Songs like I Do by Paul Brandt
Based on a tempo of (+/- 10%) and a similar genre
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Sawyer Brown
With This Ring
73 bpm • D# Maj • 03:12 • -8.02db
15% Popularity • 57% Danceability • 39% Energy • 27% Liveness
0% Instrumentalness • 27% Positiveness
15% Popularity • 57% Danceability • 39% Energy • 27% Liveness
0% Instrumentalness • 27% Positiveness
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Jimmy Wayne
I Love You This Much
73 bpm • D Maj • 04:07 • -4.91db
33% Popularity • 36% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
33% Popularity • 36% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Paul Brandt
I Do
73 bpm • D# Maj • 03:40 • -10.52db
47% Popularity • 55% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 32% Positiveness
47% Popularity • 55% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 32% Positiveness
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Jeff Bates
I Wanna Make You Cry
73 bpm • C Maj • 03:15 • -5.92db
24% Popularity • 23% Danceability • 56% Energy • 18% Liveness
0% Instrumentalness • 30% Positiveness
24% Popularity • 23% Danceability • 56% Energy • 18% Liveness
0% Instrumentalness • 30% Positiveness
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Brooks Jefferson
Unanswered Prayers
74 bpm • D Maj • 03:25 • -5.68db
47% Popularity • 60% Danceability • 56% Energy • 25% Liveness
0% Instrumentalness • 24% Positiveness
47% Popularity • 60% Danceability • 56% Energy • 25% Liveness
0% Instrumentalness • 24% Positiveness
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Shenandoah
Daddy's Little Man
74 bpm • F Maj • 03:46 • -11.77db
17% Popularity • 48% Danceability • 33% Energy • 29% Liveness
0% Instrumentalness • 40% Positiveness
17% Popularity • 48% Danceability • 33% Energy • 29% Liveness
0% Instrumentalness • 40% Positiveness
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Pam Tillis
Maybe It Was Memphis
74 bpm • A Maj • 03:59 • -7db
59% Popularity • 50% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 50% Positiveness
59% Popularity • 50% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 50% Positiveness
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Patty Loveless
How Can I Help You Say Goodbye
72 bpm • B Maj • 04:58 • -12db
49% Popularity • 50% Danceability • 20% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
49% Popularity • 50% Danceability • 20% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
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Paul Brandt
Last First Kiss
74 bpm • A# Maj • 04:19 • -7.35db
11% Popularity • 47% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
11% Popularity • 47% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Sammy Kershaw
Matches
72 bpm • D Maj • 03:54 • -11.06db
19% Popularity • 49% Danceability • 38% Energy • 19% Liveness
0% Instrumentalness • 14% Positiveness
19% Popularity • 49% Danceability • 38% Energy • 19% Liveness
0% Instrumentalness • 14% Positiveness
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Lorrie Morgan
A Picture of Me (Without You)
74 bpm • A# Maj • 03:39 • -13.05db
34% Popularity • 29% Danceability • 26% Energy • 15% Liveness
0% Instrumentalness • 17% Positiveness
34% Popularity • 29% Danceability • 26% Energy • 15% Liveness
0% Instrumentalness • 17% Positiveness
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Michelle Wright
Take It Like a Man
74 bpm • D# Maj • 03:58 • -10db
35% Popularity • 71% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 73% Positiveness
35% Popularity • 71% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 73% Positiveness
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Tracy Byrd
Take Me With You When You Go
74 bpm • F# Maj • 03:17 • -7.02db
17% Popularity • 54% Danceability • 58% Energy • 16% Liveness
0% Instrumentalness • 37% Positiveness
17% Popularity • 54% Danceability • 58% Energy • 16% Liveness
0% Instrumentalness • 37% Positiveness
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Lonestar
Smile
75 bpm • G Maj • 03:33 • -8.91db
38% Popularity • 47% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
38% Popularity • 47% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Paul Brandt
Start Forever Over Again
71 bpm • G Maj • 03:42 • -10.17db
12% Popularity • 53% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
12% Popularity • 53% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Toby Keith
Crash Here Tonight
75 bpm • E min • 03:00 • -7.87db
