Songs like I Guess That's Why They Call It The Blues by Elton John
Based on a tempo of (+/- 10%) and a similar genre
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Little River Band
Lady - Remastered 2022
121 bpm • A Maj • 04:49 • -9.3db
57% Popularity • 44% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
57% Popularity • 44% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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George Harrison
My Sweet Lord (2014 Remaster)
121 bpm • C# min • 04:41 • -9.02db
75% Popularity • 54% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
75% Popularity • 54% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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Madness
Our House
121 bpm • C Maj • 03:23 • -6.06db
66% Popularity • 59% Danceability • 71% Energy • 5% Liveness
0% Instrumentalness • 81% Positiveness
66% Popularity • 59% Danceability • 71% Energy • 5% Liveness
0% Instrumentalness • 81% Positiveness
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Aerosmith
I Don't Want To Miss A Thing
121 bpm • D Maj • 04:59 • -5.16db
75% Popularity • 39% Danceability • 65% Energy • 22% Liveness
0% Instrumentalness • 14% Positiveness
75% Popularity • 39% Danceability • 65% Energy • 22% Liveness
0% Instrumentalness • 14% Positiveness
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Paul Simon
Slip Slidin' Away
121 bpm • G# Maj • 04:45 • -12.45db
55% Popularity • 64% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
55% Popularity • 64% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Daryl Hall & John Oates
Private Eyes
121 bpm • A min • 03:37 • -6.89db
67% Popularity • 85% Danceability • 94% Energy • 6% Liveness
0% Instrumentalness • 84% Positiveness
67% Popularity • 85% Danceability • 94% Energy • 6% Liveness
0% Instrumentalness • 84% Positiveness
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Elton John
Goodbye Yellow Brick Road - Remastered 2...
121 bpm • F Maj • 03:12 • -7.71db
78% Popularity • 56% Danceability • 47% Energy • 15% Liveness
0% Instrumentalness • 40% Positiveness
78% Popularity • 56% Danceability • 47% Energy • 15% Liveness
0% Instrumentalness • 40% Positiveness
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Prince
Raspberry Beret
121 bpm • D Maj • 03:35 • -12.76db
65% Popularity • 76% Danceability • 67% Energy • 7% Liveness
0% Instrumentalness • 91% Positiveness
65% Popularity • 76% Danceability • 67% Energy • 7% Liveness
0% Instrumentalness • 91% Positiveness
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Creedence Clearwater Revival
Proud Mary
121 bpm • D Maj • 03:07 • -7.56db
77% Popularity • 70% Danceability • 64% Energy • 6% Liveness
0% Instrumentalness • 73% Positiveness
77% Popularity • 70% Danceability • 64% Energy • 6% Liveness
0% Instrumentalness • 73% Positiveness
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Supertramp
It's Raining Again
121 bpm • A# Maj • 04:24 • -6.81db
61% Popularity • 60% Danceability • 67% Energy • 26% Liveness
0% Instrumentalness • 56% Positiveness
61% Popularity • 60% Danceability • 67% Energy • 26% Liveness
0% Instrumentalness • 56% Positiveness
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The Doobie Brothers
What a Fool Believes
121 bpm • G# min • 03:43 • -15.31db
72% Popularity • 76% Danceability • 38% Energy • 5% Liveness
0% Instrumentalness • 98% Positiveness
72% Popularity • 76% Danceability • 38% Energy • 5% Liveness
0% Instrumentalness • 98% Positiveness
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Daryl Hall & John Oates
Kiss on My List
121 bpm • C Maj • 04:24 • -9.48db
64% Popularity • 82% Danceability • 74% Energy • 7% Liveness
12% Instrumentalness • 96% Positiveness
64% Popularity • 82% Danceability • 74% Energy • 7% Liveness
12% Instrumentalness • 96% Positiveness
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Elton John
I Guess That's Why They Call It The Blue...
121 bpm • C Maj • 04:45 • -7.29db
72% Popularity • 67% Danceability • 66% Energy • 18% Liveness
2% Instrumentalness • 67% Positiveness
72% Popularity • 67% Danceability • 66% Energy • 18% Liveness
2% Instrumentalness • 67% Positiveness
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INXS
Beautiful Girl
121 bpm • B Maj • 03:27 • -6.6db
65% Popularity • 66% Danceability • 65% Energy • 11% Liveness
54% Instrumentalness • 44% Positiveness
65% Popularity • 66% Danceability • 65% Energy • 11% Liveness
54% Instrumentalness • 44% Positiveness
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Huey Lewis & The News
Stuck With You
121 bpm • E min • 04:29 • -11.4db
64% Popularity • 70% Danceability • 54% Energy • 4% Liveness
0% Instrumentalness • 63% Positiveness
64% Popularity • 70% Danceability • 54% Energy • 4% Liveness
0% Instrumentalness • 63% Positiveness
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John Denver
Leaving, On a Jet Plane - "Greatest Hits...
