Songs like I Give You Praise - Momorable Moments Album Version by Richard Smallwood
Based on a tempo of (+/- 10%) and a similar genre
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Martha Munizzi
Say the Name (Remix)
75 bpm • D# Maj • 05:14 • -9.24db
20% Popularity • 37% Danceability • 50% Energy • 24% Liveness
0% Instrumentalness • 18% Positiveness
20% Popularity • 37% Danceability • 50% Energy • 24% Liveness
0% Instrumentalness • 18% Positiveness
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Richard Smallwood
I Give You Praise - Momorable Moments Al...
75 bpm • E min • 04:09 • -12.41db
20% Popularity • 11% Danceability • 29% Energy • 39% Liveness
0% Instrumentalness • 4% Positiveness
20% Popularity • 11% Danceability • 29% Energy • 39% Liveness
0% Instrumentalness • 4% Positiveness
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Dorothy Norwood
Near The Cross
76 bpm • F Maj • 04:47 • -7.88db
22% Popularity • 29% Danceability • 70% Energy • 33% Liveness
0% Instrumentalness • 52% Positiveness
22% Popularity • 29% Danceability • 70% Energy • 33% Liveness
0% Instrumentalness • 52% Positiveness
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Men Of Standard
Can't Stop Now
74 bpm • A# min • 05:21 • -5.27db
15% Popularity • 54% Danceability • 70% Energy • 40% Liveness
0% Instrumentalness • 57% Positiveness
15% Popularity • 54% Danceability • 70% Energy • 40% Liveness
0% Instrumentalness • 57% Positiveness
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Anita Wilson
Keep Doing What You're Doing
74 bpm • G# Maj • 05:54 • -4.72db
33% Popularity • 46% Danceability • 81% Energy • 28% Liveness
0% Instrumentalness • 62% Positiveness
33% Popularity • 46% Danceability • 81% Energy • 28% Liveness
0% Instrumentalness • 62% Positiveness
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Vickie Winans
We Shall Behold Him
74 bpm • A# Maj • 05:54 • -12.32db
25% Popularity • 40% Danceability • 27% Energy • 16% Liveness
0% Instrumentalness • 20% Positiveness
25% Popularity • 40% Danceability • 27% Energy • 16% Liveness
0% Instrumentalness • 20% Positiveness
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Myron Butler & Levi
You Alone Are God
76 bpm • G Maj • 06:00 • -15.93db
9% Popularity • 24% Danceability • 18% Energy • 70% Liveness
0% Instrumentalness • 20% Positiveness
9% Popularity • 24% Danceability • 18% Energy • 70% Liveness
0% Instrumentalness • 20% Positiveness
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New Direction
Peace
76 bpm • G# Maj • 05:46 • -8db
18% Popularity • 45% Danceability • 56% Energy • 97% Liveness
0% Instrumentalness • 33% Positiveness
18% Popularity • 45% Danceability • 56% Energy • 97% Liveness
0% Instrumentalness • 33% Positiveness
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Vicki Yohe
I'm At Peace
77 bpm • C# Maj • 05:50 • -11.52db
32% Popularity • 31% Danceability • 17% Energy • 69% Liveness
0% Instrumentalness • 28% Positiveness
32% Popularity • 31% Danceability • 17% Energy • 69% Liveness
0% Instrumentalness • 28% Positiveness
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Jason Nelson
I Am
77 bpm • D Maj • 07:56 • -5.13db
23% Popularity • 26% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
23% Popularity • 26% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
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New Jersey Mass Choir
O the Blood
73 bpm • C Maj • 04:46 • -12.39db
30% Popularity • 63% Danceability • 49% Energy • 71% Liveness
0% Instrumentalness • 81% Positiveness
30% Popularity • 63% Danceability • 49% Energy • 71% Liveness
0% Instrumentalness • 81% Positiveness
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Troy Sneed
My God (So Amazing)
77 bpm • A# min • 04:40 • -7.26db
21% Popularity • 59% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
21% Popularity • 59% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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Judith Christie McAllister
Like The Dew
77 bpm • F Maj • 06:11 • -7db
25% Popularity • 58% Danceability • 89% Energy • 54% Liveness
0% Instrumentalness • 75% Positiveness
