Songs like I Have Confidence by Rebecca Luker
Based on a tempo of (+/- 10%) and a similar genre
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Mary Lou Rosato
Sensitivity
66 bpm • D Maj • 02:53 • -13.91db
19% Popularity • 54% Danceability • 21% Energy • 21% Liveness
0% Instrumentalness • 68% Positiveness
19% Popularity • 54% Danceability • 21% Energy • 21% Liveness
0% Instrumentalness • 68% Positiveness
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Lindsay Mendez
Mister Snow - Reprise
65 bpm • G Maj • 02:28 • -11.44db
16% Popularity • 45% Danceability • 29% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
16% Popularity • 45% Danceability • 29% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
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Rebecca Luker
I Have Confidence
66 bpm • D Maj • 02:43 • -16.14db
14% Popularity • 52% Danceability • 16% Energy • 26% Liveness
0% Instrumentalness • 46% Positiveness
14% Popularity • 52% Danceability • 16% Energy • 26% Liveness
0% Instrumentalness • 46% Positiveness
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Scarlett Strallen
Would You?
65 bpm • C Maj • 01:34 • -13.46db
16% Popularity • 30% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 14% Positiveness
16% Popularity • 30% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 14% Positiveness
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Vincent Youmans
Youmans: No, No, Nanette, Act 2: "Tea Fo...
64 bpm • G# Maj • 05:40 • -16.36db
0% Popularity • 28% Danceability • 20% Energy • 31% Liveness
0% Instrumentalness • 34% Positiveness
0% Popularity • 28% Danceability • 20% Energy • 31% Liveness
0% Instrumentalness • 34% Positiveness
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The Mystery of Edwin Drood - The 2013 New Broadway Cast
Rosa's Confession
64 bpm • A min • 01:58 • -9.35db
15% Popularity • 51% Danceability • 44% Energy • 33% Liveness
0% Instrumentalness • 43% Positiveness
15% Popularity • 51% Danceability • 44% Energy • 33% Liveness
0% Instrumentalness • 43% Positiveness
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Heidi Blickenstaff
I Am Playing Me
63 bpm • C Maj • 01:40 • -13db
27% Popularity • 70% Danceability • 20% Energy • 14% Liveness
0% Instrumentalness • 71% Positiveness
27% Popularity • 70% Danceability • 20% Energy • 14% Liveness
0% Instrumentalness • 71% Positiveness
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Jerome Kern
Long Ago (And Far Away)
69 bpm • E Maj • 03:02 • -11.45db
0% Popularity • 32% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
0% Popularity • 32% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
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Rebecca Luker
It's Time Little Man
68 bpm • D Maj • 04:29 • -13.02db
3% Popularity • 29% Danceability • 15% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
3% Popularity • 29% Danceability • 15% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
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Peter Samuel
Storm I
63 bpm • D Maj • 00:51 • -12.46db
20% Popularity • 36% Danceability • 93% Energy • 49% Liveness
24% Instrumentalness • 4% Positiveness
20% Popularity • 36% Danceability • 93% Energy • 49% Liveness
24% Instrumentalness • 4% Positiveness
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Stephen Bogardus
The Knight of the Mirrors
70 bpm • A# Maj • 02:02 • -12.26db
18% Popularity • 55% Danceability • 29% Energy • 24% Liveness
0% Instrumentalness • 44% Positiveness
18% Popularity • 55% Danceability • 29% Energy • 24% Liveness
0% Instrumentalness • 44% Positiveness
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Simon Stride, Emma Carew
Emma's Reasons
71 bpm • F# Maj • 01:40 • -15.3db
25% Popularity • 40% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
25% Popularity • 40% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Original Broadway Cast of 'Joseph and the Amazing Technicolor Dreamcoat'
Joseph's Dreams
71 bpm • A# Maj • 02:33 • -17.56db
15% Popularity • 48% Danceability • 20% Energy • 15% Liveness
0% Instrumentalness • 74% Positiveness
15% Popularity • 48% Danceability • 20% Energy • 15% Liveness
0% Instrumentalness • 74% Positiveness
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Kate Baldwin
Ribbons Down My Back
71 bpm • D min • 03:08 • -14db
28% Popularity • 28% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
28% Popularity • 28% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Rebecca Luker
Old Dog Tray
70 bpm • F Maj • 04:11 • -12.49db
0% Popularity • 37% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
0% Popularity • 37% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Christian Borle
Where Are You? - Original Broadway Cast ...