32% Popularity • 47% Danceability • 44% Energy • 34% Liveness
3% Instrumentalness • 22% Positiveness
32% Popularity • 47% Danceability • 44% Energy • 34% Liveness
3% Instrumentalness • 22% Positiveness
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Buddy Jewell
Help Pour Out the Rain (Lacey's Song)
75 bpm • C Maj • 03:49 • -7.43db
41% Popularity • 56% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
41% Popularity • 56% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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Steve Holy
Good Morning Beautiful
71 bpm • G Maj • 03:30 • -8.82db
51% Popularity • 56% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
51% Popularity • 56% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
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Trace Adkins
Then They Do - With String Intro
75 bpm • A# Maj • 04:31 • -9db
34% Popularity • 52% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 33% Positiveness
34% Popularity • 52% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 33% Positiveness
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Shenandoah
Church On Cumberland Road
75 bpm • A# Maj • 03:08 • -8db
47% Popularity • 67% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
47% Popularity • 67% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
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Chris LeDoux
Look At You Girl
75 bpm • D Maj • 03:11 • -15db
42% Popularity • 57% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
42% Popularity • 57% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Clint Black
A Bad Goodbye
71 bpm • B Maj • 03:39 • -10.41db
41% Popularity • 40% Danceability • 26% Energy • 22% Liveness
0% Instrumentalness • 19% Positiveness
41% Popularity • 40% Danceability • 26% Energy • 22% Liveness
0% Instrumentalness • 19% Positiveness
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Jeff Carson
The Car
71 bpm • D Maj • 03:32 • -8.87db
26% Popularity • 48% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
26% Popularity • 48% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Alabama
The Maker Said Take Her
75 bpm • B Maj • 03:41 • -6.63db
26% Popularity • 49% Danceability • 49% Energy • 29% Liveness
0% Instrumentalness • 53% Positiveness
26% Popularity • 49% Danceability • 49% Energy • 29% Liveness
0% Instrumentalness • 53% Positiveness
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John Berry
Your Love Amazes Me
75 bpm • A# Maj • 03:53 • -12db
43% Popularity • 59% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
43% Popularity • 59% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Vince Gill
When I Call Your Name
71 bpm • F Maj • 04:15 • -17.62db
56% Popularity • 51% Danceability • 11% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
56% Popularity • 51% Danceability • 11% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
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Josh Turner
Soulmate
76 bpm • F# Maj • 03:48 • -10db
42% Popularity • 56% Danceability • 37% Energy • 14% Liveness
1% Instrumentalness • 32% Positiveness
42% Popularity • 56% Danceability • 37% Energy • 14% Liveness
1% Instrumentalness • 32% Positiveness
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Jeff Bates
One Second Chance
76 bpm • G Maj • 03:42 • -8.15db
23% Popularity • 61% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
23% Popularity • 61% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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David Kersh
Another You
76 bpm • A Maj • 03:51 • -8.49db
27% Popularity • 65% Danceability • 41% Energy • 7% Liveness
0% Instrumentalness • 31% Positiveness
27% Popularity • 65% Danceability • 41% Energy • 7% Liveness
0% Instrumentalness • 31% Positiveness
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Brooks Jefferson
The River
77 bpm • A Maj • 04:26 • -8.11db
44% Popularity • 56% Danceability • 44% Energy • 6% Liveness
0% Instrumentalness • 21% Positiveness
44% Popularity • 56% Danceability • 44% Energy • 6% Liveness
0% Instrumentalness • 21% Positiveness
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Holly Dunn
Daddy's Hands
77 bpm • D Maj • 03:28 • -13.51db
43% Popularity • 55% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
43% Popularity • 55% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Trace Adkins
Arlington
77 bpm • A# Maj • 04:07 • -7.35db
44% Popularity • 43% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
