Songs like I hear You calling me by Charles Marshall
Based on a tempo of (+/- 10%) and a similar genre
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Opera Australia Orchestra
Hubička, JB 1:104 "The Kiss": Vendulka'...
68 bpm • A min • 04:03 • -19db
10% Popularity • 14% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
10% Popularity • 14% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Charles Marshall
I hear You calling me
68 bpm • C Maj • 04:18 • -13.39db
0% Popularity • 17% Danceability • 24% Energy • 19% Liveness
91% Instrumentalness • 10% Positiveness
0% Popularity • 17% Danceability • 24% Energy • 19% Liveness
91% Instrumentalness • 10% Positiveness
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Laura Auer
Norma: "Casta Diva"
68 bpm • F Maj • 05:30 • -10.31db
10% Popularity • 13% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
10% Popularity • 13% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
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Edvard Grieg
Peer Gynt, Op. 23, Act V Scene 10: Pinse...
68 bpm • E min • 01:15 • -37.42db
17% Popularity • 13% Danceability • 0% Energy • 7% Liveness
28% Instrumentalness • 4% Positiveness
17% Popularity • 13% Danceability • 0% Energy • 7% Liveness
28% Instrumentalness • 4% Positiveness
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Bedřich Smetana
The Prague Carnival. Introduction and Po...
69 bpm • A Maj • 05:57 • -15.52db
19% Popularity • 16% Danceability • 26% Energy • 10% Liveness
86% Instrumentalness • 22% Positiveness
19% Popularity • 16% Danceability • 26% Energy • 10% Liveness
86% Instrumentalness • 22% Positiveness
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Antonín Dvořák
Mass in D Major, Op. 86, B. 153: V. Bene...
67 bpm • G Maj • 05:36 • -25.38db
11% Popularity • 11% Danceability • 4% Energy • 16% Liveness
98% Instrumentalness • 3% Positiveness
11% Popularity • 11% Danceability • 4% Energy • 16% Liveness
98% Instrumentalness • 3% Positiveness
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Francesco Paolo Tosti
Vorrei morire!
67 bpm • D# Maj • 05:09 • -20.22db
15% Popularity • 38% Danceability • 4% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
15% Popularity • 38% Danceability • 4% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
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Michael Tippett
A Child of our Time, Part II: A Spiritua...
67 bpm • F Maj • 02:30 • -21.66db
25% Popularity • 10% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
25% Popularity • 10% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
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Peter Deunov
The joy of Earth
69 bpm • G Maj • 01:56 • -19db
10% Popularity • 26% Danceability • 21% Energy • 11% Liveness
85% Instrumentalness • 23% Positiveness
10% Popularity • 26% Danceability • 21% Energy • 11% Liveness
85% Instrumentalness • 23% Positiveness
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Edvard Grieg
Våren / The Last Spring
68 bpm • F Maj • 05:24 • -13.99db
10% Popularity • 19% Danceability • 25% Energy • 8% Liveness
17% Instrumentalness • 4% Positiveness
10% Popularity • 19% Danceability • 25% Energy • 8% Liveness
17% Instrumentalness • 4% Positiveness
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Giacomo Puccini
Puccini: Tosca, Act 3: "O dolci mani man...
69 bpm • C Maj • 02:58 • -17.15db
10% Popularity • 36% Danceability • 9% Energy • 16% Liveness
0% Instrumentalness • 14% Positiveness
10% Popularity • 36% Danceability • 9% Energy • 16% Liveness
0% Instrumentalness • 14% Positiveness
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Victor Herbert
The Red Mill: Moonbeams
69 bpm • A# min • 03:27 • -19.68db
12% Popularity • 27% Danceability • 12% Energy • 14% Liveness
2% Instrumentalness • 5% Positiveness
12% Popularity • 27% Danceability • 12% Energy • 14% Liveness
2% Instrumentalness • 5% Positiveness
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John Stainer
When Jesus Therefore Saw His Mother
67 bpm • G Maj • 02:52 • -23.23db
10% Popularity • 14% Danceability • 4% Energy • 11% Liveness
2% Instrumentalness • 8% Positiveness
10% Popularity • 14% Danceability • 4% Energy • 11% Liveness
2% Instrumentalness • 8% Positiveness
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Giuseppe Torelli
Tu lo sai
67 bpm • E Maj • 02:44 • -19.07db
15% Popularity • 29% Danceability • 7% Energy • 9% Liveness
14% Instrumentalness • 15% Positiveness
15% Popularity • 29% Danceability • 7% Energy • 9% Liveness
14% Instrumentalness • 15% Positiveness
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Maurice Duruflé
Requiem, Op. 9: V. Pie Jesu
67 bpm • G# Maj • 03:38 • -19.87db
9% Popularity • 16% Danceability • 7% Energy • 12% Liveness
52% Instrumentalness • 3% Positiveness
9% Popularity • 16% Danceability • 7% Energy • 12% Liveness
52% Instrumentalness • 3% Positiveness
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Christopher P Sly
Salve from Amazon
67 bpm • C Maj • 04:14 • -9.88db
12% Popularity • 22% Danceability • 21% Energy • 12% Liveness
67% Instrumentalness • 7% Positiveness
12% Popularity • 22% Danceability • 21% Energy • 12% Liveness
67% Instrumentalness • 7% Positiveness
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Franz Lehár
The Merry Widow (Die lustige Witwe) / Ac...
69 bpm • G Maj • 02:17 • -30db
17% Popularity • 18% Danceability • 4% Energy • 21% Liveness
89% Instrumentalness • 9% Positiveness
17% Popularity • 18% Danceability • 4% Energy • 21% Liveness
89% Instrumentalness • 9% Positiveness
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Tobias Picker
Emmeline: Act Two: "I know nothing"
67 bpm • A# min • 07:39 • -23.5db
27% Popularity • 33% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
27% Popularity • 33% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Charlotte Hoather
Gypsy Songs, Op. 55: No. 4, Když Mne St...
67 bpm • D Maj • 02:09 • -13.74db
8% Popularity • 33% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 11% Positiveness
8% Popularity • 33% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 11% Positiveness
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Giacomo Puccini
La Bohème, SC 67, Act I: O soave fanciu...
69 bpm • E Maj • 01:48 • -19.26db
6% Popularity • 15% Danceability • 6% Energy • 10% Liveness
85% Instrumentalness • 4% Positiveness
6% Popularity • 15% Danceability • 6% Energy • 10% Liveness
85% Instrumentalness • 4% Positiveness
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Francesco Cavalli
Il Giasone, Act 1 Scene 14: Dell'antro m...
69 bpm • D min • 02:15 • -16.33db
11% Popularity • 53% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 9% Positiveness
11% Popularity • 53% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 9% Positiveness
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Wolfgang Amadeus Mozart
Le nozze di Figaro, K.492, Act IV: Recit...
66 bpm • C Maj • 01:18 • -23.74db
12% Popularity • 43% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
12% Popularity • 43% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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MartÍn Palmeri
Misatango, Misa a Buenos Aires: XV. Dona...
70 bpm • C Maj • 07:00 • -16db
9% Popularity • 12% Danceability • 64% Energy • 14% Liveness
47% Instrumentalness • 9% Positiveness
9% Popularity • 12% Danceability • 64% Energy • 14% Liveness
47% Instrumentalness • 9% Positiveness
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Antonín Dvořák
Mass in D Major, Op. 86, B. 175: II. Glo...
66 bpm • G Maj • 08:08 • -20.34db
9% Popularity • 10% Danceability • 12% Energy • 16% Liveness
0% Instrumentalness • 4% Positiveness
9% Popularity • 10% Danceability • 12% Energy • 16% Liveness
0% Instrumentalness • 4% Positiveness
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Ludwig van Beethoven
Beethoven: 63 Irish Songs, Pt. 1, WoO 15...
70 bpm • B min • 02:46 • -19.26db
1% Popularity • 36% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
1% Popularity • 36% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Giacomo Puccini
Messa di Gloria: Agnus Dei
70 bpm • C Maj • 02:32 • -24.91db
14% Popularity • 10% Danceability • 13% Energy • 11% Liveness
4% Instrumentalness • 20% Positiveness
14% Popularity • 10% Danceability • 13% Energy • 11% Liveness
4% Instrumentalness • 20% Positiveness
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Théodore Dubois
Les 7 paroles du Christ: 3e Parole - "Mu...
70 bpm • A min • 05:25 • -32.8db
12% Popularity • 14% Danceability • 2% Energy • 6% Liveness
11% Instrumentalness • 4% Positiveness
12% Popularity • 14% Danceability • 2% Energy • 6% Liveness
11% Instrumentalness • 4% Positiveness
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Wolfgang Amadeus Mozart
Così fan tutte, K.588, Act I: Aria. "Co...
70 bpm • F Maj • 04:20 • -18.43db
12% Popularity • 32% Danceability • 18% Energy • 5% Liveness
0% Instrumentalness • 20% Positiveness
12% Popularity • 32% Danceability • 18% Energy • 5% Liveness
0% Instrumentalness • 20% Positiveness
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Gregorianos
Laudate Dominum
70 bpm • F Maj • 02:52 • -17.79db
9% Popularity • 18% Danceability • 31% Energy • 12% Liveness
59% Instrumentalness • 24% Positiveness
9% Popularity • 18% Danceability • 31% Energy • 12% Liveness
59% Instrumentalness • 24% Positiveness
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Beckenhorst Singers
God Wouldn't Bring You This Far to Leave...
70 bpm • C min • 06:02 • -14.88db
9% Popularity • 25% Danceability • 23% Energy • 8% Liveness
1% Instrumentalness • 24% Positiveness
9% Popularity • 25% Danceability • 23% Energy • 8% Liveness
1% Instrumentalness • 24% Positiveness
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Cheri Rose Katz
Brahm's Lullaby
71 bpm • C# Maj • 02:33 • -15db
15% Popularity • 30% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
15% Popularity • 30% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
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Krister St. Hill
Sions Vekter Hever Røsten
70 bpm • C Maj • 04:20 • -17db
8% Popularity • 24% Danceability • 24% Energy • 24% Liveness
94% Instrumentalness • 51% Positiveness
8% Popularity • 24% Danceability • 24% Energy • 24% Liveness
94% Instrumentalness • 51% Positiveness
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KNOXVILLETRACKZ
HFTEPX
65 bpm • D min • 01:04 • -47.34db
7% Popularity • 12% Danceability • 0% Energy • 9% Liveness
100% Instrumentalness • 32% Positiveness
7% Popularity • 12% Danceability • 0% Energy • 9% Liveness
100% Instrumentalness • 32% Positiveness
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Wolfgang Amadeus Mozart
Così fan tutte, K.588, Act II: Duetto. ...
70 bpm • A Maj • 06:26 • -20.06db
12% Popularity • 22% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
12% Popularity • 22% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
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Charles Marshall
I hear you calling me
71 bpm • C Maj • 03:28 • -16.74db
0% Popularity • 26% Danceability • 11% Energy • 20% Liveness
2% Instrumentalness • 11% Positiveness
0% Popularity • 26% Danceability • 11% Energy • 20% Liveness
2% Instrumentalness • 11% Positiveness
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3T Brass
Hino 3 - 3T Brass Band
71 bpm • G Maj • 03:58 • -18.58db
10% Popularity • 16% Danceability • 13% Energy • 10% Liveness
89% Instrumentalness • 7% Positiveness
10% Popularity • 16% Danceability • 13% Energy • 10% Liveness
89% Instrumentalness • 7% Positiveness
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Patrick Cassidy
The Mass: Sanctus
65 bpm • C Maj • 04:02 • -26.05db
7% Popularity • 6% Danceability • 6% Energy • 7% Liveness
72% Instrumentalness • 4% Positiveness
7% Popularity • 6% Danceability • 6% Energy • 7% Liveness
72% Instrumentalness • 4% Positiveness
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Martin Frank
Hehn verreckt
65 bpm • D# Maj • 03:41 • -13.18db
13% Popularity • 18% Danceability • 48% Energy • 73% Liveness
0% Instrumentalness • 28% Positiveness
13% Popularity • 18% Danceability • 48% Energy • 73% Liveness
0% Instrumentalness • 28% Positiveness
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Sergei Rachmaninoff
12 Romances, Op. 21: No. 7, How Fair Thi...
72 bpm • A Maj • 02:01 • -24db
11% Popularity • 34% Danceability • 3% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
11% Popularity • 34% Danceability • 3% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
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Richard Wagner
Fünf Lieder für Mathilde Wesendonck: D...
72 bpm • E Maj • 03:18 • -21.26db
7% Popularity • 26% Danceability • 7% Energy • 9% Liveness
2% Instrumentalness • 4% Positiveness
7% Popularity • 26% Danceability • 7% Energy • 9% Liveness
2% Instrumentalness • 4% Positiveness
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Peter Deunov
The sun is rising
72 bpm • G Maj • 04:46 • -24.21db
8% Popularity • 17% Danceability • 10% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
8% Popularity • 17% Danceability • 10% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
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Gabriel Fauré
Fauré: Requiem, Op. 48: II. Offertoire
72 bpm • D Maj • 08:07 • -23.37db
11% Popularity • 9% Danceability • 7% Energy • 10% Liveness
84% Instrumentalness • 4% Positiveness
11% Popularity • 9% Danceability • 7% Energy • 10% Liveness
84% Instrumentalness • 4% Positiveness
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Tasti
Musica prohibita
72 bpm • A# Maj • 04:05 • -8db
8% Popularity • 16% Danceability • 35% Energy • 30% Liveness
0% Instrumentalness • 16% Positiveness
8% Popularity • 16% Danceability • 35% Energy • 30% Liveness
0% Instrumentalness • 16% Positiveness
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Ralph Vaughan Williams
In Windsor Forest: No. 1, The Conspiracy
72 bpm • E min • 02:20 • -20.31db
12% Popularity • 40% Danceability • 12% Energy • 16% Liveness
0% Instrumentalness • 46% Positiveness
12% Popularity • 40% Danceability • 12% Energy • 16% Liveness
0% Instrumentalness • 46% Positiveness
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Γιάννη Yang
Mondnacht
72 bpm • C# Maj • 03:16 • -6.14db
17% Popularity • 30% Danceability • 42% Energy • 11% Liveness
3% Instrumentalness • 4% Positiveness
17% Popularity • 30% Danceability • 42% Energy • 11% Liveness
3% Instrumentalness • 4% Positiveness
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Felix Mendelssohn
A Midsummer Night's Dream, Op. 61: Final...
72 bpm • E Maj • 05:01 • -23.99db
11% Popularity • 19% Danceability • 8% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
11% Popularity • 19% Danceability • 8% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
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Peter Deunov
Thoughts
72 bpm • D Maj • 03:23 • -24.75db
9% Popularity • 13% Danceability • 10% Energy • 11% Liveness
87% Instrumentalness • 10% Positiveness
9% Popularity • 13% Danceability • 10% Energy • 11% Liveness
87% Instrumentalness • 10% Positiveness
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Giacomo Puccini
Messa di Gloria: IV. Gratias
72 bpm • C# Maj • 03:40 • -22.16db
15% Popularity • 22% Danceability • 8% Energy • 18% Liveness
1% Instrumentalness • 4% Positiveness
15% Popularity • 22% Danceability • 8% Energy • 18% Liveness
1% Instrumentalness • 4% Positiveness
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Eric Coates
Springtime Suite: Noonday Song
64 bpm • C min • 04:31 • -27.74db
1% Popularity • 6% Danceability • 5% Energy • 10% Liveness
85% Instrumentalness • 4% Positiveness
1% Popularity • 6% Danceability • 5% Energy • 10% Liveness
85% Instrumentalness • 4% Positiveness
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George Frideric Handel
Handel: Solomon, HWV 67, Act 3: Air. "Ev...
72 bpm • G min • 04:39 • -26.19db
2% Popularity • 26% Danceability • 4% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
2% Popularity • 26% Danceability • 4% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
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Mannenensemble Espressione
Did you Think to Pray
72 bpm • E Maj • 04:22 • -21.85db
16% Popularity • 21% Danceability • 15% Energy • 16% Liveness
94% Instrumentalness • 7% Positiveness
16% Popularity • 21% Danceability • 15% Energy • 16% Liveness
94% Instrumentalness • 7% Positiveness
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Elena Kats-Chernin
The Little Green Road to Fairyland: No. ...
72 bpm • E min • 03:29 • -16.09db
9% Popularity • 32% Danceability • 18% Energy • 10% Liveness
2% Instrumentalness • 15% Positiveness
9% Popularity • 32% Danceability • 18% Energy • 10% Liveness
2% Instrumentalness • 15% Positiveness
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Mårten Jansson
Missa Popularis: III. Credo
73 bpm • F Maj • 07:28 • -22.12db
9% Popularity • 9% Danceability • 8% Energy • 7% Liveness
20% Instrumentalness • 5% Positiveness
9% Popularity • 9% Danceability • 8% Energy • 7% Liveness
20% Instrumentalness • 5% Positiveness
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Giacomo Puccini
Messa di Gloria: XVII. Benedictus
73 bpm • A# Maj • 02:14 • -23.41db
13% Popularity • 14% Danceability • 11% Energy • 9% Liveness
68% Instrumentalness • 4% Positiveness
13% Popularity • 14% Danceability • 11% Energy • 9% Liveness
68% Instrumentalness • 4% Positiveness
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Anna Bon
Flute Sonata in G major, Op. 1 No. 6: I....
73 bpm • F Maj • 08:40 • -10.57db
18% Popularity • 38% Danceability • 22% Energy • 6% Liveness
92% Instrumentalness • 94% Positiveness
18% Popularity • 38% Danceability • 22% Energy • 6% Liveness
92% Instrumentalness • 94% Positiveness
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George Frideric Handel
Theodora, HWV 68, Pt. I: Air’ Descend,...
73 bpm • F# Maj • 07:34 • -19.83db
10% Popularity • 24% Danceability • 12% Energy • 14% Liveness
49% Instrumentalness • 15% Positiveness
10% Popularity • 24% Danceability • 12% Energy • 14% Liveness
49% Instrumentalness • 15% Positiveness
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John Stainer
After This, Jesus Knowing That All Thing...
63 bpm • E min • 02:13 • -35db
10% Popularity • 17% Danceability • 1% Energy • 12% Liveness
2% Instrumentalness • 9% Positiveness
10% Popularity • 17% Danceability • 1% Energy • 12% Liveness
2% Instrumentalness • 9% Positiveness
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Fortibus Ensemble
Ubi caritas et amor
73 bpm • E Maj • 02:51 • -14.86db
12% Popularity • 17% Danceability • 17% Energy • 33% Liveness
3% Instrumentalness • 12% Positiveness
12% Popularity • 17% Danceability • 17% Energy • 33% Liveness
3% Instrumentalness • 12% Positiveness
► Preview
Jean Sibelius
Maan virsi (Hymn to the Earth), Op. 95
73 bpm • C Maj • 07:43 • -22.76db
11% Popularity • 8% Danceability • 11% Energy • 12% Liveness
92% Instrumentalness • 8% Positiveness
11% Popularity • 8% Danceability • 11% Energy • 12% Liveness
92% Instrumentalness • 8% Positiveness
► Preview
Michael John Trotta
Requiem: V. Pie Jesu
74 bpm • A# min • 03:25 • -32.96db
21% Popularity • 12% Danceability • 1% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
21% Popularity • 12% Danceability • 1% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
► Preview
Lorena Valero
Ave Maria, Caccini
63 bpm • A min • 04:19 • -16.85db
14% Popularity • 17% Danceability • 14% Energy • 12% Liveness
86% Instrumentalness • 4% Positiveness
14% Popularity • 17% Danceability • 14% Energy • 12% Liveness
86% Instrumentalness • 4% Positiveness
► Preview
Richard Strauss
4 Letzte Lieder, TrV 296: No. 3, Beim Sc...
74 bpm • C# Maj • 05:26 • -22.19db
13% Popularity • 12% Danceability • 6% Energy • 12% Liveness
53% Instrumentalness • 3% Positiveness
13% Popularity • 12% Danceability • 6% Energy • 12% Liveness
53% Instrumentalness • 3% Positiveness
► Preview
Cecilia Livingston
Breath Alone: Paula Modersohn-Becker (Ve...
74 bpm • G min • 07:13 • -20.93db
14% Popularity • 17% Danceability • 8% Energy • 6% Liveness
4% Instrumentalness • 4% Positiveness
14% Popularity • 17% Danceability • 8% Energy • 6% Liveness
4% Instrumentalness • 4% Positiveness
► Preview
Charles Koechlin
Pelleas et Melisande, Op. 80 (arr. C. Ko...
74 bpm • G Maj • 04:17 • -26.56db
14% Popularity • 7% Danceability • 3% Energy • 8% Liveness
84% Instrumentalness • 3% Positiveness
14% Popularity • 7% Danceability • 3% Energy • 8% Liveness
84% Instrumentalness • 3% Positiveness
► Preview
Kim André Arnesen
Quis est homo
74 bpm • A min • 06:43 • -25.19db
10% Popularity • 9% Danceability • 5% Energy • 11% Liveness
6% Instrumentalness • 4% Positiveness
10% Popularity • 9% Danceability • 5% Energy • 11% Liveness
6% Instrumentalness • 4% Positiveness
► Preview
Louise Reichardt
Sei Canzoni di Metastasio: VI. Se non pi...
74 bpm • G Maj • 01:00 • -7.75db
8% Popularity • 57% Danceability • 44% Energy • 47% Liveness
0% Instrumentalness • 70% Positiveness
8% Popularity • 57% Danceability • 44% Energy • 47% Liveness
0% Instrumentalness • 70% Positiveness
► Preview
Nicola D'Agostino
Un bel dì vedremo (As heard in the seri...
74 bpm • A# min • 03:52 • -22.41db
17% Popularity • 22% Danceability • 12% Energy • 14% Liveness
50% Instrumentalness • 22% Positiveness
17% Popularity • 22% Danceability • 12% Energy • 14% Liveness
50% Instrumentalness • 22% Positiveness
► Preview
George Frideric Handel
Handel: Samson, HWV 57, Act 1: "Total ec...
75 bpm • E min • 03:57 • -21.33db
22% Popularity • 17% Danceability • 13% Energy • 14% Liveness
1% Instrumentalness • 5% Positiveness
22% Popularity • 17% Danceability • 13% Energy • 14% Liveness
1% Instrumentalness • 5% Positiveness
► Preview
Wolfgang Amadeus Mozart
Così fan tutte, K.588, Act II: Rondo. "...
75 bpm • E Maj • 07:19 • -21.22db
10% Popularity • 23% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
10% Popularity • 23% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
André Rieu
Caro Nome - Live
75 bpm • E Maj • 07:10 • -17.84db
21% Popularity • 34% Danceability • 30% Energy • 60% Liveness
1% Instrumentalness • 6% Positiveness
21% Popularity • 34% Danceability • 30% