Songs like I Have Faith in You - Goodbyes by John Ottman
Based on a tempo of (+/- 10%) and a similar genre
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Roque Baños
Farewell
79 bpm • F Maj • 02:47 • -23.89db
20% Popularity • 12% Danceability • 5% Energy • 11% Liveness
61% Instrumentalness • 3% Positiveness
20% Popularity • 12% Danceability • 5% Energy • 11% Liveness
61% Instrumentalness • 3% Positiveness
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The Prestige
The Prestige
79 bpm • A Maj • 01:40 • -14.59db
32% Popularity • 19% Danceability • 20% Energy • 12% Liveness
94% Instrumentalness • 3% Positiveness
32% Popularity • 19% Danceability • 20% Energy • 12% Liveness
94% Instrumentalness • 3% Positiveness
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John Ottman
Rebuilding / Cuffed / Goodbye Old Friend
79 bpm • G min • 03:35 • -35db
27% Popularity • 14% Danceability • 0% Energy • 11% Liveness
96% Instrumentalness • 3% Positiveness
27% Popularity • 14% Danceability • 0% Energy • 11% Liveness
96% Instrumentalness • 3% Positiveness
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William Ross
Saying Goodbye
79 bpm • F Maj • 05:26 • -23.4db
30% Popularity • 16% Danceability • 5% Energy • 11% Liveness
61% Instrumentalness • 3% Positiveness
30% Popularity • 16% Danceability • 5% Energy • 11% Liveness
61% Instrumentalness • 3% Positiveness
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Carter Burwell
Billy Leaves
79 bpm • D min • 05:35 • -18.61db
9% Popularity • 14% Danceability • 15% Energy • 16% Liveness
91% Instrumentalness • 4% Positiveness
9% Popularity • 14% Danceability • 15% Energy • 16% Liveness
91% Instrumentalness • 4% Positiveness
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Matthew Margeson
The King's Man
79 bpm • C min • 04:16 • -12.73db
22% Popularity • 9% Danceability • 33% Energy • 9% Liveness
87% Instrumentalness • 11% Positiveness
22% Popularity • 9% Danceability • 33% Energy • 9% Liveness
87% Instrumentalness • 11% Positiveness
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Joe Kraemer
Grave Consequences
79 bpm • D Maj • 04:12 • -34.66db
15% Popularity • 16% Danceability • 1% Energy • 7% Liveness
90% Instrumentalness • 3% Positiveness
15% Popularity • 16% Danceability • 1% Energy • 7% Liveness
90% Instrumentalness • 3% Positiveness
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Greg Edmonson
Reunion
79 bpm • F min • 01:41 • -15.81db
33% Popularity • 19% Danceability • 29% Energy • 12% Liveness
90% Instrumentalness • 6% Positiveness
33% Popularity • 19% Danceability • 29% Energy • 12% Liveness
90% Instrumentalness • 6% Positiveness
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John Paesano
Goodbye
79 bpm • C Maj • 02:08 • -22.4db
21% Popularity • 11% Danceability • 8% Energy • 8% Liveness
70% Instrumentalness • 8% Positiveness
21% Popularity • 11% Danceability • 8% Energy • 8% Liveness
70% Instrumentalness • 8% Positiveness
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Steve Jablonsky
Commander
79 bpm • C min • 03:34 • -17db
25% Popularity • 7% Danceability • 23% Energy • 8% Liveness
68% Instrumentalness • 12% Positiveness
25% Popularity • 7% Danceability • 23% Energy • 8% Liveness
68% Instrumentalness • 12% Positiveness
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John Ottman
I Have Faith in You - Goodbyes
79 bpm • F Maj • 03:19 • -29db
32% Popularity • 7% Danceability • 2% Energy • 8% Liveness
91% Instrumentalness • 3% Positiveness
32% Popularity • 7% Danceability • 2% Energy • 8% Liveness
91% Instrumentalness • 3% Positiveness
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Marc Streitenfeld
Robin Speaks
79 bpm • D Maj • 02:33 • -19.82db
45% Popularity • 7% Danceability • 11% Energy • 11% Liveness
94% Instrumentalness • 3% Positiveness
45% Popularity • 7% Danceability • 11% Energy • 11% Liveness
