Songs like I Don't Live Here Anymore (feat. Lucius) by The War On Drugs
Based on a tempo of (+/- 10%) and a similar genre
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Arlo Parks
Softly
110 bpm • C# Maj • 03:08 • -10.88db
56% Popularity • 74% Danceability • 52% Energy • 20% Liveness
1% Instrumentalness • 21% Positiveness
56% Popularity • 74% Danceability • 52% Energy • 20% Liveness
1% Instrumentalness • 21% Positiveness
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Parquet Courts
Walking at a Downtown Pace
110 bpm • B min • 04:46 • -5db
35% Popularity • 53% Danceability • 84% Energy • 30% Liveness
0% Instrumentalness • 81% Positiveness
35% Popularity • 53% Danceability • 84% Energy • 30% Liveness
0% Instrumentalness • 81% Positiveness
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Jade Bird
Now is the Time
110 bpm • G Maj • 03:35 • -6db
37% Popularity • 53% Danceability • 84% Energy • 17% Liveness
0% Instrumentalness • 66% Positiveness
37% Popularity • 53% Danceability • 84% Energy • 17% Liveness
0% Instrumentalness • 66% Positiveness
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Villagers
Everything I Am Is Yours
110 bpm • E min • 03:30 • -11.15db
61% Popularity • 87% Danceability • 50% Energy • 14% Liveness
27% Instrumentalness • 69% Positiveness
61% Popularity • 87% Danceability • 50% Energy • 14% Liveness
27% Instrumentalness • 69% Positiveness
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Japanese Breakfast
Be Sweet
110 bpm • D min • 03:15 • -5.82db
63% Popularity • 65% Danceability • 88% Energy • 32% Liveness
0% Instrumentalness • 62% Positiveness
63% Popularity • 65% Danceability • 88% Energy • 32% Liveness
0% Instrumentalness • 62% Positiveness
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Middle Kids
Stacking Chairs
110 bpm • G# Maj • 03:08 • -5db
43% Popularity • 55% Danceability • 77% Energy • 21% Liveness
0% Instrumentalness • 46% Positiveness
43% Popularity • 55% Danceability • 77% Energy • 21% Liveness
0% Instrumentalness • 46% Positiveness
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The War On Drugs
I Don't Live Here Anymore
110 bpm • F Maj • 05:27 • -3.98db
57% Popularity • 48% Danceability • 87% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
57% Popularity • 48% Danceability • 87% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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Eddie Vedder
Long Way
110 bpm • G Maj • 04:45 • -6db
38% Popularity • 52% Danceability • 75% Energy • 15% Liveness
17% Instrumentalness • 61% Positiveness
38% Popularity • 52% Danceability • 75% Energy • 15% Liveness
17% Instrumentalness • 61% Positiveness
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White Lies
Am I Really Going To Die
110 bpm • C# Maj • 04:47 • -4.34db
38% Popularity • 50% Danceability • 96% Energy • 16% Liveness
10% Instrumentalness • 23% Positiveness
38% Popularity • 50% Danceability • 96% Energy • 16% Liveness
10% Instrumentalness • 23% Positiveness
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Yeah Yeah Yeahs
Spitting Off the Edge of the World
110 bpm • D Maj • 04:17 • -5.88db
57% Popularity • 41% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 8% Positiveness
57% Popularity • 41% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 8% Positiveness
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Matt Berninger
Serpentine Prison
110 bpm • B Maj • 04:32 • -11.55db
32% Popularity • 61% Danceability • 38% Energy • 11% Liveness
16% Instrumentalness • 35% Positiveness
32% Popularity • 61% Danceability • 38% Energy • 11% Liveness
16% Instrumentalness • 35% Positiveness
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Khruangbin
Mariella
110 bpm • D Maj • 05:10 • -10.33db
69% Popularity • 59% Danceability • 58% Energy • 8% Liveness
72% Instrumentalness • 56% Positiveness
69% Popularity • 59% Danceability • 58% Energy • 8% Liveness
72% Instrumentalness • 56% Positiveness
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Doves
Carousels
110 bpm • G Maj • 04:49 • -6db
32% Popularity • 33% Danceability • 79% Energy • 6% Liveness
1% Instrumentalness • 17% Positiveness
32% Popularity • 33% Danceability • 79% Energy • 6% Liveness
1% Instrumentalness • 17% Positiveness
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Talking Heads
Road to Nowhere - 2005 Remaster
