Songs like I Had A Farm (Main Title) - Main Title From "Out Of Africa" by John Barry
Based on a tempo of (+/- 10%) and a similar genre
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Nicola Piovani
Soli
109 bpm • C Maj • 02:32 • -20db
45% Popularity • 26% Danceability • 6% Energy • 9% Liveness
85% Instrumentalness • 4% Positiveness
45% Popularity • 26% Danceability • 6% Energy • 9% Liveness
85% Instrumentalness • 4% Positiveness
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Philip Glass
Truman Sleeps
109 bpm • G# Maj • 01:51 • -18.04db
54% Popularity • 38% Danceability • 8% Energy • 12% Liveness
94% Instrumentalness • 7% Positiveness
54% Popularity • 38% Danceability • 8% Energy • 12% Liveness
94% Instrumentalness • 7% Positiveness
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Leroy Anderson
Forgotten Dreams
109 bpm • D Maj • 02:40 • -16db
20% Popularity • 23% Danceability • 17% Energy • 10% Liveness
66% Instrumentalness • 10% Positiveness
20% Popularity • 23% Danceability • 17% Energy • 10% Liveness
66% Instrumentalness • 10% Positiveness
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John Barry
I Had A Farm (Main Title) - Main Title F...
109 bpm • D min • 03:15 • -24.57db
46% Popularity • 16% Danceability • 9% Energy • 13% Liveness
96% Instrumentalness • 5% Positiveness
46% Popularity • 16% Danceability • 9% Energy • 13% Liveness
96% Instrumentalness • 5% Positiveness
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Andrea Guerra
Una luce nell'anima
109 bpm • E min • 01:57 • -26.42db
48% Popularity • 22% Danceability • 2% Energy • 14% Liveness
94% Instrumentalness • 4% Positiveness
48% Popularity • 22% Danceability • 2% Energy • 14% Liveness
94% Instrumentalness • 4% Positiveness
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Craig Armstrong
Saddest Part Of Day
110 bpm • C Maj • 01:13 • -21.57db
51% Popularity • 17% Danceability • 11% Energy • 10% Liveness
41% Instrumentalness • 7% Positiveness
51% Popularity • 17% Danceability • 11% Energy • 10% Liveness
41% Instrumentalness • 7% Positiveness
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Angelo Badalamenti
Love Theme from Cousins
108 bpm • C# min • 03:27 • -19.1db
19% Popularity • 30% Danceability • 5% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
19% Popularity • 30% Danceability • 5% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
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Orchestre Philharmonique National de Pologne
Father Kolbe's Preaching
109 bpm • E Maj • 02:26 • -11.57db
35% Popularity • 23% Danceability • 29% Energy • 11% Liveness
93% Instrumentalness • 5% Positiveness
35% Popularity • 23% Danceability • 29% Energy • 11% Liveness
93% Instrumentalness • 5% Positiveness
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Shigeru Umebayashi
George's Waltz
108 bpm • D min • 03:18 • -13.46db
32% Popularity • 42% Danceability • 13% Energy • 11% Liveness
24% Instrumentalness • 11% Positiveness
32% Popularity • 42% Danceability • 13% Energy • 11% Liveness
24% Instrumentalness • 11% Positiveness
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David Arnold
Solange
108 bpm • A min • 00:59 • -21.89db
38% Popularity • 17% Danceability • 18% Energy • 11% Liveness
74% Instrumentalness • 4% Positiveness
38% Popularity • 17% Danceability • 18% Energy • 11% Liveness
74% Instrumentalness • 4% Positiveness
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Nicola Piovani
La stanza del figlio
108 bpm • C Maj • 04:05 • -20.25db
36% Popularity • 33% Danceability • 5% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
36% Popularity • 33% Danceability • 5% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
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Philippe Rombi
Le piano d'Isabelle
110 bpm • F min • 01:12 • -28db
40% Popularity • 34% Danceability • 3% Energy • 10% Liveness
96% Instrumentalness • 18% Positiveness
40% Popularity • 34% Danceability • 3% Energy • 10% Liveness
96% Instrumentalness • 18% Positiveness
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Bob Cobert
Main Title: Love Theme From "The Winds o...
