Songs like I Hate Alabama by Conner Smith
Based on a tempo of (+/- 10%) and a similar genre
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Chase Matthew
Can't Hide Love
172 bpm • C# Maj • 02:29 • -6db
55% Popularity • 57% Danceability • 60% Energy • 28% Liveness
0% Instrumentalness • 56% Positiveness
55% Popularity • 57% Danceability • 60% Energy • 28% Liveness
0% Instrumentalness • 56% Positiveness
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Michael Ray
Get Her Back
172 bpm • G# min • 03:10 • -5db
40% Popularity • 47% Danceability • 76% Energy • 54% Liveness
0% Instrumentalness • 43% Positiveness
40% Popularity • 47% Danceability • 76% Energy • 54% Liveness
0% Instrumentalness • 43% Positiveness
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ERNEST
Cheers
172 bpm • E Maj • 02:45 • -5.15db
46% Popularity • 51% Danceability • 72% Energy • 36% Liveness
0% Instrumentalness • 47% Positiveness
46% Popularity • 51% Danceability • 72% Energy • 36% Liveness
0% Instrumentalness • 47% Positiveness
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Tucker Wetmore
Wind Up Missin' You
172 bpm • F# Maj • 02:46 • -5.63db
77% Popularity • 57% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
77% Popularity • 57% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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Conner Smith
I Hate Alabama
172 bpm • E Maj • 03:34 • -5db
51% Popularity • 20% Danceability • 82% Energy • 34% Liveness
0% Instrumentalness • 39% Positiveness
51% Popularity • 20% Danceability • 82% Energy • 34% Liveness
0% Instrumentalness • 39% Positiveness
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Kolby Cooper
Kill Me
170 bpm • D# Maj • 02:43 • -4.46db
59% Popularity • 47% Danceability • 88% Energy • 34% Liveness
0% Instrumentalness • 49% Positiveness
59% Popularity • 47% Danceability • 88% Energy • 34% Liveness
0% Instrumentalness • 49% Positiveness
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Bailey Zimmerman
Small Town Crazy
170 bpm • G Maj • 02:42 • -2.85db
58% Popularity • 50% Danceability • 88% Energy • 24% Liveness
0% Instrumentalness • 70% Positiveness
58% Popularity • 50% Danceability • 88% Energy • 24% Liveness
0% Instrumentalness • 70% Positiveness
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Austin Snell
Muddy Water Rockstar
170 bpm • C# Maj • 02:32 • -4.11db
57% Popularity • 45% Danceability • 92% Energy • 23% Liveness
0% Instrumentalness • 62% Positiveness
57% Popularity • 45% Danceability • 92% Energy • 23% Liveness
0% Instrumentalness • 62% Positiveness
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Chayce Beckham
This Ol' Rodeo
174 bpm • G Maj • 04:18 • -4.1db
52% Popularity • 43% Danceability • 81% Energy • 21% Liveness
0% Instrumentalness • 50% Positiveness
52% Popularity • 43% Danceability • 81% Energy • 21% Liveness
0% Instrumentalness • 50% Positiveness
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Jade Eagleson
She Don't Know
170 bpm • B Maj • 03:24 • -6db
54% Popularity • 47% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
54% Popularity • 47% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Conner Smith
Feathered Indians
174 bpm • G Maj • 03:10 • -3.32db
41% Popularity • 43% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
41% Popularity • 43% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
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Ryan Waters Band
Tomorrow's Not Tonight
170 bpm • G# Maj • 02:50 • -8db
53% Popularity • 48% Danceability • 73% Energy • 15% Liveness
0% Instrumentalness • 66% Positiveness
53% Popularity • 48% Danceability • 73% Energy • 15% Liveness
0% Instrumentalness • 66% Positiveness
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Jordan Davis
Trying
170 bpm • F# Maj • 02:56 • -7db
59% Popularity • 55% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
59% Popularity • 55% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Redferrin
Tell 'Em Why
176 bpm • C Maj • 02:46 • -3.89db
47% Popularity • 58% Danceability • 77% Energy • 15% Liveness
0% Instrumentalness • 58% Positiveness
47% Popularity • 58% Danceability • 77% Energy • 15% Liveness
0% Instrumentalness • 58% Positiveness
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Chayce Beckham
Little Less Lonely
174 bpm • B Maj • 03:16 • -4.45db
48% Popularity • 43% Danceability • 85% Energy • 14% Liveness
0% Instrumentalness • 67% Positiveness
48% Popularity • 43% Danceability • 85% Energy • 14% Liveness
0% Instrumentalness • 67% Positiveness
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Lauren Watkins
Anybody But You
176 bpm • C# min • 03:05 • -6.19db
