Songs like I Had a Dream by Chris Potter
Based on a tempo of (+/- 10%) and a similar genre
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Billy Childs
Dori
150 bpm • G min • 07:34 • -10.09db
11% Popularity • 41% Danceability • 66% Energy • 14% Liveness
81% Instrumentalness • 48% Positiveness
11% Popularity • 41% Danceability • 66% Energy • 14% Liveness
81% Instrumentalness • 48% Positiveness
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Chris Potter
I Had a Dream
150 bpm • C Maj • 05:29 • -11.34db
8% Popularity • 55% Danceability • 37% Energy • 10% Liveness
5% Instrumentalness • 76% Positiveness
8% Popularity • 55% Danceability • 37% Energy • 10% Liveness
5% Instrumentalness • 76% Positiveness
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Gonzalo Rubalcaba
Turning I
150 bpm • G# Maj • 02:10 • -14db
29% Popularity • 26% Danceability • 54% Energy • 26% Liveness
93% Instrumentalness • 57% Positiveness
29% Popularity • 26% Danceability • 54% Energy • 26% Liveness
93% Instrumentalness • 57% Positiveness
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Magnus Lindgren
Cherokee - Koko
150 bpm • G min • 08:44 • -8db
8% Popularity • 38% Danceability • 61% Energy • 37% Liveness
2% Instrumentalness • 50% Positiveness
8% Popularity • 38% Danceability • 61% Energy • 37% Liveness
2% Instrumentalness • 50% Positiveness
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Kit Downes
Castles Made of Sand
150 bpm • C# Maj • 04:53 • -26.84db
9% Popularity • 34% Danceability • 11% Energy • 11% Liveness
88% Instrumentalness • 17% Positiveness
9% Popularity • 34% Danceability • 11% Energy • 11% Liveness
88% Instrumentalness • 17% Positiveness
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Koma Saxo
Komma Hem
150 bpm • A Maj • 03:30 • -9.48db
22% Popularity • 39% Danceability • 51% Energy • 20% Liveness
55% Instrumentalness • 28% Positiveness
22% Popularity • 39% Danceability • 51% Energy • 20% Liveness
55% Instrumentalness • 28% Positiveness
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Joel Goodman
What Dreamers Dream
151 bpm • A min • 07:41 • -8.66db
31% Popularity • 37% Danceability • 59% Energy • 11% Liveness
87% Instrumentalness • 29% Positiveness
31% Popularity • 37% Danceability • 59% Energy • 11% Liveness
87% Instrumentalness • 29% Positiveness
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Yoko Miwa Trio
Keep Talkin'
151 bpm • G# Maj • 04:16 • -12.14db
30% Popularity • 52% Danceability • 70% Energy • 9% Liveness
97% Instrumentalness • 64% Positiveness
30% Popularity • 52% Danceability • 70% Energy • 9% Liveness
97% Instrumentalness • 64% Positiveness
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Brian Blade & The Fellowship Band
Most Precious One
149 bpm • F Maj • 03:01 • -22.19db
19% Popularity • 49% Danceability • 7% Energy • 10% Liveness
91% Instrumentalness • 7% Positiveness
19% Popularity • 49% Danceability • 7% Energy • 10% Liveness
91% Instrumentalness • 7% Positiveness
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Alex Sipiagin
Conception
149 bpm • F# Maj • 08:38 • -12.27db
7% Popularity • 39% Danceability • 53% Energy • 15% Liveness
16% Instrumentalness • 68% Positiveness
7% Popularity • 39% Danceability • 53% Energy • 15% Liveness
16% Instrumentalness • 68% Positiveness
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Gianluigi Trovesi
Viola-Porpora - Ab
149 bpm • A# min • 01:09 • -12.49db
31% Popularity • 52% Danceability • 26% Energy • 26% Liveness
94% Instrumentalness • 48% Positiveness
31% Popularity • 52% Danceability • 26% Energy • 26% Liveness
94% Instrumentalness • 48% Positiveness
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Donny McCaslin
Hold Me Tight
149 bpm • C# Maj • 04:31 • -9.33db
13% Popularity • 36% Danceability • 61% Energy • 14% Liveness
86% Instrumentalness • 14% Positiveness
13% Popularity • 36% Danceability • 61% Energy • 14% Liveness
86% Instrumentalness • 14% Positiveness
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Rasmus Sørensen
Wave Dance
151 bpm • D# Maj • 05:21 • -14.74db
11% Popularity • 40% Danceability • 46% Energy • 16% Liveness
19% Instrumentalness • 37% Positiveness
11% Popularity • 40% Danceability • 46% Energy • 16% Liveness
19% Instrumentalness • 37% Positiveness
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Söndörgő
Spoon
149 bpm • G min • 05:56 • -12.34db
18% Popularity • 44% Danceability • 31% Energy • 11% Liveness
85% Instrumentalness • 50% Positiveness
18% Popularity • 44% Danceability • 31% Energy • 11% Liveness
85% Instrumentalness • 50% Positiveness
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Steve Swallow
Item 1, D.I.T.