110 bpm • D min • 02:23 • -12db
19% Popularity • 19% Danceability • 39% Energy • 28% Liveness
94% Instrumentalness • 4% Positiveness
19% Popularity • 19% Danceability • 39% Energy • 28% Liveness
94% Instrumentalness • 4% Positiveness
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Jan A.P. Kaczmarek
War and Peace - Main Title
107 bpm • B Maj • 02:34 • -13.06db
44% Popularity • 19% Danceability • 32% Energy • 8% Liveness
90% Instrumentalness • 12% Positiveness
44% Popularity • 19% Danceability • 32% Energy • 8% Liveness
90% Instrumentalness • 12% Positiveness
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Zbigniew Preisner
Shows Dickon Garden
111 bpm • B min • 01:06 • -24.61db
43% Popularity • 48% Danceability • 3% Energy • 7% Liveness
90% Instrumentalness • 54% Positiveness
43% Popularity • 48% Danceability • 3% Energy • 7% Liveness
90% Instrumentalness • 54% Positiveness
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Saint-Preux
Thème Du Garçon
111 bpm • A# Maj • 02:13 • -22.34db
47% Popularity • 27% Danceability • 15% Energy • 12% Liveness
72% Instrumentalness • 15% Positiveness
47% Popularity • 27% Danceability • 15% Energy • 12% Liveness
72% Instrumentalness • 15% Positiveness
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Alberto Iglesias
Hable con ella
107 bpm • A min • 05:19 • -15db
29% Popularity • 49% Danceability • 23% Energy • 11% Liveness
83% Instrumentalness • 31% Positiveness
29% Popularity • 49% Danceability • 23% Energy • 11% Liveness
83% Instrumentalness • 31% Positiveness
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Peter Buffett
The Bird - The Swimmer
111 bpm • A# Maj • 03:07 • -26.37db
16% Popularity • 25% Danceability • 9% Energy • 9% Liveness
86% Instrumentalness • 3% Positiveness
16% Popularity • 25% Danceability • 9% Energy • 9% Liveness
86% Instrumentalness • 3% Positiveness
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Craig Armstrong
Total Agony
111 bpm • A Maj • 01:57 • -24.69db
41% Popularity • 30% Danceability • 3% Energy • 10% Liveness
82% Instrumentalness • 7% Positiveness
41% Popularity • 30% Danceability • 3% Energy • 10% Liveness
82% Instrumentalness • 7% Positiveness
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Andrea Guerra
Il dolore di una città
112 bpm • C min • 01:19 • -26.05db
55% Popularity • 17% Danceability • 7% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
55% Popularity • 17% Danceability • 7% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
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Philip Glass
Morning Passages
106 bpm • D# Maj • 05:33 • -23db
39% Popularity • 24% Danceability • 11% Energy • 16% Liveness
87% Instrumentalness • 3% Positiveness
39% Popularity • 24% Danceability • 11% Energy • 16% Liveness
87% Instrumentalness • 3% Positiveness
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Luis Bacalov
In Bicicletta
106 bpm • A Maj • 02:28 • -14db
44% Popularity • 45% Danceability • 19% Energy • 11% Liveness
1% Instrumentalness • 35% Positiveness
44% Popularity • 45% Danceability • 19% Energy • 11% Liveness
1% Instrumentalness • 35% Positiveness
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John Barry
Karen And Denys
112 bpm • F Maj • 00:51 • -18.75db
34% Popularity • 19% Danceability • 13% Energy • 12% Liveness
31% Instrumentalness • 4% Positiveness
34% Popularity • 19% Danceability • 13% Energy • 12% Liveness
31% Instrumentalness • 4% Positiveness
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Geoffrey Burgon
Brideshead Revisited Theme
112 bpm • C Maj • 02:07 • -15db
38% Popularity • 21% Danceability • 19% Energy • 8% Liveness
76% Instrumentalness • 4% Positiveness
38% Popularity • 21% Danceability • 19% Energy • 8% Liveness
76% Instrumentalness • 4% Positiveness
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Angelo Badalamenti
Love Theme from Cousins (Piano Solo)
106 bpm • C# min • 02:01 • -30.87db
20% Popularity • 45% Danceability • 3% Energy • 11% Liveness
86% Instrumentalness • 49% Positiveness
20% Popularity • 45% Danceability • 3% Energy • 11% Liveness
86% Instrumentalness • 49% Positiveness
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Howard Shore