65% Popularity • 40% Danceability • 84% Energy • 33% Liveness
0% Instrumentalness • 54% Positiveness
65% Popularity • 40% Danceability • 84% Energy • 33% Liveness
0% Instrumentalness • 54% Positiveness
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Conner Smith
Creek Will Rise
170 bpm • C# Maj • 02:49 • -3.56db
60% Popularity • 42% Danceability • 87% Energy • 19% Liveness
0% Instrumentalness • 90% Positiveness
60% Popularity • 42% Danceability • 87% Energy • 19% Liveness
0% Instrumentalness • 90% Positiveness
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Dylan Schneider
Right Girl
176 bpm • E Maj • 02:49 • -5.1db
45% Popularity • 47% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
45% Popularity • 47% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
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Justin Moore
We Didn't Have Much
176 bpm • F# Maj • 02:54 • -8.02db
67% Popularity • 47% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
67% Popularity • 47% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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Randall King
Coulda Been Love
168 bpm • F# Maj • 02:52 • -4.38db
42% Popularity • 49% Danceability • 94% Energy • 33% Liveness
0% Instrumentalness • 70% Positiveness
42% Popularity • 49% Danceability • 94% Energy • 33% Liveness
0% Instrumentalness • 70% Positiveness
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Greylan James
My Future
168 bpm • C# Maj • 02:35 • -6.92db
44% Popularity • 55% Danceability • 59% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
44% Popularity • 55% Danceability • 59% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
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Drew Green
Good Ol' Man
168 bpm • F# Maj • 03:22 • -7.09db
54% Popularity • 59% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
54% Popularity • 59% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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Conner Smith
Trouble
174 bpm • F Maj • 02:55 • -3.93db
36% Popularity • 50% Danceability • 82% Energy • 36% Liveness
0% Instrumentalness • 89% Positiveness
36% Popularity • 50% Danceability • 82% Energy • 36% Liveness
0% Instrumentalness • 89% Positiveness
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Jameson Rodgers
Some Girls
168 bpm • G# Maj • 03:04 • -5db
57% Popularity • 42% Danceability • 84% Energy • 16% Liveness
0% Instrumentalness • 34% Positiveness
57% Popularity • 42% Danceability • 84% Energy • 16% Liveness
0% Instrumentalness • 34% Positiveness
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Graham Barham
BEER BY MY BED
168 bpm • C min • 03:02 • -3.8db
50% Popularity • 50% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
50% Popularity • 50% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Trey Lewis
Single Again
166 bpm • F# Maj • 03:13 • -4db
47% Popularity • 49% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
47% Popularity • 49% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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ERNEST
Some Other Bar
166 bpm • A# Maj • 03:19 • -5.08db
47% Popularity • 48% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
47% Popularity • 48% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Owen Riegling
Old Dirt Roads
166 bpm • C# Maj • 03:47 • -3.23db
72% Popularity • 51% Danceability • 79% Energy • 24% Liveness
0% Instrumentalness • 77% Positiveness
72% Popularity • 51% Danceability • 79% Energy • 24% Liveness
0% Instrumentalness • 77% Positiveness
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Conner Smith
Heatin' Up
176 bpm • D# Maj • 03:22 • -3.49db
40% Popularity • 43% Danceability • 88% Energy • 13% Liveness
0% Instrumentalness • 63% Positiveness
40% Popularity • 43% Danceability • 88% Energy • 13% Liveness
0% Instrumentalness • 63% Positiveness
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Ashley McBryde
Light On In The Kitchen
166 bpm • F Maj • 03:32 • -7.69db
50% Popularity • 63% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
50% Popularity • 63% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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Dustin Lynch
Killed The Cowboy
180 bpm • D Maj • 03:18 • -3.07db
50% Popularity • 29% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
50% Popularity • 29% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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CHASE WRIGHT
Hurt No More
180 bpm • F# Maj • 02:56 • -3db
58% Popularity • 45% Danceability • 86% Energy • 14% Liveness
0% Instrumentalness • 55% Positiveness
58% Popularity • 45% Danceability • 86% Energy • 14% Liveness
0% Instrumentalness • 55% Positiveness