94% Instrumentalness • 3% Positiveness
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Thomas Wander
You Stay in England
78 bpm • G Maj • 01:08 • -23db
33% Popularity • 17% Danceability • 8% Energy • 8% Liveness
92% Instrumentalness • 3% Positiveness
33% Popularity • 17% Danceability • 8% Energy • 8% Liveness
92% Instrumentalness • 3% Positiveness
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Blake Neely
Lisbon Secrets
80 bpm • G min • 02:22 • -24.59db
19% Popularity • 24% Danceability • 8% Energy • 7% Liveness
98% Instrumentalness • 12% Positiveness
19% Popularity • 24% Danceability • 8% Energy • 7% Liveness
98% Instrumentalness • 12% Positiveness
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Christophe Beck
Welcome to London, Major
80 bpm • A# Maj • 02:22 • -28.04db
27% Popularity • 18% Danceability • 7% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
27% Popularity • 18% Danceability • 7% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
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Roque Baños
The White Whale Chant
78 bpm • G# Maj • 04:38 • -16.13db
35% Popularity • 7% Danceability • 17% Energy • 11% Liveness
34% Instrumentalness • 4% Positiveness
35% Popularity • 7% Danceability • 17% Energy • 11% Liveness
34% Instrumentalness • 4% Positiveness
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John Ottman
Kissing Marieke / The Note
80 bpm • E min • 04:02 • -21.6db
4% Popularity • 21% Danceability • 11% Energy • 8% Liveness
32% Instrumentalness • 4% Positiveness
4% Popularity • 21% Danceability • 11% Energy • 8% Liveness
32% Instrumentalness • 4% Positiveness
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Marc Streitenfeld
Walter's Burial
78 bpm • G min • 03:04 • -22db
49% Popularity • 7% Danceability • 6% Energy • 11% Liveness
94% Instrumentalness • 3% Positiveness
49% Popularity • 7% Danceability • 6% Energy • 11% Liveness
94% Instrumentalness • 3% Positiveness
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Christian Henson
Maria's Sacrifice
80 bpm • G Maj • 02:06 • -19db
40% Popularity • 18% Danceability • 28% Energy • 10% Liveness
96% Instrumentalness • 3% Positiveness
40% Popularity • 18% Danceability • 28% Energy • 10% Liveness
96% Instrumentalness • 3% Positiveness
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Joe Kraemer
The Syndicate
80 bpm • B min • 03:44 • -27.19db
18% Popularity • 7% Danceability • 2% Energy • 7% Liveness
94% Instrumentalness • 3% Positiveness
18% Popularity • 7% Danceability • 2% Energy • 7% Liveness
94% Instrumentalness • 3% Positiveness
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Joel P West
Family
78 bpm • G min • 01:35 • -26db
29% Popularity • 43% Danceability • 7% Energy • 10% Liveness
95% Instrumentalness • 9% Positiveness
29% Popularity • 43% Danceability • 7% Energy • 10% Liveness
95% Instrumentalness • 9% Positiveness
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Steve Jablonsky
Prime
80 bpm • G# Maj • 02:14 • -17db
48% Popularity • 20% Danceability • 49% Energy • 9% Liveness
90% Instrumentalness • 14% Positiveness
48% Popularity • 20% Danceability • 49% Energy • 9% Liveness
90% Instrumentalness • 14% Positiveness
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John Ottman
Pentagon Plan - Sneaky Mystique
78 bpm • A# Maj • 03:24 • -25.02db
16% Popularity • 11% Danceability • 5% Energy • 8% Liveness
93% Instrumentalness • 3% Positiveness
16% Popularity • 11% Danceability • 5% Energy • 8% Liveness
93% Instrumentalness • 3% Positiveness
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Christophe Beck
Live, Die, Repeat (End Title)
80 bpm • C min • 04:22 • -21.9db
20% Popularity • 41% Danceability • 20% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
20% Popularity • 41% Danceability • 20% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