71 bpm • A Maj • 01:03 • -6db
28% Popularity • 30% Danceability • 52% Energy • 34% Liveness
0% Instrumentalness • 46% Positiveness
28% Popularity • 30% Danceability • 52% Energy • 34% Liveness
0% Instrumentalness • 46% Positiveness
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Original Cast of Amélie
Tour De France
71 bpm • D Maj • 02:33 • -8.29db
20% Popularity • 41% Danceability • 43% Energy • 7% Liveness
0% Instrumentalness • 36% Positiveness
20% Popularity • 41% Danceability • 43% Energy • 7% Liveness
0% Instrumentalness • 36% Positiveness
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The Original Broadway Cast Of 'Curtains'
Wide Open Spaces Finale
72 bpm • C min • 01:05 • -9.67db
15% Popularity • 57% Danceability • 51% Energy • 66% Liveness
0% Instrumentalness • 51% Positiveness
15% Popularity • 57% Danceability • 51% Energy • 66% Liveness
0% Instrumentalness • 51% Positiveness
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Jerome Kern
A Fine Romance
72 bpm • G# Maj • 03:37 • -12db
0% Popularity • 31% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
0% Popularity • 31% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Victor Herbert
From The Dream Song: Lovelight
72 bpm • F Maj • 02:13 • -14.3db
0% Popularity • 37% Danceability • 21% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
0% Popularity • 37% Danceability • 21% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
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Rebecca Luker
Bill/Can't Help Lovin' that Man
60 bpm • E Maj • 06:31 • -8.28db
1% Popularity • 34% Danceability • 20% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
1% Popularity • 34% Danceability • 20% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
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Jane Krakowski
A Trip to the Library
73 bpm • A Maj • 04:27 • -11.7db
25% Popularity • 63% Danceability • 31% Energy • 30% Liveness
0% Instrumentalness • 42% Positiveness
25% Popularity • 63% Danceability • 31% Energy • 30% Liveness
0% Instrumentalness • 42% Positiveness
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Audra McDonald
President
73 bpm • A# Maj • 01:11 • -13.12db
18% Popularity • 48% Danceability • 32% Energy • 70% Liveness
0% Instrumentalness • 42% Positiveness
18% Popularity • 48% Danceability • 32% Energy • 70% Liveness
0% Instrumentalness • 42% Positiveness
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Patti Cohenour
Climb Ev'ry Mountain
73 bpm • C Maj • 03:02 • -12.99db
12% Popularity • 16% Danceability • 23% Energy • 6% Liveness
1% Instrumentalness • 9% Positiveness
12% Popularity • 16% Danceability • 23% Energy • 6% Liveness
1% Instrumentalness • 9% Positiveness
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Jerome Kern
Let’s Begin
73 bpm • A Maj • 02:33 • -13.74db
0% Popularity • 69% Danceability • 17% Energy • 7% Liveness
0% Instrumentalness • 41% Positiveness
0% Popularity • 69% Danceability • 17% Energy • 7% Liveness
0% Instrumentalness • 41% Positiveness
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Victor Herbert
Give Your Heart in June-Time
73 bpm • D# Maj • 03:18 • -20.31db
0% Popularity • 33% Danceability • 9% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
0% Popularity • 33% Danceability • 9% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
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Christopher J. Hanke
I Believe In You (Reprise)
59 bpm • G Maj • 01:27 • -17.11db
18% Popularity • 31% Danceability • 6% Energy • 21% Liveness
0% Instrumentalness • 32% Positiveness
18% Popularity • 31% Danceability • 6% Energy • 21% Liveness
0% Instrumentalness • 32% Positiveness
