Songs like I Hate The Beach Boys by SACK
Based on a tempo of (+/- 10%) and a similar genre
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SACK
I Hate The Beach Boys
155 bpm • E min • 03:38 • -4.34db
13% Popularity • 37% Danceability • 99% Energy • 42% Liveness
0% Instrumentalness • 36% Positiveness
13% Popularity • 37% Danceability • 99% Energy • 42% Liveness
0% Instrumentalness • 36% Positiveness
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Grade 2
Brassic
155 bpm • F# min • 02:12 • -2.29db
22% Popularity • 44% Danceability • 95% Energy • 34% Liveness
0% Instrumentalness • 82% Positiveness
22% Popularity • 44% Danceability • 95% Energy • 34% Liveness
0% Instrumentalness • 82% Positiveness
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CIV
Choices Made
156 bpm • A min • 02:28 • -4.6db
31% Popularity • 52% Danceability • 91% Energy • 14% Liveness
0% Instrumentalness • 78% Positiveness
31% Popularity • 52% Danceability • 91% Energy • 14% Liveness
0% Instrumentalness • 78% Positiveness
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The Drowns
The Unknown
156 bpm • A Maj • 03:22 • -4.74db
10% Popularity • 20% Danceability • 99% Energy • 23% Liveness
3% Instrumentalness • 42% Positiveness
10% Popularity • 20% Danceability • 99% Energy • 23% Liveness
3% Instrumentalness • 42% Positiveness
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PEARS
Naptime
156 bpm • G# Maj • 02:34 • -4.23db
16% Popularity • 42% Danceability • 100% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
16% Popularity • 42% Danceability • 100% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
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The Old Firm Casuals
Nation on Fire
156 bpm • A Maj • 02:25 • -4.45db
20% Popularity • 37% Danceability • 97% Energy • 47% Liveness
0% Instrumentalness • 59% Positiveness
20% Popularity • 37% Danceability • 97% Energy • 47% Liveness
0% Instrumentalness • 59% Positiveness
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SACK
Dark Alley
155 bpm • F# min • 01:44 • -4.04db
9% Popularity • 41% Danceability • 99% Energy • 45% Liveness
1% Instrumentalness • 35% Positiveness
9% Popularity • 41% Danceability • 99% Energy • 45% Liveness
1% Instrumentalness • 35% Positiveness
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The Apers
Jamie Oliver
157 bpm • G Maj • 03:04 • -4.18db
9% Popularity • 42% Danceability • 93% Energy • 50% Liveness
0% Instrumentalness • 87% Positiveness
9% Popularity • 42% Danceability • 93% Energy • 50% Liveness
0% Instrumentalness • 87% Positiveness
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The Raging Nathans
Not Giving Up
153 bpm • E Maj • 01:26 • -2.59db
19% Popularity • 30% Danceability • 99% Energy • 37% Liveness
8% Instrumentalness • 58% Positiveness
19% Popularity • 30% Danceability • 99% Energy • 37% Liveness
8% Instrumentalness • 58% Positiveness
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Dear Landlord
Three to the Beach
157 bpm • B Maj • 02:26 • -4.59db
24% Popularity • 21% Danceability • 100% Energy • 24% Liveness
0% Instrumentalness • 7% Positiveness
24% Popularity • 21% Danceability • 100% Energy • 24% Liveness
0% Instrumentalness • 7% Positiveness
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Bombshell Rocks
Microphone
158 bpm • D Maj • 01:47 • -4.34db
36% Popularity • 25% Danceability • 98% Energy • 44% Liveness
0% Instrumentalness • 57% Positiveness
36% Popularity • 25% Danceability • 98% Energy • 44% Liveness
0% Instrumentalness • 57% Positiveness
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Avail
Deepwood
158 bpm • D Maj • 02:00 • -4.99db
29% Popularity • 18% Danceability • 94% Energy • 4% Liveness
0% Instrumentalness • 56% Positiveness
29% Popularity • 18% Danceability • 94% Energy • 4% Liveness
0% Instrumentalness • 56% Positiveness
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Teen Idols
Porno Shop