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David Newman
Checking Out The Cave
78 bpm • F Maj • 03:43 • -16.22db
27% Popularity • 23% Danceability • 14% Energy • 11% Liveness
50% Instrumentalness • 8% Positiveness
27% Popularity • 23% Danceability • 14% Energy • 11% Liveness
50% Instrumentalness • 8% Positiveness
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James Horner
The Equation
80 bpm • A Maj • 04:22 • -34.68db
23% Popularity • 10% Danceability • 1% Energy • 9% Liveness
79% Instrumentalness • 3% Positiveness
23% Popularity • 10% Danceability • 1% Energy • 9% Liveness
79% Instrumentalness • 3% Positiveness
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West Dylan Thordson
Checkmate
80 bpm • D Maj • 02:08 • -24db
37% Popularity • 42% Danceability • 24% Energy • 11% Liveness
84% Instrumentalness • 3% Positiveness
37% Popularity • 42% Danceability • 24% Energy • 11% Liveness
84% Instrumentalness • 3% Positiveness
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Christopher Lennertz
Casualties Of war
81 bpm • G# Maj • 01:40 • -19.54db
21% Popularity • 20% Danceability • 10% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
21% Popularity • 20% Danceability • 10% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
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John Ottman
Eric's New Life
78 bpm • E min • 01:27 • -37.8db
20% Popularity • 18% Danceability • 2% Energy • 12% Liveness
73% Instrumentalness • 4% Positiveness
20% Popularity • 18% Danceability • 2% Energy • 12% Liveness
73% Instrumentalness • 4% Positiveness
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Jeff Beal
Grief Demands An Answer
81 bpm • G# Maj • 03:41 • -21db
19% Popularity • 10% Danceability • 10% Energy • 12% Liveness
93% Instrumentalness • 4% Positiveness
19% Popularity • 10% Danceability • 10% Energy • 12% Liveness
93% Instrumentalness • 4% Positiveness
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John Paesano
My Name Is Thomas
81 bpm • F Maj • 03:15 • -32.33db
23% Popularity • 18% Danceability • 4% Energy • 8% Liveness
95% Instrumentalness • 3% Positiveness
23% Popularity • 18% Danceability • 4% Energy • 8% Liveness
95% Instrumentalness • 3% Positiveness
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Kevin Kiner
Anakin and Padmé
81 bpm • G min • 01:48 • -14.36db
47% Popularity • 16% Danceability • 24% Energy • 10% Liveness
82% Instrumentalness • 4% Positiveness
47% Popularity • 16% Danceability • 24% Energy • 10% Liveness
82% Instrumentalness • 4% Positiveness
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Nathan Johnson
The Thrombey Estate
81 bpm • G min • 01:37 • -22.46db
35% Popularity • 22% Danceability • 6% Energy • 8% Liveness
43% Instrumentalness • 4% Positiveness
35% Popularity • 22% Danceability • 6% Energy • 8% Liveness
43% Instrumentalness • 4% Positiveness
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Nicholas Hooper
Possession
76 bpm • C# Maj • 03:18 • -18.98db
39% Popularity • 10% Danceability • 10% Energy • 15% Liveness
97% Instrumentalness • 3% Positiveness
39% Popularity • 10% Danceability • 10% Energy • 15% Liveness
97% Instrumentalness • 3% Positiveness
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John Ottman
You're Here!
81 bpm • A min • 02:26 • -30.96db
14% Popularity • 25% Danceability • 3% Energy • 8% Liveness
96% Instrumentalness • 3% Positiveness
14% Popularity • 25% Danceability • 3% Energy • 8% Liveness
96% Instrumentalness • 3% Positiveness
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Steve Jablonsky
Bumblebee Captured
82 bpm • D min • 02:17 • -17.81db
41% Popularity • 17% Danceability • 24% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
41% Popularity • 17% Danceability • 24% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
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John Paesano
What Is This Place?
