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I Found You
Songs like
I Found You
by
Nate Smith
Based on a tempo of (+/- 10%) and a similar genre
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Austin Williams
Wanna Be Saved
142 bpm • C min • 03:08 • -6.93db
58% Popularity • 60% Danceability • 66% Energy • 18% Liveness
0% Instrumentalness • 48% Positiveness
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Ashley Cooke
see you around
142 bpm • C# Maj • 03:03 • -3.46db
46% Popularity • 56% Danceability • 77% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
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Nate Smith
I Found You
142 bpm • C Maj • 03:26 • -5.12db
46% Popularity • 50% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
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Morgan Wallen
One Thing At A Time
142 bpm • G Maj • 03:26 • -5.15db
76% Popularity • 61% Danceability • 91% Energy • 26% Liveness
0% Instrumentalness • 92% Positiveness
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Colt Ford
Slow Ride
142 bpm • B min • 02:54 • -4.73db
60% Popularity • 67% Danceability • 77% Energy • 19% Liveness
0% Instrumentalness • 64% Positiveness
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Riley Green
Different 'Round Here
142 bpm • C# Maj • 03:03 • -6.47db
63% Popularity • 50% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
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Hayden Coffman
Better Off
142 bpm • C Maj • 03:18 • -4.91db
65% Popularity • 55% Danceability • 89% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
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Keith Urban
Brown Eyes Baby
142 bpm • G# Maj • 03:44 • -6.99db
63% Popularity • 52% Danceability • 83% Energy • 6% Liveness
0% Instrumentalness • 58% Positiveness
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Lee Brice
Save The Roses
142 bpm • C Maj • 03:21 • -8.13db
61% Popularity • 52% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Josh Ross
Truck Girl
142 bpm • G# Maj • 03:07 • -4.83db
56% Popularity • 49% Danceability • 65% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
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Ian Munsick
Long Haul
142 bpm • F# Maj • 03:51 • -7.85db
60% Popularity • 50% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
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Riley Green
Different 'Round Here
142 bpm • C# Maj • 02:56 • -6db
70% Popularity • 45% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 31% Positiveness
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Dustin Lynch
Ridin’ Roads
142 bpm • A Maj • 03:25 • -4.26db
63% Popularity • 55% Danceability • 82% Energy • 14% Liveness
0% Instrumentalness • 59% Positiveness
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Russell Dickerson
God Gave Me A Girl
142 bpm • G Maj • 03:07 • -5.05db
63% Popularity • 52% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
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Alana Springsteen
ghost in my guitar
143 bpm • C min • 03:20 • -5.93db
73% Popularity • 61% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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Corey Kent
Gold
141 bpm • D Maj • 03:02 • -6db
59% Popularity • 55% Danceability • 74% Energy • 25% Liveness
0% Instrumentalness • 51% Positiveness
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Bailey Zimmerman
Religiously
141 bpm • C# Maj • 02:58 • -6.52db
81% Popularity • 57% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
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Lee Brice
Rumor
141 bpm • A Maj • 03:18 • -6.86db
72% Popularity • 66% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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Megan Moroney
Fix You Too
141 bpm • A# Maj • 03:19 • -7.79db
65% Popularity • 32% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Dylan Scott
Boys Back Home
140 bpm • A# Maj • 02:45 • -2.01db
62% Popularity • 48% Danceability • 93% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Cooper Alan
Tough Ones
144 bpm • D# Maj • 03:13 • -6db
57% Popularity • 53% Danceability • 66% Energy • 17% Liveness
0% Instrumentalness • 25% Positiveness
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Shaylen
What If I Don't
144 bpm • E Maj • 03:21 • -5.79db
63% Popularity • 52% Danceability • 81% Energy • 19% Liveness
0% Instrumentalness • 57% Positiveness