158 bpm • C Maj • 01:37 • -3.67db
25% Popularity • 40% Danceability • 98% Energy • 76% Liveness
0% Instrumentalness • 87% Positiveness
25% Popularity • 40% Danceability • 98% Energy • 76% Liveness
0% Instrumentalness • 87% Positiveness
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Krang
Skateistan
160 bpm • A Maj • 01:03 • -2.84db
30% Popularity • 31% Danceability • 99% Energy • 63% Liveness
0% Instrumentalness • 11% Positiveness
30% Popularity • 31% Danceability • 99% Energy • 63% Liveness
0% Instrumentalness • 11% Positiveness
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The Raging Nathans
Parole Violation
157 bpm • C Maj • 02:12 • -4.71db
9% Popularity • 30% Danceability • 98% Energy • 71% Liveness
0% Instrumentalness • 9% Positiveness
9% Popularity • 30% Danceability • 98% Energy • 71% Liveness
0% Instrumentalness • 9% Positiveness
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Venerea
Going Home
160 bpm • G# min • 02:58 • -4.47db
15% Popularity • 32% Danceability • 100% Energy • 38% Liveness
0% Instrumentalness • 12% Positiveness
15% Popularity • 32% Danceability • 100% Energy • 38% Liveness
0% Instrumentalness • 12% Positiveness
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Horror Section
Forever Gone
160 bpm • G Maj • 02:38 • -5.64db
16% Popularity • 40% Danceability • 94% Energy • 32% Liveness
4% Instrumentalness • 80% Positiveness
16% Popularity • 40% Danceability • 94% Energy • 32% Liveness
4% Instrumentalness • 80% Positiveness
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SACK
The Return of Mr. Bong
160 bpm • E min • 04:23 • -3.36db
9% Popularity • 51% Danceability • 99% Energy • 37% Liveness
0% Instrumentalness • 18% Positiveness
9% Popularity • 51% Danceability • 99% Energy • 37% Liveness
0% Instrumentalness • 18% Positiveness
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Teen Idols
Come Dance with Me
160 bpm • D Maj • 01:19 • -3.81db
26% Popularity • 38% Danceability • 99% Energy • 31% Liveness
0% Instrumentalness • 58% Positiveness
26% Popularity • 38% Danceability • 99% Energy • 31% Liveness
0% Instrumentalness • 58% Positiveness
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Public Serpents
Armageddon Stomp
160 bpm • F# Maj • 03:34 • -4.25db
17% Popularity • 49% Danceability • 94% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
17% Popularity • 49% Danceability • 94% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
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The Raging Nathans
Head in a Hole
160 bpm • F# Maj • 01:29 • -9db
14% Popularity • 34% Danceability • 87% Energy • 18% Liveness
0% Instrumentalness • 75% Positiveness
14% Popularity • 34% Danceability • 87% Energy • 18% Liveness
0% Instrumentalness • 75% Positiveness
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Dan Vapid & the Cheats
Torture Chamber
160 bpm • E Maj • 01:59 • -4.53db
12% Popularity • 50% Danceability • 93% Energy • 46% Liveness
0% Instrumentalness • 84% Positiveness
12% Popularity • 50% Danceability • 93% Energy • 46% Liveness
0% Instrumentalness • 84% Positiveness
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Get Dead
Stickup
160 bpm • C Maj • 03:43 • -5.87db
29% Popularity • 49% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
29% Popularity • 49% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Fat Heaven
Tarantula
150 bpm • G# Maj • 01:40 • -4.76db
16% Popularity • 39% Danceability • 98% Energy • 31% Liveness
0% Instrumentalness • 38% Positiveness
16% Popularity • 39% Danceability • 98% Energy • 31% Liveness
0% Instrumentalness • 38% Positiveness
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Grade 2
Doing Time
150 bpm • D Maj • 01:12 • -1.89db
22% Popularity • 49% Danceability • 100% Energy • 6% Liveness
0% Instrumentalness • 69% Positiveness
22% Popularity • 49% Danceability • 100% Energy • 6% Liveness
0% Instrumentalness • 69% Positiveness
