Songs like I Guardiani - Intro by Andrea Guerra
Based on a tempo of (+/- 10%) and a similar genre
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Santi Pulvirenti
La speranza e il ricordo
110 bpm • C Maj • 03:25 • -18.79db
15% Popularity • 42% Danceability • 11% Energy • 6% Liveness
96% Instrumentalness • 10% Positiveness
15% Popularity • 42% Danceability • 11% Energy • 6% Liveness
96% Instrumentalness • 10% Positiveness
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Andrea Farri
Farfalle nella pancia
110 bpm • G Maj • 02:05 • -21.52db
9% Popularity • 75% Danceability • 9% Energy • 12% Liveness
93% Instrumentalness • 56% Positiveness
9% Popularity • 75% Danceability • 9% Energy • 12% Liveness
93% Instrumentalness • 56% Positiveness
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Mokadelic
Showdown
110 bpm • E min • 01:29 • -13.39db
26% Popularity • 73% Danceability • 62% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
26% Popularity • 73% Danceability • 62% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
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Andrea Guerra
I Guardiani - Intro
110 bpm • E min • 00:55 • -17.09db
22% Popularity • 32% Danceability • 18% Energy • 11% Liveness
94% Instrumentalness • 6% Positiveness
22% Popularity • 32% Danceability • 18% Energy • 11% Liveness
94% Instrumentalness • 6% Positiveness
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Randy Edelman
Bruce And Linda
110 bpm • E Maj • 02:41 • -16.97db
29% Popularity • 19% Danceability • 20% Energy • 21% Liveness
89% Instrumentalness • 6% Positiveness
29% Popularity • 19% Danceability • 20% Energy • 21% Liveness
89% Instrumentalness • 6% Positiveness
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Umberto Scipione
Cilento latino
110 bpm • D min • 03:29 • -6.43db
8% Popularity • 66% Danceability • 81% Energy • 19% Liveness
0% Instrumentalness • 73% Positiveness
8% Popularity • 66% Danceability • 81% Energy • 19% Liveness
0% Instrumentalness • 73% Positiveness
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Craig Armstrong
Saddest Part Of Day
110 bpm • C Maj • 01:13 • -21.57db
50% Popularity • 17% Danceability • 11% Energy • 10% Liveness
41% Instrumentalness • 7% Positiveness
50% Popularity • 17% Danceability • 11% Energy • 10% Liveness
41% Instrumentalness • 7% Positiveness
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Brian Crain
State of the Heart
110 bpm • G Maj • 02:17 • -19.55db
22% Popularity • 48% Danceability • 17% Energy • 10% Liveness
95% Instrumentalness • 7% Positiveness
22% Popularity • 48% Danceability • 17% Energy • 10% Liveness
95% Instrumentalness • 7% Positiveness
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Philippe Rombi
Le piano d'Isabelle
110 bpm • F min • 01:12 • -28db
40% Popularity • 34% Danceability • 3% Energy • 10% Liveness
96% Instrumentalness • 18% Positiveness
40% Popularity • 34% Danceability • 3% Energy • 10% Liveness
96% Instrumentalness • 18% Positiveness
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Luis Bacalov
I Suoni dell'isola
110 bpm • A Maj • 02:31 • -13db
40% Popularity • 35% Danceability • 27% Energy • 10% Liveness
5% Instrumentalness • 26% Positiveness
40% Popularity • 35% Danceability • 27% Energy • 10% Liveness
5% Instrumentalness • 26% Positiveness
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Mark McKenzie
Red's Goodbye
110 bpm • G min • 01:35 • -21.57db
29% Popularity • 20% Danceability • 5% Energy • 11% Liveness
96% Instrumentalness • 6% Positiveness
29% Popularity • 20% Danceability • 5% Energy • 11% Liveness
96% Instrumentalness • 6% Positiveness
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Andrea Farri
Il figlio di Rosy
109 bpm • B min • 03:05 • -18.6db
25% Popularity • 18% Danceability • 10% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
25% Popularity • 18% Danceability • 10% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
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Jan A.P. Kaczmarek
Burning Pictures
109 bpm • G min • 04:51 • -16.2db
20% Popularity • 16% Danceability • 13% Energy • 12% Liveness
85% Instrumentalness • 4% Positiveness
20% Popularity • 16% Danceability • 13% Energy • 12% Liveness
85% Instrumentalness • 4% Positiveness
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Ryan Shore
Julie's Farewell to Verona
111 bpm • A# Maj • 01:39 • -19.52db
17% Popularity • 21% Danceability • 11% Energy • 18% Liveness
79% Instrumentalness • 7% Positiveness
17% Popularity • 21% Danceability • 11% Energy • 18% Liveness
79% Instrumentalness • 7% Positiveness
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Dardust
Petali (Interno Giorno)
111 bpm • C# Maj • 03:50 • -19.9db
28% Popularity • 33% Danceability • 32% Energy • 12% Liveness
92% Instrumentalness • 24% Positiveness
28% Popularity • 33% Danceability • 32% Energy • 12% Liveness
92% Instrumentalness • 24% Positiveness
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Francesco De Luca & Alessandro Forti
Nam sigla
109 bpm • A min • 00:56 • -20.13db
23% Popularity • 53% Danceability • 24% Energy • 13% Liveness
95% Instrumentalness • 20% Positiveness
23% Popularity • 53% Danceability • 24% Energy • 13% Liveness
95% Instrumentalness • 20% Positiveness
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Nicola Piovani
Soli
109 bpm • C Maj • 02:32 • -20db
44% Popularity • 26% Danceability • 6% Energy • 9% Liveness
85% Instrumentalness • 4% Positiveness
44% Popularity • 26% Danceability • 6% Energy • 9% Liveness
85% Instrumentalness • 4% Positiveness
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Amedeo Minghi
Sorellina
109 bpm • C Maj • 02:48 • -10.79db
7% Popularity • 16% Danceability • 43% Energy • 33% Liveness
87% Instrumentalness • 10% Positiveness
7% Popularity • 16% Danceability • 43% Energy • 33% Liveness
87% Instrumentalness • 10% Positiveness
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Craig Armstrong
Total Agony
111 bpm • A Maj • 01:57 • -24.69db
40% Popularity • 30% Danceability • 3% Energy • 10% Liveness
82% Instrumentalness • 7% Positiveness
40% Popularity • 30% Danceability • 3% Energy • 10% Liveness
82% Instrumentalness • 7% Positiveness
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Anne Dudley
Two Brothers
112 bpm • E min • 02:55 • -22db
31% Popularity • 17% Danceability • 8% Energy • 31% Liveness
56% Instrumentalness • 6% Positiveness
31% Popularity • 17% Danceability • 8% Energy • 31% Liveness
56% Instrumentalness • 6% Positiveness
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Nicola Tescari
Alice si innamora
112 bpm • A# Maj • 02:11 • -17.57db
22% Popularity • 24% Danceability • 7% Energy • 10% Liveness
84% Instrumentalness • 4% Positiveness
22% Popularity • 24% Danceability • 7% Energy • 10% Liveness
84% Instrumentalness • 4% Positiveness
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Andrea Guerra
Drift Alone
108 bpm • F Maj • 02:23 • -9.91db
23% Popularity • 57% Danceability • 58% Energy • 15% Liveness
59% Instrumentalness • 41% Positiveness
23% Popularity • 57% Danceability • 58% Energy • 15% Liveness
59% Instrumentalness • 41% Positiveness
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Paolo Vivaldi
Rita Levi-Montalcini
108 bpm • A min • 01:58 • -11db
30% Popularity • 32% Danceability • 40% Energy • 10% Liveness
87% Instrumentalness • 26% Positiveness
30% Popularity • 32% Danceability • 40% Energy • 10% Liveness
87% Instrumentalness • 26% Positiveness
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Santi Pulvirenti
Il mare di Demir
112 bpm • A min • 03:02 • -15.94db
11% Popularity • 54% Danceability • 24% Energy • 7% Liveness
91% Instrumentalness • 4% Positiveness
11% Popularity • 54% Danceability • 24% Energy • 7% Liveness
91% Instrumentalness • 4% Positiveness
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Amelia Warner
Welcome to Ireland