82 bpm • D min • 03:03 • -30.3db
26% Popularity • 16% Danceability • 2% Energy • 23% Liveness
96% Instrumentalness • 8% Positiveness
26% Popularity • 16% Danceability • 2% Energy • 23% Liveness
96% Instrumentalness • 8% Positiveness
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Harald Kloser
Sea Of Sand
82 bpm • C# Maj • 02:41 • -13.85db
39% Popularity • 15% Danceability • 39% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
39% Popularity • 15% Danceability • 39% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
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Bear McCreary
Rick's Despair
82 bpm • D Maj • 02:10 • -26.56db
29% Popularity • 23% Danceability • 4% Energy • 6% Liveness
93% Instrumentalness • 3% Positiveness
29% Popularity • 23% Danceability • 4% Energy • 6% Liveness
93% Instrumentalness • 3% Positiveness
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Roque Baños
Arriving Nickerson's Lair
82 bpm • C min • 02:51 • -25.13db
17% Popularity • 12% Danceability • 9% Energy • 7% Liveness
90% Instrumentalness • 3% Positiveness
17% Popularity • 12% Danceability • 9% Energy • 7% Liveness
90% Instrumentalness • 3% Positiveness
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John Ottman
End Credits
77 bpm • F# min • 03:28 • -19.04db
7% Popularity • 8% Danceability • 19% Energy • 8% Liveness
93% Instrumentalness • 15% Positiveness
7% Popularity • 8% Danceability • 19% Energy • 8% Liveness
93% Instrumentalness • 15% Positiveness
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Blake Neely
Proud Of You
82 bpm • C# min • 02:23 • -18.4db
22% Popularity • 14% Danceability • 10% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
22% Popularity • 14% Danceability • 10% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
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Thomas Wander
Welcome to the Moon
76 bpm • B Maj • 01:17 • -16db
23% Popularity • 16% Danceability • 19% Energy • 12% Liveness
80% Instrumentalness • 3% Positiveness
23% Popularity • 16% Danceability • 19% Energy • 12% Liveness
80% Instrumentalness • 3% Positiveness
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Jeff Beal
Next In Line
82 bpm • D min • 01:46 • -18db
44% Popularity • 26% Danceability • 27% Energy • 12% Liveness
98% Instrumentalness • 6% Positiveness
44% Popularity • 26% Danceability • 27% Energy • 12% Liveness
98% Instrumentalness • 6% Positiveness
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Bear McCreary
Lucrezia
82 bpm • E min • 02:34 • -22.52db
10% Popularity • 12% Danceability • 3% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
10% Popularity • 12% Danceability • 3% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
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Kevin Kiner
It's Over Now
76 bpm • G Maj • 01:54 • -8db
39% Popularity • 18% Danceability • 40% Energy • 13% Liveness
87% Instrumentalness • 5% Positiveness
39% Popularity • 18% Danceability • 40% Energy • 13% Liveness
87% Instrumentalness • 5% Positiveness
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John Ottman
Seconds Lost
81 bpm • E min • 03:33 • -22.96db
10% Popularity • 14% Danceability • 13% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
10% Popularity • 14% Danceability • 13% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Elliot Goldenthal
JD Dies
82 bpm • G# Maj • 03:54 • -18.57db
27% Popularity • 8% Danceability • 4% Energy • 10% Liveness
74% Instrumentalness • 4% Positiveness
27% Popularity • 8% Danceability • 4% Energy • 10% Liveness
74% Instrumentalness • 4% Positiveness
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Joseph Trapanese
Loxley Manor
76 bpm • G# Maj • 04:59 • -23.8db
16% Popularity • 12% Danceability • 8% Energy • 5% Liveness