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The Jasons
Scene Police
150 bpm • A# min • 02:21 • -4.77db
8% Popularity • 33% Danceability • 98% Energy • 36% Liveness
0% Instrumentalness • 48% Positiveness
8% Popularity • 33% Danceability • 98% Energy • 36% Liveness
0% Instrumentalness • 48% Positiveness
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The Raging Nathans
Dayton
160 bpm • A Maj • 02:12 • -3.44db
16% Popularity • 21% Danceability • 96% Energy • 25% Liveness
0% Instrumentalness • 48% Positiveness
16% Popularity • 21% Danceability • 96% Energy • 25% Liveness
0% Instrumentalness • 48% Positiveness
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The Briefs
Year Long Summer
150 bpm • A Maj • 01:13 • -3.78db
19% Popularity • 39% Danceability • 100% Energy • 74% Liveness
0% Instrumentalness • 40% Positiveness
19% Popularity • 39% Danceability • 100% Energy • 74% Liveness
0% Instrumentalness • 40% Positiveness
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SNFU
Cockatoo Quill
150 bpm • B min • 02:46 • -2.8db
28% Popularity • 36% Danceability • 97% Energy • 28% Liveness
17% Instrumentalness • 50% Positiveness
28% Popularity • 36% Danceability • 97% Energy • 28% Liveness
17% Instrumentalness • 50% Positiveness
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Teenage Bottlerocket
Strung out on Stress
149 bpm • B min • 02:16 • -1.68db
29% Popularity • 36% Danceability • 97% Energy • 73% Liveness
0% Instrumentalness • 48% Positiveness
29% Popularity • 36% Danceability • 97% Energy • 73% Liveness
0% Instrumentalness • 48% Positiveness
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The Filaments
Fuck The
162 bpm • C Maj • 01:15 • -3db
13% Popularity • 33% Danceability • 99% Energy • 40% Liveness
0% Instrumentalness • 27% Positiveness
13% Popularity • 33% Danceability • 99% Energy • 40% Liveness
0% Instrumentalness • 27% Positiveness
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The Briggs
Back to Higher Ground
162 bpm • C# Maj • 02:46 • -2.75db
34% Popularity • 56% Danceability • 96% Energy • 7% Liveness
0% Instrumentalness • 75% Positiveness
34% Popularity • 56% Danceability • 96% Energy • 7% Liveness
0% Instrumentalness • 75% Positiveness
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Nobodys
I Hate Your Guts
162 bpm • D Maj • 01:17 • -2.44db
35% Popularity • 42% Danceability • 100% Energy • 29% Liveness
34% Instrumentalness • 94% Positiveness
35% Popularity • 42% Danceability • 100% Energy • 29% Liveness
34% Instrumentalness • 94% Positiveness
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The Holy Mess
Worthless Original
148 bpm • A Maj • 03:26 • -4db
25% Popularity • 23% Danceability • 96% Energy • 74% Liveness
0% Instrumentalness • 10% Positiveness
25% Popularity • 23% Danceability • 96% Energy • 74% Liveness
0% Instrumentalness • 10% Positiveness
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The Venomous Pinks
No Rules
162 bpm • C Maj • 02:56 • -6.25db
17% Popularity • 48% Danceability • 95% Energy • 30% Liveness
0% Instrumentalness • 81% Positiveness
17% Popularity • 48% Danceability • 95% Energy • 30% Liveness
0% Instrumentalness • 81% Positiveness
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Venerea
Summer of '94
148 bpm • C Maj • 02:04 • -6.98db
29% Popularity • 40% Danceability • 98% Energy • 71% Liveness
0% Instrumentalness • 60% Positiveness
29% Popularity • 40% Danceability • 98% Energy • 71% Liveness
0% Instrumentalness • 60% Positiveness
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The Sewer Rats
Magic Summer
148 bpm • G Maj • 03:17 • -5.13db
13% Popularity • 48% Danceability • 93% Energy • 7% Liveness
0% Instrumentalness • 80% Positiveness
13% Popularity • 48% Danceability • 93% Energy • 7% Liveness
0% Instrumentalness • 80% Positiveness
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The Virus
What Do You Want?