108 bpm • F Maj • 03:47 • -13.46db
26% Popularity • 16% Danceability • 20% Energy • 9% Liveness
85% Instrumentalness • 4% Positiveness
26% Popularity • 16% Danceability • 20% Energy • 9% Liveness
85% Instrumentalness • 4% Positiveness
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Francesco De Luca & Alessandro Forti
Alba e Malik
112 bpm • F Maj • 03:01 • -21.94db
16% Popularity • 21% Danceability • 5% Energy • 8% Liveness
69% Instrumentalness • 4% Positiveness
16% Popularity • 21% Danceability • 5% Energy • 8% Liveness
69% Instrumentalness • 4% Positiveness
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Nicola Piovani
La stanza del figlio
108 bpm • C Maj • 04:05 • -20.25db
35% Popularity • 33% Danceability • 5% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
35% Popularity • 33% Danceability • 5% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
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Jan A.P. Kaczmarek
War and Peace - Main Title
107 bpm • B Maj • 02:34 • -13.06db
44% Popularity • 19% Danceability • 32% Energy • 8% Liveness
90% Instrumentalness • 12% Positiveness
44% Popularity • 19% Danceability • 32% Energy • 8% Liveness
90% Instrumentalness • 12% Positiveness
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Rael Jones
Footloose and Fancy Free
113 bpm • D Maj • 01:19 • -19.44db
38% Popularity • 21% Danceability • 8% Energy • 9% Liveness
81% Instrumentalness • 11% Positiveness
38% Popularity • 21% Danceability • 8% Energy • 9% Liveness
81% Instrumentalness • 11% Positiveness
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Nicola Tescari
Il cuore di Alice
113 bpm • C min • 01:40 • -22.53db
20% Popularity • 26% Danceability • 2% Energy • 15% Liveness
70% Instrumentalness • 9% Positiveness
20% Popularity • 26% Danceability • 2% Energy • 15% Liveness
70% Instrumentalness • 9% Positiveness
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Roberto Cacciapaglia
Wild side - lenàs theme
113 bpm • B min • 03:37 • -11.32db
8% Popularity • 17% Danceability • 32% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
8% Popularity • 17% Danceability • 32% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Giovanni Allevi
My angel
113 bpm • C Maj • 04:19 • -25.14db
27% Popularity • 45% Danceability • 6% Energy • 6% Liveness
93% Instrumentalness • 13% Positiveness
27% Popularity • 45% Danceability • 6% Energy • 6% Liveness
93% Instrumentalness • 13% Positiveness
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Neffa
Le Rose E La Pietra
113 bpm • C Maj • 03:48 • -9.13db
24% Popularity • 54% Danceability • 38% Energy • 33% Liveness
55% Instrumentalness • 46% Positiveness
24% Popularity • 54% Danceability • 38% Energy • 33% Liveness
55% Instrumentalness • 46% Positiveness
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Mokadelic
Doomed to Live - A Special Day
113 bpm • C Maj • 02:02 • -10.31db
16% Popularity • 21% Danceability • 41% Energy • 14% Liveness
96% Instrumentalness • 3% Positiveness
16% Popularity • 21% Danceability • 41% Energy • 14% Liveness
96% Instrumentalness • 3% Positiveness
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Rael Jones
I am Free
113 bpm • E min • 04:55 • -21.48db
28% Popularity • 19% Danceability • 6% Energy • 14% Liveness
90% Instrumentalness • 5% Positiveness
28% Popularity • 19% Danceability • 6% Energy • 14% Liveness
90% Instrumentalness • 5% Positiveness
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Lennie Niehaus
Claudia's Theme - Version Six
113 bpm • C# min • 01:02 • -29.42db
36% Popularity • 23% Danceability • 0% Energy • 15% Liveness
79% Instrumentalness • 20% Positiveness
36% Popularity • 23% Danceability • 0% Energy • 15% Liveness
79% Instrumentalness • 20% Positiveness
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Panu Aaltio
Main Title
106 bpm • B min • 00:56 • -17.21db
28% Popularity • 37% Danceability • 12% Energy • 14% Liveness
98% Instrumentalness • 16% Positiveness