110 bpm • D Maj • 04:20 • -4.9db
60% Popularity • 65% Danceability • 79% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
60% Popularity • 65% Danceability • 79% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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Billy Bragg
California Stars
110 bpm • A Maj • 04:58 • -9db
61% Popularity • 62% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
61% Popularity • 62% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
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The War On Drugs
Oceans of Darkness
110 bpm • C Maj • 03:35 • -4.09db
44% Popularity • 44% Danceability • 91% Energy • 55% Liveness
2% Instrumentalness • 78% Positiveness
44% Popularity • 44% Danceability • 91% Energy • 55% Liveness
2% Instrumentalness • 78% Positiveness
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Wilco
Jesus, Etc. - 2022 Remaster
109 bpm • F Maj • 03:51 • -13db
59% Popularity • 75% Danceability • 31% Energy • 25% Liveness
1% Instrumentalness • 66% Positiveness
59% Popularity • 75% Danceability • 31% Energy • 25% Liveness
1% Instrumentalness • 66% Positiveness
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Bleachers
Stop Making This Hurt
109 bpm • C Maj • 03:19 • -4.74db
49% Popularity • 67% Danceability • 88% Energy • 26% Liveness
0% Instrumentalness • 82% Positiveness
49% Popularity • 67% Danceability • 88% Energy • 26% Liveness
0% Instrumentalness • 82% Positiveness
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Yeah Yeah Yeahs
Wolf
109 bpm • E min • 04:13 • -5db
48% Popularity • 58% Danceability • 81% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
48% Popularity • 58% Danceability • 81% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Sharon Van Etten
Like I Used To
111 bpm • E Maj • 04:23 • -5.16db
48% Popularity • 53% Danceability • 72% Energy • 37% Liveness
0% Instrumentalness • 52% Positiveness
48% Popularity • 53% Danceability • 72% Energy • 37% Liveness
0% Instrumentalness • 52% Positiveness
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The Waterboys
This Is the Sea - 2004 Remaster
109 bpm • E Maj • 06:29 • -7.28db
45% Popularity • 29% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
45% Popularity • 29% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Bruce Hornsby
The Way It Is
111 bpm • G Maj • 04:57 • -12.2db
68% Popularity • 58% Danceability • 69% Energy • 14% Liveness
6% Instrumentalness • 53% Positiveness
68% Popularity • 58% Danceability • 69% Energy • 14% Liveness
6% Instrumentalness • 53% Positiveness
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The War On Drugs
Come To The City
111 bpm • C# Maj • 04:31 • -7.07db
36% Popularity • 30% Danceability • 90% Energy • 14% Liveness
1% Instrumentalness • 26% Positiveness
36% Popularity • 30% Danceability • 90% Energy • 14% Liveness
1% Instrumentalness • 26% Positiveness
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Kurt Vile
Hey Like A Child
111 bpm • C# Maj • 05:46 • -8db
34% Popularity • 64% Danceability • 61% Energy • 11% Liveness
88% Instrumentalness • 70% Positiveness
34% Popularity • 64% Danceability • 61% Energy • 11% Liveness
88% Instrumentalness • 70% Positiveness
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Jungle
Keep Moving
111 bpm • A# min • 04:00 • -6.25db
68% Popularity • 72% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
68% Popularity • 72% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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The Killers
My God
112 bpm • A# Maj • 03:38 • -4.52db
47% Popularity • 51% Danceability • 90% Energy • 7% Liveness
0% Instrumentalness • 33% Positiveness
47% Popularity • 51% Danceability • 90% Energy • 7% Liveness
0% Instrumentalness • 33% Positiveness
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Khruangbin
Texas Sun
112 bpm • G Maj • 04:12 • -10.01db
75% Popularity • 64% Danceability • 63% Energy • 10% Liveness
15% Instrumentalness • 60% Positiveness
75% Popularity • 64% Danceability • 63% Energy • 10% Liveness
15% Instrumentalness • 60% Positiveness
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Arcade Fire
Reflektor
112 bpm • B min • 07:30 • -8.38db
55% Popularity • 58% Danceability • 72% Energy • 37% Liveness
1% Instrumentalness • 64% Positiveness
55% Popularity • 58% Danceability • 72% Energy • 37% Liveness
1% Instrumentalness • 64% Positiveness
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Bonny Light Horseman
Deep In Love
112 bpm • F Maj • 05:09 • -8db
54% Popularity • 62% Danceability • 56% Energy • 12% Liveness
40% Instrumentalness • 34% Positiveness
54% Popularity • 62% Danceability • 56% Energy • 12% Liveness
40% Instrumentalness • 34% Positiveness
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The War On Drugs
Occasional Rain
112 bpm • C# min • 04:54 • -6.07db
44% Popularity • 54% Danceability • 81% Energy • 7% Liveness
0% Instrumentalness • 59% Positiveness
44% Popularity • 54% Danceability • 81% Energy • 7% Liveness
0% Instrumentalness • 59% Positiveness
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Bear's Den
Please Don't Hide Yourself Away
112 bpm • G Maj • 03:10 • -8db
31% Popularity • 65% Danceability • 71% Energy • 15% Liveness
0% Instrumentalness • 60% Positiveness
31% Popularity • 65% Danceability • 71% Energy • 15% Liveness
0% Instrumentalness • 60% Positiveness
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Kurt Vile
Loading Zones
112 bpm • E min • 03:23 • -4.64db
47% Popularity • 52% Danceability • 85% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
47% Popularity • 52% Danceability • 85% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
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Strand of Oaks
Weird Ways
112 bpm • F# min • 05:58 • -6.95db
30% Popularity • 26% Danceability • 50% Energy • 11% Liveness
1% Instrumentalness • 23% Positiveness
30% Popularity • 26% Danceability • 50% Energy • 11% Liveness
1% Instrumentalness • 23% Positiveness
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Michael Kiwanuka
One More Night
108 bpm • F# min • 03:53 • -5.34db
63% Popularity • 68% Danceability • 76% Energy • 14% Liveness
0% Instrumentalness • 94% Positiveness
63% Popularity • 68% Danceability • 76% Energy • 14% Liveness
0% Instrumentalness • 94% Positiveness
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Neil Young
Harvest Moon
113 bpm • D Maj • 05:03 • -12.43db
68% Popularity • 65% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
68% Popularity • 65% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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The War On Drugs
Disappearing
108 bpm • G# min • 06:51 • -9.13db
45% Popularity • 55% Danceability • 68% Energy • 38% Liveness
80% Instrumentalness • 32% Positiveness
45% Popularity • 55% Danceability • 68% Energy • 38% Liveness
80% Instrumentalness • 32% Positiveness
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Father John Misty
Nancy From Now On
107 bpm • C Maj • 03:54 • -9.17db
65% Popularity • 53% Danceability • 64% Energy • 9% Liveness
4% Instrumentalness • 50% Positiveness
65% Popularity • 53% Danceability • 64% Energy • 9% Liveness
4% Instrumentalness • 50% Positiveness
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The Black Keys
Wild Child
107 bpm • F min • 02:44 • -6db
69% Popularity • 68% Danceability • 64% Energy • 4% Liveness
0% Instrumentalness • 96% Positiveness
69% Popularity • 68% Danceability • 64% Energy • 4% Liveness
0% Instrumentalness • 96% Positiveness
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Sharon Van Etten
Let Go
113 bpm • A Maj • 04:42 • -8.16db
40% Popularity • 34% Danceability • 60% Energy • 17% Liveness
48% Instrumentalness • 16% Positiveness
40% Popularity • 34% Danceability • 60% Energy • 17% Liveness
48% Instrumentalness • 16% Positiveness
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Nick Mulvey
Fever To The Form
106 bpm • C min • 04:12 • -8.93db
67% Popularity • 36% Danceability • 55% Energy • 11% Liveness
6% Instrumentalness • 26% Positiveness
67% Popularity • 36% Danceability • 55% Energy • 11% Liveness
6% Instrumentalness • 26% Positiveness
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Yola
Dancing Away In Tears
106 bpm • G# Maj • 03:48 • -7.98db
41% Popularity • 73% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
41% Popularity • 73% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
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The War On Drugs
Lost In The Dream
113 bpm • G Maj • 04:09 • -11db
51% Popularity • 61% Danceability • 38% Energy • 13% Liveness
1% Instrumentalness • 42% Positiveness
51% Popularity • 61% Danceability • 38% Energy • 13% Liveness
1% Instrumentalness • 42% Positiveness
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Ten Fé
Caught on the Inside
114 bpm • A Maj • 06:46 • -5.93db
28% Popularity • 60% Danceability • 78% Energy • 9% Liveness
52% Instrumentalness • 60% Positiveness
28% Popularity • 60% Danceability • 78% Energy • 9% Liveness
52% Instrumentalness • 60% Positiveness
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The Black Keys
Going Down South
114 bpm • B min • 03:48 • -7.45db
44% Popularity • 48% Danceability • 76% Energy • 28% Liveness
5% Instrumentalness • 62% Positiveness
44% Popularity • 48% Danceability • 76% Energy • 28% Liveness
5% Instrumentalness • 62% Positiveness
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Bear's Den
All That You Are
114 bpm • C Maj • 04:10 • -12.17db
50% Popularity • 54% Danceability • 38% Energy • 11% Liveness
33% Instrumentalness • 7% Positiveness
50% Popularity • 54% Danceability • 38% Energy • 11% Liveness
33% Instrumentalness • 7% Positiveness
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The Waterboys
The Whole of the Moon - 2004 Remaster
106 bpm • C Maj • 05:02 • -7.17db
66% Popularity • 60% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
66% Popularity • 60% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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Talking Heads
This Must Be the Place (Naive Melody) - ...
114 bpm • G Maj • 04:56 • -10.15db
72% Popularity • 94% Danceability • 64% Energy • 3% Liveness
18% Instrumentalness • 97% Positiveness
72% Popularity • 94% Danceability • 64% Energy • 3% Liveness
18% Instrumentalness • 97% Positiveness
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The War On Drugs
Arms Like Boulders
113 bpm • D Maj • 05:20 • -8db
37% Popularity • 50% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
37% Popularity • 50% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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![Dark Days [Feat. Sylvan Esso] cover art](https://i.scdn.co/image/ab67616d00001e02d37160b8c64ec946bc4377cc)
Local Natives
Dark Days [Sylvan Esso]
115 bpm • A Maj • 03:01 • -7.78db
52% Popularity • 64% Danceability • 58% Energy • 10% Liveness
12% Instrumentalness • 63% Positiveness
52% Popularity • 64% Danceability • 58% Energy • 10% Liveness
12% Instrumentalness • 63% Positiveness
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Khruangbin
Time (You and I)
105 bpm • B Maj • 05:42 • -14db
62% Popularity • 75% Danceability • 49% Energy • 8% Liveness
15% Instrumentalness • 92% Positiveness
62% Popularity • 75% Danceability • 49% Energy • 8% Liveness
15% Instrumentalness • 92% Positiveness
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Fleetwood Mac
Everywhere - 2017 Remaster
115 bpm • E Maj • 03:46 • -10.99db
82% Popularity • 73% Danceability • 49% Energy • 9% Liveness
1% Instrumentalness • 73% Positiveness
82% Popularity • 73% Danceability • 49% Energy • 9% Liveness
1% Instrumentalness • 73% Positiveness
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St. Paul & The Broken Bones
The Last Dance
115 bpm • D Maj • 03:24 • -6.17db
33% Popularity • 73% Danceability • 76% Energy • 18% Liveness
1% Instrumentalness • 69% Positiveness
33% Popularity • 73% Danceability • 76% Energy • 18% Liveness
1% Instrumentalness • 69% Positiveness
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Yard Act
100% Endurance - Elton John Version
115 bpm • F Maj • 04:23 • -9.22db
30% Popularity • 66% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
30% Popularity • 66% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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The War On Drugs
In Reverse
114 bpm • C# Maj • 07:41 • -9db
42% Popularity • 51% Danceability • 51% Energy • 9% Liveness
35% Instrumentalness • 9% Positiveness
42% Popularity • 51% Danceability • 51% Energy • 9% Liveness
35% Instrumentalness • 9% Positiveness
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Delta Spirit
It Ain’t Easy
105 bpm • A# min • 03:20 • -7.93db
45% Popularity • 66% Danceability • 86% Energy • 52% Liveness
0% Instrumentalness • 78% Positiveness
45% Popularity • 66% Danceability • 86% Energy • 52% Liveness
0% Instrumentalness • 78% Positiveness
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HAIM
Now I'm In It - Bonus Track
105 bpm • E Maj • 03:24 • -9.5db
55% Popularity • 72% Danceability • 71% Energy • 16% Liveness
0% Instrumentalness • 21% Positiveness
55% Popularity • 72% Danceability • 71% Energy • 16% Liveness
0% Instrumentalness • 21% Positiveness
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Father John Misty
Goodbye Mr. Blue
105 bpm • D Maj • 05:00 • -8.79db
53% Popularity • 51% Danceability • 47% Energy • 12% Liveness
61% Instrumentalness • 48% Positiveness
53% Popularity • 51% Danceability • 47% Energy • 12% Liveness
61% Instrumentalness • 48% Positiveness
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Khruangbin
B-Side
105 bpm • G Maj • 04:34 • -10.57db
63% Popularity • 73% Danceability • 73% Energy • 33% Liveness
17% Instrumentalness • 69% Positiveness
63% Popularity • 73% Danceability • 73% Energy • 33% Liveness
17% Instrumentalness • 69% Positiveness
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Patti Smith
Dancing Barefoot
116 bpm • D Maj • 04:16 • -9.94db
58% Popularity • 49% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 79% Positiveness
58% Popularity • 49% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 79% Positiveness
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JOMORO
Delicate Butterfly
116 bpm • D# Maj • 03:42 • -13.06db
2% Popularity • 46% Danceability • 35% Energy • 12% Liveness
77% Instrumentalness • 8% Positiveness
2% Popularity • 46% Danceability • 35% Energy • 12% Liveness
77% Instrumentalness • 8% Positiveness
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Arcade Fire
Afterlife
116 bpm • B Maj • 05:53 • -5.53db
56% Popularity • 64% Danceability • 87% Energy • 24% Liveness
5% Instrumentalness • 80% Positiveness
56% Popularity • 64% Danceability • 87% Energy • 24% Liveness
5% Instrumentalness • 80% Positiveness
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The War On Drugs
Pain
116 bpm • G min • 05:30 • -4.37db
58% Popularity • 52% Danceability • 83% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
58% Popularity • 52% Danceability • 83% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
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Big Red Machine
Reese
116 bpm • D# Maj • 05:12 • -11db
39% Popularity • 70% Danceability • 50% Energy • 10% Liveness
21% Instrumentalness • 52% Positiveness
39% Popularity • 70% Danceability • 50% Energy • 10% Liveness
21% Instrumentalness • 52% Positiveness
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Old Sea Brigade
Call Me When You Land
116 bpm • F Maj • 04:47 • -10.17db
59% Popularity • 69% Danceability • 48% Energy • 44% Liveness
4% Instrumentalness • 58% Positiveness
59% Popularity • 69% Danceability • 48% Energy • 44% Liveness
4% Instrumentalness • 58% Positiveness
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First Aid Kit
Angel
116 bpm • B min • 03:39 • -4db
46% Popularity • 62% Danceability • 75% Energy • 20% Liveness
0% Instrumentalness • 68% Positiveness
46% Popularity • 62% Danceability • 75% Energy • 20% Liveness
0% Instrumentalness • 68% Positiveness
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Warpaint
Champion
116 bpm • A# min • 04:39 • -11db
45% Popularity • 72% Danceability • 49% Energy • 11% Liveness
19% Instrumentalness • 40% Positiveness
45% Popularity • 72% Danceability • 49% Energy • 11% Liveness
19% Instrumentalness • 40% Positiveness
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Arcade Fire
Everything Now
116 bpm • C Maj • 05:03 • -5.33db
61% Popularity • 55% Danceability • 86% Energy • 46% Liveness
0% Instrumentalness • 61% Positiveness
61% Popularity • 55% Danceability • 86% Energy • 46% Liveness
0% Instrumentalness • 61% Positiveness
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The War On Drugs
Living Proof
116 bpm • A Maj • 04:53 • -14.17db
49% Popularity • 60% Danceability • 16% Energy • 11% Liveness
17% Instrumentalness • 13% Positiveness
49% Popularity • 60% Danceability • 16% Energy • 11% Liveness
17% Instrumentalness • 13% Positiveness
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Foals
Mountain at My Gates
104 bpm • D min • 04:04 • -5.34db
66% Popularity • 50% Danceability • 93% Energy • 25% Liveness
8% Instrumentalness • 62% Positiveness
66% Popularity • 50% Danceability • 93% Energy • 25% Liveness
8% Instrumentalness • 62% Positiveness
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HAIM
The Steps
117 bpm • D Maj • 04:07 • -4.97db
47% Popularity • 70% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
47% Popularity • 70% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
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Tom Petty and the Heartbreakers
Learning To Fly
117 bpm • C Maj • 04:02 • -9.94db
71% Popularity • 65% Danceability • 77% Energy • 36% Liveness
0% Instrumentalness • 95% Positiveness
71% Popularity • 65% Danceability • 77% Energy • 36% Liveness
0% Instrumentalness • 95% Positiveness
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Strand of Oaks
Ruby
117 bpm • D Maj • 04:07 • -7db
24% Popularity • 43% Danceability • 65% Energy • 16% Liveness
2% Instrumentalness • 35% Positiveness
24% Popularity • 43% Danceability • 65% Energy • 16% Liveness
2% Instrumentalness • 35% Positiveness
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Porridge Radio
7 Seconds
117 bpm • G Maj • 04:12 • -5.88db
39% Popularity • 66% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 62% Positiveness
39% Popularity • 66% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 62% Positiveness
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The War On Drugs
Pain - Live
117 bpm • G min • 05:16 • -5db
36% Popularity • 27% Danceability • 87% Energy • 90% Liveness
3% Instrumentalness • 56% Positiveness
36% Popularity • 27% Danceability • 87% Energy • 90% Liveness
3% Instrumentalness • 56% Positiveness
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White Lies
As I Try Not To Fall Apart
117 bpm • G min • 04:58 • -6db
38% Popularity • 63% Danceability • 78% Energy • 9% Liveness
1% Instrumentalness • 89% Positiveness
38% Popularity • 63% Danceability • 78% Energy • 9% Liveness
1% Instrumentalness • 89% Positiveness
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Bombay Bicycle Club
Eat, Sleep, Wake (Nothing But You)
117 bpm • C# min • 03:39 • -7.89db
59% Popularity • 60% Danceability • 81% Energy • 31% Liveness
26% Instrumentalness • 29% Positiveness
59% Popularity • 60% Danceability • 81% Energy • 31% Liveness
26% Instrumentalness • 29% Positiveness
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Dylan LeBlanc
Cautionary Tale
117 bpm • C Maj • 03:40 • -7.43db
47% Popularity • 68% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
47% Popularity • 68% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
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Simple Minds
Alive And Kicking
103 bpm • C Maj • 04:49 • -4.26db
66% Popularity • 57% Danceability • 91% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
66% Popularity • 57% Danceability • 91% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
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Fleet Foxes
Sunblind
103 bpm • G Maj • 04:13 • -8.48db
48% Popularity • 56% Danceability • 69% Energy • 12% Liveness
2% Instrumentalness • 47% Positiveness
48% Popularity • 56% Danceability • 69% Energy • 12% Liveness
2% Instrumentalness • 47% Positiveness
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The War On Drugs
Thinking of a Place
103 bpm • B Maj • 11:10 • -7.12db
58% Popularity • 48% Danceability • 63% Energy • 12% Liveness
8% Instrumentalness • 16% Positiveness
58% Popularity • 48% Danceability • 63% Energy • 12% Liveness
8% Instrumentalness • 16% Positiveness
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Waxahatchee
Lilacs
103 bpm • G Maj • 03:15 • -9db
55% Popularity • 74% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
55% Popularity • 74% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
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Perfume Genius
On the Floor
118 bpm • A Maj • 05:03 • -6db
44% Popularity • 41% Danceability • 73% Energy • 26% Liveness
0% Instrumentalness • 58% Positiveness
44% Popularity • 41% Danceability • 73% Energy • 26% Liveness
0% Instrumentalness • 58% Positiveness
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The Blue Nile
Tinseltown in the Rain
118 bpm • B min • 05:57 • -7db
47% Popularity • 78% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 91% Positiveness
47% Popularity • 78% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 91% Positiveness
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Arcade Fire
The Suburbs
118 bpm • F# min • 05:15 • -6db
66% Popularity • 62% Danceability • 69% Energy • 14% Liveness
2% Instrumentalness • 54% Positiveness
66% Popularity • 62% Danceability • 69% Energy • 14% Liveness
2% Instrumentalness • 54% Positiveness
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CMAT
I Don't Really Care for You
118 bpm • G min • 04:04 • -4.18db
52% Popularity • 72% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
52% Popularity • 72% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
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The War On Drugs
Thinking Of A Place - Live
103 bpm • B Maj • 10:36 • -6.26db
34% Popularity • 49% Danceability • 56% Energy • 21% Liveness
17% Instrumentalness • 12% Positiveness
34% Popularity • 49% Danceability • 56% Energy • 21% Liveness
17% Instrumentalness • 12% Positiveness
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Beach House
Superstar
118 bpm • D# Maj • 06:08 • -6.17db
23% Popularity • 49% Danceability • 89% Energy • 16% Liveness
89% Instrumentalness • 41% Positiveness
23% Popularity • 49% Danceability • 89% Energy • 16% Liveness
89% Instrumentalness • 41% Positiveness
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First Aid Kit
Out of My Head
118 bpm • F Maj • 03:33 • -5db
53% Popularity • 57% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
53% Popularity • 57% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Admiral Freebee
Not In It 4 Love
118 bpm • G Maj • 03:07 • -7.32db
24% Popularity • 80% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
24% Popularity • 80% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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White Lies
Farewell To The Fairground
118 bpm • A Maj • 04:16 • -5.34db
55% Popularity • 52% Danceability • 78% Energy • 16% Liveness
0% Instrumentalness • 29% Positiveness
55% Popularity • 52% Danceability • 78% Energy • 16% Liveness
0% Instrumentalness • 29% Positiveness
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Strand of Oaks
Jimi & Stan
118 bpm • F Maj • 03:12 • -3.84db
18% Popularity • 40% Danceability • 80% Energy • 17% Liveness
0% Instrumentalness • 24% Positiveness
18% Popularity • 40% Danceability • 80% Energy • 17% Liveness
0% Instrumentalness • 24% Positiveness
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The War On Drugs
Eyes To The Wind
117 bpm • D Maj • 05:55 • -7.25db
48% Popularity • 49% Danceability • 76% Energy • 10% Liveness
6% Instrumentalness • 40% Positiveness
48% Popularity • 49% Danceability • 76% Energy • 10% Liveness
6% Instrumentalness • 40% Positiveness
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Peter Gabriel
Solsbury Hill
102 bpm • B Maj • 04:21 • -8.62db
70% Popularity • 68% Danceability • 63% Energy • 38% Liveness
0% Instrumentalness • 46% Positiveness
70% Popularity • 68% Danceability • 63% Energy • 38% Liveness
0% Instrumentalness • 46% Positiveness
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Boy & Bear
Southern Sun
118 bpm • C Maj • 04:40 • -5.95db
53% Popularity • 54% Danceability • 72% Energy • 19% Liveness
0% Instrumentalness • 48% Positiveness
53% Popularity • 54% Danceability • 72% Energy • 19% Liveness
0% Instrumentalness • 48% Positiveness
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The Killers
Pressure Machine
102 bpm • F# Maj • 05:09 • -10.36db
39% Popularity • 59% Danceability • 54% Energy • 16% Liveness
1% Instrumentalness • 54% Positiveness
39% Popularity • 59% Danceability • 54% Energy • 16% Liveness
1% Instrumentalness • 54% Positiveness
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dEUS
1989
102 bpm • C min • 05:05 • -7.97db
35% Popularity • 55% Danceability • 64% Energy • 17% Liveness
0% Instrumentalness • 40% Positiveness
35% Popularity • 55% Danceability • 64% Energy • 17% Liveness
0% Instrumentalness • 40% Positiveness
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Nick Cave & The Bad Seeds
Breathless
119 bpm • C Maj • 03:13 • -9.47db
53% Popularity • 58% Danceability • 47% Energy • 16% Liveness
0% Instrumentalness • 80% Positiveness
53% Popularity • 58% Danceability • 47% Energy • 16% Liveness
0% Instrumentalness • 80% Positiveness
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The War On Drugs
I Was There
103 bpm • C Maj • 03:49 • -7.71db
39% Popularity • 56% Danceability • 66% Energy • 34% Liveness
0% Instrumentalness • 54% Positiveness
39% Popularity • 56% Danceability • 66% Energy • 34% Liveness
0% Instrumentalness • 54% Positiveness