90% Instrumentalness • 4% Positiveness
16% Popularity • 12% Danceability • 8% Energy • 5% Liveness
90% Instrumentalness • 4% Positiveness
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Harald Kloser
Body Heat
83 bpm • A min • 01:50 • -27.42db
28% Popularity • 8% Danceability • 7% Energy • 11% Liveness
91% Instrumentalness • 3% Positiveness
28% Popularity • 8% Danceability • 7% Energy • 11% Liveness
91% Instrumentalness • 3% Positiveness
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Trevor Morris
Day Break / We Will Rise / End Credits
83 bpm • C# Maj • 05:06 • -14.26db
23% Popularity • 8% Danceability • 27% Energy • 10% Liveness
95% Instrumentalness • 5% Positiveness
23% Popularity • 8% Danceability • 27% Energy • 10% Liveness
95% Instrumentalness • 5% Positiveness
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Pinar Toprak
High Score
83 bpm • A min • 02:35 • -33.32db
34% Popularity • 8% Danceability • 2% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
34% Popularity • 8% Danceability • 2% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
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John Ottman
The Visitor / Work Day
77 bpm • F Maj • 04:25 • -23.62db
6% Popularity • 15% Danceability • 8% Energy • 12% Liveness
91% Instrumentalness • 4% Positiveness
6% Popularity • 15% Danceability • 8% Energy • 12% Liveness
91% Instrumentalness • 4% Positiveness
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Blake Neely
Returning Home / Scars
75 bpm • C# Maj • 02:53 • -27.84db
26% Popularity • 8% Danceability • 5% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
26% Popularity • 8% Danceability • 5% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
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Joe Kraemer
Main Title
83 bpm • C# Maj • 03:47 • -23db
21% Popularity • 26% Danceability • 6% Energy • 25% Liveness
92% Instrumentalness • 4% Positiveness
21% Popularity • 26% Danceability • 6% Energy • 25% Liveness
92% Instrumentalness • 4% Positiveness
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Harald Kloser
The Human Spirit
75 bpm • F Maj • 03:36 • -25.09db
17% Popularity • 7% Danceability • 7% Energy • 10% Liveness
95% Instrumentalness • 3% Positiveness
17% Popularity • 7% Danceability • 7% Energy • 10% Liveness
95% Instrumentalness • 3% Positiveness
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Kevin Kiner
The Sacrifice
75 bpm • A# Maj • 04:10 • -12.28db
34% Popularity • 12% Danceability • 22% Energy • 12% Liveness
92% Instrumentalness • 3% Positiveness
34% Popularity • 12% Danceability • 22% Energy • 12% Liveness
92% Instrumentalness • 3% Positiveness
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Natalie Holt
TVA First View
83 bpm • C Maj • 01:06 • -13db
49% Popularity • 8% Danceability • 34% Energy • 13% Liveness
99% Instrumentalness • 4% Positiveness
49% Popularity • 8% Danceability • 34% Energy • 13% Liveness
99% Instrumentalness • 4% Positiveness
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John Ottman
Suite from X2
82 bpm • A# Maj • 07:11 • -16db
30% Popularity • 8% Danceability • 19% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
30% Popularity • 8% Danceability • 19% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
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Thomas Wander
Independence Day Resurgence Finale
83 bpm • A# Maj • 03:14 • -15.87db
24% Popularity • 9% Danceability • 18% Energy • 33% Liveness
87% Instrumentalness • 4% Positiveness
24% Popularity • 9% Danceability • 18% Energy • 33% Liveness
87% Instrumentalness • 4% Positiveness
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Joe Kraemer
Suite from Jack Reacher (Digital Bonus T...
