Songs like I Drove All Night - True Colors Live 2008 by Cyndi Lauper
Based on a tempo of (+/- 10%) and a similar genre
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Alphaville
Forever Young - 2019 Remaster
137 bpm • A min • 03:46 • -9.71db
72% Popularity • 48% Danceability • 47% Energy • 33% Liveness
0% Instrumentalness • 29% Positiveness
72% Popularity • 48% Danceability • 47% Energy • 33% Liveness
0% Instrumentalness • 29% Positiveness
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Richard Marx
Hazard (Live)
137 bpm • F# min • 04:16 • -9.11db
18% Popularity • 52% Danceability • 46% Energy • 88% Liveness
0% Instrumentalness • 44% Positiveness
18% Popularity • 52% Danceability • 46% Energy • 88% Liveness
0% Instrumentalness • 44% Positiveness
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Cyndi Lauper
I Drove All Night - True Colors Live 200...
137 bpm • G# Maj • 04:09 • -10.1db
20% Popularity • 60% Danceability • 68% Energy • 66% Liveness
0% Instrumentalness • 43% Positiveness
20% Popularity • 60% Danceability • 68% Energy • 66% Liveness
0% Instrumentalness • 43% Positiveness
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Kim Carnes
I'll Be Here Where The Heart Is
137 bpm • C min • 04:41 • -18db
31% Popularity • 52% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
31% Popularity • 52% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Starship
Wild Again - Rerecorded
137 bpm • A# Maj • 05:01 • -11db
31% Popularity • 61% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
31% Popularity • 61% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Bliss
How Does It Feel the Morning After?
137 bpm • D Maj • 04:20 • -5.87db
14% Popularity • 58% Danceability • 76% Energy • 29% Liveness
0% Instrumentalness • 35% Positiveness
14% Popularity • 58% Danceability • 76% Energy • 29% Liveness
0% Instrumentalness • 35% Positiveness
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Alphaville
Forever Young - Version Rapide; 2019 Rem...
137 bpm • A min • 03:51 • -8db
29% Popularity • 60% Danceability • 89% Energy • 12% Liveness
2% Instrumentalness • 60% Positiveness
29% Popularity • 60% Danceability • 89% Energy • 12% Liveness
2% Instrumentalness • 60% Positiveness
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Elton John
I Don't Wanna Go On With You Like That -...
136 bpm • A min • 04:37 • -11.57db
16% Popularity • 72% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 92% Positiveness
16% Popularity • 72% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 92% Positiveness
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Irene Cara
Out Here On My Own
136 bpm • G Maj • 03:13 • -15.07db
48% Popularity • 41% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
48% Popularity • 41% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
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Kim Carnes
I'll Be There Where The Heart Is
138 bpm • C min • 04:36 • -12.03db
41% Popularity • 51% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
41% Popularity • 51% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Cher
Just Like Jesse James
138 bpm • G# Maj • 04:05 • -10.23db
60% Popularity • 40% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
60% Popularity • 40% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
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Wilson Phillips
A Reason To Believe
138 bpm • D Maj • 04:05 • -11db
35% Popularity • 57% Danceability • 52% Energy • 15% Liveness
0% Instrumentalness • 38% Positiveness
35% Popularity • 57% Danceability • 52% Energy • 15% Liveness
0% Instrumentalness • 38% Positiveness
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INXS
Mystify - Live At Wembley Stadium, 1991
135 bpm • C Maj • 03:09 • -7.24db
29% Popularity • 29% Danceability • 84% Energy • 92% Liveness
0% Instrumentalness • 20% Positiveness
29% Popularity • 29% Danceability • 84% Energy • 92% Liveness
0% Instrumentalness • 20% Positiveness
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Elton John
Don't Let the Sun Go Down on Me - Live a...