25% Popularity • 58% Danceability • 89% Energy • 54% Liveness
0% Instrumentalness • 75% Positiveness
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Tonéx
Make Me Over
73 bpm • G# Maj • 07:06 • -8db
42% Popularity • 49% Danceability • 58% Energy • 15% Liveness
0% Instrumentalness • 18% Positiveness
42% Popularity • 49% Danceability • 58% Energy • 15% Liveness
0% Instrumentalness • 18% Positiveness
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Rev. James Moore
Yes Lord
77 bpm • C# Maj • 06:43 • -10db
12% Popularity • 44% Danceability • 76% Energy • 45% Liveness
0% Instrumentalness • 60% Positiveness
12% Popularity • 44% Danceability • 76% Energy • 45% Liveness
0% Instrumentalness • 60% Positiveness
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Earnest Pugh
Perfect Peace
77 bpm • F# Maj • 04:47 • -3.8db
18% Popularity • 38% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 28% Positiveness
18% Popularity • 38% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 28% Positiveness
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Kurt Carr
Blessing After Blessing
77 bpm • G Maj • 05:32 • -5.05db
23% Popularity • 40% Danceability • 77% Energy • 71% Liveness
0% Instrumentalness • 32% Positiveness
23% Popularity • 40% Danceability • 77% Energy • 71% Liveness
0% Instrumentalness • 32% Positiveness
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Dottie Peoples
Faith Is
77 bpm • G# Maj • 05:07 • -6.78db
12% Popularity • 51% Danceability • 96% Energy • 38% Liveness
0% Instrumentalness • 48% Positiveness
12% Popularity • 51% Danceability • 96% Energy • 38% Liveness
0% Instrumentalness • 48% Positiveness
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West Angeles Cogic Mass Choir And Congregation
Lord Prepare Me To Be A Sanctuary
78 bpm • G Maj • 05:36 • -5.49db
42% Popularity • 38% Danceability • 89% Energy • 84% Liveness
0% Instrumentalness • 58% Positiveness
42% Popularity • 38% Danceability • 89% Energy • 84% Liveness
0% Instrumentalness • 58% Positiveness
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Marvin Winans
Joy
79 bpm • A# Maj • 05:02 • -8db
35% Popularity • 68% Danceability • 60% Energy • 24% Liveness
0% Instrumentalness • 69% Positiveness
35% Popularity • 68% Danceability • 60% Energy • 24% Liveness
0% Instrumentalness • 69% Positiveness
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Rev. James Moore
God Will Take Care Of You (Part I)
73 bpm • F Maj • 08:38 • -14.93db
24% Popularity • 33% Danceability • 52% Energy • 27% Liveness
0% Instrumentalness • 27% Positiveness
24% Popularity • 33% Danceability • 52% Energy • 27% Liveness
0% Instrumentalness • 27% Positiveness
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Richard Smallwood
His Mercy Endureth Forever (Psalm 118)
80 bpm • D# min • 05:43 • -14.01db
15% Popularity • 41% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
15% Popularity • 41% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
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Chester D.T. Baldwin
Ready, Willing & Able
80 bpm • G Maj • 05:16 • -4db
6% Popularity • 34% Danceability • 78% Energy • 35% Liveness
0% Instrumentalness • 60% Positiveness
6% Popularity • 34% Danceability • 78% Energy • 35% Liveness
0% Instrumentalness • 60% Positiveness
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Anita Wilson
He Shows Out
80 bpm • A# Maj • 06:37 • -5.54db
33% Popularity • 56% Danceability • 88% Energy • 66% Liveness
0% Instrumentalness • 54% Positiveness
33% Popularity • 56% Danceability • 88% Energy • 66% Liveness
0% Instrumentalness • 54% Positiveness
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Dorothy Norwood
Shake the Devil Off
81 bpm • F min • 04:28 • -5.22db
31% Popularity • 66% Danceability • 90% Energy • 68% Liveness
0% Instrumentalness • 86% Positiveness
31% Popularity • 66% Danceability • 90% Energy • 68% Liveness
0% Instrumentalness • 86% Positiveness
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Luther Barnes
Oh How I Love Jesus
81 bpm • B Maj • 06:14 • -6.3db
13% Popularity • 27% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