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Georgia Engel
Love Is Always Lovely in the End
58 bpm • C min • 02:16 • -11db
24% Popularity • 74% Danceability • 21% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
24% Popularity • 74% Danceability • 21% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
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Marin Mazzie
The Courtship
73 bpm • D min • 03:02 • -15.83db
19% Popularity • 44% Danceability • 10% Energy • 21% Liveness
0% Instrumentalness • 19% Positiveness
19% Popularity • 44% Danceability • 10% Energy • 21% Liveness
0% Instrumentalness • 19% Positiveness
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Natalie Cortez
Montage, Part 2: Nothing
75 bpm • G# min • 06:46 • -9db
31% Popularity • 51% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
31% Popularity • 51% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
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Meredith Willson
Piano Lesson
75 bpm • C# Maj • 01:56 • -17db
14% Popularity • 61% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
14% Popularity • 61% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
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Danny Burstein
Tevye's Monologue
75 bpm • F# Maj • 02:31 • -10.5db
21% Popularity • 58% Danceability • 31% Energy • 16% Liveness
0% Instrumentalness • 30% Positiveness
21% Popularity • 58% Danceability • 31% Energy • 16% Liveness
0% Instrumentalness • 30% Positiveness
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Ray Aranha
Interrogation: I'm trying to remember...
75 bpm • G# Maj • 02:02 • -19.05db
13% Popularity • 59% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
13% Popularity • 59% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Michel Bell
Alma Redemptoris Mater
75 bpm • G Maj • 02:34 • -20.76db
3% Popularity • 13% Danceability • 8% Energy • 9% Liveness
31% Instrumentalness • 6% Positiveness
3% Popularity • 13% Danceability • 8% Energy • 9% Liveness
31% Instrumentalness • 6% Positiveness
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Broadway Cast Recording
Where Is The Life That Late I Led?
76 bpm • F Maj • 04:34 • -10.27db
15% Popularity • 43% Danceability • 38% Energy • 67% Liveness
0% Instrumentalness • 40% Positiveness
15% Popularity • 43% Danceability • 38% Energy • 67% Liveness
0% Instrumentalness • 40% Positiveness
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Victor Herbert
From The Dream Song: Farewell
76 bpm • C Maj • 01:59 • -16.71db
0% Popularity • 30% Danceability • 12% Energy • 13% Liveness
2% Instrumentalness • 11% Positiveness
0% Popularity • 30% Danceability • 12% Energy • 13% Liveness
2% Instrumentalness • 11% Positiveness
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William Finn
Prologue: Prologue: Calamari
76 bpm • G Maj • 03:40 • -11db
12% Popularity • 53% Danceability • 43% Energy • 25% Liveness
0% Instrumentalness • 58% Positiveness
12% Popularity • 53% Danceability • 43% Energy • 25% Liveness
0% Instrumentalness • 58% Positiveness
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Ben Rappaport
Now I Have Everything
58 bpm • G# Maj • 01:55 • -7db
23% Popularity • 45% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
23% Popularity • 45% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Alexander Gemignani
When The Children Are Asleep
76 bpm • F Maj • 04:54 • -11.52db
19% Popularity • 42% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
19% Popularity • 42% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Laura Michelle Kelly as Mary Poppins
A Spoonful of Sugar (reprise) / A Shooti...