28% Popularity • 37% Danceability • 12% Energy • 14% Liveness
98% Instrumentalness • 16% Positiveness
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Andrea Guerra
La panchina sul prato
106 bpm • C min • 01:54 • -15.07db
15% Popularity • 18% Danceability • 22% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
15% Popularity • 18% Danceability • 22% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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Guy Farley
You Can't Change Destiny
114 bpm • C min • 01:34 • -22.34db
41% Popularity • 18% Danceability • 5% Energy • 11% Liveness
93% Instrumentalness • 3% Positiveness
41% Popularity • 18% Danceability • 5% Energy • 11% Liveness
93% Instrumentalness • 3% Positiveness
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Fiorenzo Carpi
Geppetto
114 bpm • B min • 03:02 • -10.7db
10% Popularity • 17% Danceability • 31% Energy • 9% Liveness
77% Instrumentalness • 11% Positiveness
10% Popularity • 17% Danceability • 31% Energy • 9% Liveness
77% Instrumentalness • 11% Positiveness
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Mokadelic
Gomorra Business Trip - First Impact
114 bpm • F# min • 01:28 • -12.99db
22% Popularity • 38% Danceability • 64% Energy • 13% Liveness
89% Instrumentalness • 3% Positiveness
22% Popularity • 38% Danceability • 64% Energy • 13% Liveness
89% Instrumentalness • 3% Positiveness
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Luis Bacalov
In Bicicletta
106 bpm • A Maj • 02:28 • -14db
43% Popularity • 45% Danceability • 19% Energy • 11% Liveness
1% Instrumentalness • 35% Positiveness
43% Popularity • 45% Danceability • 19% Energy • 11% Liveness
1% Instrumentalness • 35% Positiveness
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Neffa
Ad Un Passo Dal Mare
106 bpm • F min • 04:18 • -11.78db
9% Popularity • 32% Danceability • 22% Energy • 12% Liveness
6% Instrumentalness • 14% Positiveness
9% Popularity • 32% Danceability • 22% Energy • 12% Liveness
6% Instrumentalness • 14% Positiveness
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Giancane
Strappati Lungo i Beatles
115 bpm • B Maj • 02:40 • -9.91db
12% Popularity • 90% Danceability • 42% Energy • 12% Liveness
83% Instrumentalness • 95% Positiveness
12% Popularity • 90% Danceability • 42% Energy • 12% Liveness
83% Instrumentalness • 95% Positiveness
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The Shalalalas
Nothing Works at 5 O'Clock
105 bpm • A# Maj • 02:30 • -10.14db
24% Popularity • 68% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
24% Popularity • 68% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Paolo Vivaldi
Footpath
115 bpm • C Maj • 01:46 • -13.01db
25% Popularity • 34% Danceability • 18% Energy • 16% Liveness
94% Instrumentalness • 20% Positiveness
25% Popularity • 34% Danceability • 18% Energy • 16% Liveness
94% Instrumentalness • 20% Positiveness
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Corrado Carosio
Campo base
105 bpm • F# min • 02:45 • -17.38db
12% Popularity • 66% Danceability • 11% Energy • 9% Liveness
94% Instrumentalness • 19% Positiveness
12% Popularity • 66% Danceability • 11% Energy • 9% Liveness
94% Instrumentalness • 19% Positiveness
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Clint Eastwood
Deep In Thought
115 bpm • F Maj • 01:53 • -22db
33% Popularity • 25% Danceability • 6% Energy • 9% Liveness
42% Instrumentalness • 10% Positiveness
33% Popularity • 25% Danceability • 6% Energy • 9% Liveness
42% Instrumentalness • 10% Positiveness
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Dardust
Sublime
116 bpm • C min • 03:45 • -8.61db
21% Popularity • 33% Danceability • 58% Energy • 10% Liveness
92% Instrumentalness • 21% Positiveness
21% Popularity • 33% Danceability • 58% Energy • 10% Liveness
92% Instrumentalness • 21% Positiveness
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Laurent Aknin
Thème Pauline De Une Semaine Sur Deux