44% Popularity • 43% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
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Aaron Tippin
I'm Leaving
77 bpm • D Maj • 03:21 • -7db
34% Popularity • 57% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
34% Popularity • 57% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Rodney Atkins
Honesty (Write Me A List)
77 bpm • F# Maj • 04:15 • -6.72db
24% Popularity • 58% Danceability • 50% Energy • 16% Liveness
0% Instrumentalness • 24% Positiveness
24% Popularity • 58% Danceability • 50% Energy • 16% Liveness
0% Instrumentalness • 24% Positiveness
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Bucky Covington
I'll Walk
77 bpm • G Maj • 03:30 • -7db
34% Popularity • 51% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
34% Popularity • 51% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Faith Hill
I Can't Do That Anymore
77 bpm • F# Maj • 04:02 • -9.92db
33% Popularity • 57% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
33% Popularity • 57% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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BlackHawk
I Sure Can Smell the Rain
78 bpm • E Maj • 03:37 • -12db
39% Popularity • 57% Danceability • 40% Energy • 16% Liveness
0% Instrumentalness • 42% Positiveness
39% Popularity • 57% Danceability • 40% Energy • 16% Liveness
0% Instrumentalness • 42% Positiveness
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Jeff Carson
Butterfly Kisses
77 bpm • A Maj • 03:59 • -13db
41% Popularity • 56% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
41% Popularity • 56% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Joe Nichols
She Only Smokes When She Drinks
78 bpm • E Maj • 03:22 • -8db
45% Popularity • 64% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
45% Popularity • 64% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Chris Young
Old Love Feels New
78 bpm • E Maj • 03:59 • -6db
35% Popularity • 55% Danceability • 63% Energy • 18% Liveness
0% Instrumentalness • 46% Positiveness
35% Popularity • 55% Danceability • 63% Energy • 18% Liveness
0% Instrumentalness • 46% Positiveness
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Johnny Reid
Missin' An Angel
78 bpm • G# min • 04:07 • -6.75db
25% Popularity • 71% Danceability • 54% Energy • 19% Liveness
0% Instrumentalness • 59% Positiveness
25% Popularity • 71% Danceability • 54% Energy • 19% Liveness
0% Instrumentalness • 59% Positiveness
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Paul Brandt
Scars Are Beautiful
78 bpm • F# Maj • 04:12 • -10.49db
6% Popularity • 56% Danceability • 37% Energy • 19% Liveness
0% Instrumentalness • 21% Positiveness
6% Popularity • 56% Danceability • 37% Energy • 19% Liveness
0% Instrumentalness • 21% Positiveness
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Tracy Byrd
The Keeper Of The Stars
78 bpm • D Maj • 04:07 • -12.91db
58% Popularity • 58% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 5% Positiveness
58% Popularity • 58% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 5% Positiveness
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Keith Whitley
Don't Close Your Eyes
78 bpm • G Maj • 04:12 • -16.12db
60% Popularity • 60% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
60% Popularity • 60% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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Joe Nichols
The Impossible
78 bpm • A Maj • 04:05 • -6.7db
47% Popularity • 62% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
47% Popularity • 62% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Brooks Jefferson
If Tomorrow Never Comes
78 bpm • G Maj • 03:41 • -9.28db
43% Popularity • 60% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
43% Popularity • 60% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Lee Ann Womack
Last Call
79 bpm • F# Maj • 03:15 • -7db
42% Popularity • 34% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
42% Popularity • 34% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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Paul Brandt
I Meant To Do That
78 bpm • G Maj • 03:29 • -9.36db
27% Popularity • 55% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
27% Popularity • 55% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Gretchen Wilson
When I Think About Cheatin'
78 bpm • A Maj • 04:09 • -7.53db
38% Popularity • 50% Danceability • 39% Energy • 34% Liveness