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Austin Snell
Pray All The Way Home
180 bpm • F# Maj • 02:24 • -5db
71% Popularity • 43% Danceability • 81% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
71% Popularity • 43% Danceability • 81% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Brian Kelley
Dirt Cheap
164 bpm • F# Maj • 02:48 • -4.58db
45% Popularity • 51% Danceability • 77% Energy • 17% Liveness
0% Instrumentalness • 82% Positiveness
45% Popularity • 51% Danceability • 77% Energy • 17% Liveness
0% Instrumentalness • 82% Positiveness
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Noah Hicks
I Can Tell You're Small Town
164 bpm • F# Maj • 03:02 • -4db
51% Popularity • 54% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
51% Popularity • 54% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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Tyler Braden
Friends
164 bpm • C min • 03:26 • -5.7db
57% Popularity • 44% Danceability • 76% Energy • 15% Liveness
0% Instrumentalness • 35% Positiveness
57% Popularity • 44% Danceability • 76% Energy • 15% Liveness
0% Instrumentalness • 35% Positiveness
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Parmalee
Take My Name
164 bpm • G Maj • 02:37 • -4.14db
68% Popularity • 56% Danceability • 66% Energy • 19% Liveness
0% Instrumentalness • 57% Positiveness
68% Popularity • 56% Danceability • 66% Energy • 19% Liveness
0% Instrumentalness • 57% Positiveness
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Austin Burke
Let It Burn
164 bpm • G Maj • 03:26 • -7.1db
45% Popularity • 51% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
45% Popularity • 51% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Larry Fleet
Things I Take For Granted
163 bpm • C Maj • 03:26 • -5.95db
71% Popularity • 46% Danceability • 60% Energy • 36% Liveness
3% Instrumentalness • 45% Positiveness
71% Popularity • 46% Danceability • 60% Energy • 36% Liveness
3% Instrumentalness • 45% Positiveness
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Riley Green
They Don’t Make 'Em Like That No More
162 bpm • F# Maj • 03:15 • -5.47db
60% Popularity • 44% Danceability • 75% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
60% Popularity • 44% Danceability • 75% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
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MacKenzie Porter
Chasing Tornadoes
162 bpm • C min • 02:57 • -2.93db
31% Popularity • 48% Danceability • 89% Energy • 15% Liveness
0% Instrumentalness • 73% Positiveness
31% Popularity • 48% Danceability • 89% Energy • 15% Liveness
0% Instrumentalness • 73% Positiveness
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Kane Brown
Bury Me in Georgia
160 bpm • D min • 04:02 • -5.82db
62% Popularity • 38% Danceability • 84% Energy • 47% Liveness
0% Instrumentalness • 51% Positiveness
62% Popularity • 38% Danceability • 84% Energy • 47% Liveness
0% Instrumentalness • 51% Positiveness
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Ian Munsick
Cowshit in the Morning
160 bpm • A Maj • 03:06 • -3.92db
52% Popularity • 50% Danceability • 82% Energy • 37% Liveness
0% Instrumentalness • 88% Positiveness
52% Popularity • 50% Danceability • 82% Energy • 37% Liveness
0% Instrumentalness • 88% Positiveness
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Drew Green
Road Dirt
160 bpm • F min • 02:22 • -5.15db
37% Popularity • 70% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
37% Popularity • 70% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
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Restless Road
Last Rodeo
160 bpm • B min • 03:15 • -3.95db
56% Popularity • 48% Danceability • 91% Energy • 21% Liveness
0% Instrumentalness • 50% Positiveness
56% Popularity • 48% Danceability • 91% Energy • 21% Liveness
0% Instrumentalness • 50% Positiveness
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ERNEST
Summertime Flies
160 bpm • D Maj • 03:02 • -5.99db
36% Popularity • 58% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
36% Popularity • 58% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Travis Denning
ABBY
160 bpm • D# Maj • 03:15 • -4.58db
52% Popularity • 60% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
52% Popularity • 60% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
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Kane Brown
Bury Me in Georgia - Single Edit
160 bpm • D min • 02:50 • -5.75db
63% Popularity • 39% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
63% Popularity • 39% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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Tyler Braden