116 bpm • A min • 02:18 • -17db
35% Popularity • 29% Danceability • 19% Energy • 10% Liveness
86% Instrumentalness • 9% Positiveness
35% Popularity • 29% Danceability • 19% Energy • 10% Liveness
86% Instrumentalness • 9% Positiveness
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Giovanni Bomoll
Pirate Attack
104 bpm • C Maj • 03:08 • -17.66db
15% Popularity • 39% Danceability • 51% Energy • 8% Liveness
90% Instrumentalness • 14% Positiveness
15% Popularity • 39% Danceability • 51% Energy • 8% Liveness
90% Instrumentalness • 14% Positiveness
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La Femme Piège
Tema M
104 bpm • A# Maj • 03:23 • -10.85db
15% Popularity • 45% Danceability • 44% Energy • 12% Liveness
42% Instrumentalness • 5% Positiveness
15% Popularity • 45% Danceability • 44% Energy • 12% Liveness
42% Instrumentalness • 5% Positiveness
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Francesco De Luca & Alessandro Forti
Un altro bacio
104 bpm • C Maj • 01:45 • -19.39db
23% Popularity • 22% Danceability • 9% Energy • 9% Liveness
96% Instrumentalness • 5% Positiveness
23% Popularity • 22% Danceability • 9% Energy • 9% Liveness
96% Instrumentalness • 5% Positiveness
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Clint Eastwood
Mom's On Call / Late To Trolley
105 bpm • C# Maj • 01:39 • -21.56db
39% Popularity • 24% Danceability • 6% Energy • 12% Liveness
91% Instrumentalness • 24% Positiveness
39% Popularity • 24% Danceability • 6% Energy • 12% Liveness
91% Instrumentalness • 24% Positiveness
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Mokadelic
Showdown - A Robbery
116 bpm • C Maj • 01:22 • -14.12db
14% Popularity • 26% Danceability • 48% Energy • 11% Liveness
85% Instrumentalness • 4% Positiveness
14% Popularity • 26% Danceability • 48% Energy • 11% Liveness
85% Instrumentalness • 4% Positiveness
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Lennie Niehaus
Claudia's Theme - Version Four
104 bpm • F# min • 00:59 • -22.22db
42% Popularity • 36% Danceability • 6% Energy • 11% Liveness
82% Instrumentalness • 40% Positiveness
42% Popularity • 36% Danceability • 6% Energy • 11% Liveness
82% Instrumentalness • 40% Positiveness
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Guy Farley
Love Theme
116 bpm • C# Maj • 02:45 • -29db
45% Popularity • 17% Danceability • 2% Energy • 12% Liveness
93% Instrumentalness • 4% Positiveness
45% Popularity • 17% Danceability • 2% Energy • 12% Liveness
93% Instrumentalness • 4% Positiveness
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Andrea Guerra
Le Fate Ignoranti - The Ignorant Fairies...
104 bpm • D min • 02:23 • -16.76db
18% Popularity • 16% Danceability • 11% Energy • 14% Liveness
79% Instrumentalness • 4% Positiveness
18% Popularity • 16% Danceability • 11% Energy • 14% Liveness
79% Instrumentalness • 4% Positiveness
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Amedeo Minghi
Il principe
117 bpm • C Maj • 02:27 • -8.71db
12% Popularity • 25% Danceability • 23% Energy • 20% Liveness
95% Instrumentalness • 12% Positiveness
12% Popularity • 25% Danceability • 23% Energy • 20% Liveness
95% Instrumentalness • 12% Positiveness
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Maurizio Filardo
Non ci conosciamo
117 bpm • A min • 06:30 • -10.75db
14% Popularity • 45% Danceability • 26% Energy • 13% Liveness
88% Instrumentalness • 7% Positiveness
14% Popularity • 45% Danceability • 26% Energy • 13% Liveness
88% Instrumentalness • 7% Positiveness
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Mokadelic
Nothing to Be Gained - The Origin
117 bpm • E min • 02:07 • -9.93db
16% Popularity • 21% Danceability • 54% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
16% Popularity • 21% Danceability • 54% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
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Pamela Fadda
Could It Be
117 bpm • E min • 02:36 • -15.94db