122 bpm • G Maj • 04:06 • -13.57db
56% Popularity • 43% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
56% Popularity • 43% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
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Electric Light Orchestra
Sweet Talkin' Woman
122 bpm • C Maj • 03:49 • -9.21db
64% Popularity • 61% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
64% Popularity • 61% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
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Carole King
I Feel the Earth Move
120 bpm • G min • 02:58 • -8.78db
67% Popularity • 71% Danceability • 58% Energy • 5% Liveness
0% Instrumentalness • 64% Positiveness
67% Popularity • 71% Danceability • 58% Energy • 5% Liveness
0% Instrumentalness • 64% Positiveness
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Dionne Warwick
That's What Friends Are For
120 bpm • C min • 04:15 • -16.26db
66% Popularity • 68% Danceability • 24% Energy • 7% Liveness
0% Instrumentalness • 17% Positiveness
66% Popularity • 68% Danceability • 24% Energy • 7% Liveness
0% Instrumentalness • 17% Positiveness
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The Cars
My Best Friend's Girl
122 bpm • F Maj • 03:43 • -8.19db
63% Popularity • 80% Danceability • 61% Energy • 10% Liveness
1% Instrumentalness • 96% Positiveness
63% Popularity • 80% Danceability • 61% Energy • 10% Liveness
1% Instrumentalness • 96% Positiveness
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Wings
My Love - 2018 Remaster
120 bpm • F Maj • 04:07 • -14.06db
58% Popularity • 41% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
58% Popularity • 41% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
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The Rolling Stones
Start Me Up - Remastered 2009
122 bpm • F Maj • 03:33 • -4.14db
80% Popularity • 63% Danceability • 93% Energy • 9% Liveness
14% Instrumentalness • 97% Positiveness
80% Popularity • 63% Danceability • 93% Energy • 9% Liveness
14% Instrumentalness • 97% Positiveness
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Steve Miller Band
Rock'n Me
122 bpm • E Maj • 03:07 • -11.35db
72% Popularity • 70% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 89% Positiveness
72% Popularity • 70% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 89% Positiveness
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Styx
Come Sail Away
120 bpm • C Maj • 06:07 • -15.6db
64% Popularity • 32% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
64% Popularity • 32% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Gordon Lightfoot
If You Could Read My Mind
123 bpm • A Maj • 03:48 • -12.82db
67% Popularity • 61% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
67% Popularity • 61% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Electric Light Orchestra
Livin' Thing
123 bpm • C Maj • 03:32 • -7.1db
70% Popularity • 55% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
70% Popularity • 55% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Journey
Don't Stop Believin' (2022 Remaster)
119 bpm • E Maj • 04:09 • -7.44db
83% Popularity • 50% Danceability • 75% Energy • 20% Liveness
0% Instrumentalness • 51% Positiveness
83% Popularity • 50% Danceability • 75% Energy • 20% Liveness
0% Instrumentalness • 51% Positiveness
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Tracy Chapman
Talkin' Bout a Revolution
119 bpm • G Maj • 02:41 • -6.18db
72% Popularity • 56% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
72% Popularity • 56% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
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George Michael
One More Try - Remastered
119 bpm • F Maj • 05:50 • -12.54db
58% Popularity • 55% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
58% Popularity • 55% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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The Beatles
Get Back - Remastered 2009
123 bpm • D Maj • 03:09 • -9.84db
70% Popularity • 76% Danceability • 59% Energy • 61% Liveness
1% Instrumentalness • 33% Positiveness
70% Popularity • 76% Danceability • 59% Energy • 61% Liveness
1% Instrumentalness • 33% Positiveness
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Creedence Clearwater Revival
Who'll Stop The Rain
123 bpm • G Maj • 02:27 • -5.42db
75% Popularity • 63% Danceability • 87% Energy • 6% Liveness
0% Instrumentalness • 63% Positiveness
75% Popularity • 63% Danceability • 87% Energy • 6% Liveness
0% Instrumentalness • 63% Positiveness
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John Mellencamp
Small Town
123 bpm • B Maj • 03:41 • -2.66db
66% Popularity • 66% Danceability • 92% Energy • 31% Liveness
1% Instrumentalness • 63% Positiveness
66% Popularity • 66% Danceability • 92% Energy • 31% Liveness
1% Instrumentalness • 63% Positiveness
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America
A Horse with No Name
123 bpm • B min • 04:12 • -17.18db
78% Popularity • 65% Danceability • 51% Energy • 16% Liveness
2% Instrumentalness • 83% Positiveness
78% Popularity • 65% Danceability • 51% Energy • 16% Liveness
2% Instrumentalness • 83% Positiveness
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Queen
You're My Best Friend - Remastered 2011
119 bpm • C Maj • 02:50 • -7db
71% Popularity • 51% Danceability • 76% Energy • 7% Liveness
1% Instrumentalness • 55% Positiveness
71% Popularity • 51% Danceability • 76% Energy • 7% Liveness
1% Instrumentalness • 55% Positiveness
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Huey Lewis & The News
The Power Of Love
119 bpm • F Maj • 03:54 • -5.11db
76% Popularity • 77% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
76% Popularity • 77% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
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R.E.M.