Little Red Wine
160 bpm • C Maj • 03:31 • -4.54db
49% Popularity • 49% Danceability • 87% Energy • 27% Liveness
0% Instrumentalness • 63% Positiveness
49% Popularity • 49% Danceability • 87% Energy • 27% Liveness
0% Instrumentalness • 63% Positiveness
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HARDY
A ROCK
160 bpm • F# Maj • 03:40 • -8.87db
55% Popularity • 56% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
55% Popularity • 56% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
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Drew Green
Lotta Bit of You
160 bpm • G min • 02:42 • -5.71db
68% Popularity • 64% Danceability • 69% Energy • 36% Liveness
0% Instrumentalness • 52% Positiveness
68% Popularity • 64% Danceability • 69% Energy • 36% Liveness
0% Instrumentalness • 52% Positiveness
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Josh Ross
Do What You Love
160 bpm • A Maj • 03:30 • -7db
43% Popularity • 51% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
43% Popularity • 51% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Dylan Marlowe
Dirt Road When I Die
160 bpm • C# Maj • 02:54 • -6.03db
50% Popularity • 42% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 33% Positiveness
50% Popularity • 42% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 33% Positiveness
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Jade Eagleson
Pure Country
160 bpm • D Maj • 02:51 • -3.02db
35% Popularity • 38% Danceability • 96% Energy • 37% Liveness
0% Instrumentalness • 65% Positiveness
35% Popularity • 38% Danceability • 96% Energy • 37% Liveness
0% Instrumentalness • 65% Positiveness
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Luke Combs
Going, Going, Gone
160 bpm • F# Maj • 02:57 • -6.03db
76% Popularity • 56% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
76% Popularity • 56% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Jameson Rodgers
Things That Matter
160 bpm • D# Maj • 03:13 • -9db
43% Popularity • 55% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
43% Popularity • 55% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Austin Snell
Everybody's Friend
158 bpm • E Maj • 02:54 • -4.22db
58% Popularity • 42% Danceability • 89% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
58% Popularity • 42% Danceability • 89% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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HARDY
ONE BEER
186 bpm • D Maj • 02:53 • -8.35db
71% Popularity • 52% Danceability • 74% Energy • 28% Liveness
0% Instrumentalness • 83% Positiveness
71% Popularity • 52% Danceability • 74% Energy • 28% Liveness
0% Instrumentalness • 83% Positiveness
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Josh Ross
On A Different Night
158 bpm • C# Maj • 03:09 • -5db
65% Popularity • 53% Danceability • 71% Energy • 13% Liveness
0% Instrumentalness • 9% Positiveness
65% Popularity • 53% Danceability • 71% Energy • 13% Liveness
0% Instrumentalness • 9% Positiveness
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Jade Eagleson
Telluride
158 bpm • E Maj • 03:04 • -4.08db
50% Popularity • 50% Danceability • 72% Energy • 15% Liveness
0% Instrumentalness • 47% Positiveness
50% Popularity • 50% Danceability • 72% Energy • 15% Liveness
0% Instrumentalness • 47% Positiveness
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Jackson Dean
Don’t Take Much
158 bpm • C min • 03:20 • -7.17db
51% Popularity • 62% Danceability • 65% Energy • 15% Liveness
0% Instrumentalness • 61% Positiveness
51% Popularity • 62% Danceability • 65% Energy • 15% Liveness
0% Instrumentalness • 61% Positiveness
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Trey Lewis
Always You
158 bpm • G Maj • 03:08 • -4.03db
44% Popularity • 39% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
44% Popularity • 39% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Drew Parker
Raised Up Right
188 bpm • D Maj • 02:58 • -5.82db
44% Popularity • 39% Danceability • 80% Energy • 35% Liveness
0% Instrumentalness • 60% Positiveness
44% Popularity • 39% Danceability • 80% Energy • 35% Liveness
0% Instrumentalness • 60% Positiveness
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Dustin Lynch
Tequila On A Boat
157 bpm • A# Maj • 03:07 • -3.36db
51% Popularity • 59% Danceability • 88% Energy • 39% Liveness
0% Instrumentalness • 86% Positiveness
51% Popularity • 59% Danceability • 88% Energy • 39% Liveness
0% Instrumentalness • 86% Positiveness
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Morgan Wallen
Tennessee Numbers
156 bpm • F# Maj • 03:45 • -5.37db
64% Popularity • 42% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
