -6.3db
28% Popularity • 55% Danceability • 88% Energy • 8% Liveness
75% Instrumentalness • 97% Positiveness
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Clairy Browne & The Bangin' Rackettes
Vicious Cycle
130 bpm • F# min • 04:01 • -6db
18% Popularity • 44% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Josh Pyke
Middle Of The Hill
146 bpm • G Maj • 02:27 • -7.05db
43% Popularity • 77% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
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Gin Wigmore
Fall Out Of Love
132 bpm • E min • 03:41 • -3.44db
18% Popularity • 58% Danceability • 75% Energy • 34% Liveness
3% Instrumentalness • 25% Positiveness
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the feelers
Fishing for Lisa
146 bpm • D Maj • 02:57 • -5.09db
31% Popularity • 48% Danceability • 76% Energy • 33% Liveness
0% Instrumentalness • 47% Positiveness
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The Audreys
Small Things
130 bpm • F Maj • 04:07 • -12.42db
25% Popularity • 67% Danceability • 37% Energy • 12% Liveness
3% Instrumentalness • 25% Positiveness
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Dane Rumble
Always Be Here
130 bpm • A min • 03:45 • -3.53db
28% Popularity • 77% Danceability • 85% Energy • 7% Liveness
0% Instrumentalness • 83% Positiveness
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Hollie Smith
Can't Let You Down
130 bpm • G# Maj • 04:19 • -8.68db
11% Popularity • 73% Danceability • 44% Energy • 16% Liveness
0% Instrumentalness • 65% Positiveness
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Itch
Another Man
148 bpm • B min • 03:08 • -3.53db
26% Popularity • 54% Danceability • 94% Energy • 25% Liveness
0% Instrumentalness • 76% Positiveness
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The Exponents
Why Does Love Do This To Me
128 bpm • D Maj • 03:25 • -6db
48% Popularity • 64% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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Ivy Levan
Killing You
148 bpm • C# min • 03:21 • -8.68db
22% Popularity • 58% Danceability • 63% Energy • 10% Liveness
3% Instrumentalness • 30% Positiveness
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The Audreys
You and Steve McQueen
129 bpm • C min • 03:43 • -8.46db
31% Popularity • 53% Danceability • 47% Energy • 10% Liveness
2% Instrumentalness • 40% Positiveness
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Powderfinger
Glory Box
128 bpm • G Maj • 05:09 • -5.98db
10% Popularity • 42% Danceability • 58% Energy • 36% Liveness
20% Instrumentalness • 41% Positiveness
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Asta
My Heart Is on Fire
128 bpm • F# min • 02:59 • -13.61db
34% Popularity • 80% Danceability • 51% Energy • 7% Liveness
0% Instrumentalness • 93% Positiveness
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Gin Wigmore
Black Parade
128 bpm • C min • 04:05 • -5.98db
16% Popularity • 59% Danceability • 48% Energy • 20% Liveness
1% Instrumentalness • 33% Positiveness
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Gotye
Coming Back
128 bpm • A min • 06:53 • -8.81db
19% Popularity • 64% Danceability • 67% Energy • 74% Liveness
1% Instrumentalness • 68% Positiveness
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Goldenhorse
Out of the Moon
128 bpm • D Maj • 03:48 • -4.96db
21% Popularity • 54% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
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The Whitlams
No Aphrodisiac
150 bpm • D min • 04:19 • -8.27db
48% Popularity • 36% Danceability • 61% Energy • 16% Liveness
0% Instrumentalness • 64% Positiveness
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Dan Kelly
Nothing Compares To You
128 bpm • A# Maj • 04:49 • -10.66db
8% Popularity • 76% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Liam Finn
Better To Be
127 bpm • G Maj • 03:46 • -8.09db
16% Popularity • 47% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
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Gin Wigmore
In My Way
128 bpm • G# Maj • 03:29 • -5.38db
18% Popularity • 69% Danceability • 82% Energy • 12% Liveness
68% Instrumentalness • 39% Positiveness
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Gabriella Cilmi
Parallel Universe
150 bpm • A Maj • 03:49 • -8.4db
8% Popularity • 52% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 25% Positiveness