Man On The Moon
119 bpm • G Maj • 05:14 • -7.57db
67% Popularity • 67% Danceability • 70% Energy • 20% Liveness
0% Instrumentalness • 66% Positiveness
67% Popularity • 67% Danceability • 70% Energy • 20% Liveness
0% Instrumentalness • 66% Positiveness
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Bob Seger
Night Moves
119 bpm • C# Maj • 05:24 • -6.63db
73% Popularity • 70% Danceability • 74% Energy • 10% Liveness
1% Instrumentalness • 37% Positiveness
73% Popularity • 70% Danceability • 74% Energy • 10% Liveness
1% Instrumentalness • 37% Positiveness
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Kenny Rogers
We've Got Tonight
124 bpm • G# Maj • 03:54 • -11.25db
65% Popularity • 54% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
65% Popularity • 54% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Elton John
Sorry Seems To Be The Hardest Word
118 bpm • G min • 03:48 • -12.8db
65% Popularity • 37% Danceability • 22% Energy • 20% Liveness
0% Instrumentalness • 11% Positiveness
65% Popularity • 37% Danceability • 22% Energy • 20% Liveness
0% Instrumentalness • 11% Positiveness
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Bachman-Turner Overdrive
You Ain't Seen Nothing Yet
118 bpm • B min • 03:54 • -15.04db
71% Popularity • 48% Danceability • 44% Energy • 22% Liveness
0% Instrumentalness • 76% Positiveness
71% Popularity • 48% Danceability • 44% Energy • 22% Liveness
0% Instrumentalness • 76% Positiveness
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Stealers Wheel
Stuck In The Middle With You
124 bpm • G Maj • 03:28 • -9.14db
80% Popularity • 82% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
80% Popularity • 82% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
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Electric Light Orchestra
All Over the World
124 bpm • D Maj • 04:02 • -8.05db
52% Popularity • 66% Danceability • 75% Energy • 75% Liveness
0% Instrumentalness • 80% Positiveness
52% Popularity • 66% Danceability • 75% Energy • 75% Liveness
0% Instrumentalness • 80% Positiveness
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Bob Seger
Old Time Rock & Roll
124 bpm • F# Maj • 03:14 • -2.95db
75% Popularity • 71% Danceability • 94% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
75% Popularity • 71% Danceability • 94% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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The Police
King Of Pain
124 bpm • D Maj • 04:59 • -8.85db
64% Popularity • 52% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 65% Positiveness
64% Popularity • 52% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 65% Positiveness
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Paul Simon
Graceland
118 bpm • A Maj • 04:51 • -9db
61% Popularity • 73% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 85% Positiveness
61% Popularity • 73% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 85% Positiveness
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Christopher Cross
Ride Like the Wind
124 bpm • C min • 04:35 • -13.66db
62% Popularity • 67% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
62% Popularity • 67% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
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The Beach Boys
Wouldn't It Be Nice
125 bpm • F Maj • 02:33 • -7.06db
74% Popularity • 39% Danceability • 63% Energy • 13% Liveness
0% Instrumentalness • 72% Positiveness
74% Popularity • 39% Danceability • 63% Energy • 13% Liveness
0% Instrumentalness • 72% Positiveness
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Elton John
Candle In The Wind - Remastered 2014
125 bpm • E Maj • 03:48 • -9.74db
70% Popularity • 60% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
70% Popularity • 60% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
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The Doobie Brothers
Long Train Runnin'
117 bpm • G min • 03:27 • -7.28db
72% Popularity • 57% Danceability • 91% Energy • 6% Liveness
0% Instrumentalness • 84% Positiveness
72% Popularity • 57% Danceability • 91% Energy • 6% Liveness
0% Instrumentalness • 84% Positiveness
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The Police
Every Breath You Take
117 bpm • C# Maj • 04:13 • -9.8db
88% Popularity • 82% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