0% Instrumentalness • 29% Positiveness
38% Popularity • 50% Danceability • 39% Energy • 34% Liveness
0% Instrumentalness • 29% Positiveness
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Sara Evans
Cheatin'
79 bpm • A Maj • 03:25 • -4db
29% Popularity • 46% Danceability • 64% Energy • 20% Liveness
0% Instrumentalness • 25% Positiveness
29% Popularity • 46% Danceability • 64% Energy • 20% Liveness
0% Instrumentalness • 25% Positiveness
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Sammy Kershaw
Politics, Religion And Her
67 bpm • E Maj • 03:19 • -9.19db
32% Popularity • 50% Danceability • 39% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
32% Popularity • 50% Danceability • 39% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
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Clint Black
Like The Rain
80 bpm • A Maj • 04:21 • -8db
53% Popularity • 52% Danceability • 53% Energy • 31% Liveness
0% Instrumentalness • 28% Positiveness
53% Popularity • 52% Danceability • 53% Energy • 31% Liveness
0% Instrumentalness • 28% Positiveness
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Josh Turner
In My Dreams
80 bpm • D Maj • 03:34 • -8.26db
36% Popularity • 41% Danceability • 45% Energy • 20% Liveness
0% Instrumentalness • 26% Positiveness
36% Popularity • 41% Danceability • 45% Energy • 20% Liveness
0% Instrumentalness • 26% Positiveness
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Lee Ann Womack
The Fool
80 bpm • C Maj • 03:32 • -10.6db
42% Popularity • 52% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
42% Popularity • 52% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
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Paul Brandt
On The Inside
80 bpm • C Maj • 03:27 • -10.32db
12% Popularity • 55% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
12% Popularity • 55% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Jo Dee Messina
Lesson In Leavin'
81 bpm • G Maj • 03:40 • -7db
59% Popularity • 61% Danceability • 80% Energy • 31% Liveness
0% Instrumentalness • 84% Positiveness
59% Popularity • 61% Danceability • 80% Energy • 31% Liveness
0% Instrumentalness • 84% Positiveness
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Sammy Kershaw
When You Love Someone
80 bpm • F Maj • 04:13 • -11.01db
9% Popularity • 55% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
9% Popularity • 55% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
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Chris Young
Drinkin' Me Lonely
82 bpm • G Maj • 03:19 • -7.85db
38% Popularity • 61% Danceability • 38% Energy • 15% Liveness
0% Instrumentalness • 36% Positiveness
38% Popularity • 61% Danceability • 38% Energy • 15% Liveness
0% Instrumentalness • 36% Positiveness
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Clint Black
State Of Mind
82 bpm • D Maj • 03:53 • -10.75db
45% Popularity • 62% Danceability • 53% Energy • 58% Liveness
0% Instrumentalness • 68% Positiveness
45% Popularity • 62% Danceability • 53% Energy • 58% Liveness
0% Instrumentalness • 68% Positiveness
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Toby Keith
Getcha Some
82 bpm • G Maj • 03:17 • -5.63db
47% Popularity • 64% Danceability • 70% Energy • 23% Liveness
0% Instrumentalness • 70% Positiveness
47% Popularity • 64% Danceability • 70% Energy • 23% Liveness
0% Instrumentalness • 70% Positiveness
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Paul Brandt
That's The Truth
81 bpm • E Maj • 04:39 • -5.9db
22% Popularity • 59% Danceability • 73% Energy • 16% Liveness
0% Instrumentalness • 63% Positiveness
22% Popularity • 59% Danceability • 73% Energy • 16% Liveness
0% Instrumentalness • 63% Positiveness
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Brooks Jefferson
What She's Doing Now
82 bpm • D Maj • 03:25 • -9db
36% Popularity • 60% Danceability • 50% Energy • 25% Liveness
0% Instrumentalness • 40% Positiveness
36% Popularity • 60% Danceability • 50% Energy • 25% Liveness
0% Instrumentalness • 40% Positiveness
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Aaron Tippin
You've Got to Stand for Something
83 bpm • E Maj • 03:02 • -9.79db
59% Popularity • 53% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
59% Popularity • 53% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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SHeDAISY
Little Good-Byes
84 bpm • C# Maj • 03:20 • -6db
42% Popularity • 56% Danceability • 69% Energy • 6% Liveness
0% Instrumentalness • 70% Positiveness