13% Popularity • 27% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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L.A. Mass Choir
That's When You Bless Me
81 bpm • F min • 05:55 • -14.22db
40% Popularity • 34% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
40% Popularity • 34% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
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Richard Smallwood
Joy Will Come
80 bpm • C Maj • 05:16 • -14.67db
9% Popularity • 35% Danceability • 20% Energy • 18% Liveness
0% Instrumentalness • 7% Positiveness
9% Popularity • 35% Danceability • 20% Energy • 18% Liveness
0% Instrumentalness • 7% Positiveness
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O'Landa Draper And The Associates
My Soul Doth Magnify the Lord
80 bpm • C# Maj • 03:26 • -16db
17% Popularity • 26% Danceability • 46% Energy • 38% Liveness
0% Instrumentalness • 4% Positiveness
17% Popularity • 26% Danceability • 46% Energy • 38% Liveness
0% Instrumentalness • 4% Positiveness
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The New York Restoration Choir
Speak To My Heart
81 bpm • F Maj • 05:50 • -11.17db
24% Popularity • 51% Danceability • 50% Energy • 87% Liveness
0% Instrumentalness • 32% Positiveness
24% Popularity • 51% Danceability • 50% Energy • 87% Liveness
0% Instrumentalness • 32% Positiveness
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Ted & Sheri
God Will Take Care
81 bpm • F# min • 04:37 • -6.53db
18% Popularity • 42% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 79% Positiveness
18% Popularity • 42% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 79% Positiveness
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New Direction
Hold Out
82 bpm • F min • 07:36 • -8db
28% Popularity • 39% Danceability • 58% Energy • 6% Liveness
0% Instrumentalness • 22% Positiveness
28% Popularity • 39% Danceability • 58% Energy • 6% Liveness
0% Instrumentalness • 22% Positiveness
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Dorothy Norwood
Oh Jesus, Pt. 1 (Live)
82 bpm • D# Maj • 06:16 • -6.55db
13% Popularity • 46% Danceability • 44% Energy • 71% Liveness
0% Instrumentalness • 25% Positiveness
13% Popularity • 46% Danceability • 44% Energy • 71% Liveness
0% Instrumentalness • 25% Positiveness
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L.A. Mass Choir
He's Able
69 bpm • A# min • 08:23 • -12.35db
17% Popularity • 24% Danceability • 55% Energy • 72% Liveness
0% Instrumentalness • 42% Positiveness
17% Popularity • 24% Danceability • 55% Energy • 72% Liveness
0% Instrumentalness • 42% Positiveness
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Vickie Winans
More Than Enough
82 bpm • C# Maj • 06:26 • -8.13db
16% Popularity • 24% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
16% Popularity • 24% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Earnest Pugh
Just For Who You Are
83 bpm • C# Maj • 04:10 • -8.49db
18% Popularity • 23% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
18% Popularity • 23% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
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Miami Mass Choir
It Is For Me
83 bpm • G Maj • 06:11 • -8db
37% Popularity • 33% Danceability • 48% Energy • 25% Liveness
0% Instrumentalness • 9% Positiveness
37% Popularity • 33% Danceability • 48% Energy • 25% Liveness
0% Instrumentalness • 9% Positiveness
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Richard Smallwood
Holy Spirit
83 bpm • D# Maj • 06:52 • -13.16db
17% Popularity • 52% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
17% Popularity • 52% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
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Joshua's Troop
Lord You Love Me
84 bpm • G Maj • 05:16 • -7.83db
15% Popularity • 66% Danceability • 73% Energy • 68% Liveness
0% Instrumentalness • 55% Positiveness
15% Popularity • 66% Danceability • 73% Energy • 68% Liveness
0% Instrumentalness • 55% Positiveness
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Sandra Crouch
Magnify the Lord With Me
84 bpm • F min • 05:36 • -9.5db
