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I Have Noticed a Change / Once More from the Top -...
Songs like
I Have Noticed a Change / Once More from the Top - Reprise
by
Marguerite MacIntyre
Based on a tempo of (+/- 10%) and a similar genre
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Marguerite MacIntyre
I Have Noticed a Change / Once More from...
85 bpm • B min • 06:05 • -8.16db
0% Popularity • 45% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
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Henry Krieger
Side Show: I Will Never Leave You - Voic...
85 bpm • F Maj • 03:02 • -13db
21% Popularity • 41% Danceability • 26% Energy • 24% Liveness
0% Instrumentalness • 24% Positiveness
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Original Cast of Amélie
Times Are Hard for Dreamers (Prologue)
85 bpm • D Maj • 02:18 • -10.38db
20% Popularity • 34% Danceability • 16% Energy • 25% Liveness
0% Instrumentalness • 42% Positiveness
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Damian Perkins
How I Know You
85 bpm • F Maj • 02:35 • -11.81db
31% Popularity • 36% Danceability • 24% Energy • 7% Liveness
0% Instrumentalness • 15% Positiveness
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Erin Mackey
Tell Me Why
85 bpm • B min • 03:21 • -7.16db
8% Popularity • 33% Danceability • 29% Energy • 23% Liveness
0% Instrumentalness • 14% Positiveness
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Alison Fraser
Hold On
85 bpm • G# min • 03:03 • -12db
24% Popularity • 39% Danceability • 30% Energy • 32% Liveness
0% Instrumentalness • 33% Positiveness
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Paul Schoeffler
Front Page News
85 bpm • F Maj • 05:24 • -7.51db
0% Popularity • 53% Danceability • 57% Energy • 50% Liveness
0% Instrumentalness • 65% Positiveness
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Jeanine Tesori
"This Is What I Have of You..."
85 bpm • A min • 01:44 • -21.9db
25% Popularity • 46% Danceability • 7% Energy • 23% Liveness
0% Instrumentalness • 18% Positiveness
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Lindsay Mendez
Mister Snow
85 bpm • G Maj • 05:02 • -10.69db
29% Popularity • 52% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
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Anthony Crivello
The Day After That
85 bpm • G Maj • 04:49 • -13.24db
10% Popularity • 38% Danceability • 20% Energy • 31% Liveness
0% Instrumentalness • 30% Positiveness
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Sherie Rene Scott
Every Story Is A Love Story
84 bpm • G# Maj • 03:19 • -11.17db
34% Popularity • 43% Danceability • 14% Energy • 31% Liveness
0% Instrumentalness • 7% Positiveness
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Kenita R. Miller
A Part of Us
84 bpm • E Maj • 02:56 • -13.65db
22% Popularity • 41% Danceability • 15% Energy • 61% Liveness
0% Instrumentalness • 29% Positiveness
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Kelli Barrett
When the Music Played
84 bpm • F Maj • 04:54 • -14.73db
16% Popularity • 26% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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Andrea Frierson
And the Gods Heard Her Prayer / Rain
86 bpm • E Maj • 04:22 • -16.02db
18% Popularity • 38% Danceability • 18% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
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Lindsay Mendez
Before It's Over
86 bpm • C Maj • 03:44 • -7.4db
34% Popularity • 36% Danceability • 35% Energy • 15% Liveness
0% Instrumentalness • 38% Positiveness
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Patina Miller
Stay With Me
84 bpm • D# Maj • 02:54 • -12.1db
34% Popularity • 37% Danceability • 19% Energy • 15% Liveness
0% Instrumentalness • 32% Positiveness
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Damian Perkins
How I Know You (Reprise)
84 bpm • D min • 01:07 • -14.26db
27% Popularity • 26% Danceability • 19% Energy • 6% Liveness
0% Instrumentalness • 12% Positiveness
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Jordan Donica
C'est Moi
86 bpm • C Maj • 03:47 • -9.99db
20% Popularity • 48% Danceability • 41% Energy • 41% Liveness
0% Instrumentalness • 52% Positiveness
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Alice Ripley
So Anyway
86 bpm • A Maj • 03:08 • -17.07db
30% Popularity • 43% Danceability • 8% Energy • 18% Liveness
0% Instrumentalness • 20% Positiveness
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Ramin Karimloo
Still
84 bpm • F min • 02:36 • -10.59db
41% Popularity • 29% Danceability • 41% Energy • 50% Liveness
0% Instrumentalness • 7% Positiveness
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Santino Fontana
Michael's Reprise
86 bpm • D Maj • 01:26 • -10.69db
12% Popularity • 50% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Carolyn Maitland
Children of the Wind
86 bpm • G Maj • 02:55 • -9.9db
18% Popularity • 33% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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The Original Broadway Cast Of 'Curtains'
Thinking Of Him
86 bpm • C# Maj • 01:49 • -20db
26% Popularity • 39% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Cast Recording
Queen Mab
86 bpm • E min • 02:45 • -17.2db
20% Popularity • 39% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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J. Robert Spencer
He's Not Here
84 bpm • D# Maj • 01:15 • -23.69db
32% Popularity • 32% Danceability • 2% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
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The Mystery of Edwin Drood - The 2013 New Broadway Cast
Moonfall Quartet
87 bpm • F min • 02:01 • -17.28db
13% Popularity • 25% Danceability • 15% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
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Andrea Burns
I'm Not Afraid of Anything
84 bpm • A Maj • 04:37 • -12.52db
28% Popularity • 46% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 31% Positiveness
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Barbara Rosenblat
Scene: A Train Platform in Yorkshire / T...