148 bpm • F# min • 02:15 • -2.68db
27% Popularity • 37% Danceability • 98% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
27% Popularity • 37% Danceability • 98% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Horror Section
Ending World
162 bpm • C Maj • 02:03 • -5.34db
17% Popularity • 40% Danceability • 98% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
17% Popularity • 40% Danceability • 98% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
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Bad Cop, Bad Cop
I'm Done
148 bpm • C Maj • 01:48 • -4.12db
25% Popularity • 45% Danceability • 98% Energy • 15% Liveness
6% Instrumentalness • 51% Positiveness
25% Popularity • 45% Danceability • 98% Energy • 15% Liveness
6% Instrumentalness • 51% Positiveness
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PEARS
Killing Me
163 bpm • F# min • 02:53 • -4.19db
17% Popularity • 25% Danceability • 99% Energy • 40% Liveness
0% Instrumentalness • 41% Positiveness
17% Popularity • 25% Danceability • 99% Energy • 40% Liveness
0% Instrumentalness • 41% Positiveness
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88 Fingers Louie
I’ve Won
163 bpm • C# min • 01:35 • -4.06db
47% Popularity • 29% Danceability • 98% Energy • 35% Liveness
0% Instrumentalness • 51% Positiveness
47% Popularity • 29% Danceability • 98% Energy • 35% Liveness
0% Instrumentalness • 51% Positiveness
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Adolescents
Quicksand Blaster
147 bpm • G Maj • 02:09 • -3.15db
21% Popularity • 57% Danceability • 97% Energy • 20% Liveness
0% Instrumentalness • 69% Positiveness
21% Popularity • 57% Danceability • 97% Energy • 20% Liveness
0% Instrumentalness • 69% Positiveness
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The Manges
Jesus Is My Homeboy
164 bpm • C# min • 02:54 • -4.7db
15% Popularity • 53% Danceability • 91% Energy • 7% Liveness
1% Instrumentalness • 92% Positiveness
15% Popularity • 53% Danceability • 91% Energy • 7% Liveness
1% Instrumentalness • 92% Positiveness
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The Murderburgers
Unemployment, Here I Come
165 bpm • B Maj • 01:48 • -3.85db
13% Popularity • 28% Danceability • 98% Energy • 42% Liveness
8% Instrumentalness • 30% Positiveness
13% Popularity • 28% Danceability • 98% Energy • 42% Liveness
8% Instrumentalness • 30% Positiveness
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The Bombpops
Ca in July
146 bpm • B min • 02:00 • -5db
39% Popularity • 52% Danceability • 95% Energy • 30% Liveness
0% Instrumentalness • 70% Positiveness
39% Popularity • 52% Danceability • 95% Energy • 30% Liveness
0% Instrumentalness • 70% Positiveness
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Off With Their Heads
Trying To Breathe
165 bpm • C Maj • 02:49 • -4.35db
31% Popularity • 45% Danceability • 97% Energy • 38% Liveness
0% Instrumentalness • 70% Positiveness
31% Popularity • 45% Danceability • 97% Energy • 38% Liveness
0% Instrumentalness • 70% Positiveness
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The Potato Pirates
Boots for Brains
166 bpm • A# min • 02:28 • -4.37db
9% Popularity • 46% Danceability • 96% Energy • 22% Liveness
0% Instrumentalness • 83% Positiveness
9% Popularity • 46% Danceability • 96% Energy • 22% Liveness
0% Instrumentalness • 83% Positiveness
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Mean Jeans
One More Before We Go
165 bpm • C# min • 01:31 • -2.34db
15% Popularity • 43% Danceability • 98% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
15% Popularity • 43% Danceability • 98% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
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Cigar
The Loss
145 bpm • G# Maj • 01:58 • -3.23db
21% Popularity • 26% Danceability • 96% Energy • 31% Liveness
0% Instrumentalness • 69% Positiveness