15% Popularity • 35% Danceability • 73% Energy • 67% Liveness
0% Instrumentalness • 25% Positiveness
15% Popularity • 35% Danceability • 73% Energy • 67% Liveness
0% Instrumentalness • 25% Positiveness
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Ricky Dillard & New G (New Generation Chorale)
The Holy Place
84 bpm • A# min • 05:17 • -7db
17% Popularity • 62% Danceability • 92% Energy • 96% Liveness
0% Instrumentalness • 49% Positiveness
17% Popularity • 62% Danceability • 92% Energy • 96% Liveness
0% Instrumentalness • 49% Positiveness
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Martha Munizzi
He's Already Provided
85 bpm • C Maj • 08:09 • -7.79db
10% Popularity • 30% Danceability • 50% Energy • 64% Liveness
0% Instrumentalness • 30% Positiveness
10% Popularity • 30% Danceability • 50% Energy • 64% Liveness
0% Instrumentalness • 30% Positiveness
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![For the Rest of My Life (I'll Serve Him) [Live] cover art](https://i.scdn.co/image/ab67616d00001e02ef4577e8be67e8868294cc03)
Rev. Timothy Wright
For the Rest of My Life (I'll Serve Him)...
85 bpm • C# Maj • 04:57 • -7.1db
29% Popularity • 43% Danceability • 90% Energy • 38% Liveness
0% Instrumentalness • 54% Positiveness
29% Popularity • 43% Danceability • 90% Energy • 38% Liveness
0% Instrumentalness • 54% Positiveness
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West Angeles Cogic Mass Choir And Congregation
Forever You're My King
85 bpm • A# Maj • 08:09 • -6.9db
13% Popularity • 23% Danceability • 50% Energy • 41% Liveness
0% Instrumentalness • 14% Positiveness
13% Popularity • 23% Danceability • 50% Energy • 41% Liveness
0% Instrumentalness • 14% Positiveness
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Dallas Fort Worth Mass Choir
Another Chance
85 bpm • F# Maj • 07:41 • -13db
24% Popularity • 29% Danceability • 56% Energy • 30% Liveness
0% Instrumentalness • 28% Positiveness
24% Popularity • 29% Danceability • 56% Energy • 30% Liveness
0% Instrumentalness • 28% Positiveness
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Judith Christie McAllister
The Lord's Prayer
86 bpm • G# Maj • 02:14 • -12.53db
34% Popularity • 44% Danceability • 51% Energy • 68% Liveness
0% Instrumentalness • 55% Positiveness
34% Popularity • 44% Danceability • 51% Energy • 68% Liveness
0% Instrumentalness • 55% Positiveness
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Stephen Hurd
Zion Is Calling
85 bpm • D# Maj • 03:06 • -8.98db
31% Popularity • 45% Danceability • 55% Energy • 72% Liveness
0% Instrumentalness • 29% Positiveness
31% Popularity • 45% Danceability • 55% Energy • 72% Liveness
0% Instrumentalness • 29% Positiveness
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Kierra Sheard
Praise Him Now
87 bpm • F Maj • 03:49 • -3.46db
22% Popularity • 21% Danceability • 73% Energy • 27% Liveness
0% Instrumentalness • 27% Positiveness
22% Popularity • 21% Danceability • 73% Energy • 27% Liveness
0% Instrumentalness • 27% Positiveness
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Jason Nelson
Nothing Without You
87 bpm • E min • 05:53 • -5.84db
39% Popularity • 41% Danceability • 60% Energy • 54% Liveness
0% Instrumentalness • 19% Positiveness
39% Popularity • 41% Danceability • 60% Energy • 54% Liveness
0% Instrumentalness • 19% Positiveness
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Soulful Sounds
I Just Want To Praise You
88 bpm • C# Maj • 03:15 • -7.41db
14% Popularity • 66% Danceability • 50% Energy • 33% Liveness
0% Instrumentalness • 58% Positiveness
14% Popularity • 66% Danceability • 50% Energy • 33% Liveness
0% Instrumentalness • 58% Positiveness
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Myron Butler & Levi
Redeemed
88 bpm • D# Maj • 05:28 • -7.36db
10% Popularity • 40% Danceability • 49% Energy • 37% Liveness
0% Instrumentalness • 14% Positiveness
10% Popularity • 40% Danceability • 49% Energy • 37% Liveness
0% Instrumentalness • 14% Positiveness
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Lamar Campbell
He Won't Let You Down - Lamar Campbell A...