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Flight of the Conchords
Feel Inside (And Stuff Like That)
150 bpm • C Maj • 03:57 • -5.76db
29% Popularity • 63% Danceability • 77% Energy • 18% Liveness
0% Instrumentalness • 51% Positiveness
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Mama Kin
Tore My Heart Out
150 bpm • C# min • 03:55 • -9.13db
24% Popularity • 63% Danceability • 41% Energy • 7% Liveness
0% Instrumentalness • 13% Positiveness
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Annah Mac
Celia
150 bpm • A# Maj • 02:50 • -2.84db
9% Popularity • 62% Danceability • 93% Energy • 22% Liveness
0% Instrumentalness • 87% Positiveness
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Anya Marina
My Mama Said It
150 bpm • F Maj • 03:21 • -7.21db
12% Popularity • 69% Danceability • 68% Energy • 6% Liveness
0% Instrumentalness • 62% Positiveness
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The Preatures
Take A Card
127 bpm • C# min • 03:29 • -4.76db
21% Popularity • 61% Danceability • 75% Energy • 32% Liveness
0% Instrumentalness • 73% Positiveness
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Jenny Morris
Break in the Weather
127 bpm • G min • 04:31 • -14.18db
33% Popularity • 72% Danceability • 41% Energy • 3% Liveness
0% Instrumentalness • 95% Positiveness
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Gabriella Cilmi
Sweeter In History
127 bpm • D min • 03:20 • -9.11db
9% Popularity • 39% Danceability • 50% Energy • 21% Liveness
0% Instrumentalness • 10% Positiveness
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Gin Wigmore
Hangover Halo
150 bpm • C Maj • 03:55 • -3.41db
22% Popularity • 35% Danceability • 84% Energy • 30% Liveness
0% Instrumentalness • 38% Positiveness
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Tinpan Orange
Round The Twist
126 bpm • D Maj • 03:17 • -8.69db
8% Popularity • 36% Danceability • 58% Energy • 8% Liveness
5% Instrumentalness • 36% Positiveness
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Opshop
Smoke and Mirrors
126 bpm • A min • 05:01 • -7.93db
10% Popularity • 52% Danceability • 48% Energy • 18% Liveness
0% Instrumentalness • 13% Positiveness
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Jeremy Redmore
Bad Philosophy
126 bpm • C# Maj • 03:26 • -4.5db
14% Popularity • 75% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
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Greg Johnson
Don't Wait Another Day
126 bpm • G Maj • 03:50 • -12.61db
27% Popularity • 62% Danceability • 53% Energy • 21% Liveness
0% Instrumentalness • 52% Positiveness
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Ben Lee
Into The Dark
126 bpm • G Maj • 02:46 • -7db
24% Popularity • 78% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 94% Positiveness
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Gin Wigmore
Don't Stop
126 bpm • G# Maj • 03:28 • -3.86db
27% Popularity • 76% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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Goldenhorse
Golden Dawn
152 bpm • D Maj • 04:41 • -6.14db
22% Popularity • 56% Danceability • 65% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
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Coby Grant
A Song About Me
152 bpm • G Maj • 03:23 • -7.59db
8% Popularity • 72% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
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The Exponents
Victoria - Single Version
125 bpm • B Maj • 03:26 • -9.75db
40% Popularity • 64% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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Mama Kin
Beat And Holler
125 bpm • C# min • 02:20 • -8.98db
18% Popularity • 85% Danceability • 41% Energy • 20% Liveness
0% Instrumentalness • 84% Positiveness
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Lisa Mitchell
Heroine
152 bpm • C Maj • 03:44 • -9.9db
0% Popularity • 60% Danceability • 64% Energy • 10% Liveness
9% Instrumentalness • 94% Positiveness
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Gossling
Heart Killer
125 bpm • B min • 03:48 • -7.19db
11% Popularity • 66% Danceability • 66% Energy • 10% Liveness
2% Instrumentalness • 49% Positiveness
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The Audreys
A Little More
125 bpm • C Maj • 04:37 • -7.08db
16% Popularity • 60% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
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I Do