Songs like I Don’t Know What It Is, But It Sure Is Funky by Ripple
Based on a tempo of (+/- 10%) and a similar genre
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Sweet Charles
Hang Out & Hustle
91 bpm • F Maj • 04:08 • -6.91db
15% Popularity • 81% Danceability • 74% Energy • 4% Liveness
0% Instrumentalness • 88% Positiveness
15% Popularity • 81% Danceability • 74% Energy • 4% Liveness
0% Instrumentalness • 88% Positiveness
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Ripple
Get Ready For A Biggie
91 bpm • F Maj • 03:10 • -8.41db
2% Popularity • 57% Danceability • 72% Energy • 9% Liveness
11% Instrumentalness • 88% Positiveness
2% Popularity • 57% Danceability • 72% Energy • 9% Liveness
11% Instrumentalness • 88% Positiveness
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Bobby Byrd
If You Got a Love You Better (Hold on to...
91 bpm • G min • 04:22 • -11.3db
16% Popularity • 84% Danceability • 44% Energy • 16% Liveness
0% Instrumentalness • 68% Positiveness
16% Popularity • 84% Danceability • 44% Energy • 16% Liveness
0% Instrumentalness • 68% Positiveness
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Larry Ellis
Funky Thing - Pt. 1
91 bpm • G Maj • 02:55 • -6.59db
20% Popularity • 71% Danceability • 85% Energy • 14% Liveness
77% Instrumentalness • 84% Positiveness
20% Popularity • 71% Danceability • 85% Energy • 14% Liveness
77% Instrumentalness • 84% Positiveness
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The Undisputed Truth
Lil' Red Riding Hood
91 bpm • C# Maj • 04:01 • -13.09db
13% Popularity • 60% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
13% Popularity • 60% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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Sugar Billy
Super Duper Love Parts 1&2
91 bpm • G Maj • 05:04 • -10db
29% Popularity • 76% Danceability • 64% Energy • 6% Liveness
0% Instrumentalness • 50% Positiveness
29% Popularity • 76% Danceability • 64% Energy • 6% Liveness
0% Instrumentalness • 50% Positiveness
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Dee Edwards
(I Can) Deal with That
91 bpm • C# Maj • 03:39 • -8.83db
35% Popularity • 59% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 92% Positiveness
35% Popularity • 59% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 92% Positiveness
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Ripple
I Don’t Know What It Is, But It Sure I...
91 bpm • A# min • 03:27 • -6.93db
37% Popularity • 68% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
37% Popularity • 68% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
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Black Heat
Zimba Ku
90 bpm • A# Maj • 04:38 • -12.96db
23% Popularity • 66% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
23% Popularity • 66% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
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People's Choice
Nursery Rhymes
91 bpm • F Maj • 06:04 • -10.86db
15% Popularity • 77% Danceability • 54% Energy • 5% Liveness
5% Instrumentalness • 66% Positiveness
15% Popularity • 77% Danceability • 54% Energy • 5% Liveness
5% Instrumentalness • 66% Positiveness
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Sisters Love
Give Me Your Love
92 bpm • F# min • 04:19 • -5.53db
31% Popularity • 64% Danceability • 91% Energy • 9% Liveness
0% Instrumentalness • 85% Positiveness
31% Popularity • 64% Danceability • 91% Energy • 9% Liveness
0% Instrumentalness • 85% Positiveness
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Chocolate Milk
Chocolate Pleasure
92 bpm • C Maj • 03:37 • -10.66db
7% Popularity • 63% Danceability • 61% Energy • 10% Liveness
78% Instrumentalness • 88% Positiveness
7% Popularity • 63% Danceability • 61% Energy • 10% Liveness
78% Instrumentalness • 88% Positiveness
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Funk Inc.