76 bpm • A# Maj • 03:46 • -15.76db
20% Popularity • 33% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
20% Popularity • 33% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Peter Joback
Something - Reprise
76 bpm • C# Maj • 01:09 • -19db
13% Popularity • 22% Danceability • 6% Energy • 8% Liveness
5% Instrumentalness • 7% Positiveness
13% Popularity • 22% Danceability • 6% Energy • 8% Liveness
5% Instrumentalness • 7% Positiveness
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Rose, Herbie, June, Mr. Goldstone and Boys
Have an Eggroll, Mr. Goldstone
57 bpm • B Maj • 02:26 • -4.59db
15% Popularity • 45% Danceability • 55% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
15% Popularity • 45% Danceability • 55% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
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Mindi Dickstein
Take a Chance on Me
76 bpm • C# min • 02:58 • -7db
30% Popularity • 46% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
30% Popularity • 46% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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Anthony Crivello
Marta
57 bpm • C# Maj • 02:16 • -16.35db
11% Popularity • 17% Danceability • 11% Energy • 8% Liveness
4% Instrumentalness • 13% Positiveness
11% Popularity • 17% Danceability • 11% Energy • 8% Liveness
4% Instrumentalness • 13% Positiveness
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Daisy Eagan
Come Spirit, Come Charm
76 bpm • F Maj • 03:13 • -14.94db
19% Popularity • 33% Danceability • 20% Energy • 47% Liveness
0% Instrumentalness • 28% Positiveness
19% Popularity • 33% Danceability • 20% Energy • 47% Liveness
0% Instrumentalness • 28% Positiveness
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Andrea Frierson
Forever Yours (Reprise)
76 bpm • E Maj • 04:02 • -18.95db
13% Popularity • 41% Danceability • 13% Energy • 31% Liveness
0% Instrumentalness • 19% Positiveness
13% Popularity • 41% Danceability • 13% Energy • 31% Liveness
0% Instrumentalness • 19% Positiveness
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The Mystery of Edwin Drood - The 2013 New Broadway Cast
Perfect Strangers
76 bpm • A Maj • 02:30 • -11.8db
15% Popularity • 27% Danceability • 25% Energy • 29% Liveness
0% Instrumentalness • 42% Positiveness
15% Popularity • 27% Danceability • 25% Energy • 29% Liveness
0% Instrumentalness • 42% Positiveness
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Dirty Rotten Scoundrels Original Broadway Cast
Love Sneaks In
76 bpm • D min • 02:16 • -17.36db
12% Popularity • 29% Danceability • 8% Energy • 11% Liveness
2% Instrumentalness • 12% Positiveness
12% Popularity • 29% Danceability • 8% Energy • 11% Liveness
2% Instrumentalness • 12% Positiveness
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Jule Styne
The Things We Did Last Summer
76 bpm • G Maj • 03:07 • -15.32db
0% Popularity • 39% Danceability • 9% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
0% Popularity • 39% Danceability • 9% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
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J.C. Montgomery
A Rumblin' and a Rollin'
77 bpm • A min • 03:28 • -8.27db
15% Popularity • 66% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
15% Popularity • 66% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Lee Remick
There Won't Be Trumpets
76 bpm • F Maj • 02:37 • -10.14db
20% Popularity • 44% Danceability • 36% Energy • 17% Liveness
0% Instrumentalness • 52% Positiveness
20% Popularity • 44% Danceability • 36% Energy • 17% Liveness
0% Instrumentalness • 52% Positiveness
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Rebecca Luker
Coming Apart
77 bpm • C Maj • 02:48 • -12.94db
1% Popularity • 32% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