Precedent
113 bpm • A min • 04:04 • -23.01db
23% Popularity • 17% Danceability • 8% Energy • 11% Liveness
84% Instrumentalness • 3% Positiveness
23% Popularity • 17% Danceability • 8% Energy • 11% Liveness
84% Instrumentalness • 3% Positiveness
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Philip Glass
For Your Own Benefit
112 bpm • F Maj • 02:03 • -29.69db
33% Popularity • 16% Danceability • 2% Energy • 10% Liveness
98% Instrumentalness • 4% Positiveness
33% Popularity • 16% Danceability • 2% Energy • 10% Liveness
98% Instrumentalness • 4% Positiveness
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Rael Jones
I am Free
113 bpm • E min • 04:55 • -21.48db
29% Popularity • 19% Danceability • 6% Energy • 14% Liveness
90% Instrumentalness • 5% Positiveness
29% Popularity • 19% Danceability • 6% Energy • 14% Liveness
90% Instrumentalness • 5% Positiveness
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Lennie Niehaus
Claudia's Theme - Version Six
113 bpm • C# min • 01:02 • -29.42db
38% Popularity • 23% Danceability • 0% Energy • 15% Liveness
79% Instrumentalness • 20% Positiveness
38% Popularity • 23% Danceability • 0% Energy • 15% Liveness
79% Instrumentalness • 20% Positiveness
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Geoffrey Burgon
The First Visit
113 bpm • F Maj • 02:23 • -20.12db
24% Popularity • 23% Danceability • 6% Energy • 11% Liveness
97% Instrumentalness • 4% Positiveness
24% Popularity • 23% Danceability • 6% Energy • 11% Liveness
97% Instrumentalness • 4% Positiveness
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Clint Eastwood
Mom's On Call / Late To Trolley
105 bpm • C# Maj • 01:39 • -21.56db
40% Popularity • 24% Danceability • 6% Energy • 12% Liveness
91% Instrumentalness • 24% Positiveness
40% Popularity • 24% Danceability • 6% Energy • 12% Liveness
91% Instrumentalness • 24% Positiveness
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Guy Farley
You Can't Change Destiny
114 bpm • C min • 01:34 • -22.34db
41% Popularity • 18% Danceability • 5% Energy • 11% Liveness
93% Instrumentalness • 3% Positiveness
41% Popularity • 18% Danceability • 5% Energy • 11% Liveness
93% Instrumentalness • 3% Positiveness
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Alan Silvestri
I'm Forrest... Forrest Gump
104 bpm • F Maj • 02:39 • -22.78db
62% Popularity • 40% Danceability • 5% Energy • 8% Liveness
51% Instrumentalness • 10% Positiveness
62% Popularity • 40% Danceability • 5% Energy • 8% Liveness
51% Instrumentalness • 10% Positiveness
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Dario Marianelli
Winston And George
114 bpm • F# Maj • 03:15 • -24db
19% Popularity • 67% Danceability • 2% Energy • 9% Liveness
92% Instrumentalness • 27% Positiveness
19% Popularity • 67% Danceability • 2% Energy • 9% Liveness
92% Instrumentalness • 27% Positiveness
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Jóhann Jóhannsson
The Theory of Everything
104 bpm • D Maj • 01:08 • -17.7db
69% Popularity • 42% Danceability • 12% Energy • 12% Liveness
94% Instrumentalness • 18% Positiveness
69% Popularity • 42% Danceability • 12% Energy • 12% Liveness
94% Instrumentalness • 18% Positiveness
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Geoffrey Burgon
Brideshead Revisited Variations: Theme
114 bpm • C Maj • 02:01 • -13db
19% Popularity • 18% Danceability • 26% Energy • 12% Liveness
89% Instrumentalness • 10% Positiveness
19% Popularity • 18% Danceability • 26% Energy • 12% Liveness
89% Instrumentalness • 10% Positiveness
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Philip Glass
The Hours
104 bpm • G min • 07:47 • -21.22db
39% Popularity • 41% Danceability • 12% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
39% Popularity • 41% Danceability • 12% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
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Secret Garden
Chaconne
115 bpm • B min • 03:27 • -12.12db
42% Popularity • 20% Danceability • 25% Energy • 10% Liveness
38% Instrumentalness • 7% Positiveness
42% Popularity • 20% Danceability • 25% Energy • 10% Liveness
38% Instrumentalness • 7% Positiveness