Goodbye, So Long
92 bpm • A min • 04:25 • -9.4db
16% Popularity • 67% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 92% Positiveness
16% Popularity • 67% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 92% Positiveness
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Joyce Williams
The First Thing I Do in the Morning
92 bpm • G min • 02:55 • -7.64db
19% Popularity • 66% Danceability • 86% Energy • 16% Liveness
0% Instrumentalness • 87% Positiveness
19% Popularity • 66% Danceability • 86% Energy • 16% Liveness
0% Instrumentalness • 87% Positiveness
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Fred Wesley & The J.B.'s
Same Beat
90 bpm • C Maj • 07:45 • -11.76db
19% Popularity • 72% Danceability • 57% Energy • 33% Liveness
0% Instrumentalness • 84% Positiveness
19% Popularity • 72% Danceability • 57% Energy • 33% Liveness
0% Instrumentalness • 84% Positiveness
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Betty Wright
Clean up Woman
90 bpm • F Maj • 02:49 • -9.05db
56% Popularity • 86% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
56% Popularity • 86% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
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Ann Peebles
Somebody's on Your Case
92 bpm • G Maj • 02:24 • -7.61db
39% Popularity • 87% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 89% Positiveness
39% Popularity • 87% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 89% Positiveness
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Twitch 13
Hold Up
90 bpm • C# Maj • 01:54 • -11.38db
2% Popularity • 84% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
2% Popularity • 84% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
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Fred Wesley & The Horny Horns
Between Two Sheets
92 bpm • D Maj • 06:47 • -8.53db
10% Popularity • 76% Danceability • 67% Energy • 47% Liveness
0% Instrumentalness • 83% Positiveness
10% Popularity • 76% Danceability • 67% Energy • 47% Liveness
0% Instrumentalness • 83% Positiveness
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The Dayton Sidewinders
Funky In Here
90 bpm • F min • 03:10 • -6.19db
15% Popularity • 48% Danceability • 87% Energy • 36% Liveness
80% Instrumentalness • 80% Positiveness
15% Popularity • 48% Danceability • 87% Energy • 36% Liveness
80% Instrumentalness • 80% Positiveness
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Freda Payne
Unhooked Generation
90 bpm • F# Maj • 02:30 • -5db
20% Popularity • 64% Danceability • 81% Energy • 12% Liveness
0% Instrumentalness • 84% Positiveness
20% Popularity • 64% Danceability • 81% Energy • 12% Liveness
0% Instrumentalness • 84% Positiveness
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Betty Wright
Old Songs
90 bpm • G# Maj • 05:34 • -7.6db
42% Popularity • 78% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
42% Popularity • 78% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
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Leon Haywood
I Want'a Do Something Freaky To You
92 bpm • F# min • 05:03 • -15.26db
43% Popularity • 57% Danceability • 44% Energy • 23% Liveness
0% Instrumentalness • 91% Positiveness
43% Popularity • 57% Danceability • 44% Energy • 23% Liveness
0% Instrumentalness • 91% Positiveness
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Clarence Reid
Till I Get My Share
90 bpm • A# min • 02:27 • -4.63db
29% Popularity • 70% Danceability • 83% Energy • 6% Liveness
1% Instrumentalness • 96% Positiveness
29% Popularity • 70% Danceability • 83% Energy • 6% Liveness
1% Instrumentalness • 96% Positiveness
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Charles Wright & The Watts 103rd Street Rhythm Band
Express Yourself
92 bpm • G# Maj • 03:53 • -8.84db
59% Popularity • 79% Danceability • 68% Energy • 35% Liveness
0% Instrumentalness • 88% Positiveness
59% Popularity • 79% Danceability • 68% Energy • 35% Liveness
0% Instrumentalness • 88% Positiveness
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Allen Toussaint
Night People
92 bpm • F# Maj • 04:16 • -15.65db
30% Popularity • 86% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
30% Popularity • 86% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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The Temptations
Shakey Ground
92 bpm • D Maj • 04:01 • -13.45db
39% Popularity • 75% Danceability • 49% Energy • 4% Liveness
45% Instrumentalness • 94% Positiveness
39% Popularity • 75% Danceability • 49% Energy • 4% Liveness