88% Popularity • 82% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
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The Who
Baba O'Riley
117 bpm • F Maj • 05:00 • -8.37db
76% Popularity • 49% Danceability • 72% Energy • 29% Liveness
18% Instrumentalness • 15% Positiveness
76% Popularity • 49% Danceability • 72% Energy • 29% Liveness
18% Instrumentalness • 15% Positiveness
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KC & The Sunshine Band
Give It Up
125 bpm • D# Maj • 04:14 • -11.63db
70% Popularity • 86% Danceability • 62% Energy • 5% Liveness
0% Instrumentalness • 88% Positiveness
70% Popularity • 86% Danceability • 62% Energy • 5% Liveness
0% Instrumentalness • 88% Positiveness
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Billy Joel
Vienna
125 bpm • A# Maj • 03:34 • -6.66db
83% Popularity • 53% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
83% Popularity • 53% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
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Elton John
Sweet Painted Lady - Remastered 2014
117 bpm • G Maj • 03:54 • -11.56db
46% Popularity • 61% Danceability • 38% Energy • 64% Liveness
0% Instrumentalness • 55% Positiveness
46% Popularity • 61% Danceability • 38% Energy • 64% Liveness
0% Instrumentalness • 55% Positiveness
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Wings
Silly Love Songs - 2014 Remaster
125 bpm • C Maj • 05:54 • -10.77db
62% Popularity • 74% Danceability • 47% Energy • 28% Liveness
9% Instrumentalness • 82% Positiveness
62% Popularity • 74% Danceability • 47% Energy • 28% Liveness
9% Instrumentalness • 82% Positiveness
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Paul McCartney
Band On The Run - 2010 Remaster
125 bpm • G Maj • 05:13 • -8.81db
72% Popularity • 48% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
72% Popularity • 48% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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Jackson Browne
Somebody's Baby
117 bpm • D Maj • 04:22 • -7.82db
59% Popularity • 74% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 89% Positiveness
59% Popularity • 74% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 89% Positiveness
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Looking Glass
Brandy (You're a Fine Girl)
125 bpm • C# min • 03:06 • -11.37db
77% Popularity • 72% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 83% Positiveness
77% Popularity • 72% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 83% Positiveness
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Tom Petty and the Heartbreakers
Learning To Fly
117 bpm • C Maj • 04:02 • -9.94db
71% Popularity • 65% Danceability • 77% Energy • 36% Liveness
0% Instrumentalness • 95% Positiveness
71% Popularity • 65% Danceability • 77% Energy • 36% Liveness
0% Instrumentalness • 95% Positiveness
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John Mellencamp
Hurts So Good
125 bpm • A Maj • 03:38 • -5.31db
71% Popularity • 78% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 97% Positiveness
71% Popularity • 78% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 97% Positiveness
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Bryan Adams
When You're Gone
125 bpm • C Maj • 03:24 • -6.34db
69% Popularity • 55% Danceability • 93% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
69% Popularity • 55% Danceability • 93% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
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Elton John
Philadelphia Freedom
125 bpm • C min • 05:24 • -6.35db
56% Popularity • 71% Danceability • 68% Energy • 6% Liveness
0% Instrumentalness • 81% Positiveness
56% Popularity • 71% Danceability • 68% Energy • 6% Liveness
0% Instrumentalness • 81% Positiveness
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Don Henley
The End Of The Innocence
117 bpm • G# Maj • 05:15 • -13db
60% Popularity • 62% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
60% Popularity • 62% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Kim Carnes
Bette Davis Eyes
117 bpm • F Maj • 03:48 • -10.27db
78% Popularity • 68% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
78% Popularity • 68% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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R.E.M.