138 bpm • C Maj • 05:50 • -6.02db
28% Popularity • 26% Danceability • 88% Energy • 99% Liveness
0% Instrumentalness • 26% Positiveness
28% Popularity • 26% Danceability • 88% Energy • 99% Liveness
0% Instrumentalness • 26% Positiveness
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Fine Young Cannibals
Don't Look Back
139 bpm • G Maj • 03:37 • -11db
38% Popularity • 68% Danceability • 70% Energy • 47% Liveness
0% Instrumentalness • 97% Positiveness
38% Popularity • 68% Danceability • 70% Energy • 47% Liveness
0% Instrumentalness • 97% Positiveness
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Carly Simon
Coming Around Again
139 bpm • F Maj • 03:38 • -14.49db
64% Popularity • 60% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
64% Popularity • 60% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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River City People
(What's Wrong With) Dreaming
139 bpm • D Maj • 04:01 • -9.06db
13% Popularity • 54% Danceability • 80% Energy • 28% Liveness
1% Instrumentalness • 61% Positiveness
13% Popularity • 54% Danceability • 80% Energy • 28% Liveness
1% Instrumentalness • 61% Positiveness
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Kim Carnes
Miss You Tonite
135 bpm • C Maj • 05:10 • -15.58db
22% Popularity • 49% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
22% Popularity • 49% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
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Jim Diamond
Should Have Known Better
139 bpm • F Maj • 04:43 • -7.57db
23% Popularity • 42% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
23% Popularity • 42% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Elton John
Candle In The Wind - Live In Australia 1...
135 bpm • E Maj • 04:10 • -18.3db
31% Popularity • 46% Danceability • 34% Energy • 93% Liveness
0% Instrumentalness • 37% Positiveness
31% Popularity • 46% Danceability • 34% Energy • 93% Liveness
0% Instrumentalness • 37% Positiveness
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Bob's Burgers
Taffy Butt
140 bpm • C# min • 01:18 • -3.75db
31% Popularity • 65% Danceability • 68% Energy • 6% Liveness
0% Instrumentalness • 75% Positiveness
31% Popularity • 65% Danceability • 68% Energy • 6% Liveness
0% Instrumentalness • 75% Positiveness
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Jennifer Warnes
Joan of Arc - Digitally Remastered
135 bpm • F# Maj • 08:00 • -13db
31% Popularity • 55% Danceability • 30% Energy • 5% Liveness
0% Instrumentalness • 15% Positiveness
31% Popularity • 55% Danceability • 30% Energy • 5% Liveness
0% Instrumentalness • 15% Positiveness
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Carly Simon
Coming Around Again/Itsy Bitsy Spider - ...
140 bpm • C Maj • 07:01 • -13.14db
33% Popularity • 59% Danceability • 47% Energy • 93% Liveness
0% Instrumentalness • 65% Positiveness
33% Popularity • 59% Danceability • 47% Energy • 93% Liveness
0% Instrumentalness • 65% Positiveness
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Kim Carnes
Divided Hearts
140 bpm • F Maj • 03:59 • -4db
15% Popularity • 50% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
15% Popularity • 50% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Starship
We Built This City - Rerecorded
140 bpm • F Maj • 06:01 • -10.1db
32% Popularity • 67% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 80% Positiveness
32% Popularity • 67% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 80% Positiveness
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Elton John
I Don't Wanna Go On With You Like That
135 bpm • G Maj • 07:21 • -9db
17% Popularity • 68% Danceability • 77% Energy • 6% Liveness
12% Instrumentalness • 62% Positiveness
17% Popularity • 68% Danceability • 77% Energy • 6% Liveness
12% Instrumentalness • 62% Positiveness
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Irene Cara
Why Me? - 12" Mix
140 bpm • C# Maj • 07:03 • -8.09db
38% Popularity • 55% Danceability • 78% Energy • 72% Liveness
14% Instrumentalness • 45% Positiveness
38% Popularity • 55% Danceability • 78% Energy • 72% Liveness
14% Instrumentalness • 45% Positiveness
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The B-52's
Love Shack - Live
134 bpm • F Maj • 06:29 • -11.47db
15% Popularity • 65% Danceability • 65% Energy • 97% Liveness
0% Instrumentalness • 65% Positiveness
15% Popularity • 65% Danceability • 65% Energy • 97% Liveness
0% Instrumentalness • 65% Positiveness
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Cyndi Lauper
Dear John
134 bpm • C# Maj • 03:39 • -8.43db
10% Popularity • 62% Danceability • 71% Energy • 12% Liveness
2% Instrumentalness • 95% Positiveness
10% Popularity • 62% Danceability • 71% Energy • 12% Liveness
2% Instrumentalness • 95% Positiveness
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Richard Marx
Surrender To Me
141 bpm • A# min • 03:42 • -8.65db
41% Popularity • 46% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
41% Popularity • 46% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
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Spandau Ballet
Through the Barricades - Live from the N...