45% Instrumentalness • 94% Positiveness
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Dyke & The Blazers
It's Your Thing
89 bpm • F# Maj • 02:30 • -11db
20% Popularity • 72% Danceability • 73% Energy • 5% Liveness
0% Instrumentalness • 94% Positiveness
20% Popularity • 72% Danceability • 73% Energy • 5% Liveness
0% Instrumentalness • 94% Positiveness
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Leon Haywood
I Want'a Do Something Freaky To You
92 bpm • F# min • 05:52 • -7.16db
38% Popularity • 59% Danceability • 69% Energy • 13% Liveness
0% Instrumentalness • 84% Positiveness
38% Popularity • 59% Danceability • 69% Energy • 13% Liveness
0% Instrumentalness • 84% Positiveness
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Clarence Reid
Masterpiece
92 bpm • D# Maj • 02:52 • -2.36db
31% Popularity • 52% Danceability • 86% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
31% Popularity • 52% Danceability • 86% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
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Fred Wesley & The J.B.'s
Same Beat - Pt. 1
89 bpm • F Maj • 03:19 • -6.95db
23% Popularity • 70% Danceability • 68% Energy • 84% Liveness
0% Instrumentalness • 82% Positiveness
23% Popularity • 70% Danceability • 68% Energy • 84% Liveness
0% Instrumentalness • 82% Positiveness
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Fred Wesley & The Horny Horns
Four Play
93 bpm • A Maj • 08:00 • -9.2db
25% Popularity • 77% Danceability • 51% Energy • 7% Liveness
82% Instrumentalness • 82% Positiveness
25% Popularity • 77% Danceability • 51% Energy • 7% Liveness
82% Instrumentalness • 82% Positiveness
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Charles Wright & The Watts 103rd Street Rhythm Band
Express Yourself - Mono; Single Version
93 bpm • G# Maj • 03:52 • -9.43db
24% Popularity • 87% Danceability • 68% Energy • 23% Liveness
0% Instrumentalness • 93% Positiveness
24% Popularity • 87% Danceability • 68% Energy • 23% Liveness
0% Instrumentalness • 93% Positiveness
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The Impressions
You're Really Something Sadie
93 bpm • A# Maj • 03:42 • -5.51db
10% Popularity • 69% Danceability • 87% Energy • 5% Liveness
0% Instrumentalness • 83% Positiveness
10% Popularity • 69% Danceability • 87% Energy • 5% Liveness
0% Instrumentalness • 83% Positiveness
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The Five Stairsteps
Don't Change Your Love - Buddha Remaster...
93 bpm • A Maj • 02:48 • -7.01db
19% Popularity • 59% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
19% Popularity • 59% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
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Fat Larry's Band
Down on the Avenue
93 bpm • D Maj • 05:17 • -13.57db
9% Popularity • 75% Danceability • 70% Energy • 4% Liveness
0% Instrumentalness • 79% Positiveness
9% Popularity • 75% Danceability • 70% Energy • 4% Liveness
0% Instrumentalness • 79% Positiveness
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Marva Whitney
I Made A Mistake Because It's Only You -...
93 bpm • D Maj • 04:50 • -11.65db
13% Popularity • 77% Danceability • 51% Energy • 3% Liveness
0% Instrumentalness • 96% Positiveness
13% Popularity • 77% Danceability • 51% Energy • 3% Liveness
0% Instrumentalness • 96% Positiveness
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Ben E. King
Street Tough
93 bpm • D# Maj • 04:32 • -13db
26% Popularity • 82% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
26% Popularity • 82% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
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Cameo
I'll Be With You
93 bpm • D min • 04:23 • -8.56db
36% Popularity • 78% Danceability • 72% Energy • 22% Liveness
1% Instrumentalness • 91% Positiveness
36% Popularity • 78% Danceability • 72% Energy • 22% Liveness
1% Instrumentalness • 91% Positiveness
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Milton Wright
Keep It Up
93 bpm • D Maj • 04:12 • -7db
41% Popularity • 60% Danceability • 85% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
41% Popularity • 60% Danceability • 85% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
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Billy Garner
I Got Some, Pt. 1
93 bpm • A Maj • 02:53 • -7db
23% Popularity • 64% Danceability • 75% Energy • 6% Liveness
0% Instrumentalness • 70% Positiveness
23% Popularity • 64% Danceability • 75% Energy • 6% Liveness