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MacKenzie Porter
Bet You Break My Heart
140 bpm • A# min • 02:38 • -6.3db
40% Popularity • 66% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 73% Positiveness
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Luke Bryan
Play It Again
144 bpm • B Maj • 03:46 • -3.23db
77% Popularity • 51% Danceability • 89% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
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HIXTAPE
He Went To Jared (HARDY Morgan Wallen)
140 bpm • A min • 03:33 • -5.11db
69% Popularity • 56% Danceability • 81% Energy • 20% Liveness
0% Instrumentalness • 68% Positiveness
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Cole Swindell
Never Say Never
140 bpm • C min • 02:56 • -4.03db
60% Popularity • 47% Danceability • 94% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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HARDY
REDNECKER
144 bpm • G Maj • 03:21 • -5.47db
67% Popularity • 54% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Dylan Scott
Can't Have Mine (Find You A Girl)
144 bpm • F Maj • 03:03 • -7db
70% Popularity • 66% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Warren Zeiders
Happy Hurts
144 bpm • D# Maj • 03:14 • -6.08db
60% Popularity • 50% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Bailey Zimmerman
Never Comin' Home
144 bpm • A# Maj • 03:14 • -6.85db
68% Popularity • 56% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Ella Langley
nicotine
140 bpm • C# Maj • 03:36 • -5.81db
60% Popularity • 61% Danceability • 70% Energy • 37% Liveness
0% Instrumentalness • 23% Positiveness
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Morgan Wallen
I Wrote The Book
144 bpm • D Maj • 03:01 • -3.76db
72% Popularity • 69% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
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HARDY
red
140 bpm • B Maj • 03:25 • -4.56db
72% Popularity • 58% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
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Dylan Scott
Livin' My Best Life
140 bpm • G Maj • 03:22 • -3.68db
52% Popularity • 60% Danceability • 90% Energy • 32% Liveness
0% Instrumentalness • 76% Positiveness
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Kameron Marlowe
Giving You Up
144 bpm • G# Maj • 03:52 • -4db
60% Popularity • 55% Danceability • 84% Energy • 14% Liveness
0% Instrumentalness • 79% Positiveness
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Chris Lane
I Don't Know About You
144 bpm • C# Maj • 03:27 • -5.73db
62% Popularity • 59% Danceability • 81% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
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Scotty McCreery
Damn Strait
144 bpm • E Maj • 03:50 • -6.15db
57% Popularity • 52% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 48% Positiveness
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Morgan Wallen
Thought You Should Know
140 bpm • F# Maj • 03:35 • -6.16db
79% Popularity • 53% Danceability • 68% Energy • 14% Liveness
0% Instrumentalness • 51% Positiveness
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Nate Smith
Reckless
140 bpm • F Maj • 03:26 • -4.89db
47% Popularity • 60% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
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HARDY
wait in the truck
140 bpm • F# Maj • 04:37 • -6.98db
70% Popularity • 53% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Kameron Marlowe
Steady Heart
144 bpm • F# Maj • 03:34 • -7db
56% Popularity • 52% Danceability • 48% Energy • 25% Liveness
0% Instrumentalness • 18% Positiveness
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Ella Langley
Country Boy's Dream Girl
140 bpm • G# Maj • 03:05 • -4.56db
64% Popularity • 59% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Blake Shelton
God's Country
140 bpm • A# Maj • 03:24 • -5.1db
68% Popularity • 54% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Chris Lane
Find Another Bar
140 bpm • F# Maj • 03:02 • -5.67db
54% Popularity • 61% Danceability • 81% Energy • 17% Liveness
0% Instrumentalness • 63% Positiveness
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Cody Johnson
Ain't Nothin' to It
140 bpm • A# Maj • 03:22 • -5.67db
63% Popularity • 51% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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HIXTAPE
My Kinda Livin’ (HARDY Hunter Phelps, ...