88 bpm • D# Maj • 06:01 • -6.81db
27% Popularity • 46% Danceability • 74% Energy • 98% Liveness
0% Instrumentalness • 32% Positiveness
27% Popularity • 46% Danceability • 74% Energy • 98% Liveness
0% Instrumentalness • 32% Positiveness
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Rev. Timothy Wright
Yes, I'm a Believer
89 bpm • C# Maj • 04:56 • -14.7db
28% Popularity • 40% Danceability • 52% Energy • 5% Liveness
0% Instrumentalness • 53% Positiveness
28% Popularity • 40% Danceability • 52% Energy • 5% Liveness
0% Instrumentalness • 53% Positiveness
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Rev. Clay Evans
Lord, Make Me Right
89 bpm • F# Maj • 06:25 • -18.93db
15% Popularity • 24% Danceability • 28% Energy • 5% Liveness
0% Instrumentalness • 17% Positiveness
15% Popularity • 24% Danceability • 28% Energy • 5% Liveness
0% Instrumentalness • 17% Positiveness
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Anita Wilson
Jesus Will
89 bpm • B Maj • 09:17 • -4.99db
44% Popularity • 53% Danceability • 87% Energy • 7% Liveness
0% Instrumentalness • 49% Positiveness
44% Popularity • 53% Danceability • 87% Energy • 7% Liveness
0% Instrumentalness • 49% Positiveness
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The Florida Mass Choir
How Excellent Is Your Name
90 bpm • C Maj • 07:52 • -4.72db
23% Popularity • 27% Danceability • 80% Energy • 39% Liveness
0% Instrumentalness • 36% Positiveness
23% Popularity • 27% Danceability • 80% Energy • 39% Liveness
0% Instrumentalness • 36% Positiveness
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Bishop Albert Jamison
Show Yourself Mighty
90 bpm • C# Maj • 05:50 • -6.9db
7% Popularity • 50% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
7% Popularity • 50% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Keith Wonderboy Johnson
Chilly Winds
90 bpm • B Maj • 05:00 • -12.19db
40% Popularity • 38% Danceability • 52% Energy • 29% Liveness
0% Instrumentalness • 74% Positiveness
40% Popularity • 38% Danceability • 52% Energy • 29% Liveness
0% Instrumentalness • 74% Positiveness
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Trin-I-Tee 5:7
Soul Is Anchored
90 bpm • G# Maj • 05:53 • -5.59db
24% Popularity • 58% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 23% Positiveness
24% Popularity • 58% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 23% Positiveness
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Marvin Winans
My Story
90 bpm • G Maj • 04:11 • -5.55db
32% Popularity • 72% Danceability • 74% Energy • 24% Liveness
0% Instrumentalness • 69% Positiveness
32% Popularity • 72% Danceability • 74% Energy • 24% Liveness
0% Instrumentalness • 69% Positiveness
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Richard Smallwood
The Glory Of The Lord - Memorable Moment...