0% Instrumentalness • 70% Positiveness
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The Pointer Sisters
Yes We Can Can
89 bpm • F Maj • 06:01 • -13db
31% Popularity • 78% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
31% Popularity • 78% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
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Bobby Rush
Chicken Heads
89 bpm • A Maj • 02:34 • -8.47db
36% Popularity • 85% Danceability • 65% Energy • 14% Liveness
0% Instrumentalness • 84% Positiveness
36% Popularity • 85% Danceability • 65% Energy • 14% Liveness
0% Instrumentalness • 84% Positiveness
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King Floyd
I Feel Like Dynamite
93 bpm • F# Maj • 03:18 • -14db
41% Popularity • 73% Danceability • 43% Energy • 13% Liveness
56% Instrumentalness • 87% Positiveness
41% Popularity • 73% Danceability • 43% Energy • 13% Liveness
56% Instrumentalness • 87% Positiveness
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Marie "Queenie" Lyons
See And Don't See
89 bpm • D min • 03:21 • -11.15db
32% Popularity • 78% Danceability • 51% Energy • 8% Liveness
2% Instrumentalness • 92% Positiveness
32% Popularity • 78% Danceability • 51% Energy • 8% Liveness
2% Instrumentalness • 92% Positiveness
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Rufus & Chaka Khan
I'm A Woman (I'm A Backbone)
94 bpm • F min • 03:15 • -11.21db
28% Popularity • 77% Danceability • 66% Energy • 21% Liveness
0% Instrumentalness • 96% Positiveness
28% Popularity • 77% Danceability • 66% Energy • 21% Liveness
0% Instrumentalness • 96% Positiveness
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Reuben Bell
Superjock
94 bpm • F Maj • 03:00 • -5.71db
17% Popularity • 86% Danceability • 71% Energy • 4% Liveness
0% Instrumentalness • 88% Positiveness
17% Popularity • 86% Danceability • 71% Energy • 4% Liveness
0% Instrumentalness • 88% Positiveness
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Clarence Reid
Nobody But You Babe
94 bpm • A# Maj • 02:45 • -3.47db
16% Popularity • 62% Danceability • 80% Energy • 22% Liveness
0% Instrumentalness • 95% Positiveness
16% Popularity • 62% Danceability • 80% Energy • 22% Liveness
0% Instrumentalness • 95% Positiveness
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Brides Of Funkenstein
Disco to Go
94 bpm • A min • 05:06 • -8.59db
27% Popularity • 75% Danceability • 68% Energy • 6% Liveness
1% Instrumentalness • 85% Positiveness
27% Popularity • 75% Danceability • 68% Energy • 6% Liveness
1% Instrumentalness • 85% Positiveness
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Bill Withers
Kissing My Love
94 bpm • C# Maj • 03:51 • -13.08db
50% Popularity • 82% Danceability • 53% Energy • 6% Liveness
0% Instrumentalness • 89% Positiveness
50% Popularity • 82% Danceability • 53% Energy • 6% Liveness
0% Instrumentalness • 89% Positiveness
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Ike & Tina Turner
Bold Soul Sister
94 bpm • D# Maj • 02:38 • -13db
32% Popularity • 78% Danceability • 69% Energy • 12% Liveness
4% Instrumentalness • 93% Positiveness
32% Popularity • 78% Danceability • 69% Energy • 12% Liveness
4% Instrumentalness • 93% Positiveness
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Little Beaver
Everbody Has Some Dues To Pay
94 bpm • A Maj • 02:20 • -2.52db
29% Popularity • 66% Danceability • 69% Energy • 18% Liveness
0% Instrumentalness • 87% Positiveness
29% Popularity • 66% Danceability • 69% Energy • 18% Liveness
0% Instrumentalness • 87% Positiveness
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Parliament
Up For The Down Stroke
94 bpm • F# min • 05:07 • -5.97db
32% Popularity • 65% Danceability • 94% Energy • 60% Liveness
0% Instrumentalness • 60% Positiveness
32% Popularity • 65% Danceability • 94% Energy • 60% Liveness
0% Instrumentalness • 60% Positiveness
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Gwen McCrae
Mechanical Body
94 bpm • A# Maj • 02:51 • -3db
30% Popularity • 54% Danceability • 85% Energy • 6% Liveness
0% Instrumentalness • 74% Positiveness
30% Popularity • 54% Danceability • 85% Energy • 6% Liveness
0% Instrumentalness • 74% Positiveness
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Ohio Players
(I Wanna Know) Do You Feel It
88 bpm • F Maj • 04:29 • -13.97db
13% Popularity • 60% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
13% Popularity • 60% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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Mary Jane Hooper