42% Popularity • 56% Danceability • 69% Energy • 6% Liveness
0% Instrumentalness • 70% Positiveness
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Faith Hill
Mississippi Girl
84 bpm • A Maj • 03:52 • -4.15db
53% Popularity • 50% Danceability • 76% Energy • 5% Liveness
0% Instrumentalness • 66% Positiveness
53% Popularity • 50% Danceability • 76% Energy • 5% Liveness
0% Instrumentalness • 66% Positiveness
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Toby Keith
Huckleberry
83 bpm • C Maj • 03:28 • -7db
37% Popularity • 36% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
37% Popularity • 36% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Alabama
How Do You Fall in Love
85 bpm • D Maj • 02:59 • -13.27db
28% Popularity • 44% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
28% Popularity • 44% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Paul Brandt
It's A Beautiful Thing
82 bpm • A Maj • 04:27 • -7.29db
15% Popularity • 65% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
15% Popularity • 65% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
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Trace Adkins
The Rest Of Mine
85 bpm • G Maj • 03:13 • -7.66db
32% Popularity • 57% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
32% Popularity • 57% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
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Tracy Byrd
Love Lessons
86 bpm • E Maj • 03:52 • -11.36db
33% Popularity • 65% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
33% Popularity • 65% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
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Jeff Carson
Not On Your Love
86 bpm • F# Maj • 03:22 • -8db
43% Popularity • 56% Danceability • 52% Energy • 27% Liveness
0% Instrumentalness • 25% Positiveness
43% Popularity • 56% Danceability • 52% Energy • 27% Liveness
0% Instrumentalness • 25% Positiveness
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Daryle Singletary
Amen Kind of Love
87 bpm • E Maj • 03:26 • -6.59db
36% Popularity • 57% Danceability • 73% Energy • 13% Liveness
0% Instrumentalness • 64% Positiveness
36% Popularity • 57% Danceability • 73% Energy • 13% Liveness
0% Instrumentalness • 64% Positiveness
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Alabama
Lady Down On Love
84 bpm • F Maj • 03:51 • -15.47db
29% Popularity • 21% Danceability • 24% Energy • 90% Liveness
0% Instrumentalness • 14% Positiveness
29% Popularity • 21% Danceability • 24% Energy • 90% Liveness
0% Instrumentalness • 14% Positiveness
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Paul Brandt
Now
86 bpm • A# Maj • 04:43 • -6.27db
13% Popularity • 48% Danceability • 68% Energy • 14% Liveness
0% Instrumentalness • 51% Positiveness
13% Popularity • 48% Danceability • 68% Energy • 14% Liveness
0% Instrumentalness • 51% Positiveness
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Toby Keith
Me Too
87 bpm • G Maj • 03:53 • -8.85db
37% Popularity • 67% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
37% Popularity • 67% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
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Pam Tillis
Shake The Sugar Tree
87 bpm • E Maj • 03:07 • -7db
51% Popularity • 66% Danceability • 63% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
51% Popularity • 66% Danceability • 63% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
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Aaron Tippin
That's as Close as I'll Get to Loving Yo...
87 bpm • A# Maj • 03:16 • -8db
42% Popularity • 61% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
42% Popularity • 61% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
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Brooks & Dunn
He's Got You
88 bpm • D Maj • 03:15 • -5db
37% Popularity • 60% Danceability • 83% Energy • 37% Liveness
0% Instrumentalness • 41% Positiveness
37% Popularity • 60% Danceability • 83% Energy • 37% Liveness
0% Instrumentalness • 41% Positiveness
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Kevin Sharp
Nobody Knows
88 bpm • F# Maj • 03:26 • -9.97db
47% Popularity • 66% Danceability • 46% Energy • 24% Liveness
0% Instrumentalness • 21% Positiveness
47% Popularity • 66% Danceability • 46% Energy • 24% Liveness
0% Instrumentalness • 21% Positiveness
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Paul Brandt
Pass Me By (If You're Only Passing Throu...