11% Popularity • 44% Danceability • 14% Energy • 13% Liveness
0% Instrumentalness • 5% Positiveness
11% Popularity • 44% Danceability • 14% Energy • 13% Liveness
0% Instrumentalness • 5% Positiveness
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Matteo Buzzanca
We are Babel
104 bpm • G min • 03:05 • -14.71db
12% Popularity • 32% Danceability • 22% Energy • 13% Liveness
94% Instrumentalness • 13% Positiveness
12% Popularity • 32% Danceability • 22% Energy • 13% Liveness
94% Instrumentalness • 13% Positiveness
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Pasquale Catalano
Tema dolce
117 bpm • A min • 02:24 • -12.77db
19% Popularity • 48% Danceability • 26% Energy • 14% Liveness
89% Instrumentalness • 26% Positiveness
19% Popularity • 48% Danceability • 26% Energy • 14% Liveness
89% Instrumentalness • 26% Positiveness
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Armand Amar
The Wolf and the Lion
117 bpm • D Maj • 02:36 • -12db
17% Popularity • 17% Danceability • 35% Energy • 11% Liveness
70% Instrumentalness • 15% Positiveness
17% Popularity • 17% Danceability • 35% Energy • 11% Liveness
70% Instrumentalness • 15% Positiveness
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Andrea Farri
The Moth
103 bpm • A min • 01:46 • -22.59db
48% Popularity • 14% Danceability • 8% Energy • 10% Liveness
81% Instrumentalness • 7% Positiveness
48% Popularity • 14% Danceability • 8% Energy • 10% Liveness
81% Instrumentalness • 7% Positiveness
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Amedeo Minghi
Il re alla guerra
118 bpm • D# min • 03:59 • -22.38db
12% Popularity • 17% Danceability • 4% Energy • 12% Liveness
91% Instrumentalness • 4% Positiveness
12% Popularity • 17% Danceability • 4% Energy • 12% Liveness
91% Instrumentalness • 4% Positiveness
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Nicola Piovani
Storia di un impiegato
103 bpm • E min • 04:43 • -13.61db
14% Popularity • 49% Danceability • 30% Energy • 8% Liveness
78% Instrumentalness • 36% Positiveness
14% Popularity • 49% Danceability • 30% Energy • 8% Liveness
78% Instrumentalness • 36% Positiveness
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Corrado Carosio
Rifugio
118 bpm • C# min • 02:39 • -22.81db
24% Popularity • 50% Danceability • 7% Energy • 10% Liveness
96% Instrumentalness • 14% Positiveness
24% Popularity • 50% Danceability • 7% Energy • 10% Liveness
96% Instrumentalness • 14% Positiveness
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Craig Armstrong
Opening Titles
118 bpm • C Maj • 01:33 • -26.92db
43% Popularity • 18% Danceability • 2% Energy • 8% Liveness
98% Instrumentalness • 4% Positiveness
43% Popularity • 18% Danceability • 2% Energy • 8% Liveness
98% Instrumentalness • 4% Positiveness
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Niccolò Agliardi
Consigli - Cello Mix
118 bpm • E Maj • 01:21 • -11.63db
7% Popularity • 22% Danceability • 29% Energy • 12% Liveness
85% Instrumentalness • 13% Positiveness
7% Popularity • 22% Danceability • 29% Energy • 12% Liveness
85% Instrumentalness • 13% Positiveness
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Lennie Niehaus
End Titles - Flags Of Our Fathers
102 bpm • C Maj • 04:25 • -23.01db
15% Popularity • 36% Danceability • 3% Energy • 24% Liveness
4% Instrumentalness • 7% Positiveness
15% Popularity • 36% Danceability • 3% Energy • 24% Liveness
4% Instrumentalness • 7% Positiveness
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Mitja Bichon
Timori e Speranze
119 bpm • G Maj • 02:48 • -15.32db
14% Popularity • 36% Danceability • 19% Energy • 16% Liveness
89% Instrumentalness • 6% Positiveness
14% Popularity • 36% Danceability • 19% Energy • 16% Liveness
89% Instrumentalness • 6% Positiveness
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Andrea Guerra
La terrazza
102 bpm • E min • 01:44 • -17.45db
9% Popularity • 29% Danceability • 13% Energy • 11% Liveness
5% Instrumentalness • 4% Positiveness