148 bpm • D Maj • 06:24 • -13.27db
3% Popularity • 47% Danceability • 43% Energy • 13% Liveness
87% Instrumentalness • 67% Positiveness
3% Popularity • 47% Danceability • 43% Energy • 13% Liveness
87% Instrumentalness • 67% Positiveness
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ARTEMIS
Slink
152 bpm • G min • 07:05 • -13.3db
14% Popularity • 47% Danceability • 45% Energy • 8% Liveness
88% Instrumentalness • 58% Positiveness
14% Popularity • 47% Danceability • 45% Energy • 8% Liveness
88% Instrumentalness • 58% Positiveness
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Joris Teepe
Up Jumped Spring
152 bpm • D# Maj • 08:21 • -9.48db
3% Popularity • 35% Danceability • 65% Energy • 96% Liveness
0% Instrumentalness • 69% Positiveness
3% Popularity • 35% Danceability • 65% Energy • 96% Liveness
0% Instrumentalness • 69% Positiveness
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Lowcountry
Were You There?
153 bpm • D min • 09:34 • -11.98db
4% Popularity • 40% Danceability • 31% Energy • 9% Liveness
3% Instrumentalness • 32% Positiveness
4% Popularity • 40% Danceability • 31% Energy • 9% Liveness
3% Instrumentalness • 32% Positiveness
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Seamus Blake
Blues for the Real Human Beings
147 bpm • B Maj • 04:19 • -10.39db
27% Popularity • 48% Danceability • 43% Energy • 10% Liveness
34% Instrumentalness • 40% Positiveness
27% Popularity • 48% Danceability • 43% Energy • 10% Liveness
34% Instrumentalness • 40% Positiveness
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Darcy James Argue's Secret Society
Ebonite
147 bpm • G Maj • 06:33 • -9.04db
10% Popularity • 38% Danceability • 37% Energy • 7% Liveness
39% Instrumentalness • 25% Positiveness
10% Popularity • 38% Danceability • 37% Energy • 7% Liveness
39% Instrumentalness • 25% Positiveness
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Lakecia Benjamin
Pursuance
146 bpm • A# min • 03:17 • -8.02db
16% Popularity • 41% Danceability • 59% Energy • 22% Liveness
88% Instrumentalness • 57% Positiveness
16% Popularity • 41% Danceability • 59% Energy • 22% Liveness
88% Instrumentalness • 57% Positiveness
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Tingvall Trio
Woodpecker - Rhodes Version
154 bpm • D min • 04:47 • -12.68db
19% Popularity • 57% Danceability • 47% Energy • 14% Liveness
86% Instrumentalness • 53% Positiveness
19% Popularity • 57% Danceability • 47% Energy • 14% Liveness
86% Instrumentalness • 53% Positiveness
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Espen Eriksen Trio
Sticks And Stones
154 bpm • G# min • 04:01 • -9.49db
15% Popularity • 55% Danceability • 48% Energy • 12% Liveness
88% Instrumentalness • 43% Positiveness
15% Popularity • 55% Danceability • 48% Energy • 12% Liveness
88% Instrumentalness • 43% Positiveness
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Jeremy Pelt
Tomorrow's Another Day
146 bpm • F# min • 05:15 • -12.38db
36% Popularity • 25% Danceability • 40% Energy • 11% Liveness
75% Instrumentalness • 7% Positiveness
36% Popularity • 25% Danceability • 40% Energy • 11% Liveness
75% Instrumentalness • 7% Positiveness
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Micah Thomas
Eros
154 bpm • F min • 10:12 • -16.9db
7% Popularity • 33% Danceability • 30% Energy • 13% Liveness
90% Instrumentalness • 22% Positiveness
7% Popularity • 33% Danceability • 30% Energy • 13% Liveness
90% Instrumentalness • 22% Positiveness
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Joshua Redman Quartet
Alone in the Morning
155 bpm • G Maj • 05:05 • -14.54db
23% Popularity • 54% Danceability • 33% Energy • 11% Liveness
83% Instrumentalness • 34% Positiveness
23% Popularity • 54% Danceability • 33% Energy • 11% Liveness
83% Instrumentalness • 34% Positiveness
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Giveton Gelin
