Songs like i don't want to watch the world end with someone else by Clinton Kane
Based on a tempo of (+/- 10%) and a similar genre
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Munn
the reason i hate home
154 bpm • C min • 02:43 • -6.53db
50% Popularity • 47% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
50% Popularity • 47% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Etham
Purpose - Stripped
155 bpm • G# Maj • 03:16 • -9.7db
42% Popularity • 42% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
42% Popularity • 42% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Clinton Kane
i don't want to watch the world end with...
154 bpm • D Maj • 03:04 • -9.34db
64% Popularity • 54% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
64% Popularity • 54% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Forest Blakk
If You Love Her - Meghan Trainor
156 bpm • C# Maj • 03:35 • -7.16db
58% Popularity • 34% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
58% Popularity • 34% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Powfu
the long way home
152 bpm • D Maj • 03:09 • -9.69db
41% Popularity • 58% Danceability • 40% Energy • 32% Liveness
0% Instrumentalness • 52% Positiveness
41% Popularity • 58% Danceability • 40% Energy • 32% Liveness
0% Instrumentalness • 52% Positiveness
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We Three
i wanna love somebody
156 bpm • A Maj • 03:53 • -7.38db
47% Popularity • 59% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
47% Popularity • 59% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Cian Ducrot
I'll Be Waiting
156 bpm • C# Maj • 02:52 • -4.11db
70% Popularity • 52% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
70% Popularity • 52% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
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LANY
nobody else
152 bpm • C Maj • 03:17 • -14.51db
60% Popularity • 57% Danceability • 29% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
60% Popularity • 57% Danceability • 29% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
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Clinton Kane
BITTERSWEET
152 bpm • C# min • 02:38 • -5.35db
50% Popularity • 59% Danceability • 79% Energy • 26% Liveness
0% Instrumentalness • 23% Positiveness
50% Popularity • 59% Danceability • 79% Energy • 26% Liveness
0% Instrumentalness • 23% Positiveness
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clide
broken parts
151 bpm • C Maj • 03:05 • -12.42db
48% Popularity • 48% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
48% Popularity • 48% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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gavn!
Emerald City
150 bpm • B Maj • 02:46 • -10.5db
52% Popularity • 43% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
52% Popularity • 43% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Caleb Hearn
We're Getting Older
151 bpm • G Maj • 02:41 • -9.44db
51% Popularity • 59% Danceability • 32% Energy • 16% Liveness
0% Instrumentalness • 23% Positiveness
51% Popularity • 59% Danceability • 32% Energy • 16% Liveness
0% Instrumentalness • 23% Positiveness
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5 Seconds of Summer
Ghost Of You
150 bpm • A# Maj • 03:17 • -4.82db
71% Popularity • 46% Danceability • 56% Energy • 16% Liveness
0% Instrumentalness • 21% Positiveness
71% Popularity • 46% Danceability • 56% Energy • 16% Liveness
0% Instrumentalness • 21% Positiveness
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Matt Hansen
better off without me
150 bpm • C Maj • 02:50 • -7db
72% Popularity • 62% Danceability • 47% Energy • 32% Liveness
0% Instrumentalness • 65% Positiveness
72% Popularity • 62% Danceability • 47% Energy • 32% Liveness
0% Instrumentalness • 65% Positiveness
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Clinton Kane
So I Don't Let Me Down
152 bpm • A Maj • 03:36 • -8.62db
42% Popularity • 65% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 69% Positiveness
42% Popularity • 65% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 69% Positiveness
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Munn
this house is not a home
150 bpm • G# Maj • 02:38 • -7.06db
53% Popularity • 58% Danceability • 64% Energy • 20% Liveness
0% Instrumentalness • 54% Positiveness
53% Popularity • 58% Danceability • 64% Energy • 20% Liveness
0% Instrumentalness • 54% Positiveness
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Sam MacPherson
How Do You Dress for the Rain?
150 bpm • A# Maj • 02:40 • -12db
50% Popularity • 60% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
50% Popularity • 60% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Ashley Kutcher
Love You From a Distance
149 bpm • E Maj • 03:24 • -8.65db
64% Popularity • 33% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
64% Popularity • 33% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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Rhys Lewis
No Right To Love You
159 bpm • C# Maj • 03:58 • -8.15db
45% Popularity • 59% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
45% Popularity • 59% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Abe Parker
Butterflies
160 bpm • D# Maj • 03:03 • -7.04db
56% Popularity • 48% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
56% Popularity • 48% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Clinton Kane
remember the mornings
149 bpm • C Maj • 03:22 • -5.66db
46% Popularity • 59% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
46% Popularity • 59% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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JORDY
Close To You
160 bpm • G# Maj • 02:59 • -8db
38% Popularity • 43% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
38% Popularity • 43% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Munn
can you hear me?
150 bpm • D Maj • 03:05 • -7.83db
63% Popularity • 65% Danceability • 58% Energy • 34% Liveness
0% Instrumentalness • 38% Positiveness
63% Popularity • 65% Danceability • 58% Energy • 34% Liveness
0% Instrumentalness • 38% Positiveness
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Benson Boone
ROOM FOR 2
160 bpm • D Maj • 02:31 • -5.64db
69% Popularity • 59% Danceability • 50% Energy • 33% Liveness
0% Instrumentalness • 28% Positiveness
69% Popularity • 59% Danceability • 50% Energy • 33% Liveness
0% Instrumentalness • 28% Positiveness
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Matt Hansen
break my heart
160 bpm • B min • 02:58 • -5.51db
58% Popularity • 52% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
58% Popularity • 52% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Mokita
down
148 bpm • E Maj • 03:14 • -9.02db
52% Popularity • 52% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
52% Popularity • 52% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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Lizzy McAlpine
ceilings
148 bpm • A Maj • 03:02 • -11.76db
83% Popularity • 52% Danceability • 32% Energy • 22% Liveness
0% Instrumentalness • 26% Positiveness
83% Popularity • 52% Danceability • 32% Energy • 22% Liveness
0% Instrumentalness • 26% Positiveness
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Blake Rose
Movie
160 bpm • F Maj • 04:07 • -9db
36% Popularity • 27% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
36% Popularity • 27% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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LANY
if this is the last time
148 bpm • B Maj • 03:23 • -7.73db
62% Popularity • 57% Danceability • 59% Energy • 20% Liveness
0% Instrumentalness • 43% Positiveness
62% Popularity • 57% Danceability • 59% Energy • 20% Liveness
0% Instrumentalness • 43% Positiveness
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Elina
Paper Planes
148 bpm • C# Maj • 03:19 • -12.48db
53% Popularity • 53% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
53% Popularity • 53% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
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Niall Horan
Black And White
148 bpm • D Maj • 03:13 • -6.02db
68% Popularity • 44% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
68% Popularity • 44% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
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Clinton Kane
this is what a rough childhood feels lik...
147 bpm • C Maj • 03:21 • -10db
21% Popularity • 57% Danceability • 36% Energy • 12% Liveness
1% Instrumentalness • 42% Positiveness
21% Popularity • 57% Danceability • 36% Energy • 12% Liveness
1% Instrumentalness • 42% Positiveness
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Anna Clendening
If I'm Being Honest
147 bpm • B Maj • 02:36 • -7db
45% Popularity • 58% Danceability • 59% Energy • 15% Liveness
0% Instrumentalness • 42% Positiveness
45% Popularity • 58% Danceability • 59% Energy • 15% Liveness
0% Instrumentalness • 42% Positiveness
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Matt Hansen
without you with me
147 bpm • D Maj • 02:54 • -5.95db
64% Popularity • 48% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
64% Popularity • 48% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Jessica Baio
trust issues
161 bpm • A Maj • 02:14 • -9db
66% Popularity • 59% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
66% Popularity • 59% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
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LANY
anything 4 u
147 bpm • A# Maj • 03:14 • -7.99db
63% Popularity • 57% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
63% Popularity • 57% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Alexander 23
The Hardest Part
162 bpm • G# Maj • 03:23 • -9db
46% Popularity • 50% Danceability • 43% Energy • 15% Liveness
0% Instrumentalness • 40% Positiveness
46% Popularity • 50% Danceability • 43% Energy • 15% Liveness
0% Instrumentalness • 40% Positiveness
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JP Saxe
If the World Was Ending
147 bpm • C# Maj • 03:29 • -9.97db
74% Popularity • 43% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
74% Popularity • 43% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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Mokita
colorblind
146 bpm • G# Maj • 03:13 • -5.05db
62% Popularity • 66% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
62% Popularity • 66% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Clinton Kane
DANCING ALL ALONE
146 bpm • F Maj • 02:51 • -6db
54% Popularity • 40% Danceability • 58% Energy • 55% Liveness
0% Instrumentalness • 49% Positiveness
54% Popularity • 40% Danceability • 58% Energy • 55% Liveness
0% Instrumentalness • 49% Positiveness
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Harry Hudson
Yellow Lights
146 bpm • D# Maj • 02:51 • -10.81db
53% Popularity • 44% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
53% Popularity • 44% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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John K
6 months
146 bpm • D# Maj • 03:37 • -6db
52% Popularity • 66% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
52% Popularity • 66% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Alexander 23
Hate Me If It Helps
162 bpm • D Maj • 03:16 • -8.84db
45% Popularity • 53% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
45% Popularity • 53% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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Dean Lewis
Hurtless
163 bpm • C Maj • 03:00 • -6db
69% Popularity • 37% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
69% Popularity • 37% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Emily Burns
Is It Just Me?