87 bpm • G Maj • 03:05 • -8.81db
11% Popularity • 60% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
11% Popularity • 60% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
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Toby Keith
My List
87 bpm • C# min • 03:20 • -6.51db
50% Popularity • 63% Danceability • 69% Energy • 17% Liveness
0% Instrumentalness • 36% Positiveness
50% Popularity • 63% Danceability • 69% Energy • 17% Liveness
0% Instrumentalness • 36% Positiveness
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Doug Supernaw
I Don't Call Him Daddy
89 bpm • D Maj • 03:47 • -13.13db
34% Popularity • 56% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
34% Popularity • 56% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
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Shenandoah
Sunday In The South
89 bpm • G Maj • 04:21 • -12.52db
38% Popularity • 66% Danceability • 37% Energy • 24% Liveness
0% Instrumentalness • 46% Positiveness
38% Popularity • 66% Danceability • 37% Energy • 24% Liveness
0% Instrumentalness • 46% Positiveness
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Ricky Van Shelton
Keep It Between The Lines
90 bpm • F Maj • 03:48 • -12db
39% Popularity • 66% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
39% Popularity • 66% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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James Bonamy
I Don't Think I Will
90 bpm • G# Maj • 03:35 • -9.95db
27% Popularity • 60% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
27% Popularity • 60% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
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Paul Brandt
Rich Man
89 bpm • C Maj • 03:30 • -8.82db
15% Popularity • 51% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
15% Popularity • 51% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
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Ronnie Dunn
Bleed Red
90 bpm • A# Maj • 03:49 • -4db
35% Popularity • 49% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
35% Popularity • 49% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Phil Vassar
In a Real Love
91 bpm • A Maj • 03:34 • -5db
31% Popularity • 58% Danceability • 80% Energy • 28% Liveness
0% Instrumentalness • 74% Positiveness
31% Popularity • 58% Danceability • 80% Energy • 28% Liveness
0% Instrumentalness • 74% Positiveness
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Shenandoah
The Moon Over Georgia
89 bpm • A Maj • 03:12 • -9.92db
46% Popularity • 56% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
46% Popularity • 56% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Rascal Flatts
Prayin' For Daylight
91 bpm • G Maj • 03:35 • -3.16db
51% Popularity • 64% Danceability • 78% Energy • 27% Liveness
0% Instrumentalness • 65% Positiveness
51% Popularity • 64% Danceability • 78% Energy • 27% Liveness
0% Instrumentalness • 65% Positiveness
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McBride & The Ride
Can I Count On You
92 bpm • D Maj • 03:19 • -10.15db
37% Popularity • 52% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
37% Popularity • 52% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
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Trisha Yearwood
Thinkin' About You
92 bpm • B Maj • 03:23 • -9.12db
49% Popularity • 61% Danceability • 54% Energy • 5% Liveness
0% Instrumentalness • 64% Positiveness
49% Popularity • 61% Danceability • 54% Energy • 5% Liveness
0% Instrumentalness • 64% Positiveness
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Pam Tillis
Let That Pony Run
92 bpm • C Maj • 03:30 • -9db
33% Popularity • 62% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
33% Popularity • 62% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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David Kersh
Wonderful Tonight
93 bpm • F Maj • 03:40 • -9db
29% Popularity • 61% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
29% Popularity • 61% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Shenandoah
Moon Over Georgia
90 bpm • A Maj • 03:13 • -9.81db
34% Popularity • 65% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
34% Popularity • 65% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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The Country Gentlemen
Learning to Live Again
93 bpm • F Maj • 04:04 • -9.46db
29% Popularity • 52% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
29% Popularity • 52% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Chris Cagle
I Breathe In, I Breathe Out
93 bpm • G Maj • 04:04 • -8db
40% Popularity • 52% Danceability • 48% Energy • 20% Liveness
0% Instrumentalness • 22% Positiveness
40% Popularity • 52% Danceability • 48% Energy • 20% Liveness
0% Instrumentalness • 22% Positiveness
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Deana Carter
We Danced Anyway
94 bpm • F# Maj • 03:22 • -4db
54% Popularity • 63% Danceability • 72% Energy • 31% Liveness
0% Instrumentalness • 65% Positiveness
54% Popularity • 63% Danceability • 72% Energy • 31% Liveness
0% Instrumentalness • 65% Positiveness