90 bpm • F Maj • 03:36 • -14.04db
8% Popularity • 57% Danceability • 21% Energy • 7% Liveness
0% Instrumentalness • 18% Positiveness
8% Popularity • 57% Danceability • 21% Energy • 7% Liveness
0% Instrumentalness • 18% Positiveness
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Earnest Pugh
Alpha & Omega
90 bpm • C# Maj • 03:43 • -7.16db
24% Popularity • 41% Danceability • 50% Energy • 34% Liveness
0% Instrumentalness • 20% Positiveness
24% Popularity • 41% Danceability • 50% Energy • 34% Liveness
0% Instrumentalness • 20% Positiveness
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Miami Mass Choir
Be Encouraged
90 bpm • C min • 05:38 • -7.01db
11% Popularity • 38% Danceability • 69% Energy • 68% Liveness
0% Instrumentalness • 28% Positiveness
11% Popularity • 38% Danceability • 69% Energy • 68% Liveness
0% Instrumentalness • 28% Positiveness
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Rev. Milton Brunson
I'm Available to You
91 bpm • A# Maj • 06:19 • -15db
36% Popularity • 20% Danceability • 38% Energy • 91% Liveness
0% Instrumentalness • 22% Positiveness
36% Popularity • 20% Danceability • 38% Energy • 91% Liveness
0% Instrumentalness • 22% Positiveness
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Dallas Fort Worth Mass Choir
I Want Your Anointing
91 bpm • G# Maj • 05:19 • -12.25db
15% Popularity • 40% Danceability • 55% Energy • 41% Liveness
0% Instrumentalness • 36% Positiveness
15% Popularity • 40% Danceability • 55% Energy • 41% Liveness
0% Instrumentalness • 36% Positiveness
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Douglas Miller
Jesus Saves v1.1
91 bpm • C Maj • 04:27 • -11.5db
16% Popularity • 30% Danceability • 48% Energy • 58% Liveness
0% Instrumentalness • 50% Positiveness
16% Popularity • 30% Danceability • 48% Energy • 58% Liveness
0% Instrumentalness • 50% Positiveness
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Martha Munizzi
Because Of Who You Are - Remix Version
91 bpm • G Maj • 08:36 • -5.86db
23% Popularity • 33% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
23% Popularity • 33% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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Judith Christie McAllister
How Great Is Our God
91 bpm • D Maj • 05:12 • -5.62db
21% Popularity • 55% Danceability • 86% Energy • 36% Liveness
0% Instrumentalness • 50% Positiveness
21% Popularity • 55% Danceability • 86% Energy • 36% Liveness
0% Instrumentalness • 50% Positiveness
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L.A. Mass Choir
Battle Hymn of the Republic v1.1
92 bpm • A# Maj • 05:35 • -9.72db
15% Popularity • 53% Danceability • 77% Energy • 18% Liveness
0% Instrumentalness • 57% Positiveness
15% Popularity • 53% Danceability • 77% Energy • 18% Liveness
0% Instrumentalness • 57% Positiveness
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Richard Smallwood
The Center of My Joy
92 bpm • D# Maj • 05:17 • -9.53db
36% Popularity • 49% Danceability • 36% Energy • 28% Liveness
0% Instrumentalness • 24% Positiveness
36% Popularity • 49% Danceability • 36% Energy • 28% Liveness
0% Instrumentalness • 24% Positiveness
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Rev. Timothy Wright
Trouble Don't Last Always
93 bpm • C# Maj • 06:24 • -12.14db
40% Popularity • 46% Danceability • 59% Energy • 4% Liveness
0% Instrumentalness • 50% Positiveness
40% Popularity • 46% Danceability • 59% Energy • 4% Liveness
0% Instrumentalness • 50% Positiveness
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Douglas Miller
Give Him the Praise v1.1
92 bpm • G Maj • 04:38 • -5.97db
16% Popularity • 54% Danceability • 83% Energy • 15% Liveness
0% Instrumentalness • 76% Positiveness
16% Popularity • 54% Danceability • 83% Energy • 15% Liveness
0% Instrumentalness • 76% Positiveness
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Rev. James Moore
Endow Me (The Invitation)
93 bpm • A# Maj • 06:53 • -18.63db
10% Popularity • 37% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
10% Popularity • 37% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Lamar Campbell
It's All About The Love
93 bpm • F# Maj • 05:14 • -5db
33% Popularity • 66% Danceability • 92% Energy • 98% Liveness
0% Instrumentalness • 69% Positiveness
33% Popularity • 66% Danceability • 92% Energy • 98% Liveness