I've Got Reasons
95 bpm • A# min • 03:08 • -11db
31% Popularity • 74% Danceability • 63% Energy • 15% Liveness
78% Instrumentalness • 93% Positiveness
31% Popularity • 74% Danceability • 63% Energy • 15% Liveness
78% Instrumentalness • 93% Positiveness
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Clarence Reid
Nobody but You Babe
95 bpm • A# Maj • 02:49 • -8.57db
29% Popularity • 67% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
29% Popularity • 67% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
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Ripple
If The Music Can't Do It
95 bpm • G min • 02:54 • -6.44db
2% Popularity • 78% Danceability • 82% Energy • 30% Liveness
0% Instrumentalness • 89% Positiveness
2% Popularity • 78% Danceability • 82% Energy • 30% Liveness
0% Instrumentalness • 89% Positiveness
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Archie Bell & The Drells
Don't Let Love Get You Down
95 bpm • F min • 04:19 • -8.31db
37% Popularity • 59% Danceability • 75% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
37% Popularity • 59% Danceability • 75% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
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Ben E. King
Supernatural Thing, Pt. 1
95 bpm • A# min • 04:11 • -10.93db
48% Popularity • 72% Danceability • 58% Energy • 7% Liveness
1% Instrumentalness • 83% Positiveness
48% Popularity • 72% Danceability • 58% Energy • 7% Liveness
1% Instrumentalness • 83% Positiveness
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Bobby Byrd
You're Welcome, Stop On By
95 bpm • E min • 03:45 • -12db
20% Popularity • 69% Danceability • 59% Energy • 36% Liveness
0% Instrumentalness • 79% Positiveness
20% Popularity • 69% Danceability • 59% Energy • 36% Liveness
0% Instrumentalness • 79% Positiveness
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Lonnie Liston Smith
A Chance for Peace
95 bpm • A# min • 05:22 • -11db
34% Popularity • 70% Danceability • 79% Energy • 16% Liveness
0% Instrumentalness • 94% Positiveness
34% Popularity • 70% Danceability • 79% Energy • 16% Liveness
0% Instrumentalness • 94% Positiveness
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Darondo
Legs
95 bpm • D Maj • 03:44 • -9db
33% Popularity • 72% Danceability • 79% Energy • 23% Liveness
1% Instrumentalness • 63% Positiveness
33% Popularity • 72% Danceability • 79% Energy • 23% Liveness
1% Instrumentalness • 63% Positiveness
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Little Beaver
Everybody Has Some Dues to Pay, Pt. I & ...
95 bpm • A Maj • 04:19 • -13db
11% Popularity • 66% Danceability • 46% Energy • 17% Liveness
1% Instrumentalness • 77% Positiveness
11% Popularity • 66% Danceability • 46% Energy • 17% Liveness
1% Instrumentalness • 77% Positiveness
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Edwin Starr
Easin' In
87 bpm • F# Maj • 03:14 • -11.15db
47% Popularity • 84% Danceability • 40% Energy • 11% Liveness
26% Instrumentalness • 87% Positiveness
47% Popularity • 84% Danceability • 40% Energy • 11% Liveness
26% Instrumentalness • 87% Positiveness
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Chocolate Milk
People
87 bpm • C Maj • 02:56 • -11.36db
11% Popularity • 75% Danceability • 62% Energy • 6% Liveness
30% Instrumentalness • 96% Positiveness
11% Popularity • 75% Danceability • 62% Energy • 6% Liveness
30% Instrumentalness • 96% Positiveness
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Bobby Byrd
Never Get Enough
95 bpm • A min • 03:17 • -11db
26% Popularity • 82% Danceability • 50% Energy • 31% Liveness
0% Instrumentalness • 86% Positiveness
26% Popularity • 82% Danceability • 50% Energy • 31% Liveness
0% Instrumentalness • 86% Positiveness
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Skull Snaps
It's a New Day - Remastered
96 bpm • C Maj • 02:59 • -10.36db
44% Popularity • 72% Danceability • 71% Energy • 10% Liveness
1% Instrumentalness • 94% Positiveness
44% Popularity • 72% Danceability • 71% Energy • 10% Liveness
1% Instrumentalness • 94% Positiveness
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Leroy Hutson
Love the Feeling
96 bpm • G# Maj • 02:53 • -12db
22% Popularity • 64% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
22% Popularity • 64% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
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Ripple
Hell Of Man
96 bpm • G Maj • 03:25 • -6.85db