83 bpm • D# min • 03:08 • -18.32db
22% Popularity • 50% Danceability • 27% Energy • 18% Liveness
0% Instrumentalness • 45% Positiveness
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25th Annual Putnam County Spelling Bee Original Cast
My Friend, the Dictionary
87 bpm • F Maj • 02:45 • -10.23db
32% Popularity • 47% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Dr. Henry Jekyll
Lost in the Darkness
83 bpm • C# min • 01:56 • -18db
29% Popularity • 35% Danceability • 11% Energy • 23% Liveness
0% Instrumentalness • 10% Positiveness
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Alice Ripley
Maybe (Next to Normal)
84 bpm • G# Maj • 04:00 • -17.43db
29% Popularity • 33% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Adam Pascal
Enchantment Passing Through - Broadway C...
83 bpm • A Maj • 03:18 • -12.55db
28% Popularity • 39% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
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Megan McGinnis
I Have Torn You from My Heart
87 bpm • A Maj • 01:56 • -13db
20% Popularity • 40% Danceability • 14% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
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Cast Recording
Once Upon A Time
83 bpm • E min • 02:11 • -16.71db
25% Popularity • 35% Danceability • 8% Energy • 8% Liveness
0% Instrumentalness • 7% Positiveness
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The Mystery of Edwin Drood - The 2013 New Broadway Cast
The Wages of Sin
83 bpm • G Maj • 03:12 • -11.75db
12% Popularity • 53% Danceability • 22% Energy • 24% Liveness
0% Instrumentalness • 54% Positiveness
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Utterson, Jekyll, Emma, Sir Danvers
Your Work--And Nothing More
83 bpm • G min • 02:47 • -9.98db
25% Popularity • 26% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Sara Ramirez
Twice In Every Show - Original Broadway ...
83 bpm • A# Maj • 01:17 • -7.46db
33% Popularity • 51% Danceability • 33% Energy • 56% Liveness
0% Instrumentalness • 32% Positiveness
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Lewis Flinn
Where Am I Now?
83 bpm • A# Maj • 04:09 • -8.85db
19% Popularity • 32% Danceability • 42% Energy • 16% Liveness
0% Instrumentalness • 25% Positiveness
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Laura Benanti
Will He Like Me?
87 bpm • C# Maj • 03:36 • -10db
24% Popularity • 37% Danceability • 24% Energy • 18% Liveness
0% Instrumentalness • 13% Positiveness
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Marguerite MacIntyre
So Far, so Good (Reprise) / You're Getti...