83 bpm • E min • 06:48 • -19.62db
16% Popularity • 18% Danceability • 10% Energy • 10% Liveness
88% Instrumentalness • 5% Positiveness
16% Popularity • 18% Danceability • 10% Energy • 10% Liveness
88% Instrumentalness • 5% Positiveness
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Joel P West
Your Mother
83 bpm • E min • 02:05 • -25db
33% Popularity • 27% Danceability • 7% Energy • 9% Liveness
84% Instrumentalness • 25% Positiveness
33% Popularity • 27% Danceability • 7% Energy • 9% Liveness
84% Instrumentalness • 25% Positiveness
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Trevor Rabin
Theme from "Armageddon"
75 bpm • A min • 03:08 • -11db
34% Popularity • 19% Danceability • 54% Energy • 10% Liveness
90% Instrumentalness • 18% Positiveness
34% Popularity • 19% Danceability • 54% Energy • 10% Liveness
90% Instrumentalness • 18% Positiveness
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Fernando Velázquez
Let's Go, No Need To Wait
75 bpm • A min • 04:45 • -13.79db
10% Popularity • 9% Danceability • 27% Energy • 11% Liveness
96% Instrumentalness • 7% Positiveness
10% Popularity • 9% Danceability • 27% Energy • 11% Liveness
96% Instrumentalness • 7% Positiveness
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John Ottman
Reunited
76 bpm • A min • 01:59 • -24.43db
6% Popularity • 31% Danceability • 5% Energy • 9% Liveness
89% Instrumentalness • 7% Positiveness
6% Popularity • 31% Danceability • 5% Energy • 9% Liveness
89% Instrumentalness • 7% Positiveness
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Marc Streitenfeld
You Are Gonna Die
84 bpm • D# Maj • 03:14 • -20.04db
24% Popularity • 8% Danceability • 14% Energy • 9% Liveness
93% Instrumentalness • 3% Positiveness
24% Popularity • 8% Danceability • 14% Energy • 9% Liveness
93% Instrumentalness • 3% Positiveness
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Harald Kloser
10,000 BC/End Credits
84 bpm • E min • 02:55 • -12.92db
36% Popularity • 9% Danceability • 53% Energy • 9% Liveness
61% Instrumentalness • 15% Positiveness
36% Popularity • 9% Danceability • 53% Energy • 9% Liveness
61% Instrumentalness • 15% Positiveness
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Stephen Warbeck
The Amendment
75 bpm • D# Maj • 01:22 • -22.53db
47% Popularity • 17% Danceability • 9% Energy • 11% Liveness
93% Instrumentalness • 8% Positiveness
47% Popularity • 17% Danceability • 9% Energy • 11% Liveness
93% Instrumentalness • 8% Positiveness
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Blake Neely
I Forgot Who I Was
84 bpm • G min • 04:00 • -20.93db
24% Popularity • 8% Danceability • 9% Energy • 8% Liveness
97% Instrumentalness • 4% Positiveness
24% Popularity • 8% Danceability • 9% Energy • 8% Liveness
97% Instrumentalness • 4% Positiveness
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Nicholas Hooper
Inferi in the Firestorm
84 bpm • F Maj • 01:53 • -17.36db
38% Popularity • 21% Danceability • 46% Energy • 9% Liveness
87% Instrumentalness • 3% Positiveness
38% Popularity • 21% Danceability • 46% Energy • 9% Liveness
87% Instrumentalness • 3% Positiveness
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John Ottman
Shattered Life
83 bpm • E min • 02:54 • -22.22db
12% Popularity • 14% Danceability • 4% Energy • 9% Liveness
92% Instrumentalness • 3% Positiveness
12% Popularity • 14% Danceability • 4% Energy • 9% Liveness
92% Instrumentalness • 3% Positiveness
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Marc Streitenfeld
Invitation
74 bpm • B min • 02:16 • -29.88db
27% Popularity • 19% Danceability • 9% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
27% Popularity • 19% Danceability • 9% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
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Jeff Beal
The Ring
74 bpm • G Maj • 02:52 • -20.09db
27% Popularity • 14% Danceability • 19% Energy • 6% Liveness
82% Instrumentalness • 4% Positiveness
27% Popularity • 14% Danceability • 19% Energy • 6% Liveness
82% Instrumentalness • 4% Positiveness
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The Prestige
Borden Meets Sarah
74 bpm • E min • 02:11 • -22.72db
22% Popularity • 17% Danceability • 11% Energy • 11% Liveness
83% Instrumentalness • 3% Positiveness
22% Popularity • 17% Danceability • 11% Energy • 11% Liveness
83% Instrumentalness • 3% Positiveness
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Harald Kloser
Sam!