21% Popularity • 26% Danceability • 96% Energy • 31% Liveness
0% Instrumentalness • 69% Positiveness
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The Young Rochelles
I Never Saw the Ramones
166 bpm • C# Maj • 01:19 • -3.08db
12% Popularity • 40% Danceability • 100% Energy • 2% Liveness
0% Instrumentalness • 60% Positiveness
12% Popularity • 40% Danceability • 100% Energy • 2% Liveness
0% Instrumentalness • 60% Positiveness
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Nobodys
Know It All
166 bpm • D Maj • 01:40 • -3.49db
17% Popularity • 43% Danceability • 99% Energy • 17% Liveness
0% Instrumentalness • 33% Positiveness
17% Popularity • 43% Danceability • 99% Energy • 17% Liveness
0% Instrumentalness • 33% Positiveness
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Kill Your Idols
Simple, Short, & Fast
167 bpm • C# min • 03:19 • -3.56db
8% Popularity • 14% Danceability • 99% Energy • 18% Liveness
0% Instrumentalness • 29% Positiveness
8% Popularity • 14% Danceability • 99% Energy • 18% Liveness
0% Instrumentalness • 29% Positiveness
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PEARS
Sycophant
144 bpm • C Maj • 01:46 • -6.4db
25% Popularity • 43% Danceability • 96% Energy • 32% Liveness
0% Instrumentalness • 80% Positiveness
25% Popularity • 43% Danceability • 96% Energy • 32% Liveness
0% Instrumentalness • 80% Positiveness
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Get Dead
Hard Times
144 bpm • F min • 02:45 • -5.06db
33% Popularity • 50% Danceability • 98% Energy • 11% Liveness
0% Instrumentalness • 79% Positiveness
33% Popularity • 50% Danceability • 98% Energy • 11% Liveness
0% Instrumentalness • 79% Positiveness
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Giant Eagles
Bloodlust Tonight
167 bpm • A# min • 02:51 • -7.59db
9% Popularity • 40% Danceability • 87% Energy • 16% Liveness
0% Instrumentalness • 78% Positiveness
9% Popularity • 40% Danceability • 87% Energy • 16% Liveness
0% Instrumentalness • 78% Positiveness
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The Briefs
Destroy the USA
143 bpm • F Maj • 02:14 • -3.08db
16% Popularity • 35% Danceability • 94% Energy • 29% Liveness
0% Instrumentalness • 61% Positiveness
16% Popularity • 35% Danceability • 94% Energy • 29% Liveness
0% Instrumentalness • 61% Positiveness
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The Apers
To the Bar for Cocktails
143 bpm • A Maj • 01:34 • -4.68db
11% Popularity • 40% Danceability • 93% Energy • 83% Liveness
0% Instrumentalness • 35% Positiveness
11% Popularity • 40% Danceability • 93% Energy • 83% Liveness
0% Instrumentalness • 35% Positiveness
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The Methadones
Bored of Television
168 bpm • F Maj • 03:19 • -5db
13% Popularity • 30% Danceability • 92% Energy • 72% Liveness
2% Instrumentalness • 49% Positiveness
13% Popularity • 30% Danceability • 92% Energy • 72% Liveness
2% Instrumentalness • 49% Positiveness
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The Venomous Pinks
We Do It Better
168 bpm • A Maj • 02:53 • -6.18db
20% Popularity • 25% Danceability • 94% Energy • 46% Liveness
24% Instrumentalness • 61% Positiveness
20% Popularity • 25% Danceability • 94% Energy • 46% Liveness
24% Instrumentalness • 61% Positiveness
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Get Dead
Pepperspray
142 bpm • D Maj • 02:16 • -6.99db
31% Popularity • 54% Danceability • 68% Energy • 20% Liveness
0% Instrumentalness • 72% Positiveness
31% Popularity • 54% Danceability • 68% Energy • 20% Liveness
0% Instrumentalness • 72% Positiveness
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Bad Cop, Bad Cop
Pursuit of Liberty
143 bpm • C# min • 03:23 • -5.19db
26% Popularity • 47% Danceability • 96% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