83 bpm • A min • 04:51 • -9.25db
0% Popularity • 48% Danceability • 59% Energy • 16% Liveness
0% Instrumentalness • 51% Positiveness
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Rose and Herbie
Small World
83 bpm • B Maj • 03:31 • -10.82db
15% Popularity • 36% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 11% Positiveness
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Dean Chisnall
The Mason
87 bpm • A# Maj • 02:45 • -14db
12% Popularity • 52% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
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Lisa O'Hare
Poor Monty
83 bpm • F min • 03:17 • -11db
23% Popularity • 41% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Jekyll, John Utterson
Pursue the Truth
87 bpm • G# min • 01:27 • -14.65db
25% Popularity • 47% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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Nicholas Barasch
Try Me
83 bpm • D Maj • 03:41 • -10.41db
24% Popularity • 49% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 63% Positiveness
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Megan McGinnis
Like Other Girls
87 bpm • D Maj • 03:28 • -7db
23% Popularity • 46% Danceability • 30% Energy • 19% Liveness
0% Instrumentalness • 45% Positiveness
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Molly Ranson
Evening Prayers
87 bpm • F Maj • 04:23 • -7.12db
29% Popularity • 36% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Alice Ripley
Just Another Day
83 bpm • E min • 03:49 • -7.52db
36% Popularity • 52% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Lewis Cleale
Yesterday I Loved You
83 bpm • A# Maj • 02:33 • -14.31db
18% Popularity • 24% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
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Peter Joback
Something
82 bpm • C# Maj • 04:03 • -14.09db
11% Popularity • 36% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Marin Mazzie
Our Children
82 bpm • B min • 03:29 • -14.45db
20% Popularity • 31% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
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Sophie Hayden
Somebody, Somewhere
88 bpm • F Maj • 02:12 • -16db
11% Popularity • 40% Danceability • 8% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
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David St. Louis
You Should Be Loved
82 bpm • F Maj • 05:20 • -9.8db
10% Popularity • 37% Danceability • 32% Energy • 16% Liveness
0% Instrumentalness • 29% Positiveness
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Lindsay Mendez
Nothing Short of Wonderful
88 bpm • B Maj • 02:40 • -7.58db
32% Popularity • 45% Danceability • 54% Energy • 66% Liveness
0% Instrumentalness • 62% Positiveness
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David Aaron Baker
Man to Man Talk
88 bpm • A Maj • 04:37 • -15.9db
15% Popularity • 46% Danceability • 17% Energy • 35% Liveness
0% Instrumentalness • 35% Positiveness
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Mary Beth Peil
Close the Door
88 bpm • G min • 03:11 • -11.19db
37% Popularity • 23% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
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Brian Stokes Mitchell
Make Them Hear You
88 bpm • E Maj • 02:11 • -7.93db
29% Popularity • 36% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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Marin Mazzie
When There's No One
88 bpm • C Maj • 03:16 • -9.3db
24% Popularity • 34% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
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Cast Recording
Touch My Soul
82 bpm • C# Maj • 04:02 • -15.23db
20% Popularity • 51% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 12% Positiveness
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Megan McGinnis
All This Time
82 bpm • F Maj • 03:07 • -11.04db
20% Popularity • 41% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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Lawrence Clayton
Normandy
82 bpm • D Maj • 03:33 • -13db
21% Popularity • 41% Danceability • 28% Energy • 22% Liveness
0% Instrumentalness • 50% Positiveness
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Laura Benanti
Vanilla Ice Cream
89 bpm • D Maj • 02:57 • -8.7db
31% Popularity • 44% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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James Snyder
Hey, Kid
81 bpm • F Maj • 03:38 • -11.83db
17% Popularity • 34% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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Marin Mazzie
Back to Before
88 bpm • B min • 03:49 • -9db
31% Popularity • 30% Danceability • 28% Energy • 25% Liveness
0% Instrumentalness • 18% Positiveness
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Lea Michele
Whispering - Original Broadway Cast Reco...
81 bpm • E min • 03:35 • -16.06db
34% Popularity • 36% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
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Leanne Cope
The Man I Love
81 bpm • G# min • 01:59 • -17db
17% Popularity • 24% Danceability • 12% Energy • 15% Liveness
0% Instrumentalness • 18% Positiveness
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Janet Metz
Times Like This
89 bpm • B Maj • 03:35 • -16db
15% Popularity • 44% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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Christine Andreas
You Are My Home
89 bpm • B Maj • 03:33 • -11.76db
23% Popularity • 22% Danceability • 28% Energy • 18% Liveness
0% Instrumentalness • 18% Positiveness
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Megan McGinnis
Graduation Day
89 bpm • C# Maj • 02:37 • -12.14db
20% Popularity • 42% Danceability • 17% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
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John Cameron Mitchell
Winter's on the Wing
81 bpm • G Maj • 02:33 • -12.48db
24% Popularity • 46% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
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Fred Applegate
He's Loose
81 bpm • A# min • 01:56 • -6.61db
21% Popularity • 58% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
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Stephanie J. Block, Marc Kudisch and Ensemble
The Dance o' Death
89 bpm • D Maj • 03:35 • -8.71db
27% Popularity • 44% Danceability • 39% Energy • 92% Liveness
0% Instrumentalness • 38% Positiveness
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Darren Ritchie
I Am My Own Invention
89 bpm • A# Maj • 02:51 • -17db
21% Popularity • 23% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Matt Rawle
Martin Guerre
81 bpm • D Maj • 02:55 • -15.12db
14% Popularity • 47% Danceability • 29% Energy • 20% Liveness
0% Instrumentalness • 44% Positiveness
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Marin Mazzie
Till We Reach That Day
81 bpm • G# Maj • 04:11 • -10.95db
23% Popularity • 23% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Christine Andreas
Only Love
81 bpm • G# Maj • 04:08 • -11.22db
22% Popularity • 23% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 17% Positiveness
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Alice Ripley
The Break
90 bpm • E min • 01:23 • -8.41db
29% Popularity • 54% Danceability • 61% Energy • 38% Liveness
0% Instrumentalness • 22% Positiveness
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Phillipa Soo
The Simple Joys of Maidenhood
81 bpm • B Maj • 03:03 • -11.49db
24% Popularity • 37% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Megan McGinnis
My Manhattan
81 bpm • D# Maj • 02:51 • -6.95db
22% Popularity • 38% Danceability • 48% Energy • 6% Liveness
0% Instrumentalness • 57% Positiveness
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Julie Atherton
Wait A Bit
81 bpm • A Maj • 04:06 • -14.62db
20% Popularity • 40% Danceability • 9% Energy • 20% Liveness
0% Instrumentalness • 18% Positiveness
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Ragtime Orchestra
Epilogue: Ragtime (Reprise) / Wheels of ...