4% Popularity • 66% Danceability • 79% Energy • 12% Liveness
15% Instrumentalness • 84% Positiveness
4% Popularity • 66% Danceability • 79% Energy • 12% Liveness
15% Instrumentalness • 84% Positiveness
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Cold Blood
Kissing My Love
96 bpm • G Maj • 06:03 • -9.77db
24% Popularity • 67% Danceability • 76% Energy • 6% Liveness
0% Instrumentalness • 70% Positiveness
24% Popularity • 67% Danceability • 76% Energy • 6% Liveness
0% Instrumentalness • 70% Positiveness
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The Honey Drippers
Impeach the President
96 bpm • A Maj • 03:58 • -5.77db
36% Popularity • 69% Danceability • 73% Energy • 14% Liveness
2% Instrumentalness • 88% Positiveness
36% Popularity • 69% Danceability • 73% Energy • 14% Liveness
2% Instrumentalness • 88% Positiveness
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Sly & The Family Stone
In Time
96 bpm • A# min • 05:47 • -13db
38% Popularity • 85% Danceability • 54% Energy • 14% Liveness
4% Instrumentalness • 90% Positiveness
38% Popularity • 85% Danceability • 54% Energy • 14% Liveness
4% Instrumentalness • 90% Positiveness
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Billy Paul
How Good Is Your Game
96 bpm • A Maj • 04:07 • -9.14db
26% Popularity • 66% Danceability • 68% Energy • 85% Liveness
0% Instrumentalness • 78% Positiveness
26% Popularity • 66% Danceability • 68% Energy • 85% Liveness
0% Instrumentalness • 78% Positiveness
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Minnie Riperton
Adventures In Paradise
96 bpm • A# min • 03:13 • -9db
36% Popularity • 65% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
36% Popularity • 65% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
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The Last Word
Keep On Bumpin' Before You Give Out Of G...
96 bpm • C Maj • 03:32 • -11.84db
12% Popularity • 74% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 91% Positiveness
12% Popularity • 74% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 91% Positiveness
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Marvin Gaye
A Funky Space Reincarnation
96 bpm • G Maj • 08:17 • -13db
32% Popularity • 78% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 85% Positiveness
32% Popularity • 78% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 85% Positiveness
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Clarence Wheeler
Right On
96 bpm • G min • 04:41 • -6.5db
22% Popularity • 66% Danceability • 66% Energy • 44% Liveness
29% Instrumentalness • 80% Positiveness
22% Popularity • 66% Danceability • 66% Energy • 44% Liveness
29% Instrumentalness • 80% Positiveness
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Ohio Players
Funky Worm
86 bpm • D min • 02:41 • -9.92db
43% Popularity • 63% Danceability • 64% Energy • 4% Liveness
0% Instrumentalness • 95% Positiveness
43% Popularity • 63% Danceability • 64% Energy • 4% Liveness
0% Instrumentalness • 95% Positiveness
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The Sylvers
Stay Away from Me
96 bpm • D Maj • 03:42 • -6.53db
30% Popularity • 60% Danceability • 88% Energy • 6% Liveness
0% Instrumentalness • 79% Positiveness
30% Popularity • 60% Danceability • 88% Energy • 6% Liveness
0% Instrumentalness • 79% Positiveness
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Myra Barnes
Super Good
96 bpm • A Maj • 05:34 • -10.15db
13% Popularity • 70% Danceability • 56% Energy • 17% Liveness
0% Instrumentalness • 81% Positiveness
13% Popularity • 70% Danceability • 56% Energy • 17% Liveness
0% Instrumentalness • 81% Positiveness
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Laura Lee
Crumbs Off The Table
96 bpm • C Maj • 03:36 • -10.45db
13% Popularity • 67% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
13% Popularity • 67% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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Clarence Reid
Nobody But You Babe
97 bpm • C min • 02:41 • -5.01db
4% Popularity • 58% Danceability • 79% Energy • 21% Liveness
0% Instrumentalness • 76% Positiveness
4% Popularity • 58% Danceability • 79% Energy • 21% Liveness
0% Instrumentalness • 76% Positiveness
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Joe Simon
Theme from Cleopatra Jones
97 bpm • G Maj • 03:50 • -10db
22% Popularity • 63% Danceability • 56% Energy • 29% Liveness
0% Instrumentalness • 72% Positiveness
22% Popularity • 63% Danceability • 56% Energy • 29% Liveness