74 bpm • G# Maj • 01:18 • -28db
40% Popularity • 20% Danceability • 7% Energy • 8% Liveness
70% Instrumentalness • 3% Positiveness
40% Popularity • 20% Danceability • 7% Energy • 8% Liveness
70% Instrumentalness • 3% Positiveness
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Atli Örvarsson
The Hug
84 bpm • G Maj • 02:11 • -26db
25% Popularity • 14% Danceability • 4% Energy • 7% Liveness
83% Instrumentalness • 4% Positiveness
25% Popularity • 14% Danceability • 4% Energy • 7% Liveness
83% Instrumentalness • 4% Positiveness
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John Ottman
Contacting Eric / The Answer!
83 bpm • G min • 05:01 • -25.19db
12% Popularity • 17% Danceability • 2% Energy • 9% Liveness
93% Instrumentalness • 3% Positiveness
12% Popularity • 17% Danceability • 2% Energy • 9% Liveness
93% Instrumentalness • 3% Positiveness
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Nicholas Hooper
The Friends
74 bpm • C Maj • 02:00 • -26.45db
48% Popularity • 21% Danceability • 7% Energy • 11% Liveness
79% Instrumentalness • 4% Positiveness
48% Popularity • 21% Danceability • 7% Energy • 11% Liveness
79% Instrumentalness • 4% Positiveness
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Christopher Drake
Requiem
84 bpm • D min • 01:08 • -27.39db
26% Popularity • 13% Danceability • 3% Energy • 12% Liveness
93% Instrumentalness • 3% Positiveness
26% Popularity • 13% Danceability • 3% Energy • 12% Liveness
93% Instrumentalness • 3% Positiveness
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The Prestige
Sacrifice
84 bpm • A min • 05:15 • -24.05db
14% Popularity • 8% Danceability • 12% Energy • 18% Liveness
91% Instrumentalness • 4% Positiveness
14% Popularity • 8% Danceability • 12% Energy • 18% Liveness
91% Instrumentalness • 4% Positiveness
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Joel P West
Qingming Jie
74 bpm • D min • 02:17 • -20db
25% Popularity • 7% Danceability • 12% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
25% Popularity • 7% Danceability • 12% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
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Mark Snow
Grow Up Superboy
74 bpm • G Maj • 01:43 • -24.01db
16% Popularity • 22% Danceability • 6% Energy • 14% Liveness
87% Instrumentalness • 4% Positiveness
16% Popularity • 22% Danceability • 6% Energy • 14% Liveness
87% Instrumentalness • 4% Positiveness
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John Ottman
Welcome Back - End Titles
83 bpm • C Maj • 03:57 • -17.82db
27% Popularity • 8% Danceability • 25% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
27% Popularity • 8% Danceability • 25% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Trevor Morris
The Execution Ballet
84 bpm • F Maj • 04:36 • -14.62db
19% Popularity • 8% Danceability • 22% Energy • 6% Liveness
95% Instrumentalness • 3% Positiveness
19% Popularity • 8% Danceability • 22% Energy • 6% Liveness
95% Instrumentalness • 3% Positiveness
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Fernando Velázquez
Even If It's The Last Thing We Do
74 bpm • G# Maj • 01:28 • -24.72db
34% Popularity • 12% Danceability • 3% Energy • 8% Liveness
98% Instrumentalness • 5% Positiveness
34% Popularity • 12% Danceability • 3% Energy • 8% Liveness
98% Instrumentalness • 5% Positiveness
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Christophe Beck
Solo Flight
85 bpm • C min • 03:11 • -22.56db
37% Popularity • 31% Danceability • 4% Energy • 14% Liveness
78% Instrumentalness • 3% Positiveness
37% Popularity • 31% Danceability • 4% Energy • 14% Liveness
78% Instrumentalness • 3% Positiveness
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Clinton Shorter