144 bpm • B Maj • 03:19 • -5.88db
58% Popularity • 57% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
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Lainey Wilson
Heart Like A Truck
140 bpm • A Maj • 03:19 • -5.42db
75% Popularity • 59% Danceability • 63% Energy • 16% Liveness
0% Instrumentalness • 39% Positiveness
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Morgan Wallen
Thinkin’ Bout Me
140 bpm • D# min • 02:57 • -5.78db
87% Popularity • 66% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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Nate Smith
Oil Spot
140 bpm • C Maj • 03:50 • -6.38db
35% Popularity • 55% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Warren Zeiders
Pain Killer
140 bpm • G min • 02:47 • -4.23db
58% Popularity • 53% Danceability • 79% Energy • 23% Liveness
0% Instrumentalness • 39% Positiveness
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Priscilla Block
Good On You
140 bpm • F Maj • 03:07 • -3.65db
63% Popularity • 47% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Justin Moore
You, Me, And Whiskey
144 bpm • C min • 03:07 • -4.35db
67% Popularity • 56% Danceability • 88% Energy • 17% Liveness
0% Instrumentalness • 42% Positiveness
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Luke Combs
One Number Away
144 bpm • F# min • 03:41 • -6.16db
79% Popularity • 54% Danceability • 78% Energy • 19% Liveness
0% Instrumentalness • 53% Positiveness
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Kelsea Ballerini
IF YOU GO DOWN (I'M GOIN' DOWN TOO)
144 bpm • B Maj • 02:46 • -4db
70% Popularity • 68% Danceability • 86% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
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Nate Smith
You Ain't Been In Love
140 bpm • A# Maj • 03:09 • -4.32db
38% Popularity • 54% Danceability • 74% Energy • 6% Liveness
0% Instrumentalness • 63% Positiveness
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Lainey Wilson
Things A Man Oughta Know
140 bpm • D# Maj • 03:23 • -5.62db
73% Popularity • 66% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
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Tyler Hubbard
35’s
140 bpm • A# Maj • 02:54 • -6db
54% Popularity • 53% Danceability • 79% Energy • 29% Liveness
0% Instrumentalness • 45% Positiveness
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Dylan Marlowe
Record High
140 bpm • C# Maj • 03:28 • -5.32db
57% Popularity • 53% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Tyler Braden
Try Losing One
140 bpm • D Maj • 03:39 • -7.75db
51% Popularity • 46% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Luke Combs
Love You Anyway
140 bpm • E Maj • 03:49 • -7.42db
74% Popularity • 53% Danceability • 49% Energy • 24% Liveness
0% Instrumentalness • 32% Positiveness
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Nate Smith
Under My Skin - Stripped
145 bpm • G# Maj • 03:05 • -6.22db
44% Popularity • 62% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Lainey Wilson
Dirty Looks
140 bpm • D Maj • 03:14 • -5.05db
71% Popularity • 56% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
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HARDY
SOLD OUT
145 bpm • A Maj • 03:22 • -5db
65% Popularity • 50% Danceability • 89% Energy • 34% Liveness
0% Instrumentalness • 33% Positiveness
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Chris Stapleton
White Horse
145 bpm • C# min • 04:27 • -11.07db
76% Popularity • 35% Danceability • 77% Energy • 11% Liveness
60% Instrumentalness • 22% Positiveness
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Old Dominion
Can't Break Up Now
139 bpm • E Maj • 03:20 • -5.85db
57% Popularity • 46% Danceability • 57% Energy • 27% Liveness
0% Instrumentalness • 53% Positiveness
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Cooper Alan
Take Forever (Hally's Song)
146 bpm • B Maj • 03:04 • -5.98db
71% Popularity • 62% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 31% Positiveness
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Nate Smith
Wreckage
145 bpm • A# Maj • 03:32 • -5db
61% Popularity • 56% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Riley Green
Mississippi Or Me
146 bpm • F# Maj • 03:31 • -5.23db
64% Popularity • 41% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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Lainey Wilson
Watermelon Moonshine
140 bpm • C# Maj • 03:28 • -6.71db
77% Popularity • 74% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 65% Positiveness
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Warren Zeiders
Weeping Willow
146 bpm • C# Maj • 03:01 • -3.75db
67% Popularity • 46% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
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Elvie Shane
My Boy
146 bpm • A Maj • 03:23 • -5.33db
60% Popularity • 68% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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Bailey Zimmerman
Chase Her
146 bpm • F Maj • 03:18 • -6.29db
61% Popularity • 51% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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Dierks Bentley
Beers On Me