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Francis Lai
Générique (de "Bilitis")
115 bpm • C# Maj • 03:26 • -25.37db
39% Popularity • 17% Danceability • 3% Energy • 12% Liveness
82% Instrumentalness • 4% Positiveness
39% Popularity • 17% Danceability • 3% Energy • 12% Liveness
82% Instrumentalness • 4% Positiveness
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Lennie Niehaus
Claudia's Theme - Version Four
104 bpm • F# min • 00:59 • -22.22db
43% Popularity • 36% Danceability • 6% Energy • 11% Liveness
82% Instrumentalness • 40% Positiveness
43% Popularity • 36% Danceability • 6% Energy • 11% Liveness
82% Instrumentalness • 40% Positiveness
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Aaron Zigman
Overture
103 bpm • G# Maj • 06:16 • -20db
35% Popularity • 14% Danceability • 11% Energy • 10% Liveness
93% Instrumentalness • 3% Positiveness
35% Popularity • 14% Danceability • 11% Energy • 10% Liveness
93% Instrumentalness • 3% Positiveness
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Danny Elfman
Introduction (Titles)
115 bpm • F min • 02:36 • -21db
46% Popularity • 18% Danceability • 19% Energy • 10% Liveness
98% Instrumentalness • 5% Positiveness
46% Popularity • 18% Danceability • 19% Energy • 10% Liveness
98% Instrumentalness • 5% Positiveness
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Luis Bacalov
Metafore
103 bpm • D min • 02:05 • -11.73db
30% Popularity • 36% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
30% Popularity • 36% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Andrea Guerra
Kalida
103 bpm • G Maj • 01:36 • -22db
53% Popularity • 15% Danceability • 8% Energy • 12% Liveness
91% Instrumentalness • 4% Positiveness
53% Popularity • 15% Danceability • 8% Energy • 12% Liveness
91% Instrumentalness • 4% Positiveness
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Pino Donaggio
Main Title From Carrie
115 bpm • C min • 02:05 • -25.1db
23% Popularity • 17% Danceability • 13% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
23% Popularity • 17% Danceability • 13% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
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Nicola Piovani
La vita è bella: Grande Hotel Valse
103 bpm • D min • 01:59 • -22db
43% Popularity • 50% Danceability • 16% Energy • 18% Liveness
93% Instrumentalness • 80% Positiveness
43% Popularity • 50% Danceability • 16% Energy • 18% Liveness
93% Instrumentalness • 80% Positiveness
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Clint Eastwood
Deep In Thought
115 bpm • F Maj • 01:53 • -22db
34% Popularity • 25% Danceability • 6% Energy • 9% Liveness
42% Instrumentalness • 10% Positiveness
34% Popularity • 25% Danceability • 6% Energy • 9% Liveness
42% Instrumentalness • 10% Positiveness
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Anne Dudley
Daring to Hope
116 bpm • C# min • 01:38 • -18.26db
31% Popularity • 22% Danceability • 18% Energy • 10% Liveness
96% Instrumentalness • 7% Positiveness
31% Popularity • 22% Danceability • 18% Energy • 10% Liveness
96% Instrumentalness • 7% Positiveness
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Edward Elgar
Nimrod
103 bpm • D# Maj • 03:27 • -9.99db
27% Popularity • 18% Danceability • 35% Energy • 12% Liveness
77% Instrumentalness • 4% Positiveness
27% Popularity • 18% Danceability • 35% Energy • 12% Liveness
77% Instrumentalness • 4% Positiveness
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Guy Farley
Love Theme
116 bpm • C# Maj • 02:45 • -29db
46% Popularity • 17% Danceability • 2% Energy • 12% Liveness
93% Instrumentalness • 4% Positiveness
46% Popularity • 17% Danceability • 2% Energy • 12% Liveness
93% Instrumentalness • 4% Positiveness
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Angelo Badalamenti
The Edge Of Love: Fire To The Stars
116 bpm • G# min • 04:42 • -20.74db
18% Popularity • 17% Danceability • 11% Energy • 11% Liveness
93% Instrumentalness • 6% Positiveness
18% Popularity • 17% Danceability • 11% Energy • 11% Liveness
93% Instrumentalness • 6% Positiveness
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Randy Edelman
A Happy Ending
102 bpm • G Maj • 02:23 • -17db