141 bpm • C Maj • 06:36 • -5.68db
23% Popularity • 24% Danceability • 69% Energy • 84% Liveness
0% Instrumentalness • 14% Positiveness
23% Popularity • 24% Danceability • 69% Energy • 84% Liveness
0% Instrumentalness • 14% Positiveness
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Elton John
Don't Go Breaking My Heart - Live at Wem...
139 bpm • F Maj • 04:11 • -5.17db
24% Popularity • 48% Danceability • 100% Energy • 96% Liveness
0% Instrumentalness • 45% Positiveness
24% Popularity • 48% Danceability • 100% Energy • 96% Liveness
0% Instrumentalness • 45% Positiveness
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Lionel Richie
Dancing On The Ceiling
133 bpm • C Maj • 04:30 • -9db
68% Popularity • 70% Danceability • 77% Energy • 39% Liveness
0% Instrumentalness • 73% Positiveness
68% Popularity • 70% Danceability • 77% Energy • 39% Liveness
0% Instrumentalness • 73% Positiveness
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Cher
Believe
133 bpm • F# Maj • 03:59 • -6.72db
78% Popularity • 65% Danceability • 92% Energy • 5% Liveness
0% Instrumentalness • 46% Positiveness
78% Popularity • 65% Danceability • 92% Energy • 5% Liveness
0% Instrumentalness • 46% Positiveness
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Cyndi Lauper
Product Of Misery
133 bpm • G Maj • 04:10 • -7.81db
14% Popularity • 72% Danceability • 52% Energy • 5% Liveness
0% Instrumentalness • 80% Positiveness
14% Popularity • 72% Danceability • 52% Energy • 5% Liveness
0% Instrumentalness • 80% Positiveness
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Mike Oldfield
Moonlight Shadow - Live At Wembley Arena...
133 bpm • E Maj • 05:28 • -13.58db
15% Popularity • 44% Danceability • 64% Energy • 98% Liveness
0% Instrumentalness • 42% Positiveness
15% Popularity • 44% Danceability • 64% Energy • 98% Liveness
0% Instrumentalness • 42% Positiveness
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Natalie Imbruglia
Friday I'm in Love
132 bpm • A Maj • 03:14 • -4.68db
27% Popularity • 59% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
27% Popularity • 59% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Elton John
Don't Let The Sun Go Down On Me - Live I...
141 bpm • A min • 05:38 • -8.33db
17% Popularity • 48% Danceability • 54% Energy • 89% Liveness
0% Instrumentalness • 35% Positiveness
17% Popularity • 48% Danceability • 54% Energy • 89% Liveness
0% Instrumentalness • 35% Positiveness
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Taylor Swift
The Smallest Man Who Ever Lived
142 bpm • A# Maj • 04:05 • -9db
80% Popularity • 48% Danceability • 41% Energy • 34% Liveness
0% Instrumentalness • 30% Positiveness
80% Popularity • 48% Danceability • 41% Energy • 34% Liveness
0% Instrumentalness • 30% Positiveness
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R.E.M.
The One I Love - Live
132 bpm • E min • 03:27 • -5.1db
37% Popularity • 37% Danceability • 92% Energy • 99% Liveness
1% Instrumentalness • 37% Positiveness
37% Popularity • 37% Danceability • 92% Energy • 99% Liveness
1% Instrumentalness • 37% Positiveness
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k.d. lang
Constant Craving - Live
132 bpm • F min • 04:32 • -6.29db
19% Popularity • 44% Danceability • 87% Energy • 93% Liveness
0% Instrumentalness • 44% Positiveness
19% Popularity • 44% Danceability • 87% Energy • 93% Liveness
0% Instrumentalness • 44% Positiveness
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Spandau Ballet
Gold - Live from the N.E.C.