Inner Perception
155 bpm • C min • 09:21 • -11.6db
9% Popularity • 43% Danceability • 44% Energy • 10% Liveness
58% Instrumentalness • 57% Positiveness
9% Popularity • 43% Danceability • 44% Energy • 10% Liveness
58% Instrumentalness • 57% Positiveness
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Joe Chambers
Caravanserai
145 bpm • C# min • 04:37 • -13db
8% Popularity • 30% Danceability • 56% Energy • 11% Liveness
68% Instrumentalness • 48% Positiveness
8% Popularity • 30% Danceability • 56% Energy • 11% Liveness
68% Instrumentalness • 48% Positiveness
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ARTEMIS
Bow and Arrow
145 bpm • F Maj • 06:17 • -11.41db
17% Popularity • 44% Danceability • 47% Energy • 22% Liveness
85% Instrumentalness • 55% Positiveness
17% Popularity • 44% Danceability • 47% Energy • 22% Liveness
85% Instrumentalness • 55% Positiveness
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Helge Lien Trio
Adam
155 bpm • F min • 08:18 • -18.08db
14% Popularity • 36% Danceability • 26% Energy • 11% Liveness
90% Instrumentalness • 19% Positiveness
14% Popularity • 36% Danceability • 26% Energy • 11% Liveness
90% Instrumentalness • 19% Positiveness
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Emma Rawicz
Xanadu II
156 bpm • F# Maj • 02:48 • -12db
9% Popularity • 14% Danceability • 60% Energy • 20% Liveness
97% Instrumentalness • 6% Positiveness
9% Popularity • 14% Danceability • 60% Energy • 20% Liveness
97% Instrumentalness • 6% Positiveness
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Chico Pinheiro
Long Story Short
145 bpm • A Maj • 04:37 • -7.04db
11% Popularity • 53% Danceability • 66% Energy • 29% Liveness
64% Instrumentalness • 50% Positiveness
11% Popularity • 53% Danceability • 66% Energy • 29% Liveness
64% Instrumentalness • 50% Positiveness
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Lawrence Fields
To the Surface
145 bpm • A# min • 07:32 • -12.26db
15% Popularity • 34% Danceability • 61% Energy • 10% Liveness
92% Instrumentalness • 27% Positiveness
15% Popularity • 34% Danceability • 61% Energy • 10% Liveness
92% Instrumentalness • 27% Positiveness
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Ben Wendel
Wanderers
144 bpm • C# min • 07:33 • -9.7db
10% Popularity • 48% Danceability • 39% Energy • 16% Liveness
86% Instrumentalness • 55% Positiveness
10% Popularity • 48% Danceability • 39% Energy • 16% Liveness
86% Instrumentalness • 55% Positiveness
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Kevin Hays
Elegia
143 bpm • G Maj • 09:54 • -15db
13% Popularity • 35% Danceability • 33% Energy • 7% Liveness
56% Instrumentalness • 23% Positiveness
13% Popularity • 35% Danceability • 33% Energy • 7% Liveness
56% Instrumentalness • 23% Positiveness
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Jeremy Pelt
People
157 bpm • A# Maj • 03:13 • -16.65db
15% Popularity • 26% Danceability • 4% Energy • 10% Liveness
94% Instrumentalness • 12% Positiveness
15% Popularity • 26% Danceability • 4% Energy • 10% Liveness
94% Instrumentalness • 12% Positiveness
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松井 秀太郎
HYPNOSIS
158 bpm • A# Maj • 06:10 • -6.68db
16% Popularity • 39% Danceability • 67% Energy • 13% Liveness
33% Instrumentalness • 26% Positiveness
16% Popularity • 39% Danceability • 67% Energy • 13% Liveness
33% Instrumentalness • 26% Positiveness
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Ethan Iverson
It’s Fine to Decline
142 bpm • A# min • 02:58 • -19.34db
12% Popularity • 57% Danceability • 21% Energy • 14% Liveness
90% Instrumentalness • 34% Positiveness
12% Popularity • 57% Danceability • 21% Energy • 14% Liveness
90% Instrumentalness • 34% Positiveness
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Mark Turner
Iverson's Odyssey