Losing My Religion
126 bpm • A min • 04:28 • -5.05db
84% Popularity • 67% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
84% Popularity • 67% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
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The Monkees
Daydream Believer
126 bpm • G Maj • 02:59 • -10.3db
68% Popularity • 51% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
68% Popularity • 51% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
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Steely Dan
Rikki Don't Lose That Number
116 bpm • D Maj • 04:32 • -14.97db
66% Popularity • 64% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
66% Popularity • 64% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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Elton John
Are You Ready For Love? - Remastered
117 bpm • D Maj • 03:32 • -5.18db
62% Popularity • 80% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 77% Positiveness
62% Popularity • 80% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 77% Positiveness
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U2
Where The Streets Have No Name - Remaste...
126 bpm • D Maj • 05:37 • -9.58db
70% Popularity • 49% Danceability • 72% Energy • 16% Liveness
0% Instrumentalness • 29% Positiveness
70% Popularity • 49% Danceability • 72% Energy • 16% Liveness
0% Instrumentalness • 29% Positiveness
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Creedence Clearwater Revival
Have You Ever Seen The Rain
116 bpm • C Maj • 02:40 • -7.03db
88% Popularity • 74% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 77% Positiveness
88% Popularity • 74% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 77% Positiveness
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Steve Winwood
Valerie
116 bpm • A Maj • 04:06 • -10.78db
67% Popularity • 72% Danceability • 53% Energy • 8% Liveness
1% Instrumentalness • 73% Positiveness
67% Popularity • 72% Danceability • 53% Energy • 8% Liveness
1% Instrumentalness • 73% Positiveness
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The Beach Boys
God Only Knows - Remastered 1996
116 bpm • A Maj • 02:54 • -9.34db
65% Popularity • 44% Danceability • 46% Energy • 5% Liveness
0% Instrumentalness • 31% Positiveness
65% Popularity • 44% Danceability • 46% Energy • 5% Liveness
0% Instrumentalness • 31% Positiveness
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ABBA
The Winner Takes It All
126 bpm • F# Maj • 04:54 • -6.75db
75% Popularity • 45% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
75% Popularity • 45% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Elton John
Candle In The Wind 1997
126 bpm • E Maj • 04:10 • -8.18db
56% Popularity • 45% Danceability • 31% Energy • 17% Liveness
1% Instrumentalness • 37% Positiveness
56% Popularity • 45% Danceability • 31% Energy • 17% Liveness
1% Instrumentalness • 37% Positiveness
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Electric Light Orchestra
Don't Bring Me Down
116 bpm • D Maj • 04:03 • -6.47db
75% Popularity • 64% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
75% Popularity • 64% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
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Bob Seger
Still The Same
116 bpm • C Maj • 03:23 • -6.73db
67% Popularity • 71% Danceability • 77% Energy • 6% Liveness
0% Instrumentalness • 56% Positiveness
67% Popularity • 71% Danceability • 77% Energy • 6% Liveness
0% Instrumentalness • 56% Positiveness
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John Mellencamp
Pink Houses
115 bpm • G Maj • 04:43 • -5.31db
60% Popularity • 64% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 63% Positiveness
60% Popularity • 64% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 63% Positiveness
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The Beach Boys
Kokomo
116 bpm • C Maj • 03:37 • -10.05db
72% Popularity • 68% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 93% Positiveness
72% Popularity • 68% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 93% Positiveness
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The Who
Behind Blue Eyes
127 bpm • E min • 03:41 • -8.26db
71% Popularity • 39% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
71% Popularity • 39% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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The Cars
Just What I Needed
127 bpm • E Maj • 03:45 • -9.31db
71% Popularity • 62% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
71% Popularity • 62% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
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Traveling Wilburys
Handle With Care
115 bpm • G Maj • 03:19 • -5.98db
68% Popularity • 68% Danceability • 77% Energy • 25% Liveness
0% Instrumentalness • 71% Positiveness
68% Popularity • 68% Danceability • 77% Energy • 25% Liveness
0% Instrumentalness • 71% Positiveness
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Annie Lennox
Walking on Broken Glass
115 bpm • C Maj • 04:13 • -8.45db
66% Popularity • 75% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
66% Popularity • 75% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
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The Beatles
While My Guitar Gently Weeps - Remastere...