0% Instrumentalness • 69% Positiveness
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Stephen Hurd
Lead Me To The Rock
93 bpm • G# Maj • 05:44 • -12.7db
24% Popularity • 39% Danceability • 30% Energy • 66% Liveness
0% Instrumentalness • 34% Positiveness
24% Popularity • 39% Danceability • 30% Energy • 66% Liveness
0% Instrumentalness • 34% Positiveness
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Judith Christie McAllister
We Sing Your Praises
93 bpm • C min • 07:18 • -7.38db
13% Popularity • 57% Danceability • 85% Energy • 97% Liveness
0% Instrumentalness • 52% Positiveness
13% Popularity • 57% Danceability • 85% Energy • 97% Liveness
0% Instrumentalness • 52% Positiveness
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Twinkie Clark
God Gave Me Favor
94 bpm • C# Maj • 05:51 • -5.66db
28% Popularity • 62% Danceability • 63% Energy • 18% Liveness
0% Instrumentalness • 34% Positiveness
28% Popularity • 62% Danceability • 63% Energy • 18% Liveness
0% Instrumentalness • 34% Positiveness
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New Birth Choir
Thank You For Your Grace
94 bpm • E min • 10:01 • -6db
28% Popularity • 51% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
28% Popularity • 51% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
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Anita Wilson
More of You
94 bpm • G# Maj • 07:41 • -9db
33% Popularity • 33% Danceability • 35% Energy • 15% Liveness
0% Instrumentalness • 10% Positiveness
33% Popularity • 33% Danceability • 35% Energy • 15% Liveness
0% Instrumentalness • 10% Positiveness
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Joshua's Troop
Everybody Clap Your Hands
94 bpm • C# Maj • 04:50 • -6db
45% Popularity • 63% Danceability • 84% Energy • 80% Liveness
0% Instrumentalness • 89% Positiveness
45% Popularity • 63% Danceability • 84% Energy • 80% Liveness
0% Instrumentalness • 89% Positiveness
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Rev. Timothy Wright
Jesus,Jesus,Jesus
94 bpm • C# Maj • 06:32 • -9.87db
38% Popularity • 37% Danceability • 80% Energy • 29% Liveness
0% Instrumentalness • 48% Positiveness
38% Popularity • 37% Danceability • 80% Energy • 29% Liveness
0% Instrumentalness • 48% Positiveness
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Tye Tribbett
You Can Change
94 bpm • C# Maj • 05:03 • -8.3db
16% Popularity • 33% Danceability • 46% Energy • 27% Liveness
0% Instrumentalness • 17% Positiveness
16% Popularity • 33% Danceability • 46% Energy • 27% Liveness
0% Instrumentalness • 17% Positiveness
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The Straight Gate Mass Choir
Holy One
95 bpm • F min • 06:05 • -4.83db
31% Popularity • 56% Danceability • 94% Energy • 97% Liveness
0% Instrumentalness • 55% Positiveness
31% Popularity • 56% Danceability • 94% Energy • 97% Liveness
0% Instrumentalness • 55% Positiveness
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Reed's Temple Choir
Keep On Making A Way
95 bpm • C# Maj • 04:53 • -5.78db
23% Popularity • 72% Danceability • 96% Energy • 26% Liveness
0% Instrumentalness • 63% Positiveness
23% Popularity • 72% Danceability • 96% Energy • 26% Liveness
0% Instrumentalness • 63% Positiveness
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Beverly Crawford
So Glad He Loves Me
95 bpm • A# min • 04:11 • -7db
14% Popularity • 64% Danceability • 78% Energy • 87% Liveness
0% Instrumentalness • 78% Positiveness
14% Popularity • 64% Danceability • 78% Energy • 87% Liveness
0% Instrumentalness • 78% Positiveness
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Youthful Praise
Resting on His Promise - Album Version
95 bpm • F# Maj • 06:06 • -4.13db
16% Popularity • 66% Danceability • 87% Energy • 95% Liveness
0% Instrumentalness • 85% Positiveness
16% Popularity • 66% Danceability • 87% Energy • 95% Liveness
0% Instrumentalness • 85% Positiveness
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Colorado Mass Choir
Glad About It
95 bpm • C# Maj • 05:16 • -8db
26% Popularity • 64% Danceability • 88% Energy • 26% Liveness
6% Instrumentalness • 82% Positiveness
26% Popularity • 64% Danceability • 88% Energy • 26% Liveness
6% Instrumentalness • 82% Positiveness
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Vickie Winans
What A Mighty God We Serve Chorale/What ...