32% Popularity • 26% Danceability • 17% Energy • 12% Liveness
90% Instrumentalness • 20% Positiveness
32% Popularity • 26% Danceability • 17% Energy • 12% Liveness
90% Instrumentalness • 20% Positiveness
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Martin Phipps
Charles
117 bpm • D min • 02:23 • -24.55db
39% Popularity • 24% Danceability • 4% Energy • 8% Liveness
92% Instrumentalness • 5% Positiveness
39% Popularity • 24% Danceability • 4% Energy • 8% Liveness
92% Instrumentalness • 5% Positiveness
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Louis Armstrong
Gumbold's Safe
102 bpm • G Maj • 04:59 • -14.94db
17% Popularity • 24% Danceability • 10% Energy • 12% Liveness
58% Instrumentalness • 4% Positiveness
17% Popularity • 24% Danceability • 10% Energy • 12% Liveness
58% Instrumentalness • 4% Positiveness
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Luis Bacalov
Beatrice
102 bpm • C# Maj • 04:07 • -12.05db
33% Popularity • 36% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
33% Popularity • 36% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
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Guy Farley
Modigliani
101 bpm • G min • 03:28 • -14.34db
29% Popularity • 18% Danceability • 27% Energy • 14% Liveness
90% Instrumentalness • 4% Positiveness
29% Popularity • 18% Danceability • 27% Energy • 14% Liveness
90% Instrumentalness • 4% Positiveness
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Debbie Wiseman
Wiseman : Fields of Hope - Theme from La...
102 bpm • D# Maj • 02:54 • -16.81db
17% Popularity • 47% Danceability • 15% Energy • 14% Liveness
93% Instrumentalness • 31% Positiveness
17% Popularity • 47% Danceability • 15% Energy • 14% Liveness
93% Instrumentalness • 31% Positiveness
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Lennie Niehaus
Kate's Theme
101 bpm • C Maj • 02:07 • -30db
42% Popularity • 19% Danceability • 1% Energy • 8% Liveness
98% Instrumentalness • 7% Positiveness
42% Popularity • 19% Danceability • 1% Energy • 8% Liveness
98% Instrumentalness • 7% Positiveness
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Saint-Preux
Prélude Pour Piano
118 bpm • F min • 02:57 • -12db
57% Popularity • 23% Danceability • 36% Energy • 9% Liveness
74% Instrumentalness • 24% Positiveness
57% Popularity • 23% Danceability • 36% Energy • 9% Liveness
74% Instrumentalness • 24% Positiveness
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Christian Desire Langlade
Concerto Pour Piano - Fa Mineur
118 bpm • D min • 03:00 • -17.68db
35% Popularity • 27% Danceability • 25% Energy • 23% Liveness
83% Instrumentalness • 21% Positiveness
35% Popularity • 27% Danceability • 25% Energy • 23% Liveness
83% Instrumentalness • 21% Positiveness
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Max Steiner
Gone With The Wind - Tara's Theme
101 bpm • F Maj • 03:39 • -20db
25% Popularity • 19% Danceability • 17% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
25% Popularity • 19% Danceability • 17% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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Håkan Hardenberger
Angels in America (Arr. R. Pontinen)
101 bpm • C# min • 03:15 • -22db
5% Popularity • 16% Danceability • 8% Energy • 20% Liveness
87% Instrumentalness • 5% Positiveness
5% Popularity • 16% Danceability • 8% Energy • 20% Liveness
87% Instrumentalness • 5% Positiveness
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Percy Faith & His Orchestra
Tara's Theme
101 bpm • G Maj • 03:10 • -18.08db
33% Popularity • 15% Danceability • 18% Energy • 20% Liveness
89% Instrumentalness • 13% Positiveness
33% Popularity • 15% Danceability • 18% Energy • 20% Liveness
89% Instrumentalness • 13% Positiveness
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Yuja Wang
Wallfisch: Lamorma
100 bpm • G Maj • 03:05 • -21db
34% Popularity • 18% Danceability • 7% Energy • 22% Liveness
91% Instrumentalness • 7% Positiveness
34% Popularity • 18% Danceability • 7% Energy • 22% Liveness
91% Instrumentalness • 7% Positiveness
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Johann Sebastian Bach
Harpsichord Concerto No. 5 in F Minor, B...