145 bpm • E Maj • 03:23 • -7.36db
55% Popularity • 48% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
55% Popularity • 48% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Kyle Hume
23
163 bpm • G Maj • 02:16 • -4.74db
56% Popularity • 39% Danceability • 56% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
56% Popularity • 39% Danceability • 56% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
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Haley Joelle
Emergency Contact
163 bpm • G Maj • 02:36 • -8db
41% Popularity • 44% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
41% Popularity • 44% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
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Conan Gray
Astronomy
145 bpm • E min • 04:03 • -8.57db
74% Popularity • 47% Danceability • 34% Energy • 30% Liveness
0% Instrumentalness • 15% Positiveness
74% Popularity • 47% Danceability • 34% Energy • 30% Liveness
0% Instrumentalness • 15% Positiveness
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Gracie Abrams
Feels Like
145 bpm • B Maj • 02:32 • -7.36db
74% Popularity • 62% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
74% Popularity • 62% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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FINNEAS
What They'll Say About Us
145 bpm • G min • 03:01 • -13.04db
59% Popularity • 54% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 9% Positiveness
59% Popularity • 54% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 9% Positiveness
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Maximillian
Beautiful Scars
145 bpm • E min • 03:14 • -8.67db
60% Popularity • 71% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
60% Popularity • 71% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Etham
Opposite Of Loving Me - Stripped
145 bpm • G min • 03:31 • -10.83db
44% Popularity • 62% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
44% Popularity • 62% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Clinton Kane
ONE MORE DAY WITH YOU
164 bpm • C Maj • 03:10 • -7db
42% Popularity • 34% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
42% Popularity • 34% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Sam MacPherson
Last Minute
144 bpm • C# Maj • 02:13 • -9.24db
59% Popularity • 58% Danceability • 28% Energy • 51% Liveness
0% Instrumentalness • 48% Positiveness
59% Popularity • 58% Danceability • 28% Energy • 51% Liveness
0% Instrumentalness • 48% Positiveness
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Griff
Good Stuff
144 bpm • G Maj • 03:13 • -7.48db
59% Popularity • 64% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
59% Popularity • 64% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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FINNEAS
Break My Heart Again
144 bpm • E min • 03:57 • -14.23db
68% Popularity • 40% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
68% Popularity • 40% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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James Smith
Tell Me That You Love Me
144 bpm • F# Maj • 03:14 • -8.75db
63% Popularity • 54% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
63% Popularity • 54% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Etham
12:45 - Stripped
164 bpm • F Maj • 02:59 • -10.66db
58% Popularity • 46% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
58% Popularity • 46% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Clinton Kane
I WISH I COULD HATE YOU FOR BREAKING ME ...