0% Instrumentalness • 72% Positiveness
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Sweet Charles
Yes It's You
97 bpm • G Maj • 03:10 • -8.21db
22% Popularity • 68% Danceability • 67% Energy • 20% Liveness
0% Instrumentalness • 78% Positiveness
22% Popularity • 68% Danceability • 67% Energy • 20% Liveness
0% Instrumentalness • 78% Positiveness
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Leo's Sunshipp
Give Me The Sunshine
97 bpm • F min • 06:22 • -9.48db
36% Popularity • 59% Danceability • 62% Energy • 7% Liveness
20% Instrumentalness • 87% Positiveness
36% Popularity • 59% Danceability • 62% Energy • 7% Liveness
20% Instrumentalness • 87% Positiveness
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Patrice Rushen
Hang It Up
97 bpm • F Maj • 05:10 • -10.73db
24% Popularity • 87% Danceability • 70% Energy • 8% Liveness
12% Instrumentalness • 87% Positiveness
24% Popularity • 87% Danceability • 70% Energy • 8% Liveness
12% Instrumentalness • 87% Positiveness
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Hank Ballard
From The Love Side
97 bpm • C# Maj • 03:15 • -9.93db
29% Popularity • 72% Danceability • 63% Energy • 35% Liveness
0% Instrumentalness • 86% Positiveness
29% Popularity • 72% Danceability • 63% Energy • 35% Liveness
0% Instrumentalness • 86% Positiveness
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Jimmy "Bo" Horne
Clean Up Man
85 bpm • G min • 02:30 • -12.22db
27% Popularity • 75% Danceability • 37% Energy • 6% Liveness
25% Instrumentalness • 68% Positiveness
27% Popularity • 75% Danceability • 37% Energy • 6% Liveness
25% Instrumentalness • 68% Positiveness
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Fred Wesley & The Horny Horns
A Blow for Me, a Toot to You
85 bpm • C min • 07:15 • -8.87db
16% Popularity • 84% Danceability • 62% Energy • 8% Liveness
18% Instrumentalness • 96% Positiveness
16% Popularity • 84% Danceability • 62% Energy • 8% Liveness
18% Instrumentalness • 96% Positiveness
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Wilson Pickett
Get Me Back on Time, Engine Number 9 (Pt...
97 bpm • A# min • 06:27 • -7db
23% Popularity • 68% Danceability • 91% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
23% Popularity • 68% Danceability • 91% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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The Headhunters
God Make Me Funky
97 bpm • D Maj • 09:39 • -8db
32% Popularity • 62% Danceability • 84% Energy • 6% Liveness
18% Instrumentalness • 85% Positiveness
32% Popularity • 62% Danceability • 84% Energy • 6% Liveness
18% Instrumentalness • 85% Positiveness
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Lyn Collins
Take Me Just As I Am
85 bpm • F min • 05:36 • -11.68db
9% Popularity • 56% Danceability • 49% Energy • 21% Liveness
0% Instrumentalness • 94% Positiveness
9% Popularity • 56% Danceability • 49% Energy • 21% Liveness
0% Instrumentalness • 94% Positiveness
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Rufus & Chaka Khan
You Got The Love
97 bpm • C Maj • 04:38 • -10.21db
42% Popularity • 56% Danceability • 70% Energy • 26% Liveness
0% Instrumentalness • 95% Positiveness
42% Popularity • 56% Danceability • 70% Energy • 26% Liveness
0% Instrumentalness • 95% Positiveness
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Bobby Byrd
Try It Again
97 bpm • D Maj • 05:14 • -6.6db
16% Popularity • 49% Danceability • 90% Energy • 29% Liveness
0% Instrumentalness • 72% Positiveness
16% Popularity • 49% Danceability • 90% Energy • 29% Liveness
0% Instrumentalness • 72% Positiveness
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Fred Wesley & The Horny Horns
Up for the Down Stroke
97 bpm • F# min • 09:09 • -8.43db
15% Popularity • 66% Danceability • 62% Energy • 4% Liveness
3% Instrumentalness • 89% Positiveness
15% Popularity • 66% Danceability • 62% Energy • 4% Liveness
3% Instrumentalness • 89% Positiveness
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Rufus Thomas
Sixty Minute Man
85 bpm • C# min • 07:18 • -9.45db
24% Popularity • 77% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
24% Popularity • 77% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
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Rufus
Circles
97 bpm • D min • 03:57 • -10db
22% Popularity • 74% Danceability • 75% Energy • 8% Liveness
1% Instrumentalness • 84% Positiveness
22% Popularity • 74% Danceability • 75% Energy • 8% Liveness
1% Instrumentalness • 84% Positiveness