119 bpm • F min • 03:02 • -32.47db
35% Popularity • 50% Danceability • 1% Energy • 10% Liveness
88% Instrumentalness • 29% Positiveness
35% Popularity • 50% Danceability • 1% Energy • 10% Liveness
88% Instrumentalness • 29% Positiveness
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John Barry
Harvest
119 bpm • F Maj • 02:05 • -22.93db
31% Popularity • 19% Danceability • 10% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
31% Popularity • 19% Danceability • 10% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
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Lennie Niehaus
Claudia's Theme - Version Five
119 bpm • F Maj • 01:02 • -22.88db
37% Popularity • 30% Danceability • 5% Energy • 10% Liveness
89% Instrumentalness • 15% Positiveness
37% Popularity • 30% Danceability • 5% Energy • 10% Liveness
89% Instrumentalness • 15% Positiveness
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Luis Bacalov
Il Postino - Guitar And Bandoneon Versio...
100 bpm • A Maj • 03:12 • -19db
38% Popularity • 43% Danceability • 5% Energy • 9% Liveness
52% Instrumentalness • 22% Positiveness
38% Popularity • 43% Danceability • 5% Energy • 9% Liveness
52% Instrumentalness • 22% Positiveness
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Angelo Badalamenti
The Straight Story: Rose's Theme
119 bpm • F Maj • 05:18 • -21.61db
27% Popularity • 20% Danceability • 7% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
27% Popularity • 20% Danceability • 7% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
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Guy Farley
Family
120 bpm • A min • 01:47 • -17.68db
49% Popularity • 40% Danceability • 15% Energy • 7% Liveness
94% Instrumentalness • 5% Positiveness
49% Popularity • 40% Danceability • 15% Energy • 7% Liveness
94% Instrumentalness • 5% Positiveness
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Clint Eastwood
Ride To School
99 bpm • A# min • 01:23 • -19.35db
42% Popularity • 30% Danceability • 11% Energy • 11% Liveness
94% Instrumentalness • 10% Positiveness
42% Popularity • 30% Danceability • 11% Energy • 11% Liveness
94% Instrumentalness • 10% Positiveness
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John Barry
Main Title (expanded) / Looks Like a Sui...