26% Popularity • 47% Danceability • 96% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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Clowns
Back to Winnipeg
169 bpm • F# Maj • 01:13 • -3.78db
28% Popularity • 22% Danceability • 82% Energy • 20% Liveness
0% Instrumentalness • 46% Positiveness
28% Popularity • 22% Danceability • 82% Energy • 20% Liveness
0% Instrumentalness • 46% Positiveness
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Dan Vapid & the Cheats
Sour Pauline
170 bpm • B min • 02:25 • -11.9db
13% Popularity • 33% Danceability • 93% Energy • 37% Liveness
0% Instrumentalness • 35% Positiveness
13% Popularity • 33% Danceability • 93% Energy • 37% Liveness
0% Instrumentalness • 35% Positiveness
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U.S. Bombs
Riot Sirens
170 bpm • C# Maj • 02:41 • -5.15db
29% Popularity • 46% Danceability • 97% Energy • 18% Liveness
0% Instrumentalness • 67% Positiveness
29% Popularity • 46% Danceability • 97% Energy • 18% Liveness
0% Instrumentalness • 67% Positiveness
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The Attack
Call to Arms
170 bpm • A Maj • 02:56 • -2.55db
11% Popularity • 38% Danceability • 99% Energy • 35% Liveness
0% Instrumentalness • 52% Positiveness
11% Popularity • 38% Danceability • 99% Energy • 35% Liveness
0% Instrumentalness • 52% Positiveness
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Get Dead
Pepperspray - Chris Dugan Mix
141 bpm • B min • 02:44 • -17db
12% Popularity • 50% Danceability • 51% Energy • 30% Liveness
13% Instrumentalness • 64% Positiveness
12% Popularity • 50% Danceability • 51% Energy • 30% Liveness
13% Instrumentalness • 64% Positiveness
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Sniper 66
Annihilator
170 bpm • G Maj • 02:02 • -5.63db
15% Popularity • 38% Danceability • 98% Energy • 10% Liveness
1% Instrumentalness • 19% Positiveness
15% Popularity • 38% Danceability • 98% Energy • 10% Liveness
1% Instrumentalness • 19% Positiveness
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Groovie Ghoulies
Let's Do It Again
141 bpm • D Maj • 01:00 • -4.63db
30% Popularity • 49% Danceability • 86% Energy • 7% Liveness
8% Instrumentalness • 76% Positiveness
30% Popularity • 49% Danceability • 86% Energy • 7% Liveness
8% Instrumentalness • 76% Positiveness
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Diesel Boy
Bismarck
170 bpm • F Maj • 02:16 • -3.61db
21% Popularity • 47% Danceability • 98% Energy • 28% Liveness
0% Instrumentalness • 70% Positiveness
21% Popularity • 47% Danceability • 98% Energy • 28% Liveness
0% Instrumentalness • 70% Positiveness
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PEARS
Rich to Rags
170 bpm • B Maj • 02:30 • -4.32db
14% Popularity • 42% Danceability • 99% Energy • 34% Liveness
0% Instrumentalness • 54% Positiveness
14% Popularity • 42% Danceability • 99% Energy • 34% Liveness
0% Instrumentalness • 54% Positiveness
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Randells
Gum In My Hair
171 bpm • C# min • 01:51 • -10.11db
19% Popularity • 51% Danceability • 82% Energy • 78% Liveness
0% Instrumentalness • 96% Positiveness
19% Popularity • 51% Danceability • 82% Energy • 78% Liveness
0% Instrumentalness • 96% Positiveness
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Adolescents
Just Because
171 bpm • B min • 01:28 • -10.91db
20% Popularity • 25% Danceability • 92% Energy • 36% Liveness
52% Instrumentalness • 56% Positiveness
20% Popularity • 25% Danceability • 92% Energy • 36% Liveness
52% Instrumentalness • 56% Positiveness
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Rancid
Mud, Blood, & Gold
140 bpm • D Maj • 01:12 • -4.64db
34% Popularity • 49% Danceability • 98% Energy • 92% Liveness
1% Instrumentalness • 21% Positiveness
34% Popularity • 49% Danceability • 98% Energy • 92% Liveness
1% Instrumentalness • 21% Positiveness
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Dan Vapid & the Cheats
Silver Lining
140 bpm • E Maj • 02:42 • -6db
17% Popularity • 49% Danceability • 93% Energy • 37% Liveness
0% Instrumentalness • 74% Positiveness
17% Popularity • 49% Danceability • 93% Energy • 37% Liveness
0% Instrumentalness • 74% Positiveness
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Left Alone
Into the Sun
140 bpm • A Maj • 01:58 • -3.67db
9% Popularity • 50% Danceability • 100% Energy • 34% Liveness
0% Instrumentalness • 69% Positiveness
9% Popularity • 50% Danceability • 100% Energy • 34% Liveness
0% Instrumentalness • 69% Positiveness
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The Sewer Rats
My Sweet Chun-Li
172 bpm • G Maj • 03:46 • -4db
13% Popularity • 45% Danceability • 96% Energy • 21% Liveness
0% Instrumentalness • 71% Positiveness
13% Popularity • 45% Danceability • 96% Energy • 21% Liveness
0% Instrumentalness • 71% Positiveness
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The Briefs
Run the Other Way
172 bpm • F Maj • 01:57 • -3.71db
13% Popularity • 45% Danceability • 97% Energy • 54% Liveness
0% Instrumentalness • 62% Positiveness
13% Popularity • 45% Danceability • 97% Energy • 54% Liveness
0% Instrumentalness • 62% Positiveness
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Snuff
Dippy Egg
140 bpm • E min • 02:32 • -12.3db
31% Popularity • 49% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
31% Popularity • 49% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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The Suicide Machines
Bully in Blue
139 bpm • A Maj • 02:11 • -3db
23% Popularity • 43% Danceability • 99% Energy • 28% Liveness
14% Instrumentalness • 55% Positiveness
23% Popularity • 43% Danceability • 99% Energy • 28% Liveness
14% Instrumentalness • 55% Positiveness
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Dan Vapid & the Cheats
Burning Questions
172 bpm • G Maj • 02:16 • -10db
8% Popularity • 46% Danceability • 71% Energy • 4% Liveness
0% Instrumentalness • 68% Positiveness
8% Popularity • 46% Danceability • 71% Energy • 4% Liveness
0% Instrumentalness • 68% Positiveness
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The Queers
Fuck the World
140 bpm • C Maj • 02:31 • -4.38db
34% Popularity • 38% Danceability • 94% Energy • 33% Liveness
5% Instrumentalness • 47% Positiveness
34% Popularity • 38% Danceability • 94% Energy • 33% Liveness
5% Instrumentalness • 47% Positiveness
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Bombshell Rocks
Seven
139 bpm • A Maj • 03:11 • -4.02db
20% Popularity • 29% Danceability • 96% Energy • 39% Liveness
0% Instrumentalness • 66% Positiveness
20% Popularity • 29% Danceability • 96% Energy • 39% Liveness
0% Instrumentalness • 66% Positiveness
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The Bollweevils
Bottomless Pit
173 bpm • F# min • 02:36 • -9.93db
23% Popularity • 33% Danceability • 82% Energy • 7% Liveness
83% Instrumentalness • 52% Positiveness
23% Popularity • 33% Danceability • 82% Energy • 7% Liveness
83% Instrumentalness • 52% Positiveness
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No Fun At All
Tear Me Down
173 bpm • B min • 02:35 • -2.42db
18% Popularity • 38% Danceability • 100% Energy • 11% Liveness
1% Instrumentalness • 63% Positiveness
18% Popularity • 38% Danceability • 100% Energy • 11% Liveness
1% Instrumentalness • 63% Positiveness
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Fat Heaven
Never Needed You
173 bpm • D# Maj • 01:55 • -3.75db
9% Popularity • 42% Danceability • 100% Energy • 28% Liveness
22% Instrumentalness • 49% Positiveness
9% Popularity • 42% Danceability • 100% Energy • 28% Liveness
22% Instrumentalness • 49% Positiveness
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The Bombpops
Marry. Fuck. Kill.
173 bpm • D Maj • 02:44 • -4.42db
29% Popularity • 36% Danceability • 96% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
29% Popularity • 36% Danceability • 96% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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The Briefs
Orange Alert
173 bpm • E Maj • 02:00 • -4.06db
16% Popularity • 30% Danceability • 98% Energy • 85% Liveness
0% Instrumentalness • 39% Positiveness
16% Popularity • 30% Danceability • 98% Energy • 85% Liveness
0% Instrumentalness • 39% Positiveness
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The Last Gang
WFTW
173 bpm • C Maj • 04:05 • -6.05db
17% Popularity • 47% Danceability • 90% Energy • 34% Liveness
0% Instrumentalness • 65% Positiveness
17% Popularity • 47% Danceability • 90% Energy • 34% Liveness
0% Instrumentalness • 65% Positiveness
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Escape From The Zoo
Wasted Years
174 bpm • D Maj • 03:50 • -9.6db
25% Popularity • 31% Danceability • 80% Energy • 62% Liveness
0% Instrumentalness • 54% Positiveness
25% Popularity • 31% Danceability • 80% Energy • 62% Liveness
0% Instrumentalness • 54% Positiveness
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The Drowns
Them Rats
174 bpm • F Maj • 02:55 • -4.57db
30% Popularity • 46% Danceability • 100% Energy • 31% Liveness
0% Instrumentalness • 32% Positiveness
30% Popularity • 46% Danceability • 100% Energy • 31% Liveness
0% Instrumentalness • 32% Positiveness
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Swingin' Utters
Windspitting Punk
174 bpm • C# min • 02:14 • -6db
31% Popularity • 28% Danceability • 96% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
31% Popularity • 28% Danceability • 96% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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Nobodys
Best Damn Tits (I've Ever Seen)
174 bpm • A Maj • 01:40 • -3db
32% Popularity • 36% Danceability • 100% Energy • 40% Liveness
76% Instrumentalness • 55% Positiveness
32% Popularity • 36% Danceability • 100% Energy • 40% Liveness
76% Instrumentalness • 55% Positiveness
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Randells
Holiday In The Sun
175 bpm • D Maj • 02:42 • -9.7db
10% Popularity • 44% Danceability • 78% Energy • 77% Liveness
0% Instrumentalness • 84% Positiveness
10% Popularity • 44% Danceability • 78% Energy • 77% Liveness
0% Instrumentalness • 84% Positiveness
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Night Birds
Mutiny at Muscle Beach
175 bpm • D Maj • 02:17 • -4.63db
8% Popularity • 15% Danceability • 96% Energy • 53% Liveness
6% Instrumentalness • 18% Positiveness
8% Popularity • 15% Danceability • 96% Energy • 53% Liveness
6% Instrumentalness • 18% Positiveness
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Snuff
Looks Alright from Here
176 bpm • E Maj • 02:31 • -7.52db
13% Popularity • 14% Danceability • 97% Energy • 37% Liveness
79% Instrumentalness • 33% Positiveness
13% Popularity • 14% Danceability • 97% Energy • 37% Liveness
79% Instrumentalness • 33% Positiveness
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The Drowns
Subculture Rock 'N Roll
175 bpm • D Maj • 04:56 • -6.29db
14% Popularity • 44% Danceability • 97% Energy • 27% Liveness
0% Instrumentalness • 54% Positiveness
14% Popularity • 44% Danceability • 97% Energy • 27% Liveness
0% Instrumentalness • 54% Positiveness
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Wonk Unit
I Told You So
176 bpm • A Maj • 01:31 • -3.86db
14% Popularity • 31% Danceability • 96% Energy • 5% Liveness
0% Instrumentalness • 57% Positiveness
14% Popularity • 31% Danceability • 96% Energy • 5% Liveness
0% Instrumentalness • 57% Positiveness