143 bpm • C# Maj • 07:32 • -13.86db
10% Popularity • 42% Danceability • 38% Energy • 12% Liveness
51% Instrumentalness • 44% Positiveness
10% Popularity • 42% Danceability • 38% Energy • 12% Liveness
51% Instrumentalness • 44% Positiveness
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Greg Spero
TWO…
142 bpm • C# Maj • 03:25 • -10.89db
32% Popularity • 57% Danceability • 52% Energy • 52% Liveness
58% Instrumentalness • 20% Positiveness
32% Popularity • 57% Danceability • 52% Energy • 52% Liveness
58% Instrumentalness • 20% Positiveness
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Brian Blade & The Fellowship Band
Bonnie Be Good
141 bpm • D Maj • 03:58 • -15db
29% Popularity • 39% Danceability • 13% Energy • 12% Liveness
64% Instrumentalness • 7% Positiveness
29% Popularity • 39% Danceability • 13% Energy • 12% Liveness
64% Instrumentalness • 7% Positiveness
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Furio Di Castri
Caribbian Love
142 bpm • F min • 01:43 • -24db
34% Popularity • 36% Danceability • 2% Energy • 9% Liveness
11% Instrumentalness • 32% Positiveness
34% Popularity • 36% Danceability • 2% Energy • 9% Liveness
11% Instrumentalness • 32% Positiveness
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Taylor Eigsti
Bad Sport Lobby
159 bpm • C# Maj • 02:45 • -15.4db
17% Popularity • 43% Danceability • 44% Energy • 20% Liveness
38% Instrumentalness • 67% Positiveness
17% Popularity • 43% Danceability • 44% Energy • 20% Liveness
38% Instrumentalness • 67% Positiveness
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Bill Laurance
Round House
160 bpm • C Maj • 05:12 • -17db
30% Popularity • 54% Danceability • 28% Energy • 11% Liveness
93% Instrumentalness • 57% Positiveness
30% Popularity • 54% Danceability • 28% Energy • 11% Liveness
93% Instrumentalness • 57% Positiveness
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Adam Ratner
Sun Streak
159 bpm • G# min • 07:15 • -10.79db
11% Popularity • 34% Danceability • 45% Energy • 13% Liveness
80% Instrumentalness • 23% Positiveness
11% Popularity • 34% Danceability • 45% Energy • 13% Liveness
80% Instrumentalness • 23% Positiveness
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Ralph Alessi
Hypnagogic
141 bpm • E min • 03:06 • -24.78db
10% Popularity • 33% Danceability • 3% Energy • 8% Liveness
90% Instrumentalness • 13% Positiveness
10% Popularity • 33% Danceability • 3% Energy • 8% Liveness
90% Instrumentalness • 13% Positiveness
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Chris Potter
High Noon
141 bpm • B min • 08:20 • -10.35db
15% Popularity • 57% Danceability • 48% Energy • 10% Liveness
60% Instrumentalness • 72% Positiveness
15% Popularity • 57% Danceability • 48% Energy • 10% Liveness
60% Instrumentalness • 72% Positiveness
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Stefano Di Battista
La vita è bella (Life Is Beautiful)
160 bpm • C min • 02:56 • -8.55db
31% Popularity • 45% Danceability • 55% Energy • 14% Liveness
79% Instrumentalness • 71% Positiveness
31% Popularity • 45% Danceability • 55% Energy • 14% Liveness
79% Instrumentalness • 71% Positiveness
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Ben Patterson Jazz Orchestra
Inexorable
160 bpm • A# min • 09:47 • -6.42db
11% Popularity • 44% Danceability • 77% Energy • 35% Liveness
21% Instrumentalness • 66% Positiveness
11% Popularity • 44% Danceability • 77% Energy • 35% Liveness
21% Instrumentalness • 66% Positiveness
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Immanuel Wilkins
Warriors
141 bpm • E min • 06:55 • -8.88db
20% Popularity • 38% Danceability • 66% Energy • 25% Liveness
65% Instrumentalness • 42% Positiveness
20% Popularity • 38% Danceability • 66% Energy • 25% Liveness
65% Instrumentalness • 42% Positiveness
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Maria Kannegaard Trio