115 bpm • E min • 04:45 • -8.86db
71% Popularity • 45% Danceability • 65% Energy • 17% Liveness
0% Instrumentalness • 70% Positiveness
71% Popularity • 45% Danceability • 65% Energy • 17% Liveness
0% Instrumentalness • 70% Positiveness
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Roy Orbison
Oh, Pretty Woman
127 bpm • A Maj • 02:58 • -9.48db
77% Popularity • 62% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
77% Popularity • 62% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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Pat Benatar
Hit Me With Your Best Shot
127 bpm • E Maj • 02:51 • -9.05db
72% Popularity • 74% Danceability • 58% Energy • 21% Liveness
0% Instrumentalness • 94% Positiveness
72% Popularity • 74% Danceability • 58% Energy • 21% Liveness
0% Instrumentalness • 94% Positiveness
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David Bowie
Let's Dance - 2018 Remaster
115 bpm • A# min • 07:37 • -7.44db
70% Popularity • 65% Danceability • 74% Energy • 15% Liveness
3% Instrumentalness • 63% Positiveness
70% Popularity • 65% Danceability • 74% Energy • 15% Liveness
3% Instrumentalness • 63% Positiveness
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Steve Miller Band
Abracadabra
127 bpm • A min • 05:08 • -13.26db
68% Popularity • 79% Danceability • 54% Energy • 16% Liveness
0% Instrumentalness • 96% Positiveness
68% Popularity • 79% Danceability • 54% Energy • 16% Liveness
0% Instrumentalness • 96% Positiveness
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Duran Duran
Hungry Like the Wolf - 2009 Remaster
128 bpm • C Maj • 03:40 • -7.77db
74% Popularity • 69% Danceability • 81% Energy • 30% Liveness
0% Instrumentalness • 68% Positiveness
74% Popularity • 69% Danceability • 81% Energy • 30% Liveness
0% Instrumentalness • 68% Positiveness
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The Police
Wrapped Around Your Finger - Remastered ...
128 bpm • A min • 05:13 • -11.52db
60% Popularity • 75% Danceability • 45% Energy • 6% Liveness
0% Instrumentalness • 61% Positiveness
60% Popularity • 75% Danceability • 45% Energy • 6% Liveness
0% Instrumentalness • 61% Positiveness
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Roy Orbison
You Got It
115 bpm • A Maj • 03:30 • -10.73db
72% Popularity • 65% Danceability • 62% Energy • 19% Liveness
0% Instrumentalness • 67% Positiveness
72% Popularity • 65% Danceability • 62% Energy • 19% Liveness
0% Instrumentalness • 67% Positiveness
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Tom Petty and the Heartbreakers
American Girl
115 bpm • D Maj • 03:34 • -5.99db
70% Popularity • 55% Danceability • 82% Energy • 37% Liveness
0% Instrumentalness • 78% Positiveness
70% Popularity • 55% Danceability • 82% Energy • 37% Liveness
0% Instrumentalness • 78% Positiveness
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Four Tops
I Can't Help Myself (Sugar Pie, Honey Bu...
128 bpm • C Maj • 02:40 • -9db
78% Popularity • 67% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 97% Positiveness
78% Popularity • 67% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 97% Positiveness
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Lionel Richie
Say You, Say Me
128 bpm • G# Maj • 04:01 • -11.11db
72% Popularity • 64% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
72% Popularity • 64% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
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Chicago
Saturday in the Park - 2002 Remaster
114 bpm • G Maj • 03:55 • -6.86db
62% Popularity • 67% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
62% Popularity • 67% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
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Huey Lewis & The News
Do You Believe In Love
114 bpm • B Maj • 03:29 • -10.95db
62% Popularity • 55% Danceability • 64% Energy • 25% Liveness
0% Instrumentalness • 82% Positiveness
62% Popularity • 55% Danceability • 64% Energy • 25% Liveness
0% Instrumentalness • 82% Positiveness
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Tom Petty
I Won't Back Down
114 bpm • G Maj • 02:58 • -13.49db
75% Popularity • 76% Danceability • 48% Energy • 16% Liveness
0% Instrumentalness • 96% Positiveness
75% Popularity • 76% Danceability • 48% Energy • 16% Liveness
0% Instrumentalness • 96% Positiveness
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Paul Simon
You Can Call Me Al
128 bpm • F Maj • 04:40 • -8.12db
75% Popularity • 78% Danceability • 76% Energy • 8% Liveness
1% Instrumentalness • 82% Positiveness
75% Popularity • 78% Danceability • 76% Energy • 8% Liveness
1% Instrumentalness • 82% Positiveness
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Elton John
Your Song
128 bpm • D# Maj • 04:01 • -11.03db
81% Popularity • 55% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
81% Popularity • 55% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