64% Popularity • 42% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Chayce Beckham
Where The River Goes
156 bpm • D Maj • 02:51 • -4.19db
45% Popularity • 53% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
45% Popularity • 53% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
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Warren Zeiders
Up To No Good
156 bpm • G# Maj • 02:13 • -5db
64% Popularity • 52% Danceability • 87% Energy • 13% Liveness
0% Instrumentalness • 75% Positiveness
64% Popularity • 52% Danceability • 87% Energy • 13% Liveness
0% Instrumentalness • 75% Positiveness
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Avery Anna
I Will (When You Do)
156 bpm • C# Maj • 03:27 • -5.31db
71% Popularity • 44% Danceability • 79% Energy • 7% Liveness
0% Instrumentalness • 35% Positiveness
71% Popularity • 44% Danceability • 79% Energy • 7% Liveness
0% Instrumentalness • 35% Positiveness
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Troy Cartwright
Unlove You
156 bpm • D Maj • 02:57 • -3.79db
54% Popularity • 43% Danceability • 75% Energy • 27% Liveness
0% Instrumentalness • 41% Positiveness
54% Popularity • 43% Danceability • 75% Energy • 27% Liveness
0% Instrumentalness • 41% Positiveness
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Jameson Rodgers
Mine for the Summer
156 bpm • E Maj • 03:29 • -4.59db
43% Popularity • 40% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
43% Popularity • 40% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
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Justin Moore
This Is My Dirt
156 bpm • C# Maj • 03:37 • -4.68db
54% Popularity • 51% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
54% Popularity • 51% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
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Brian Kelley
Trucks, Ducks, Bucks & Beer
156 bpm • F Maj • 03:13 • -4.07db
46% Popularity • 51% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
46% Popularity • 51% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
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Megan Moroney
Tennessee Orange
156 bpm • A Maj • 03:43 • -6.64db
77% Popularity • 38% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
77% Popularity • 38% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Kolby Cooper
Excuses
156 bpm • G Maj • 03:26 • -5.41db
54% Popularity • 50% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
54% Popularity • 50% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Redferrin
Stuck
156 bpm • E min • 03:09 • -6db
54% Popularity • 64% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
54% Popularity • 64% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
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Chase Matthew
Where There’s Smoke
156 bpm • D Maj • 02:42 • -4.91db
50% Popularity • 53% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
50% Popularity • 53% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
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Dalton Dover
Baby I Am
156 bpm • C# Maj • 02:54 • -6.41db
54% Popularity • 51% Danceability • 69% Energy • 7% Liveness
0% Instrumentalness • 42% Positiveness
54% Popularity • 51% Danceability • 69% Energy • 7% Liveness
0% Instrumentalness • 42% Positiveness
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Conner Smith
God Moments
156 bpm • C Maj • 03:25 • -4.98db
45% Popularity • 57% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
45% Popularity • 57% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
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Austin Williams
Country Just Like Me
156 bpm • F# min • 03:21 • -2.8db
43% Popularity • 48% Danceability • 90% Energy • 15% Liveness
0% Instrumentalness • 40% Positiveness
43% Popularity • 48% Danceability • 90% Energy • 15% Liveness
0% Instrumentalness • 40% Positiveness
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Randy Houser
Rub A Little Dirt On It
156 bpm • G Maj • 02:44 • -6db
58% Popularity • 55% Danceability • 69% Energy • 12% Liveness
4% Instrumentalness • 50% Positiveness
58% Popularity • 55% Danceability • 69% Energy • 12% Liveness
4% Instrumentalness • 50% Positiveness
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Priscilla Block
Hey, Jack
154 bpm • A# min • 02:47 • -3.54db
52% Popularity • 48% Danceability • 81% Energy • 15% Liveness
0% Instrumentalness • 59% Positiveness
52% Popularity • 48% Danceability • 81% Energy • 15% Liveness
0% Instrumentalness • 59% Positiveness
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Cole Swindell
Forever To Me
154 bpm • A# Maj • 02:59 • -7.61db
50% Popularity • 56% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
50% Popularity • 56% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
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Tim McGraw
Standing Room Only
155 bpm • C# Maj • 03:46 • -6.15db
57% Popularity • 49% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
57% Popularity • 49% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
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Chayce Beckham
Tell Me Twice
154 bpm • A Maj • 04:26 • -4.73db
41% Popularity • 57% Danceability • 70% Energy • 17% Liveness
0% Instrumentalness • 67% Positiveness
41% Popularity • 57% Danceability • 70% Energy • 17% Liveness
0% Instrumentalness • 67% Positiveness
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Tyler Braden
Brother
154 bpm • A Maj • 03:56 • -7.08db
43% Popularity • 41% Danceability • 49% Energy • 26% Liveness
0% Instrumentalness • 9% Positiveness
43% Popularity • 41% Danceability • 49% Energy • 26% Liveness
0% Instrumentalness • 9% Positiveness
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ERNEST
One More Heartache
153 bpm • F# Maj • 03:49 • -4db
40% Popularity • 47% Danceability • 76% Energy • 17% Liveness
0% Instrumentalness • 87% Positiveness
40% Popularity • 47% Danceability • 76% Energy • 17% Liveness
0% Instrumentalness • 87% Positiveness
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Dylan Scott
I'll Be A Bartender
153 bpm • E Maj • 03:17 • -5.91db
52% Popularity • 57% Danceability • 72% Energy • 17% Liveness
0% Instrumentalness • 67% Positiveness
52% Popularity • 57% Danceability • 72% Energy • 17% Liveness
0% Instrumentalness • 67% Positiveness
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Matt Stell
That Ain't Me No More
152 bpm • C Maj • 03:11 • -3.65db
46% Popularity • 56% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
46% Popularity • 56% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Riley Green
If It Wasn’t For Trucks
152 bpm • D Maj • 03:17 • -5.59db
57% Popularity • 44% Danceability • 81% Energy • 16% Liveness
0% Instrumentalness • 17% Positiveness
57% Popularity • 44% Danceability • 81% Energy • 16% Liveness
0% Instrumentalness • 17% Positiveness
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Bailey Zimmerman
Fix'n To Break
152 bpm • F Maj • 03:52 • -6.42db
61% Popularity • 46% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
61% Popularity • 46% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Hailey Whitters
I’m In Love
152 bpm • B Maj • 02:26 • -4.28db
55% Popularity • 66% Danceability • 86% Energy • 26% Liveness
0% Instrumentalness • 83% Positiveness
55% Popularity • 66% Danceability • 86% Energy • 26% Liveness
0% Instrumentalness • 83% Positiveness
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ERNEST
Honkytonk Fairytale
152 bpm • B Maj • 03:54 • -5.72db
39% Popularity • 54% Danceability • 64% Energy • 20% Liveness
0% Instrumentalness • 62% Positiveness
39% Popularity • 54% Danceability • 64% Energy • 20% Liveness
0% Instrumentalness • 62% Positiveness
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Restless Road
On My Way
152 bpm • D Maj • 02:56 • -5.86db
36% Popularity • 51% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
36% Popularity • 51% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
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Ian Munsick
Heartbreak King
152 bpm • A Maj • 03:33 • -4.93db
37% Popularity • 48% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
37% Popularity • 48% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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Chayce Beckham
Doin' It Right
152 bpm • A# Maj • 03:00 • -3.38db
45% Popularity • 50% Danceability • 97% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
45% Popularity • 50% Danceability • 97% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
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Megan Moroney
Georgia Girl
150 bpm • A# Maj • 03:37 • -7db
52% Popularity • 35% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
52% Popularity • 35% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
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Ella Langley
Excuse The Mess
150 bpm • B Maj • 03:25 • -5.31db
44% Popularity • 52% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
44% Popularity • 52% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
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Austin Snell
Wasting All These Tears
150 bpm • A Maj • 03:15 • -7db
62% Popularity • 57% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
62% Popularity • 57% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