Don't Worry
141 bpm • F# Maj • 05:33 • -14.82db
13% Popularity • 44% Danceability • 24% Energy • 10% Liveness
75% Instrumentalness • 22% Positiveness
13% Popularity • 44% Danceability • 24% Energy • 10% Liveness
75% Instrumentalness • 22% Positiveness
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Bobby Sparks II
Musical Diarrhea
160 bpm • A# Maj • 10:58 • -5.37db
4% Popularity • 28% Danceability • 95% Energy • 62% Liveness
70% Instrumentalness • 54% Positiveness
4% Popularity • 28% Danceability • 95% Energy • 62% Liveness
70% Instrumentalness • 54% Positiveness
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Lawrence Fields
Parachute
140 bpm • A Maj • 07:28 • -15.43db
11% Popularity • 35% Danceability • 42% Energy • 10% Liveness
85% Instrumentalness • 24% Positiveness
11% Popularity • 35% Danceability • 42% Energy • 10% Liveness
85% Instrumentalness • 24% Positiveness
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Joris Teepe
Chelsea Bridge
140 bpm • G# Maj • 06:35 • -10.76db
8% Popularity • 52% Danceability • 44% Energy • 97% Liveness
0% Instrumentalness • 62% Positiveness
8% Popularity • 52% Danceability • 44% Energy • 97% Liveness
0% Instrumentalness • 62% Positiveness
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The Jazz Seekers
Raindance
160 bpm • A# min • 04:27 • -12db
19% Popularity • 36% Danceability • 34% Energy • 10% Liveness
60% Instrumentalness • 66% Positiveness
19% Popularity • 36% Danceability • 34% Energy • 10% Liveness
60% Instrumentalness • 66% Positiveness
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Ben Patterson Jazz Orchestra
Home
140 bpm • C min • 07:15 • -9db
3% Popularity • 49% Danceability • 47% Energy • 8% Liveness
44% Instrumentalness • 45% Positiveness
3% Popularity • 49% Danceability • 47% Energy • 8% Liveness
44% Instrumentalness • 45% Positiveness
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SFJAZZ Collective
Witness But Not Measured
139 bpm • A# min • 06:05 • -10.58db
9% Popularity • 48% Danceability • 46% Energy • 20% Liveness
88% Instrumentalness • 34% Positiveness
9% Popularity • 48% Danceability • 46% Energy • 20% Liveness
88% Instrumentalness • 34% Positiveness
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Will Vinson
Boogaloo
139 bpm • F Maj • 04:02 • -11.82db
8% Popularity • 56% Danceability • 26% Energy • 12% Liveness
90% Instrumentalness • 28% Positiveness
8% Popularity • 56% Danceability • 26% Energy • 12% Liveness
90% Instrumentalness • 28% Positiveness
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Magic trio
The Inner Room
139 bpm • F min • 03:29 • -17.85db
21% Popularity • 53% Danceability • 45% Energy • 10% Liveness
95% Instrumentalness • 54% Positiveness
21% Popularity • 53% Danceability • 45% Energy • 10% Liveness
95% Instrumentalness • 54% Positiveness
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Joris Teepe
Second Avenue Story
140 bpm • A# Maj • 10:30 • -9.19db
4% Popularity • 48% Danceability • 68% Energy • 94% Liveness
60% Instrumentalness • 64% Positiveness
4% Popularity • 48% Danceability • 68% Energy • 94% Liveness
60% Instrumentalness • 64% Positiveness
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Espen Eriksen Trio
Drifting Clouds
139 bpm • G# min • 06:48 • -12.02db
11% Popularity • 65% Danceability • 33% Energy • 10% Liveness
89% Instrumentalness • 31% Positiveness
11% Popularity • 65% Danceability • 33% Energy • 10% Liveness
89% Instrumentalness • 31% Positiveness
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Kit Downes
Neglecting Number One
138 bpm • D Maj • 03:46 • -16.17db
25% Popularity • 54% Danceability • 26% Energy • 11% Liveness
90% Instrumentalness • 56% Positiveness
25% Popularity • 54% Danceability • 26% Energy • 11% Liveness
90% Instrumentalness • 56% Positiveness
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Mark Turner
Nefertiti
139 bpm • G# Maj • 05:45 • -16db
13% Popularity • 34% Danceability • 20% Energy • 16% Liveness
47% Instrumentalness • 14% Positiveness
13% Popularity • 34% Danceability • 20% Energy • 16% Liveness
47% Instrumentalness • 14% Positiveness
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Marc Cary
It’s Tricky
138 bpm • F min • 02:14 • -13.72db
16% Popularity • 32% Danceability • 54% Energy • 8% Liveness
90% Instrumentalness • 80% Positiveness
16% Popularity • 32% Danceability • 54% Energy • 8% Liveness
90% Instrumentalness • 80% Positiveness
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Immanuel Wilkins
Part 2. Saudade
138 bpm • E min • 07:24 • -9.18db
16% Popularity • 38% Danceability • 53% Energy • 64% Liveness
45% Instrumentalness • 21% Positiveness
16% Popularity • 38% Danceability • 53% Energy • 64% Liveness
45% Instrumentalness • 21% Positiveness
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Kelly Green
Street Cleaning
137 bpm • G# Maj • 07:04 • -11.35db
3% Popularity • 46% Danceability • 40% Energy • 10% Liveness
19% Instrumentalness • 49% Positiveness
3% Popularity • 46% Danceability • 40% Energy • 10% Liveness
19% Instrumentalness • 49% Positiveness
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Espen Eriksen Trio
The Other Side Of Melancholy
164 bpm • B min • 04:36 • -8.97db
17% Popularity • 56% Danceability • 55% Energy • 18% Liveness
93% Instrumentalness • 37% Positiveness
17% Popularity • 56% Danceability • 55% Energy • 18% Liveness
93% Instrumentalness • 37% Positiveness
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Lawrence Fields
New Season Blues
137 bpm • A# Maj • 06:39 • -15.37db
10% Popularity • 40% Danceability • 32% Energy • 10% Liveness
67% Instrumentalness • 56% Positiveness
10% Popularity • 40% Danceability • 32% Energy • 10% Liveness
67% Instrumentalness • 56% Positiveness
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Chris Potter
Nudnik
137 bpm • C# Maj • 09:53 • -9.38db
5% Popularity • 52% Danceability • 60% Energy • 6% Liveness
11% Instrumentalness • 52% Positiveness
5% Popularity • 52% Danceability • 60% Energy • 6% Liveness
11% Instrumentalness • 52% Positiveness
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Nye Banfield
Blues For Heavy Challenges
136 bpm • A min • 05:25 • -10.16db
8% Popularity • 57% Danceability • 46% Energy • 18% Liveness
1% Instrumentalness • 42% Positiveness
8% Popularity • 57% Danceability • 46% Energy • 18% Liveness
1% Instrumentalness • 42% Positiveness
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Anni Kiviniemi Trio
Mengi
136 bpm • G# Maj • 04:56 • -11.78db
10% Popularity • 52% Danceability • 45% Energy • 8% Liveness
84% Instrumentalness • 58% Positiveness
10% Popularity • 52% Danceability • 45% Energy • 8% Liveness
84% Instrumentalness • 58% Positiveness
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Billy Childs
The End of Innocence
136 bpm • A# Maj • 08:02 • -16db
14% Popularity • 41% Danceability • 21% Energy • 9% Liveness
88% Instrumentalness • 31% Positiveness
14% Popularity • 41% Danceability • 21% Energy • 9% Liveness
88% Instrumentalness • 31% Positiveness
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Tom Harrell
Oak Tree
136 bpm • F min • 03:34 • -13db
15% Popularity • 53% Danceability • 20% Energy • 13% Liveness
89% Instrumentalness • 24% Positiveness
15% Popularity • 53% Danceability • 20% Energy • 13% Liveness
89% Instrumentalness • 24% Positiveness
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Emmet Cohen
Why Not
135 bpm • G min • 08:00 • -9.78db
20% Popularity • 58% Danceability • 43% Energy • 6% Liveness
43% Instrumentalness • 36% Positiveness
20% Popularity • 58% Danceability • 43% Energy • 6% Liveness
43% Instrumentalness • 36% Positiveness
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Chris Potter
Rumples
137 bpm • G# Maj • 07:14 • -7.74db
17% Popularity • 55% Danceability • 86% Energy • 8% Liveness
87% Instrumentalness • 92% Positiveness
17% Popularity • 55% Danceability • 86% Energy • 8% Liveness
87% Instrumentalness • 92% Positiveness
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Yelena Eckemoff
Lament
136 bpm • C min • 05:32 • -12.57db
3% Popularity • 53% Danceability • 24% Energy • 9% Liveness
90% Instrumentalness • 24% Positiveness
3% Popularity • 53% Danceability • 24% Energy • 9% Liveness
90% Instrumentalness • 24% Positiveness
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Makoto Ozone
Momentary Moment
135 bpm • D Maj • 04:46 • -16.5db
17% Popularity • 38% Danceability • 34% Energy • 12% Liveness
92% Instrumentalness • 46% Positiveness
17% Popularity • 38% Danceability • 34% Energy • 12% Liveness
92% Instrumentalness • 46% Positiveness
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Mark Guiliana
Confession #1
135 bpm • G Maj • 03:33 • -17.76db
12% Popularity • 45% Danceability • 18% Energy • 9% Liveness
37% Instrumentalness • 25% Positiveness
12% Popularity • 45% Danceability • 18% Energy • 9% Liveness
37% Instrumentalness • 25% Positiveness
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Miguel Zenón
Mucho Corazon
135 bpm • C# Maj • 06:36 • -17.33db
11% Popularity • 50% Danceability • 9% Energy • 12% Liveness
64% Instrumentalness • 50% Positiveness
11% Popularity • 50% Danceability • 9% Energy • 12% Liveness
64% Instrumentalness • 50% Positiveness
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Black Art Jazz Collective
It's Alright
134 bpm • G Maj • 07:51 • -9.49db
8% Popularity • 57% Danceability • 41% Energy • 26% Liveness
94% Instrumentalness • 34% Positiveness
8% Popularity • 57% Danceability • 41% Energy • 26% Liveness
94% Instrumentalness • 34% Positiveness
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Chris Potter
Morning Bell
166 bpm • E min • 05:41 • -12.22db
7% Popularity • 30% Danceability • 27% Energy • 9% Liveness
16% Instrumentalness • 16% Positiveness
7% Popularity • 30% Danceability • 27% Energy • 9% Liveness
16% Instrumentalness • 16% Positiveness
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Carla Bley
One Banana More
134 bpm • C Maj • 01:23 • -17.34db
33% Popularity • 30% Danceability • 1% Energy • 9% Liveness
14% Instrumentalness • 27% Positiveness
33% Popularity • 30% Danceability • 1% Energy • 9% Liveness
14% Instrumentalness • 27% Positiveness
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Rasmus Sørensen
Octagon
134 bpm • C min • 03:00 • -13.9db
15% Popularity • 51% Danceability • 38% Energy • 4% Liveness
54% Instrumentalness • 54% Positiveness
15% Popularity • 51% Danceability • 38% Energy • 4% Liveness
54% Instrumentalness • 54% Positiveness
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Simon Moullier
Countdown
134 bpm • D Maj • 03:33 • -13db
8% Popularity • 47% Danceability • 42% Energy • 11% Liveness
86% Instrumentalness • 59% Positiveness
8% Popularity • 47% Danceability • 42% Energy • 11% Liveness
86% Instrumentalness • 59% Positiveness
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Dave Stryker
Summit
134 bpm • C Maj • 06:27 • -6.2db
7% Popularity • 43% Danceability • 69% Energy • 10% Liveness
82% Instrumentalness • 50% Positiveness
7% Popularity • 43% Danceability • 69% Energy • 10% Liveness
82% Instrumentalness • 50% Positiveness
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Emmet Cohen
I Let A Song Go Out Of My Heart
134 bpm • G# Maj • 07:42 • -12.36db
17% Popularity • 68% Danceability • 24% Energy • 11% Liveness
23% Instrumentalness • 25% Positiveness
17% Popularity • 68% Danceability • 24% Energy • 11% Liveness
23% Instrumentalness • 25% Positiveness
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Chris Potter
Shadow
134 bpm • F# min • 05:47 • -14.83db
13% Popularity • 52% Danceability • 21% Energy • 10% Liveness
45% Instrumentalness • 29% Positiveness
13% Popularity • 52% Danceability • 21% Energy • 10% Liveness
45% Instrumentalness • 29% Positiveness
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Carla Bley
Vashkar
134 bpm • F# Maj • 07:22 • -16.18db
24% Popularity • 50% Danceability • 12% Energy • 14% Liveness
83% Instrumentalness • 22% Positiveness
24% Popularity • 50% Danceability • 12% Energy • 14% Liveness
83% Instrumentalness • 22% Positiveness
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Lakecia Benjamin
Amerikkan Skin
133 bpm • A min • 09:01 • -9.52db
17% Popularity • 37% Danceability • 61% Energy • 29% Liveness
13% Instrumentalness • 27% Positiveness
17% Popularity • 37% Danceability • 61% Energy • 29% Liveness
13% Instrumentalness • 27% Positiveness
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Micah Thomas
Little Doctor (Take 2)
169 bpm • G# Maj • 07:34 • -17.51db
10% Popularity • 35% Danceability • 25% Energy • 12% Liveness
88% Instrumentalness • 34% Positiveness
10% Popularity • 35% Danceability • 25% Energy • 12% Liveness
88% Instrumentalness • 34% Positiveness
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Richard Baratta
Peresina
133 bpm • D# Maj • 07:39 • -13.11db
7% Popularity • 56% Danceability • 59% Energy • 9% Liveness
91% Instrumentalness • 76% Positiveness
7% Popularity • 56% Danceability • 59% Energy • 9% Liveness
91% Instrumentalness • 76% Positiveness
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Ben Wendel
High Heart
133 bpm • D Maj • 06:38 • -11db
9% Popularity • 24% Danceability • 55% Energy • 6% Liveness
83% Instrumentalness • 7% Positiveness
9% Popularity • 24% Danceability • 55% Energy • 6% Liveness
83% Instrumentalness • 7% Positiveness
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Johnathan Blake
Calodendrum
133 bpm • A min • 01:59 • -24.36db
18% Popularity • 52% Danceability • 23% Energy • 11% Liveness
96% Instrumentalness • 31% Positiveness
18% Popularity • 52% Danceability • 23% Energy • 11% Liveness
96% Instrumentalness • 31% Positiveness
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Joachim Schoenecker
Analog Guy
132 bpm • C min • 04:58 • -13db
15% Popularity • 38% Danceability • 50% Energy • 10% Liveness
85% Instrumentalness • 72% Positiveness
15% Popularity • 38% Danceability • 50% Energy • 10% Liveness
85% Instrumentalness • 72% Positiveness
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Mark Turner
317 East 32nd Street
170 bpm • G Maj • 08:41 • -11.84db
13% Popularity • 41% Danceability • 45% Energy • 16% Liveness
1% Instrumentalness • 57% Positiveness
13% Popularity • 41% Danceability • 45% Energy • 16% Liveness
1% Instrumentalness • 57% Positiveness
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Eric Legnini Trio
Portrait in Black and White "Zingaro"
132 bpm • D# Maj • 02:38 • -19.09db
46% Popularity • 67% Danceability • 33% Energy • 16% Liveness
86% Instrumentalness • 74% Positiveness
46% Popularity • 67% Danceability • 33% Energy • 16% Liveness
86% Instrumentalness • 74% Positiveness
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Miki Yamanaka
Shades Of Rainbow
132 bpm • F# min • 09:05 • -9.02db
13% Popularity • 47% Danceability • 52% Energy • 10% Liveness
82% Instrumentalness • 51% Positiveness
13% Popularity • 47% Danceability • 52% Energy • 10% Liveness
82% Instrumentalness • 51% Positiveness
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John Surman
Pebble Dance
132 bpm • D min • 06:18 • -15.55db
24% Popularity • 49% Danceability • 38% Energy • 18% Liveness
91% Instrumentalness • 44% Positiveness
24% Popularity • 49% Danceability • 38% Energy • 18% Liveness
91% Instrumentalness • 44% Positiveness