9% Popularity • 29% Danceability • 13% Energy • 11% Liveness
5% Instrumentalness • 4% Positiveness
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Corrado Carosio
Vicino a Marina
118 bpm • C# min • 02:41 • -17.59db
20% Popularity • 60% Danceability • 15% Energy • 9% Liveness
91% Instrumentalness • 35% Positiveness
20% Popularity • 60% Danceability • 15% Energy • 9% Liveness
91% Instrumentalness • 35% Positiveness
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Guy Farley
The Palace
119 bpm • A min • 01:56 • -21db
34% Popularity • 21% Danceability • 13% Energy • 11% Liveness
97% Instrumentalness • 5% Positiveness
34% Popularity • 21% Danceability • 13% Energy • 11% Liveness
97% Instrumentalness • 5% Positiveness
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Maurizio Filardo
Non ci conosciamo - Bianca version
102 bpm • F Maj • 03:07 • -30.35db
12% Popularity • 24% Danceability • 1% Energy • 16% Liveness
73% Instrumentalness • 8% Positiveness
12% Popularity • 24% Danceability • 1% Energy • 16% Liveness
73% Instrumentalness • 8% Positiveness
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Lennie Niehaus
Claudia's Theme - Version Five
119 bpm • F Maj • 01:02 • -22.88db
36% Popularity • 30% Danceability • 5% Energy • 10% Liveness
89% Instrumentalness • 15% Positiveness
36% Popularity • 30% Danceability • 5% Energy • 10% Liveness
89% Instrumentalness • 15% Positiveness
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Craig Armstrong
Didn't You Love Anything
119 bpm • C Maj • 01:44 • -22.67db
39% Popularity • 28% Danceability • 3% Energy • 7% Liveness
91% Instrumentalness • 12% Positiveness
39% Popularity • 28% Danceability • 3% Energy • 7% Liveness
91% Instrumentalness • 12% Positiveness
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Andrea Guerra
Il suono dei passi
102 bpm • A min • 01:21 • -23.15db
36% Popularity • 37% Danceability • 14% Energy • 11% Liveness
91% Instrumentalness • 20% Positiveness
36% Popularity • 37% Danceability • 14% Energy • 11% Liveness
91% Instrumentalness • 20% Positiveness
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Nicola Piovani
Il Camorrista - Camorra Man
119 bpm • D min • 02:03 • -16.91db
12% Popularity • 40% Danceability • 24% Energy • 14% Liveness
93% Instrumentalness • 15% Positiveness
12% Popularity • 40% Danceability • 24% Energy • 14% Liveness
93% Instrumentalness • 15% Positiveness
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Cesar Benito
Kayleigh
120 bpm • D# Maj • 01:22 • -16.27db
35% Popularity • 49% Danceability • 27% Energy • 12% Liveness
93% Instrumentalness • 6% Positiveness
35% Popularity • 49% Danceability • 27% Energy • 12% Liveness
93% Instrumentalness • 6% Positiveness
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Guy Farley
Modigliani
101 bpm • G min • 03:28 • -14.34db
29% Popularity • 18% Danceability • 27% Energy • 14% Liveness
90% Instrumentalness • 4% Positiveness
29% Popularity • 18% Danceability • 27% Energy • 14% Liveness
90% Instrumentalness • 4% Positiveness
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Lennie Niehaus
Kate's Theme
101 bpm • C Maj • 02:07 • -30db
41% Popularity • 19% Danceability • 1% Energy • 8% Liveness
98% Instrumentalness • 7% Positiveness
41% Popularity • 19% Danceability • 1% Energy • 8% Liveness
98% Instrumentalness • 7% Positiveness
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Panu Aaltio
The Butterfly Project
120 bpm • A# Maj • 01:54 • -19db
46% Popularity • 34% Danceability • 10% Energy • 7% Liveness
95% Instrumentalness • 7% Positiveness
46% Popularity • 34% Danceability • 10% Energy • 7% Liveness
95% Instrumentalness • 7% Positiveness
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Andrea Guerra
Nuovo Olimpo - Suite Platea
101 bpm • D min • 02:32 • -17.36db
18% Popularity • 26% Danceability • 8% Energy • 15% Liveness
67% Instrumentalness • 10% Positiveness
18% Popularity • 26% Danceability • 8% Energy • 15% Liveness