143 bpm • A# min • 04:43 • -4.27db
28% Popularity • 40% Danceability • 90% Energy • 81% Liveness
0% Instrumentalness • 46% Positiveness
28% Popularity • 40% Danceability • 90% Energy • 81% Liveness
0% Instrumentalness • 46% Positiveness
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Olivia Newton-John
The Rumour
131 bpm • F Maj • 03:58 • -3.68db
32% Popularity • 80% Danceability • 84% Energy • 5% Liveness
0% Instrumentalness • 95% Positiveness
32% Popularity • 80% Danceability • 84% Energy • 5% Liveness
0% Instrumentalness • 95% Positiveness
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a-ha
Cry Wolf
131 bpm • A min • 04:06 • -7.45db
51% Popularity • 65% Danceability • 77% Energy • 7% Liveness
67% Instrumentalness • 78% Positiveness
51% Popularity • 65% Danceability • 77% Energy • 7% Liveness
67% Instrumentalness • 78% Positiveness
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Cyndi Lauper
I Drove All Night
131 bpm • G# Maj • 04:11 • -10.64db
61% Popularity • 70% Danceability • 71% Energy • 58% Liveness
0% Instrumentalness • 77% Positiveness
61% Popularity • 70% Danceability • 71% Energy • 58% Liveness
0% Instrumentalness • 77% Positiveness
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Genesis
Invisible Touch - 2007 Remaster
131 bpm • C Maj • 03:28 • -6.85db
72% Popularity • 62% Danceability • 93% Energy • 17% Liveness
0% Instrumentalness • 85% Positiveness
72% Popularity • 62% Danceability • 93% Energy • 17% Liveness
0% Instrumentalness • 85% Positiveness
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Berlin
No More Words
131 bpm • F Maj • 03:50 • -4.23db
33% Popularity • 71% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 75% Positiveness
33% Popularity • 71% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 75% Positiveness
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Poison
Every Rose Has Its Thorn - Live On MTV U...
143 bpm • F# Maj • 04:37 • -10db
45% Popularity • 44% Danceability • 54% Energy • 96% Liveness
0% Instrumentalness • 44% Positiveness
45% Popularity • 44% Danceability • 54% Energy • 96% Liveness
0% Instrumentalness • 44% Positiveness
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Midnight Oil
Beds Are Burning - Live At The Domain, S...
131 bpm • E min • 05:12 • -8.94db
31% Popularity • 61% Danceability • 59% Energy • 99% Liveness
2% Instrumentalness • 42% Positiveness
31% Popularity • 61% Danceability • 59% Energy • 99% Liveness
2% Instrumentalness • 42% Positiveness
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Irene Cara
The Dream - Hold On to Your Dream
144 bpm • C Maj • 04:49 • -7.43db
31% Popularity • 54% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
31% Popularity • 54% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Cyndi Lauper
Time After Time
130 bpm • C Maj • 04:01 • -9.21db
83% Popularity • 73% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
83% Popularity • 73% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
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Genesis
Invisible Touch - Live in Rome, 2007
131 bpm • A Maj • 05:35 • -7.07db
32% Popularity • 62% Danceability • 94% Energy • 72% Liveness
0% Instrumentalness • 59% Positiveness
32% Popularity • 62% Danceability • 94% Energy • 72% Liveness
0% Instrumentalness • 59% Positiveness
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Queen
A Kind Of Magic - Highlander Version
130 bpm • A Maj • 04:22 • -7.04db
32% Popularity • 57% Danceability • 73% Energy • 7% Liveness
0% Instrumentalness • 39% Positiveness
32% Popularity • 57% Danceability • 73% Energy • 7% Liveness
0% Instrumentalness • 39% Positiveness
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Starship
We Built This City
144 bpm • F Maj • 04:56 • -4.9db
77% Popularity • 66% Danceability • 91% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
77% Popularity • 66% Danceability • 91% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
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Martika
Toy Soldiers
130 bpm • C# min • 04:47 • -6.41db
62% Popularity • 51% Danceability • 59% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
62% Popularity • 51% Danceability • 59% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
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Suzanne Vega
Luka - Live
130 bpm • F# Maj • 03:58 • -11.6db
14% Popularity • 59% Danceability • 62% Energy • 70% Liveness
0% Instrumentalness • 57% Positiveness
14% Popularity • 59% Danceability • 62% Energy • 70% Liveness
0% Instrumentalness • 57% Positiveness
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Cyndi Lauper
Time After Time - Work in Progress Rough...
131 bpm • C Maj • 04:00 • -12.99db
15% Popularity • 94% Danceability • 26% Energy • 6% Liveness
0% Instrumentalness • 60% Positiveness
15% Popularity • 94% Danceability • 26% Energy • 6% Liveness
0% Instrumentalness • 60% Positiveness
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Taylor Swift
I Can Do It With a Broken Heart
130 bpm • C Maj • 03:38 • -8.29db
85% Popularity • 70% Danceability • 76% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
85% Popularity • 70% Danceability • 76% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
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Genesis
Invisible Touch - Live
131 bpm • A# Maj • 05:41 • -7.77db
30% Popularity • 61% Danceability • 94% Energy • 82% Liveness
8% Instrumentalness • 49% Positiveness
30% Popularity • 61% Danceability • 94% Energy • 82% Liveness
8% Instrumentalness • 49% Positiveness
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Men At Work
Everything I Need
130 bpm • E Maj • 03:34 • -11db
48% Popularity • 74% Danceability • 62% Energy • 9% Liveness
1% Instrumentalness • 96% Positiveness
48% Popularity • 74% Danceability • 62% Energy • 9% Liveness
1% Instrumentalness • 96% Positiveness
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Peter Cetera
Glory of Love
145 bpm • F Maj • 04:18 • -7.94db
74% Popularity • 52% Danceability • 61% Energy • 28% Liveness
0% Instrumentalness • 33% Positiveness
74% Popularity • 52% Danceability • 61% Energy • 28% Liveness
0% Instrumentalness • 33% Positiveness
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Fine Young Cannibals
Suspicious Minds
129 bpm • G Maj • 03:57 • -4.74db
53% Popularity • 40% Danceability • 95% Energy • 22% Liveness
0% Instrumentalness • 59% Positiveness
53% Popularity • 40% Danceability • 95% Energy • 22% Liveness
0% Instrumentalness • 59% Positiveness
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Cyndi Lauper
The Faraway Nearby
144 bpm • D Maj • 02:59 • -8.49db
25% Popularity • 68% Danceability • 64% Energy • 24% Liveness
0% Instrumentalness • 96% Positiveness
25% Popularity • 68% Danceability • 64% Energy • 24% Liveness
0% Instrumentalness • 96% Positiveness
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Billy Joel
Uptown Girl
129 bpm • E Maj • 03:17 • -2.99db
85% Popularity • 70% Danceability • 94% Energy • 60% Liveness
0% Instrumentalness • 79% Positiveness
85% Popularity • 70% Danceability • 94% Energy • 60% Liveness
0% Instrumentalness • 79% Positiveness
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Genesis
Invisible Touch - Single Version
131 bpm • C Maj • 05:58 • -5.26db
20% Popularity • 64% Danceability • 97% Energy • 23% Liveness
23% Instrumentalness • 87% Positiveness
20% Popularity • 64% Danceability • 97% Energy • 23% Liveness
23% Instrumentalness • 87% Positiveness
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Cher
Walking in Memphis
129 bpm • D Maj • 03:55 • -7.36db
58% Popularity • 70% Danceability • 68% Energy • 16% Liveness
0% Instrumentalness • 53% Positiveness
58% Popularity • 70% Danceability • 68% Energy • 16% Liveness
0% Instrumentalness • 53% Positiveness
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Starship
It's Not Over ('Til It's Over)
129 bpm • F# Maj • 04:17 • -6db
35% Popularity • 60% Danceability • 84% Energy • 15% Liveness
0% Instrumentalness • 58% Positiveness
35% Popularity • 60% Danceability • 84% Energy • 15% Liveness
0% Instrumentalness • 58% Positiveness
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Fine Young Cannibals
Tell Me What
129 bpm • G min • 02:46 • -12db
35% Popularity • 76% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
35% Popularity • 76% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
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Cyndi Lauper
She Bop - True Colors Live 2008
129 bpm • A min • 03:46 • -9.31db
9% Popularity • 62% Danceability • 81% Energy • 64% Liveness
0% Instrumentalness • 73% Positiveness
9% Popularity • 62% Danceability • 81% Energy • 64% Liveness
0% Instrumentalness • 73% Positiveness
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Cutting Crew
I've Been In Love Before - Extended
146 bpm • D Maj • 06:11 • -9.73db
21% Popularity • 54% Danceability • 61% Energy • 11% Liveness
2% Instrumentalness • 78% Positiveness
21% Popularity • 54% Danceability • 61% Energy • 11% Liveness
2% Instrumentalness • 78% Positiveness
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Spandau Ballet
Through the Barricades - Remastered
146 bpm • G Maj • 05:59 • -14.06db
55% Popularity • 48% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
55% Popularity • 48% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Fools Garden
Lemon Tree (Acoustic Live Version)
146 bpm • G# Maj • 05:21 • -9.65db
29% Popularity • 35% Danceability • 80% Energy • 89% Liveness
0% Instrumentalness • 65% Positiveness
29% Popularity • 35% Danceability • 80% Energy • 89% Liveness
0% Instrumentalness • 65% Positiveness
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Lionel Richie
Say You, Say Me
128 bpm • G# Maj • 04:01 • -11.11db
72% Popularity • 64% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
72% Popularity • 64% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
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Bruce Springsteen
Dancing In the Dark - Live at Brendan By...
147 bpm • B Maj • 05:33 • -7.64db
36% Popularity • 39% Danceability • 89% Energy • 80% Liveness
0% Instrumentalness • 26% Positiveness
36% Popularity • 39% Danceability • 89% Energy • 80% Liveness
0% Instrumentalness • 26% Positiveness
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Olivia Newton-John
Xanadu
128 bpm • C# Maj • 03:30 • -8db
23% Popularity • 60% Danceability • 82% Energy • 84% Liveness
0% Instrumentalness • 55% Positiveness
23% Popularity • 60% Danceability • 82% Energy • 84% Liveness
0% Instrumentalness • 55% Positiveness
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Cutting Crew
I've Been In Love Before - Edit Version ...
146 bpm • D Maj • 03:58 • -9.45db
47% Popularity • 53% Danceability • 66% Energy • 43% Liveness
1% Instrumentalness • 86% Positiveness
47% Popularity • 53% Danceability • 66% Energy • 43% Liveness
1% Instrumentalness • 86% Positiveness
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Spandau Ballet
Cross the Line (Extended Version) - Rema...
128 bpm • E min • 06:16 • -10db
11% Popularity • 74% Danceability • 88% Energy • 33% Liveness
2% Instrumentalness • 69% Positiveness
11% Popularity • 74% Danceability • 88% Energy • 33% Liveness
2% Instrumentalness • 69% Positiveness
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George Michael
Praying for Time - Remastered
128 bpm • A# Maj • 04:40 • -14.37db
53% Popularity • 58% Danceability • 64% Energy • 10% Liveness
1% Instrumentalness • 26% Positiveness
53% Popularity • 58% Danceability • 64% Energy • 10% Liveness
1% Instrumentalness • 26% Positiveness
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Wilson Phillips
Hotel California - Live In Japan
147 bpm • B min • 08:52 • -8.8db
24% Popularity • 39% Danceability • 67% Energy • 89% Liveness
0% Instrumentalness • 47% Positiveness
24% Popularity • 39% Danceability • 67% Energy • 89% Liveness
0% Instrumentalness • 47% Positiveness
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Starship
Set the Night to Music
128 bpm • F# Maj • 04:47 • -8db
36% Popularity • 60% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
36% Popularity • 60% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Kim Wilde
Water On Glass - 7" Version - Bonus Trac...
147 bpm • B Maj • 03:33 • -6db
32% Popularity • 55% Danceability • 88% Energy • 10% Liveness
1% Instrumentalness • 70% Positiveness
32% Popularity • 55% Danceability • 88% Energy • 10% Liveness
1% Instrumentalness • 70% Positiveness
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The Bangles
Eternal Flame - Acoustic Version
148 bpm • F# Maj • 03:50 • -5.35db
32% Popularity • 44% Danceability • 41% Energy • 38% Liveness
0% Instrumentalness • 30% Positiveness
32% Popularity • 44% Danceability • 41% Energy • 38% Liveness
0% Instrumentalness • 30% Positiveness
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Carly Simon
You Know What to Do
127 bpm • F# min • 04:12 • -13.97db
41% Popularity • 74% Danceability • 59% Energy • 16% Liveness
0% Instrumentalness • 93% Positiveness
41% Popularity • 74% Danceability • 59% Energy • 16% Liveness
0% Instrumentalness • 93% Positiveness
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Freddie Mercury
Love Kills - Special Edition
127 bpm • F min • 04:29 • -6.46db
34% Popularity • 66% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
34% Popularity • 66% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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Cutting Crew
(I Just) Died In Your Arms - 12" Mix
126 bpm • B min • 06:47 • -8.52db
29% Popularity • 66% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
29% Popularity • 66% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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Bruce Springsteen
Brilliant Disguise
126 bpm • A Maj • 04:14 • -12.44db
59% Popularity • 70% Danceability • 73% Energy • 3% Liveness
0% Instrumentalness • 95% Positiveness
59% Popularity • 70% Danceability • 73% Energy • 3% Liveness
0% Instrumentalness • 95% Positiveness
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Kim Wilde
Another Step (Closer To You)
127 bpm • D Maj • 03:23 • -11.45db
30% Popularity • 77% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 94% Positiveness
30% Popularity • 77% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 94% Positiveness
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Wilson Phillips
Daniel
126 bpm • D Maj • 04:02 • -10db
37% Popularity • 57% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
37% Popularity • 57% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Cyndi Lauper
Unhook The Stars
126 bpm • F min • 03:56 • -8.44db
12% Popularity • 75% Danceability • 55% Energy • 19% Liveness
0% Instrumentalness • 33% Positiveness
12% Popularity • 75% Danceability • 55% Energy • 19% Liveness
0% Instrumentalness • 33% Positiveness
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Jean-Michel Jarre
Swipe to the Right
126 bpm • A min • 04:54 • -4.4db
33% Popularity • 64% Danceability • 89% Energy • 42% Liveness
3% Instrumentalness • 66% Positiveness
33% Popularity • 64% Danceability • 89% Energy • 42% Liveness
3% Instrumentalness • 66% Positiveness
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The Bangles
In Your Room
149 bpm • F Maj • 03:30 • -10.99db
31% Popularity • 61% Danceability • 62% Energy • 5% Liveness
0% Instrumentalness • 83% Positiveness
31% Popularity • 61% Danceability • 62% Energy • 5% Liveness
0% Instrumentalness • 83% Positiveness
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Bruce Springsteen
Dancing In the Dark
149 bpm • C# min • 04:01 • -5.64db
82% Popularity • 53% Danceability • 94% Energy • 19% Liveness
0% Instrumentalness • 50% Positiveness
82% Popularity • 53% Danceability • 94% Energy • 19% Liveness
0% Instrumentalness • 50% Positiveness
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Linda Perry
Fill Me Up
149 bpm • C Maj • 05:01 • -9db
34% Popularity • 46% Danceability • 59% Energy • 9% Liveness
1% Instrumentalness • 34% Positiveness
34% Popularity • 46% Danceability • 59% Energy • 9% Liveness
1% Instrumentalness • 34% Positiveness
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Kim Wilde
Love Is Holy
127 bpm • G Maj • 04:03 • -10.58db
26% Popularity • 59% Danceability • 93% Energy • 16% Liveness
0% Instrumentalness • 69% Positiveness
26% Popularity • 59% Danceability • 93% Energy • 16% Liveness
0% Instrumentalness • 69% Positiveness
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Berlin
Like Flames (Re-Recorded / Remastered)
126 bpm • E Maj • 04:51 • -8db
24% Popularity • 60% Danceability • 73% Energy • 12% Liveness
19% Instrumentalness • 42% Positiveness
24% Popularity • 60% Danceability • 73% Energy • 12% Liveness
19% Instrumentalness • 42% Positiveness
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Cyndi Lauper
Money Changes Everything - Live
126 bpm • F# Maj • 05:36 • -6.47db
8% Popularity • 55% Danceability • 80% Energy • 78% Liveness
0% Instrumentalness • 51% Positiveness
8% Popularity • 55% Danceability • 80% Energy • 78% Liveness
0% Instrumentalness • 51% Positiveness
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Cock Robin
Win or Lose
126 bpm • E Maj • 03:46 • -17db
17% Popularity • 62% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
17% Popularity • 62% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
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R.E.M.
Losing My Religion
126 bpm • A min • 04:28 • -5.05db
84% Popularity • 67% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
84% Popularity • 67% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