164 bpm • B Maj • 02:14 • -3.17db
49% Popularity • 39% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
49% Popularity • 39% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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elijah woods
everything everywhere always
144 bpm • F# Maj • 02:27 • -10.23db
67% Popularity • 40% Danceability • 38% Energy • 27% Liveness
0% Instrumentalness • 19% Positiveness
67% Popularity • 40% Danceability • 38% Energy • 27% Liveness
0% Instrumentalness • 19% Positiveness
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Olivia Rodrigo
drivers license
144 bpm • A# Maj • 04:02 • -8.81db
86% Popularity • 56% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
86% Popularity • 56% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Alec Benjamin
Demons
143 bpm • F min • 02:43 • -7.5db
58% Popularity • 71% Danceability • 49% Energy • 34% Liveness
0% Instrumentalness • 76% Positiveness
58% Popularity • 71% Danceability • 49% Energy • 34% Liveness
0% Instrumentalness • 76% Positiveness
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James Smith
I Don't Wanna Know
165 bpm • G Maj • 03:28 • -8.6db
38% Popularity • 25% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
38% Popularity • 25% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Rhys Lewis
No Right To Love You - Acoustic
166 bpm • C# Maj • 03:49 • -10.59db
57% Popularity • 47% Danceability • 27% Energy • 15% Liveness
0% Instrumentalness • 51% Positiveness
57% Popularity • 47% Danceability • 27% Energy • 15% Liveness
0% Instrumentalness • 51% Positiveness
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Jessica Baio
at least
143 bpm • B Maj • 02:47 • -10db
57% Popularity • 47% Danceability • 46% Energy • 26% Liveness
0% Instrumentalness • 39% Positiveness
57% Popularity • 47% Danceability • 46% Energy • 26% Liveness
0% Instrumentalness • 39% Positiveness
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Sody
Maybe It Was Me
166 bpm • F Maj • 02:59 • -9.76db
46% Popularity • 46% Danceability • 33% Energy • 17% Liveness
0% Instrumentalness • 25% Positiveness
46% Popularity • 46% Danceability • 33% Energy • 17% Liveness
0% Instrumentalness • 25% Positiveness
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Maisie Peters
Maybe Don't
167 bpm • G Maj • 02:54 • -5.23db
51% Popularity • 71% Danceability • 64% Energy • 18% Liveness
0% Instrumentalness • 62% Positiveness
51% Popularity • 71% Danceability • 64% Energy • 18% Liveness
0% Instrumentalness • 62% Positiveness
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Rosie Darling
Always Almost
167 bpm • C Maj • 03:22 • -8.45db
50% Popularity • 38% Danceability • 37% Energy • 17% Liveness
0% Instrumentalness • 32% Positiveness
50% Popularity • 38% Danceability • 37% Energy • 17% Liveness
0% Instrumentalness • 32% Positiveness
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Lizzy McAlpine
Pancakes for Dinner
142 bpm • B Maj • 03:55 • -11.45db
63% Popularity • 75% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
63% Popularity • 75% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Noah Cyrus
Young & Sad
142 bpm • G min • 03:10 • -8.5db
54% Popularity • 62% Danceability • 43% Energy • 19% Liveness
0% Instrumentalness • 36% Positiveness
54% Popularity • 62% Danceability • 43% Energy • 19% Liveness
0% Instrumentalness • 36% Positiveness
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Hayd
What Did I Do?
142 bpm • F# Maj • 03:35 • -11.87db
48% Popularity • 59% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
48% Popularity • 59% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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shy martin
Slow
142 bpm • D Maj • 02:43 • -9.51db
55% Popularity • 64% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
55% Popularity • 64% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Zach Hood
lonely isn't the word for this
142 bpm • B Maj • 02:47 • -8.57db
48% Popularity • 65% Danceability • 66% Energy • 20% Liveness
0% Instrumentalness • 49% Positiveness
48% Popularity • 65% Danceability • 66% Energy • 20% Liveness
0% Instrumentalness • 49% Positiveness
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Sarah Barrios
Have We Met Before
167 bpm • G Maj • 02:38 • -10.3db
55% Popularity • 43% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
55% Popularity • 43% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Thomas Day
The New Me
142 bpm • D Maj • 02:23 • -6db
47% Popularity • 56% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
47% Popularity • 56% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Clinton Kane
this is what anxiety feels like
142 bpm • C min • 03:48 • -10.21db
26% Popularity • 47% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
26% Popularity • 47% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Cian Ducrot
hurt so bad
168 bpm • D Maj • 04:02 • -6.53db
46% Popularity • 46% Danceability • 45% Energy • 27% Liveness
0% Instrumentalness • 28% Positiveness
46% Popularity • 46% Danceability • 45% Energy • 27% Liveness
0% Instrumentalness • 28% Positiveness
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Zevia
till death frees me
140 bpm • A# Maj • 02:46 • -11db
48% Popularity • 60% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
48% Popularity • 60% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Olivia Rodrigo
happier
169 bpm • F# Maj • 02:55 • -9.72db
84% Popularity • 40% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
84% Popularity • 40% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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FINNEAS
I Lost a Friend
169 bpm • B Maj • 03:57 • -11.92db
62% Popularity • 44% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
62% Popularity • 44% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Chord Overstreet
What You Need
140 bpm • C Maj • 03:01 • -11.17db
48% Popularity • 52% Danceability • 26% Energy • 24% Liveness
0% Instrumentalness • 19% Positiveness
48% Popularity • 52% Danceability • 26% Energy • 24% Liveness
0% Instrumentalness • 19% Positiveness
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Thomas Day
not my job anymore
140 bpm • B Maj • 03:08 • -7.34db
57% Popularity • 54% Danceability • 42% Energy • 24% Liveness
0% Instrumentalness • 10% Positiveness
57% Popularity • 54% Danceability • 42% Energy • 24% Liveness
0% Instrumentalness • 10% Positiveness
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Avery Lynch
Out Of Love with You
140 bpm • G# Maj • 03:40 • -9.93db
39% Popularity • 64% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
39% Popularity • 64% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
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Camylio
i tried
140 bpm • G min • 02:40 • -9.63db
58% Popularity • 57% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
58% Popularity • 57% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
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Olivia Rodrigo
1 step forward, 3 steps back
169 bpm • D Maj • 02:43 • -12.63db
80% Popularity • 47% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
80% Popularity • 47% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
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Reagan Beem
Hurt The Ones I Love
170 bpm • B Maj • 03:35 • -7.81db
41% Popularity • 51% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
41% Popularity • 51% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Katherine Li
We Didn't Even Date
140 bpm • C# Maj • 02:57 • -10db
47% Popularity • 60% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
47% Popularity • 60% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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Thomas Day
Overplayed
140 bpm • A# Maj • 03:02 • -8.7db
43% Popularity • 51% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
43% Popularity • 51% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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Avery Lynch
Love of My Life
169 bpm • B Maj • 03:52 • -11.37db
40% Popularity • 30% Danceability • 21% Energy • 16% Liveness
0% Instrumentalness • 10% Positiveness
40% Popularity • 30% Danceability • 21% Energy • 16% Liveness
0% Instrumentalness • 10% Positiveness
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Bruno Major
Nothing
140 bpm • D Maj • 02:42 • -15.89db
75% Popularity • 56% Danceability • 27% Energy • 10% Liveness
54% Instrumentalness • 27% Positiveness
75% Popularity • 56% Danceability • 27% Energy • 10% Liveness
54% Instrumentalness • 27% Positiveness
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shy martin
Are you happy?
139 bpm • A min • 02:37 • -7.66db
57% Popularity • 63% Danceability • 58% Energy • 42% Liveness
0% Instrumentalness • 30% Positiveness
57% Popularity • 63% Danceability • 58% Energy • 42% Liveness
0% Instrumentalness • 30% Positiveness
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Blake Rose
Gone
139 bpm • B min • 03:25 • -6db
58% Popularity • 32% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
58% Popularity • 32% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Dylan Brady
How Are You?
139 bpm • C# Maj • 02:49 • -6.76db
53% Popularity • 48% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
53% Popularity • 48% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Taylor Swift
champagne problems
171 bpm • C Maj • 04:04 • -12.08db
79% Popularity • 46% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
79% Popularity • 46% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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vaultboy
way after forever
171 bpm • G Maj • 02:53 • -10.29db
58% Popularity • 54% Danceability • 20% Energy • 45% Liveness
0% Instrumentalness • 35% Positiveness
58% Popularity • 54% Danceability • 20% Energy • 45% Liveness
0% Instrumentalness • 35% Positiveness
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Rachel Grae
Right Person Right Time
138 bpm • F# Maj • 02:58 • -9.46db
56% Popularity • 46% Danceability • 31% Energy • 19% Liveness
0% Instrumentalness • 18% Positiveness
56% Popularity • 46% Danceability • 31% Energy • 19% Liveness
0% Instrumentalness • 18% Positiveness
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Lauren Spencer Smith
Flowers
138 bpm • D# Maj • 02:37 • -9.67db
72% Popularity • 70% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
72% Popularity • 70% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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Caleb Hearn
1000 reasons
172 bpm • B Maj • 02:34 • -11.46db
63% Popularity • 64% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
63% Popularity • 64% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