Heading Home
85 bpm • D min • 01:14 • -17.33db
35% Popularity • 27% Danceability • 18% Energy • 18% Liveness
88% Instrumentalness • 9% Positiveness
35% Popularity • 27% Danceability • 18% Energy • 18% Liveness
88% Instrumentalness • 9% Positiveness
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Matthew Margeson
Crying Conrad
74 bpm • D min • 02:19 • -22.08db
14% Popularity • 19% Danceability • 2% Energy • 7% Liveness
96% Instrumentalness • 4% Positiveness
14% Popularity • 19% Danceability • 2% Energy • 7% Liveness
96% Instrumentalness • 4% Positiveness
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John Ottman
You're X-Men / End Titles
83 bpm • C Maj • 04:09 • -14.23db
37% Popularity • 26% Danceability • 34% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
37% Popularity • 26% Danceability • 34% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
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Steve Jablonsky
Tomb of the Primes
74 bpm • D min • 02:47 • -15.88db
33% Popularity • 7% Danceability • 30% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
33% Popularity • 7% Danceability • 30% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
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Rohan Stevenson
Lancelot Leaves
85 bpm • A# min • 01:55 • -20.15db
36% Popularity • 9% Danceability • 6% Energy • 10% Liveness
50% Instrumentalness • 3% Positiveness
36% Popularity • 9% Danceability • 6% Energy • 10% Liveness
50% Instrumentalness • 3% Positiveness
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Dario Marianelli
The Call
74 bpm • B Maj • 03:11 • -25db
34% Popularity • 14% Danceability • 9% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
34% Popularity • 14% Danceability • 9% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
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Steven Price
A Game of Strategy
85 bpm • B min • 03:17 • -18db
33% Popularity • 27% Danceability • 37% Energy • 14% Liveness
96% Instrumentalness • 20% Positiveness
33% Popularity • 27% Danceability • 37% Energy • 14% Liveness
96% Instrumentalness • 20% Positiveness
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Martin Phipps
Mountbatten
73 bpm • D# Maj • 01:40 • -26db
39% Popularity • 14% Danceability • 12% Energy • 7% Liveness
91% Instrumentalness • 5% Positiveness
39% Popularity • 14% Danceability • 12% Energy • 7% Liveness
91% Instrumentalness • 5% Positiveness
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John Ottman
How Was She?
83 bpm • G# Maj • 01:46 • -34.37db
16% Popularity • 8% Danceability • 1% Energy • 11% Liveness
98% Instrumentalness • 3% Positiveness
16% Popularity • 8% Danceability • 1% Energy • 11% Liveness
98% Instrumentalness • 3% Positiveness
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Christophe Beck
No Courage Without Fear
85 bpm • C min • 03:00 • -17.01db
23% Popularity • 20% Danceability • 42% Energy • 6% Liveness
90% Instrumentalness • 7% Positiveness
23% Popularity • 20% Danceability • 42% Energy • 6% Liveness
90% Instrumentalness • 7% Positiveness
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Blake Neely
Loss and Regrets
73 bpm • G# min • 02:38 • -25.3db
22% Popularity • 21% Danceability • 3% Energy • 10% Liveness
98% Instrumentalness • 4% Positiveness
22% Popularity • 21% Danceability • 3% Energy • 10% Liveness
98% Instrumentalness • 4% Positiveness
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Dario Marianelli
Summit
85 bpm • C# min • 04:57 • -17.13db
25% Popularity • 16% Danceability • 24% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
25% Popularity • 16% Danceability • 24% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