119 bpm • C# min • 07:34 • -21.28db
35% Popularity • 19% Danceability • 7% Energy • 14% Liveness
90% Instrumentalness • 4% Positiveness
35% Popularity • 19% Danceability • 7% Energy • 14% Liveness
90% Instrumentalness • 4% Positiveness
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Jérôme Lemonnier
Le Miroir des choses
120 bpm • F Maj • 05:20 • -13.46db
19% Popularity • 23% Danceability • 22% Energy • 12% Liveness
92% Instrumentalness • 6% Positiveness
19% Popularity • 23% Danceability • 22% Energy • 12% Liveness
92% Instrumentalness • 6% Positiveness
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Saint-Preux
Le Piano D'abigaïl 1
99 bpm • G Maj • 02:15 • -15.47db
50% Popularity • 18% Danceability • 28% Energy • 11% Liveness
87% Instrumentalness • 7% Positiveness
50% Popularity • 18% Danceability • 28% Energy • 11% Liveness
87% Instrumentalness • 7% Positiveness
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Debbie Wiseman
George VI
121 bpm • G Maj • 03:23 • -24db
13% Popularity • 17% Danceability • 12% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
13% Popularity • 17% Danceability • 12% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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Nicola Piovani
Palombella Rossa: Palombella Rossa
98 bpm • D Maj • 01:58 • -16.61db
37% Popularity • 18% Danceability • 11% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
37% Popularity • 18% Danceability • 11% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
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Clint Eastwood
It's Nice Viewing
120 bpm • C Maj • 00:57 • -27db
45% Popularity • 28% Danceability • 1% Energy • 9% Liveness
62% Instrumentalness • 9% Positiveness
45% Popularity • 28% Danceability • 1% Energy • 9% Liveness
62% Instrumentalness • 9% Positiveness
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John Barry
John Dunbar Theme
98 bpm • D# Maj • 02:29 • -25.23db
29% Popularity • 13% Danceability • 5% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
29% Popularity • 13% Danceability • 5% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
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Cecil Armstrong Gibbs
Dusk
98 bpm • G Maj • 03:13 • -19.02db
16% Popularity • 14% Danceability • 14% Energy • 23% Liveness
94% Instrumentalness • 4% Positiveness
16% Popularity • 14% Danceability • 14% Energy • 23% Liveness
94% Instrumentalness • 4% Positiveness
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Abel Korzeniowski
Wayward Sisters
98 bpm • F# min • 02:55 • -12.56db
47% Popularity • 28% Danceability • 44% Energy • 16% Liveness
92% Instrumentalness • 6% Positiveness
47% Popularity • 28% Danceability • 44% Energy • 16% Liveness
92% Instrumentalness • 6% Positiveness
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Guy Farley
Awakening
121 bpm • G Maj • 01:10 • -34db
54% Popularity • 48% Danceability • 1% Energy • 13% Liveness
95% Instrumentalness • 18% Positiveness
54% Popularity • 48% Danceability • 1% Energy • 13% Liveness
95% Instrumentalness • 18% Positiveness
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Geoffrey Burgon
Rain in Venice
122 bpm • G# Maj • 03:12 • -32.32db
29% Popularity • 18% Danceability • 1% Energy • 12% Liveness
98% Instrumentalness • 8% Positiveness
29% Popularity • 18% Danceability • 1% Energy • 12% Liveness
98% Instrumentalness • 8% Positiveness
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Max Steiner
Main Title - Gone With the Wind
122 bpm • F Maj • 04:06 • -8.33db
33% Popularity • 17% Danceability • 43% Energy • 46% Liveness
85% Instrumentalness • 17% Positiveness
33% Popularity • 17% Danceability • 43% Energy • 46% Liveness
85% Instrumentalness • 17% Positiveness
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Maurizio Malagnini
Reception Waltzer
97 bpm • A# Maj • 01:27 • -21db
20% Popularity • 24% Danceability • 17% Energy • 13% Liveness
93% Instrumentalness • 38% Positiveness
20% Popularity • 24% Danceability • 17% Energy • 13% Liveness
93% Instrumentalness • 38% Positiveness
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Louis Armstrong
Escape From Piz Gloria
123 bpm • F min • 04:53 • -13.92db
23% Popularity • 26% Danceability • 32% Energy • 24% Liveness
0% Instrumentalness • 14% Positiveness
23% Popularity • 26% Danceability • 32% Energy • 24% Liveness
0% Instrumentalness • 14% Positiveness
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Zbigniew Preisner
Fashion Show, Pt. 2
97 bpm • A Maj • 01:27 • -15.17db
33% Popularity • 29% Danceability • 34% Energy • 5% Liveness
94% Instrumentalness • 4% Positiveness
33% Popularity • 29% Danceability • 34% Energy • 5% Liveness
94% Instrumentalness • 4% Positiveness
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Guy Farley
Elizabeth's Dance
97 bpm • F Maj • 02:10 • -18.22db
42% Popularity • 12% Danceability • 20% Energy • 14% Liveness
93% Instrumentalness • 11% Positiveness
42% Popularity • 12% Danceability • 20% Energy • 14% Liveness
93% Instrumentalness • 11% Positiveness
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Saint-Preux
Quand Le Temps Suspend Son Vol
123 bpm • G Maj • 02:43 • -19.6db
42% Popularity • 32% Danceability • 13% Energy • 15% Liveness
86% Instrumentalness • 16% Positiveness
42% Popularity • 32% Danceability • 13% Energy • 15% Liveness
86% Instrumentalness • 16% Positiveness
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Philip Glass
Dead Things
96 bpm • D# Maj • 04:24 • -21.02db
33% Popularity • 33% Danceability • 4% Energy • 13% Liveness
95% Instrumentalness • 3% Positiveness
33% Popularity • 33% Danceability • 4% Energy • 13% Liveness
95% Instrumentalness • 3% Positiveness
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Nicola Piovani
Caro Diario: Medici
124 bpm • F Maj • 02:04 • -29.53db
46% Popularity • 39% Danceability • 0% Energy • 9% Liveness
95% Instrumentalness • 11% Positiveness
46% Popularity • 39% Danceability • 0% Energy • 9% Liveness
95% Instrumentalness • 11% Positiveness
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City of Prague Orchestra
Life is Beautiful
124 bpm • A Maj • 04:05 • -10.86db
13% Popularity • 26% Danceability • 28% Energy • 9% Liveness
84% Instrumentalness • 14% Positiveness
13% Popularity • 26% Danceability • 28% Energy • 9% Liveness
84% Instrumentalness • 14% Positiveness
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Alex Heffes
Main Titles
124 bpm • C min • 02:02 • -17.79db
36% Popularity • 25% Danceability • 21% Energy • 36% Liveness
86% Instrumentalness • 7% Positiveness
36% Popularity • 25% Danceability • 21% Energy • 36% Liveness
86% Instrumentalness • 7% Positiveness
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Michael Kamen
Band Of Brothers
125 bpm • F Maj • 04:00 • -17.5db
9% Popularity • 27% Danceability • 9% Energy • 10% Liveness
95% Instrumentalness • 7% Positiveness
9% Popularity • 27% Danceability • 9% Energy • 10% Liveness
95% Instrumentalness • 7% Positiveness
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Pietro Mascagni
Cavalleria rusticana: Intermezzo sinfoni...
95 bpm • F Maj • 03:27 • -20db
33% Popularity • 19% Danceability • 10% Energy • 14% Liveness
92% Instrumentalness • 4% Positiveness
33% Popularity • 19% Danceability • 10% Energy • 14% Liveness
92% Instrumentalness • 4% Positiveness
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Geoffrey Burgon
Orphans of the Storm
125 bpm • C Maj • 04:07 • -20.38db
19% Popularity • 18% Danceability • 7% Energy • 11% Liveness
84% Instrumentalness • 4% Positiveness
19% Popularity • 18% Danceability • 7% Energy • 11% Liveness
84% Instrumentalness • 4% Positiveness
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Mark Isham
Building A Family
124 bpm • A Maj • 01:57 • -20.71db
46% Popularity • 60% Danceability • 14% Energy • 37% Liveness
90% Instrumentalness • 44% Positiveness
46% Popularity • 60% Danceability • 14% Energy • 37% Liveness
90% Instrumentalness • 44% Positiveness
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Nicola Piovani
La vita è bella
125 bpm • A Maj • 04:51 • -15.58db
50% Popularity • 39% Danceability • 14% Energy • 9% Liveness
28% Instrumentalness • 15% Positiveness
50% Popularity • 39% Danceability • 14% Energy • 9% Liveness
28% Instrumentalness • 15% Positiveness
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Wolfgang Amadeus Mozart
Klavierkonzert Nr. 21 C-Dur, K. 467, "El...
126 bpm • F Maj • 06:43 • -29db
37% Popularity • 26% Danceability • 3% Energy • 10% Liveness
93% Instrumentalness • 10% Positiveness
37% Popularity • 26% Danceability • 3% Energy • 10% Liveness
93% Instrumentalness • 10% Positiveness