1% Popularity • 32% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Michael Siberry
Something Good
77 bpm • F Maj • 03:11 • -19.95db
13% Popularity • 24% Danceability • 6% Energy • 54% Liveness
0% Instrumentalness • 16% Positiveness
13% Popularity • 24% Danceability • 6% Energy • 54% Liveness
0% Instrumentalness • 16% Positiveness
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Katie Rose Clarke
I Oughta Go
77 bpm • F Maj • 01:35 • -11.04db
12% Popularity • 75% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
12% Popularity • 75% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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Kyra Da Costa
Baby, Dream Your Dream
77 bpm • B Maj • 03:41 • -13.65db
11% Popularity • 50% Danceability • 22% Energy • 24% Liveness
0% Instrumentalness • 26% Positiveness
11% Popularity • 50% Danceability • 22% Energy • 24% Liveness
0% Instrumentalness • 26% Positiveness
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Beth Leavel
Everything Happens
77 bpm • C# Maj • 03:28 • -15.31db
15% Popularity • 36% Danceability • 18% Energy • 30% Liveness
1% Instrumentalness • 11% Positiveness
15% Popularity • 36% Danceability • 18% Energy • 30% Liveness
1% Instrumentalness • 11% Positiveness
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Daisy Eagan
Storm II
78 bpm • E min • 01:23 • -20.43db
21% Popularity • 31% Danceability • 6% Energy • 90% Liveness
0% Instrumentalness • 39% Positiveness
21% Popularity • 31% Danceability • 6% Energy • 90% Liveness
0% Instrumentalness • 39% Positiveness
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Mindi Dickstein
How I Am
78 bpm • D Maj • 03:12 • -10db
25% Popularity • 52% Danceability • 32% Energy • 6% Liveness
0% Instrumentalness • 44% Positiveness
25% Popularity • 52% Danceability • 32% Energy • 6% Liveness
0% Instrumentalness • 44% Positiveness
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John Kander
I Can't Do It Alone
78 bpm • A# Maj • 02:50 • -11.25db
3% Popularity • 55% Danceability • 55% Energy • 44% Liveness
0% Instrumentalness • 55% Positiveness
3% Popularity • 55% Danceability • 55% Energy • 44% Liveness
0% Instrumentalness • 55% Positiveness
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The Mystery of Edwin Drood - The 2013 New Broadway Cast
Never The Luck
78 bpm • D Maj • 02:17 • -11.1db
11% Popularity • 46% Danceability • 33% Energy • 27% Liveness
0% Instrumentalness • 30% Positiveness
11% Popularity • 46% Danceability • 33% Energy • 27% Liveness
0% Instrumentalness • 30% Positiveness
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Broadway Cast Recording
Kiss Me, Kate (Finale)
78 bpm • A# Maj • 00:56 • -7.32db
11% Popularity • 59% Danceability • 49% Energy • 18% Liveness
0% Instrumentalness • 74% Positiveness
11% Popularity • 59% Danceability • 49% Energy • 18% Liveness
0% Instrumentalness • 74% Positiveness
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Ann Brown
Lullaby
79 bpm • B Maj • 02:47 • -18.73db
13% Popularity • 42% Danceability • 15% Energy • 36% Liveness
0% Instrumentalness • 24% Positiveness
13% Popularity • 42% Danceability • 15% Energy • 36% Liveness
0% Instrumentalness • 24% Positiveness
► Preview
Rebecca Luker
Finale
77 bpm • G# Maj • 04:07 • -20.59db
19% Popularity • 25% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
19% Popularity • 25% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
► Preview
The Sound of Music Ensemble (1998)
Wedding Processional / Canticle
79 bpm • C Maj • 05:11 • -13.08db
11% Popularity • 30% Danceability • 22% Energy • 26% Liveness
1% Instrumentalness • 19% Positiveness
11% Popularity • 30% Danceability • 22% Energy • 26% Liveness
1% Instrumentalness • 19% Positiveness
► Preview
Vernon Duke
Where Is Bundy?
79 bpm • A# Maj • 01:54 • -12.48db
0% Popularity • 73% Danceability • 33% Energy • 64% Liveness
0% Instrumentalness • 53% Positiveness
0% Popularity • 73% Danceability • 33% Energy • 64% Liveness
0% Instrumentalness • 53% Positiveness
► Preview
William Finn
Gordo's Law of Genetics
79 bpm • G Maj • 01:43 • -3.53db
17% Popularity • 72% Danceability • 70% Energy • 22% Liveness
0% Instrumentalness • 89% Positiveness
17% Popularity • 72% Danceability • 70% Energy • 22% Liveness
0% Instrumentalness • 89% Positiveness
► Preview
Jekyll, Emma
I Must Go On
79 bpm • A Maj • 01:32 • -12.04db
24% Popularity • 46% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
24% Popularity • 46% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
► Preview
Marcia Lewis
Class
80 bpm • A Maj • 03:08 • -14.93db
26% Popularity • 45% Danceability • 10% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
26% Popularity • 45% Danceability • 10% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
► Preview
Daniel Radcliffe
Rosemary
79 bpm • G Maj • 03:57 • -13.67db
17% Popularity • 29% Danceability • 14% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
17% Popularity • 29% Danceability • 14% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
► Preview
Charles Strouse
Annie: Annie
80 bpm • C# Maj • 01:35 • -12.68db
23% Popularity • 59% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
23% Popularity • 59% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
► Preview
Steven Sutcliffe
He Wanted to Say
80 bpm • F# Maj • 02:34 • -10.05db
19% Popularity • 51% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
19% Popularity • 51% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
► Preview
A Chorus Line Ensemble (2006)
Montage, Part 1: Hello Twelve, Hello Thi...
80 bpm • E Maj • 05:04 • -11db
29% Popularity • 58% Danceability • 26% Energy • 53% Liveness
0% Instrumentalness • 44% Positiveness
29% Popularity • 58% Danceability • 26% Energy • 53% Liveness
0% Instrumentalness • 44% Positiveness
► Preview
Tom Herman
Chanson
81 bpm • B min • 03:16 • -20.15db
0% Popularity • 46% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
0% Popularity • 46% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
► Preview
Original Broadway Cast Of 'Passion'
I Read
81 bpm • G# Maj • 05:27 • -20db
13% Popularity • 42% Danceability • 8% Energy • 16% Liveness
0% Instrumentalness • 12% Positiveness
13% Popularity • 42% Danceability • 8% Energy • 16% Liveness
0% Instrumentalness • 12% Positiveness
► Preview
John Cameron Mitchell
Winter's on the Wing
81 bpm • G Maj • 02:33 • -12.48db
25% Popularity • 46% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
25% Popularity • 46% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
► Preview
Grace, Drake, & Warbucks' Staff
Annie
81 bpm • C# Maj • 02:12 • -6.26db
8% Popularity • 65% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
8% Popularity • 65% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
► Preview
Ragtime Orchestra
Epilogue: Ragtime (Reprise) / Wheels of ...
81 bpm • F# Maj • 03:52 • -10.37db
20% Popularity • 38% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
20% Popularity • 38% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
► Preview
Brent Carver
She's A Woman
81 bpm • C Maj • 02:40 • -18db
15% Popularity • 30% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
15% Popularity • 30% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
► Preview
Broadway Cast Recording
So In Love (Reprise)
82 bpm • G Maj • 03:32 • -12.21db
12% Popularity • 20% Danceability • 23% Energy • 20% Liveness
4% Instrumentalness • 6% Positiveness
12% Popularity • 20% Danceability • 23% Energy • 20% Liveness
4% Instrumentalness • 6% Positiveness
► Preview
Mindi Dickstein
Sometimes When You Dream - Reprise
81 bpm • D Maj • 00:57 • -10db
24% Popularity • 36% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
24% Popularity • 36% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Lawrence Clayton
On a Stormy Night
82 bpm • C min • 01:03 • -24.86db
19% Popularity • 49% Danceability • 13% Energy • 42% Liveness
0% Instrumentalness • 52% Positiveness
19% Popularity • 49% Danceability • 13% Energy • 42% Liveness
0% Instrumentalness • 52% Positiveness
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The Secret Garden Ensemble
There's a Girl
82 bpm • C min • 00:43 • -17db
22% Popularity • 49% Danceability • 17% Energy • 32% Liveness
0% Instrumentalness • 66% Positiveness
22% Popularity • 49% Danceability • 17% Energy • 32% Liveness
0% Instrumentalness • 66% Positiveness
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Marin Mazzie
Till We Reach That Day
81 bpm • G# Maj • 04:11 • -10.95db
23% Popularity • 23% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
23% Popularity • 23% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Dirty Rotten Scoundrels Original Broadway Cast
The Reckoning
82 bpm • A# Maj • 01:42 • -13.52db
14% Popularity • 68% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
14% Popularity • 68% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
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The "Crazy for You" Ensemble
Entrance To Nevada
82 bpm • D# Maj • 02:41 • -14db
20% Popularity • 44% Danceability • 48% Energy • 66% Liveness
0% Instrumentalness • 72% Positiveness
20% Popularity • 44% Danceability • 48% Energy • 66% Liveness
0% Instrumentalness • 72% Positiveness
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Rebecca Luker
A Little Bit In Love
82 bpm • F Maj • 02:49 • -18.4db
2% Popularity • 40% Danceability • 10% Energy • 6% Liveness
0% Instrumentalness • 37% Positiveness
2% Popularity • 40% Danceability • 10% Energy • 6% Liveness
0% Instrumentalness • 37% Positiveness
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Lawrence Clayton
Normandy
82 bpm • D Maj • 03:33 • -13db
21% Popularity • 41% Danceability • 28% Energy • 22% Liveness
0% Instrumentalness • 50% Positiveness
21% Popularity • 41% Danceability • 28% Energy • 22% Liveness
0% Instrumentalness • 50% Positiveness
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John Babcock
Round-Shouldered Man
82 bpm • A Maj • 01:53 • -20.07db
20% Popularity • 34% Danceability • 8% Energy • 15% Liveness
0% Instrumentalness • 43% Positiveness
20% Popularity • 34% Danceability • 8% Energy • 15% Liveness
0% Instrumentalness • 43% Positiveness
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Rose, Herbie, June and Louise
Small World/Momma's Talkin' Soft - Bonus...
82 bpm • B Maj • 05:00 • -11.27db
8% Popularity • 29% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
8% Popularity • 29% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Peter Friedman
A Shtetl Iz Amereke
81 bpm • C Maj • 01:16 • -8.95db
21% Popularity • 50% Danceability • 32% Energy • 63% Liveness
0% Instrumentalness • 51% Positiveness
21% Popularity • 50% Danceability • 32% Energy • 63% Liveness
0% Instrumentalness • 51% Positiveness
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Broadway Cast Recording
I Am Ashamed That Women Are So Simple
82 bpm • C# Maj • 02:10 • -11.69db
10% Popularity • 30% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
10% Popularity • 30% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
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Peter Joback
Something
82 bpm • C# Maj • 04:03 • -14.09db
11% Popularity • 36% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
11% Popularity • 36% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Lewis Cleale
Yesterday I Loved You
83 bpm • A# Maj • 02:33 • -14.31db
19% Popularity • 24% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
19% Popularity • 24% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
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Rebecca Luker
Come to My Garden / Lift Me Up
83 bpm • D# Maj • 02:51 • -19.81db
23% Popularity • 24% Danceability • 13% Energy • 23% Liveness
0% Instrumentalness • 9% Positiveness
23% Popularity • 24% Danceability • 13% Energy • 23% Liveness
0% Instrumentalness • 9% Positiveness
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Zero Mostel
Funeral Sequence
83 bpm • D# Maj • 02:04 • -11.81db
1% Popularity • 34% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
1% Popularity • 34% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Marin Mazzie
Our Children
82 bpm • B min • 03:29 • -14.45db
20% Popularity • 31% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
20% Popularity • 31% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
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William Finn
The Music Still Plays On
83 bpm • C Maj • 04:54 • -9.21db
13% Popularity • 35% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
13% Popularity • 35% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Lisa O'Hare
Poor Monty
83 bpm • F min • 03:17 • -11db
22% Popularity • 41% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
22% Popularity • 41% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness