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I Don't Want To Make It Alone, I Want To Make It W...
Songs like
I Don't Want To Make It Alone, I Want To Make It With You
by
beaux
Based on a tempo of (+/- 10%) and a similar genre
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Carla Wehbe
Don't Tell Me
102 bpm • F# Maj • 03:20 • -8db
19% Popularity • 58% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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beaux
Fine With Me
102 bpm • B Maj • 02:56 • -4.55db
5% Popularity • 72% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Wild Youth
Champagne Butterflies
102 bpm • C Maj • 03:13 • -4.98db
26% Popularity • 68% Danceability • 83% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
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Loote
Who You Are
102 bpm • C Maj • 03:15 • -11db
26% Popularity • 40% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
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Scotty Sire
Buffet
103 bpm • G Maj • 03:26 • -9.6db
16% Popularity • 68% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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Evie Irie
Sink Swim
102 bpm • F Maj • 03:00 • -7.21db
11% Popularity • 65% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
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Sophia Messa
Made
103 bpm • A min • 02:23 • -6db
16% Popularity • 70% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
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beaux
I Don't Want To Make It Alone, I Want To...
102 bpm • C Maj • 03:05 • -4.12db
12% Popularity • 60% Danceability • 71% Energy • 18% Liveness
0% Instrumentalness • 23% Positiveness
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Stephen Puth
Whose Arms
103 bpm • D Maj • 02:51 • -5.45db
26% Popularity • 63% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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Flynn
One Of Us
101 bpm • C min • 03:05 • -6.04db
26% Popularity • 66% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Morgan Saint
KEEP ON HANGING ON
101 bpm • C Maj • 03:00 • -8.02db
17% Popularity • 73% Danceability • 41% Energy • 22% Liveness
0% Instrumentalness • 18% Positiveness
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Scott Helman
Good Problems - Remix
101 bpm • B min • 03:04 • -5.51db
13% Popularity • 79% Danceability • 80% Energy • 17% Liveness
0% Instrumentalness • 80% Positiveness
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Loote
This Is How U Feel
103 bpm • G# Maj • 03:04 • -8.36db
40% Popularity • 78% Danceability • 67% Energy • 15% Liveness
0% Instrumentalness • 75% Positiveness
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beaux
guard down
102 bpm • B Maj • 02:24 • -5.89db
15% Popularity • 65% Danceability • 79% Energy • 21% Liveness
1% Instrumentalness • 86% Positiveness
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Sam DeRosa
Sad Faces
103 bpm • B Maj • 02:54 • -6.39db
14% Popularity • 84% Danceability • 47% Energy • 41% Liveness
0% Instrumentalness • 64% Positiveness
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Yoste
We'll Be Alright
103 bpm • G Maj • 03:08 • -9db
24% Popularity • 70% Danceability • 53% Energy • 43% Liveness
0% Instrumentalness • 44% Positiveness
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Delaney Jane
On Paper
101 bpm • C Maj • 03:14 • -6.83db
8% Popularity • 62% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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DJDS
No Trust
103 bpm • F min • 03:29 • -3.88db
7% Popularity • 80% Danceability • 58% Energy • 32% Liveness
0% Instrumentalness • 25% Positiveness
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Shane Harper
Say I Come Over
103 bpm • E min • 03:52 • -8.58db
13% Popularity • 55% Danceability • 43% Energy • 21% Liveness
0% Instrumentalness • 15% Positiveness
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Josh Gray
Be My Excuse
103 bpm • D# min • 02:41 • -7.15db
9% Popularity • 64% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Lepani
Breathe
100 bpm • C Maj • 03:27 • -6.67db
13% Popularity • 68% Danceability • 62% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
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Scott Helman
Wait No More
100 bpm • G# Maj • 02:44 • -6.63db
35% Popularity • 76% Danceability • 65% Energy • 17% Liveness
0% Instrumentalness • 82% Positiveness
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JORDY
Lip Locked
100 bpm • D Maj • 03:04 • -5.05db
23% Popularity • 77% Danceability • 88% Energy • 18% Liveness
0% Instrumentalness • 84% Positiveness
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Laur Elle
All That We Didn't
100 bpm • C Maj • 03:38 • -7.21db
17% Popularity • 69% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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CARYS
No More
100 bpm • C# Maj • 03:04 • -4.65db
24% Popularity • 72% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Ricky Reed
Fav Boy
100 bpm • A Maj • 02:36 • -9.25db
23% Popularity • 75% Danceability • 51% Energy • 30% Liveness
0% Instrumentalness • 33% Positiveness
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The Attire
Naked
100 bpm • F min • 03:14 • -6.54db
29% Popularity • 78% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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Phil Good
Living With No One
100 bpm • F# Maj • 02:53 • -6db
32% Popularity • 94% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
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Matilda Cole
The Clouds
100 bpm • E Maj • 02:19 • -6.3db
21% Popularity • 60% Danceability • 70% Energy • 12% Liveness
4% Instrumentalness • 31% Positiveness
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Louis III
Walk You Home
100 bpm • F Maj • 03:05 • -7.01db
9% Popularity • 64% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 76% Positiveness
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Noah Cunane
Call Him
100 bpm • G Maj • 03:01 • -9.76db
17% Popularity • 76% Danceability • 41% Energy • 28% Liveness
0% Instrumentalness • 46% Positiveness
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Joel Christopher
Directions
100 bpm • C Maj • 03:08 • -9db
20% Popularity • 72% Danceability • 45% Energy • 18% Liveness
0% Instrumentalness • 28% Positiveness
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ayokay
Sleeping Next to You
100 bpm • A Maj • 03:40 • -6.85db
22% Popularity • 74% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
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Kyan Palmer
Almost There
100 bpm • G min • 03:02 • -7db
9% Popularity • 72% Danceability • 65% Energy • 15% Liveness
0% Instrumentalness • 82% Positiveness
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beaux
benadryl
100 bpm • B Maj • 03:00 • -3.57db
21% Popularity • 62% Danceability • 81% Energy • 6% Liveness
0% Instrumentalness • 89% Positiveness
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Wafia
Hurricane
100 bpm • C# Maj • 03:15 • -7.94db
33% Popularity • 79% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
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Phil Good
Do You Ever?
104 bpm • D Maj • 02:30 • -6.79db
33% Popularity • 77% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
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Scott Helman
Good Problems
100 bpm • D Maj • 03:12 • -5db
15% Popularity • 71% Danceability • 65% Energy • 14% Liveness
0% Instrumentalness • 55% Positiveness
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Juliette Reilly
sad hungry lonely
100 bpm • D# Maj • 02:44 • -6.99db
9% Popularity • 66% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 62% Positiveness
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RARIA
Break Up With Her
104 bpm • D# Maj • 02:58 • -5.92db
12% Popularity • 52% Danceability • 59% Energy • 18% Liveness
0% Instrumentalness • 48% Positiveness
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beaux
pretty little life
100 bpm • B Maj • 02:36 • -9.83db
7% Popularity • 60% Danceability • 44% Energy • 12% Liveness
7% Instrumentalness • 6% Positiveness
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Brigetta
Could've, Should've, Would've
100 bpm • D Maj • 02:09 • -11.3db
12% Popularity • 81% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Loote
Heart's Not In It
100 bpm • G Maj • 02:25 • -9.08db
39% Popularity • 86% Danceability • 48% Energy • 5% Liveness
0% Instrumentalness • 61% Positiveness
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Lennon Stella
Golf On TV JP Saxe
105 bpm • F Maj • 03:12 • -8.38db
43% Popularity • 56% Danceability • 55% Energy • 25% Liveness
0% Instrumentalness • 16% Positiveness
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Taylor Piggott
Raincoat
105 bpm • B Maj • 03:19 • -8.78db
11% Popularity • 60% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
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New Royals
More to Me
105 bpm • A# min • 03:22 • -3.88db
20% Popularity • 64% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
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Yoste
You Can't Fix Me
99 bpm • F# min • 03:09 • -9.23db
34% Popularity • 62% Danceability • 54% Energy • 23% Liveness
0% Instrumentalness • 38% Positiveness
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Griff
Say It Again
105 bpm • A min • 03:36 • -6db
42% Popularity • 84% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 27% Positiveness
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Loote
Exes
100 bpm • B Maj • 02:08 • -6.85db
31% Popularity • 74% Danceability • 63% Energy • 13% Liveness
0% Instrumentalness • 77% Positiveness
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Drive!Drive!
I'll Be Just Fine
105 bpm • G# Maj • 03:22 • -8.77db
13% Popularity • 75% Danceability • 51% Energy • 40% Liveness
0% Instrumentalness • 70% Positiveness
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SADBOii
Nah Yeh
105 bpm • C Maj • 02:58 • -6.88db
7% Popularity • 60% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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Bailey Baum
Over It
105 bpm • G Maj • 03:04 • -6.36db
12% Popularity • 76% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
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Chelsea Cutler
Sad Tonight
105 bpm • C Maj • 02:58 • -7.58db
45% Popularity • 71% Danceability • 73% Energy • 19% Liveness
0% Instrumentalness • 46% Positiveness
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RARIA
Will You Tell Your Girlfriend?
105 bpm • C min • 03:12 • -7.36db
8% Popularity • 81% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
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Kyan Palmer
Quarantini
105 bpm • A# min • 03:26 • -3.77db
20% Popularity • 69% Danceability • 87% Energy • 17% Liveness
0% Instrumentalness • 66% Positiveness
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Dava
Papercut
105 bpm • A min • 02:40 • -9.98db
18% Popularity • 78% Danceability • 26% Energy • 26% Liveness
2% Instrumentalness • 66% Positiveness
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Quinn Lewis
Empty
105 bpm • B Maj • 02:50 • -7.18db
11% Popularity • 83% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
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prettyboyshav
80's
105 bpm • D Maj • 03:07 • -6.94db
12% Popularity • 64% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
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Julian Lamadrid
My Time
105 bpm • G Maj • 02:59 • -7.41db
9% Popularity • 73% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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Free Arlo
pages
105 bpm • F Maj • 02:10 • -5.57db
8% Popularity • 73% Danceability • 70% Energy • 11% Liveness
8% Instrumentalness • 75% Positiveness
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Gia Woods
ALL I KNOW
99 bpm • B Maj • 03:16 • -4db
15% Popularity • 66% Danceability • 81% Energy • 20% Liveness
0% Instrumentalness • 69% Positiveness
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MAALA
Clash & Collide
99 bpm • A# Maj • 02:41 • -6.92db
10% Popularity • 83% Danceability • 55% Energy • 24% Liveness
0% Instrumentalness • 70% Positiveness
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Indyah
That Night
105 bpm • G Maj • 02:47 • -7.66db
14% Popularity • 73% Danceability • 49% Energy • 6% Liveness
0% Instrumentalness • 38% Positiveness
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Scott Helman
Everything Sucks
99 bpm • C Maj • 03:05 • -5.52db
27% Popularity • 64% Danceability • 72% Energy • 3% Liveness
0% Instrumentalness • 56% Positiveness
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Ella Vos
Burning Bridges
99 bpm • C# Maj • 02:52 • -7db
22% Popularity • 84% Danceability • 50% Energy • 16% Liveness
4% Instrumentalness • 30% Positiveness
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Dan Caplen
Love Keeps Falling Down
106 bpm • D Maj • 03:17 • -7.83db
9% Popularity • 74% Danceability • 50% Energy • 31% Liveness
0% Instrumentalness • 37% Positiveness
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Zachary Staines
New York
106 bpm • G min • 02:29 • -7.16db
15% Popularity • 78% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
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Shawn Hook
Deeper
106 bpm • C Maj • 02:47 • -6.22db
15% Popularity • 59% Danceability • 79% Energy • 16% Liveness
0% Instrumentalness • 45% Positiveness
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Parson James
High Tide, Low Tide
106 bpm • C Maj • 02:51 • -6db
20% Popularity • 67% Danceability • 76% Energy • 41% Liveness
0% Instrumentalness • 40% Positiveness
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Grey
RADAR
106 bpm • B min • 03:22 • -8.21db
15% Popularity • 66% Danceability • 39% Energy • 20% Liveness
0% Instrumentalness • 24% Positiveness
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Soul Push
Sticky Situation
98 bpm • C Maj • 02:11 • -6.58db
13% Popularity • 64% Danceability • 64% Energy • 55% Liveness
2% Instrumentalness • 66% Positiveness
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Lewis Watson
spark
98 bpm • D# Maj • 03:25 • -10.16db
21% Popularity • 56% Danceability • 55% Energy • 15% Liveness
0% Instrumentalness • 64% Positiveness
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Anna Straker
Good Days Bad Days
98 bpm • B Maj • 02:57 • -5db
18% Popularity • 76% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
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Wrabel
since i was young - casey lagos end of s...
97 bpm • A# Maj • 03:35 • -7.55db
10% Popularity • 48% Danceability • 73% Energy • 21% Liveness
0% Instrumentalness • 60% Positiveness
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Kevin Courtois
Visions
98 bpm • F# Maj • 03:03 • -8db
23% Popularity • 74% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
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Kyan Palmer
Somebody to Someone
107 bpm • E min • 02:50 • -9.32db
8% Popularity • 80% Danceability • 55% Energy • 14% Liveness
4% Instrumentalness • 42% Positiveness
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Syence
a little bit bored [ruuth]
107 bpm • C# Maj • 02:59 • -3.99db
28% Popularity • 80% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Griff
Forgive Myself
107 bpm • A Maj • 02:53 • -6.14db
42% Popularity • 76% Danceability • 57% Energy • 17% Liveness
0% Instrumentalness • 76% Positiveness
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The Wldlfe
New Age Meds
107 bpm • G# Maj • 03:30 • -6db
27% Popularity • 38% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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EXES
Side
107 bpm • E Maj • 03:08 • -9.08db
24% Popularity • 79% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Ella Vos
Dancing Underwater
107 bpm • A# Maj • 03:29 • -8.27db
14% Popularity • 74% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Savannah Sgro
Talk Shit
107 bpm • D# Maj • 03:06 • -8.42db
17% Popularity • 74% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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Hauskey
Silver Lining
97 bpm • D Maj • 02:21 • -8.81db
23% Popularity • 64% Danceability • 55% Energy • 36% Liveness
0% Instrumentalness • 76% Positiveness
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Bea Miller
wisdom teeth
97 bpm • A min • 03:01 • -5.72db
35% Popularity • 76% Danceability • 56% Energy • 16% Liveness
0% Instrumentalness • 41% Positiveness
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Julia Michaels
Give It To You
97 bpm • A Maj • 02:15 • -7.1db
39% Popularity • 36% Danceability • 61% Energy • 16% Liveness
0% Instrumentalness • 50% Positiveness
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Greyson Chance
Dancing Next To Me
108 bpm • B Maj • 02:50 • -6db
39% Popularity • 75% Danceability • 71% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
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ELLIANA
Fire
108 bpm • C min • 03:00 • -7db
22% Popularity • 75% Danceability • 58% Energy • 25% Liveness
1% Instrumentalness • 57% Positiveness
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Good Scott
good life
108 bpm • C# min • 03:12 • -8db
20% Popularity • 73% Danceability • 70% Energy • 17% Liveness
0% Instrumentalness • 43% Positiveness
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Grey
For The Night
108 bpm • A Maj • 02:47 • -3db
31% Popularity • 79% Danceability • 60% Energy • 17% Liveness
0% Instrumentalness • 31% Positiveness
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Chelsea Cutler
Strangers Again
96 bpm • D Maj • 03:12 • -7.43db
33% Popularity • 88% Danceability • 42% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
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X Lovers
Cut My Lip
96 bpm • B Maj • 02:43 • -4.95db
20% Popularity • 75% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
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Delaney Jane
Somewhere Else
96 bpm • A# Maj • 03:28 • -6.44db
17% Popularity • 60% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
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Larkins
Are We Having Any Fun yet? - Ayokay Remi...
96 bpm • E Maj • 03:09 • -7db
32% Popularity • 63% Danceability • 72% Energy • 23% Liveness
0% Instrumentalness • 67% Positiveness
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Ryan Pulford
Holding You Close
96 bpm • C Maj • 03:21 • -7.7db
30% Popularity • 71% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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Grey
NICOTINE
96 bpm • C# Maj • 02:59 • -7.8db
16% Popularity • 75% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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EXES
It's Not You, It's Me
96 bpm • A# Maj • 02:45 • -8db
19% Popularity • 70% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
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Cassidy King
Professional Smiler
109 bpm • F min • 03:43 • -8.02db
16% Popularity • 66% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
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Ella Vos
Burning Bridges - Sistek Remix
109 bpm • F# Maj • 03:09 • -8.4db
23% Popularity • 78% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
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MAYCE
Can't Get Over Us
109 bpm • C Maj • 02:29 • -6.87db
18% Popularity • 61% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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Olivia O'Brien
Josslyn - Bloom Line Remix
95 bpm • D Maj • 03:14 • -7.35db
19% Popularity • 70% Danceability • 78% Energy • 44% Liveness
0% Instrumentalness • 51% Positiveness
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I Don't Want To Make It Alone, I Want To Make It W...