67% Instrumentalness • 10% Positiveness
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Francesco De Luca & Alessandro Forti
Amore perduto
120 bpm • F Maj • 03:12 • -17db
21% Popularity • 21% Danceability • 12% Energy • 6% Liveness
95% Instrumentalness • 4% Positiveness
21% Popularity • 21% Danceability • 12% Energy • 6% Liveness
95% Instrumentalness • 4% Positiveness
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Andrea Farri
18 regali
120 bpm • A Maj • 01:47 • -25.36db
26% Popularity • 24% Danceability • 4% Energy • 11% Liveness
65% Instrumentalness • 4% Positiveness
26% Popularity • 24% Danceability • 4% Energy • 11% Liveness
65% Instrumentalness • 4% Positiveness
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Amedeo Minghi
Fantaghiro in battaglia
120 bpm • D min • 01:55 • -12.04db
18% Popularity • 46% Danceability • 29% Energy • 11% Liveness
4% Instrumentalness • 25% Positiveness
18% Popularity • 46% Danceability • 29% Energy • 11% Liveness
4% Instrumentalness • 25% Positiveness
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Giancane
Strappati Tranne i Bordi
120 bpm • B Maj • 03:47 • -15.59db
19% Popularity • 46% Danceability • 11% Energy • 11% Liveness
97% Instrumentalness • 55% Positiveness
19% Popularity • 46% Danceability • 11% Energy • 11% Liveness
97% Instrumentalness • 55% Positiveness
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Ezio Bosso
Symphony No. 2 "Under the Trees' Voices"...
101 bpm • G# Maj • 09:23 • -8.06db
17% Popularity • 31% Danceability • 79% Energy • 76% Liveness
87% Instrumentalness • 57% Positiveness
17% Popularity • 31% Danceability • 79% Energy • 76% Liveness
87% Instrumentalness • 57% Positiveness
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Andrea Guerra
Risveglio
119 bpm • C min • 02:55 • -18.32db
11% Popularity • 19% Danceability • 9% Energy • 14% Liveness
88% Instrumentalness • 4% Positiveness
11% Popularity • 19% Danceability • 9% Energy • 14% Liveness
88% Instrumentalness • 4% Positiveness
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Stephen Warbeck
Train Journey
120 bpm • E min • 02:34 • -25db
27% Popularity • 38% Danceability • 10% Energy • 12% Liveness
94% Instrumentalness • 7% Positiveness
27% Popularity • 38% Danceability • 10% Energy • 12% Liveness
94% Instrumentalness • 7% Positiveness
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Guy Farley
Family
120 bpm • A min • 01:47 • -17.68db
48% Popularity • 40% Danceability • 15% Energy • 7% Liveness
94% Instrumentalness • 5% Positiveness
48% Popularity • 40% Danceability • 15% Energy • 7% Liveness
94% Instrumentalness • 5% Positiveness
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Jan A.P. Kaczmarek
Goodbye
120 bpm • C Maj • 02:11 • -18.51db
47% Popularity • 34% Danceability • 14% Energy • 12% Liveness
97% Instrumentalness • 4% Positiveness
47% Popularity • 34% Danceability • 14% Energy • 12% Liveness
97% Instrumentalness • 4% Positiveness
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Dexter Britain
I Am Small and Mighty
120 bpm • D Maj • 02:50 • -16.33db
9% Popularity • 56% Danceability • 43% Energy • 12% Liveness
89% Instrumentalness • 19% Positiveness
9% Popularity • 56% Danceability • 43% Energy • 12% Liveness
89% Instrumentalness • 19% Positiveness
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Calibro 35
Tema di Blanca (Risoluzione)
120 bpm • G# Maj • 03:54 • -7.98db
15% Popularity • 53% Danceability • 53% Energy • 10% Liveness
90% Instrumentalness • 32% Positiveness
15% Popularity • 53% Danceability • 53% Energy • 10% Liveness
90% Instrumentalness • 32% Positiveness
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Andrea Guerra
La scelta
120 bpm • D# Maj • 01:52 • -10.6db
8% Popularity • 18% Danceability • 42% Energy • 9% Liveness
87% Instrumentalness • 4% Positiveness
8% Popularity • 18% Danceability • 42% Energy • 9% Liveness
87% Instrumentalness • 4% Positiveness