95 bpm • C# Maj • 05:03 • -4.99db
15% Popularity • 62% Danceability • 87% Energy • 79% Liveness
0% Instrumentalness • 47% Positiveness
15% Popularity • 62% Danceability • 87% Energy • 79% Liveness
0% Instrumentalness • 47% Positiveness
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Men Of Standard
Trust In God
96 bpm • A# Maj • 04:56 • -6.42db
22% Popularity • 54% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
22% Popularity • 54% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Douglas Miller
My Soul Has Been Anchored In the Lord
96 bpm • C Maj • 06:03 • -13.55db
40% Popularity • 38% Danceability • 36% Energy • 39% Liveness
0% Instrumentalness • 32% Positiveness
40% Popularity • 38% Danceability • 36% Energy • 39% Liveness
0% Instrumentalness • 32% Positiveness
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Rev. Timothy Wright
Leaning On Everlasting Arm
96 bpm • G# Maj • 06:09 • -7.01db
21% Popularity • 44% Danceability • 85% Energy • 16% Liveness
0% Instrumentalness • 50% Positiveness
21% Popularity • 44% Danceability • 85% Energy • 16% Liveness
0% Instrumentalness • 50% Positiveness
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Earnest Pugh
Wrapped Up, Tied Up, Tangled Up
96 bpm • F min • 07:24 • -5.98db
19% Popularity • 27% Danceability • 65% Energy • 57% Liveness
0% Instrumentalness • 28% Positiveness
19% Popularity • 27% Danceability • 65% Energy • 57% Liveness
0% Instrumentalness • 28% Positiveness
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The Straight Gate Mass Choir
Early
96 bpm • C# Maj • 04:33 • -7.5db
29% Popularity • 64% Danceability • 78% Energy • 71% Liveness
0% Instrumentalness • 46% Positiveness
29% Popularity • 64% Danceability • 78% Energy • 71% Liveness
0% Instrumentalness • 46% Positiveness
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T.D. Jakes
High in All the Earth (Live)
96 bpm • C# Maj • 06:05 • -5db
19% Popularity • 49% Danceability • 90% Energy • 91% Liveness
0% Instrumentalness • 56% Positiveness
19% Popularity • 49% Danceability • 90% Energy • 91% Liveness
0% Instrumentalness • 56% Positiveness
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Chester D.T. Baldwin
The God of Another Chance
96 bpm • A# Maj • 04:47 • -6db
5% Popularity • 40% Danceability • 64% Energy • 34% Liveness
0% Instrumentalness • 38% Positiveness
5% Popularity • 40% Danceability • 64% Energy • 34% Liveness
0% Instrumentalness • 38% Positiveness
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Sandra Crouch
Nothing But the Blood v1.1
96 bpm • G# Maj • 04:26 • -6.17db
15% Popularity • 60% Danceability • 91% Energy • 81% Liveness
0% Instrumentalness • 82% Positiveness
15% Popularity • 60% Danceability • 91% Energy • 81% Liveness
0% Instrumentalness • 82% Positiveness
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Rev. James Moore
I Will Trust In The Lord
97 bpm • D Maj • 07:11 • -7.57db
27% Popularity • 60% Danceability • 66% Energy • 32% Liveness
0% Instrumentalness • 57% Positiveness
27% Popularity • 60% Danceability • 66% Energy • 32% Liveness
0% Instrumentalness • 57% Positiveness
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Earnest Pugh
Trade it All
97 bpm • A# Maj • 04:52 • -11.84db
37% Popularity • 27% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
37% Popularity • 27% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