81 bpm • F# Maj • 03:52 • -10.37db
20% Popularity • 38% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
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Santino Fontana
Talk To Me Dorothy
81 bpm • A# Maj • 03:01 • -12.65db
13% Popularity • 36% Danceability • 12% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
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Sheila Hancock
Here Within These Walls
80 bpm • G# Maj • 04:04 • -9.25db
29% Popularity • 38% Danceability • 29% Energy • 6% Liveness
0% Instrumentalness • 32% Positiveness
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Aaron Tveit
There's a World
80 bpm • A# Maj • 01:34 • -19.08db
32% Popularity • 33% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Jordan Donica
If Ever I Would Leave You
80 bpm • A# Maj • 03:40 • -11.79db
24% Popularity • 31% Danceability • 35% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
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Paul Alexander Nolan
What Does She Mean by Love?
90 bpm • B min • 02:25 • -8.63db
20% Popularity • 44% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Rachel Bay Jones
Kind of Woman
90 bpm • D Maj • 02:55 • -9db
32% Popularity • 36% Danceability • 36% Energy • 31% Liveness
0% Instrumentalness • 28% Positiveness
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Brent Barrett
Love Can't Happen
80 bpm • C# Maj • 02:50 • -11.76db
18% Popularity • 30% Danceability • 38% Energy • 21% Liveness
0% Instrumentalness • 41% Positiveness
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A Chorus Line Ensemble (2006)
Montage, Part 1: Hello Twelve, Hello Thi...
80 bpm • E Maj • 05:04 • -11db
29% Popularity • 58% Danceability • 26% Energy • 53% Liveness
0% Instrumentalness • 44% Positiveness
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Margo Seibert
I'm Done - Rocky Broadway Cast Recording
80 bpm • A Maj • 01:58 • -7.87db
26% Popularity • 55% Danceability • 40% Energy • 20% Liveness
0% Instrumentalness • 55% Positiveness
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Marin Mazzie
What Kind of Woman
90 bpm • F min • 02:35 • -16.65db
20% Popularity • 48% Danceability • 14% Energy • 16% Liveness
0% Instrumentalness • 29% Positiveness
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Derek Klena
Everything to Win
80 bpm • F Maj • 02:47 • -12db
39% Popularity • 33% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Jordan Donica
On the Street Where You Live
80 bpm • C Maj • 03:53 • -8db
26% Popularity • 35% Danceability • 43% Energy • 16% Liveness
0% Instrumentalness • 39% Positiveness
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Erin Rose Doyle
The Factory Girls / Come Up to My Office
91 bpm • C min • 04:59 • -9db
31% Popularity • 32% Danceability • 35% Energy • 15% Liveness
0% Instrumentalness • 7% Positiveness
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Jekyll
The Way Back
91 bpm • G min • 02:09 • -8.75db
25% Popularity • 21% Danceability • 53% Energy • 13% Liveness
8% Instrumentalness • 35% Positiveness
► Preview
Nick Blaemire
Some Kinda Time - Reprise
79 bpm • G Maj • 02:57 • -8.46db
24% Popularity • 37% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Steven Sutcliffe
He Wanted to Say
80 bpm • F# Maj • 02:34 • -10.05db
19% Popularity • 51% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Marin Mazzie
Carrie - Reprise
79 bpm • D# Maj • 01:25 • -18db
25% Popularity • 46% Danceability • 4% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
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Megan McGinnis
I Couldn't Know Someone Less
79 bpm • E Maj • 03:08 • -8db
25% Popularity • 48% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
► Preview
Faith Prince
Adelaide's Lament (Reprise)
92 bpm • F# Maj • 01:26 • -19.44db
24% Popularity • 42% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
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I Have Noticed a Change / Once More from the Top -...