146 bpm • E Maj • 02:54 • -4.25db
70% Popularity • 59% Danceability • 85% Energy • 53% Liveness
0% Instrumentalness • 73% Positiveness
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Redferrin
Jack and Diet Coke
138 bpm • E min • 03:13 • -6.46db
74% Popularity • 67% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Luke Combs
Better Together
138 bpm • C Maj • 03:39 • -11.5db
78% Popularity • 55% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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Morgan Wallen
The Way I Talk
138 bpm • E Maj • 03:28 • -3.39db
75% Popularity • 60% Danceability • 88% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
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Cole Swindell
Chillin' It
138 bpm • A Maj • 03:16 • -3.06db
65% Popularity • 58% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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Bailey Zimmerman
Get to Gettin’ Gone
146 bpm • F# Maj • 03:02 • -6.78db
66% Popularity • 58% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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Larry Fleet
Where I Find God
138 bpm • B Maj • 04:09 • -6.2db
65% Popularity • 59% Danceability • 52% Energy • 10% Liveness
1% Instrumentalness • 18% Positiveness
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Cody Johnson
Dear Rodeo
146 bpm • A# Maj • 04:14 • -5.27db
62% Popularity • 48% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Dalton Dover
Giving Up On That
138 bpm • D# Maj • 03:31 • -4.41db
52% Popularity • 46% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Carly Pearce
What He Didn't Do
138 bpm • A Maj • 03:11 • -5.93db
71% Popularity • 63% Danceability • 63% Energy • 29% Liveness
0% Instrumentalness • 56% Positiveness
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Megan Moroney
No Caller ID
146 bpm • E Maj • 03:28 • -6.09db
76% Popularity • 33% Danceability • 53% Energy • 19% Liveness
0% Instrumentalness • 11% Positiveness
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Diplo
Heartbroken
147 bpm • D Maj • 03:24 • -5.69db
72% Popularity • 67% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
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Josh Ross
Red Flags
147 bpm • G# Maj • 02:52 • -3.76db
66% Popularity • 56% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Jameson Rodgers
Cold Beer Calling My Name
148 bpm • G Maj • 03:30 • -4db
66% Popularity • 58% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 79% Positiveness
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Treaty Oak Revival
In Between
147 bpm • D# Maj • 03:40 • -3.56db
74% Popularity • 50% Danceability • 95% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Chris Young
Right Now
148 bpm • E Maj • 03:04 • -6.24db
40% Popularity • 45% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Riley Green
Way Out Here
148 bpm • C Maj • 03:41 • -5.58db
58% Popularity • 48% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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Tyler Braden
Neon Grave
148 bpm • C Maj • 03:53 • -4.89db
49% Popularity • 42% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 25% Positiveness
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Morgan Wallen
Man Made A Bar
148 bpm • E Maj • 03:11 • -5.01db
82% Popularity • 50% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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Josh Ross
Complicated
148 bpm • B min • 02:57 • -3.58db
61% Popularity • 52% Danceability • 85% Energy • 15% Liveness
0% Instrumentalness • 54% Positiveness
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Corey Kent
Wild as Her
148 bpm • C Maj • 03:21 • -5.93db
73% Popularity • 50% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Warren Zeiders
Heartbreaker
148 bpm • F Maj • 03:42 • -5.33db
65% Popularity • 49% Danceability • 61% Energy • 19% Liveness
0% Instrumentalness • 35% Positiveness
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Riley Green
I Wish Grandpas Never Died
148 bpm • F# Maj • 04:10 • -5.72db
71% Popularity • 44% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Muscadine Bloodline
Porch Swing Angel
136 bpm • D Maj • 03:50 • -7.9db
68% Popularity • 52% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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Cole Swindell
You Should Be Here
136 bpm • G Maj • 03:10 • -4.46db
66% Popularity • 49% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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Bailey Zimmerman
Never Leave
148 bpm • A Maj • 03:27 • -6.49db
64% Popularity • 50% Danceability • 60% Energy • 4% Liveness
0% Instrumentalness • 32% Positiveness
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Jessie Murph
Wild Ones
136 bpm • C Maj • 02:21 • -3.54db
85% Popularity • 65% Danceability • 69% Energy • 17% Liveness
0% Instrumentalness • 29% Positiveness
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Sean Stemaly
Come Back To Bed
136 bpm • C# min • 03:03 • -4.21db
53% Popularity • 53% Danceability • 84% Energy • 36% Liveness
0% Instrumentalness • 81% Positiveness
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I Found You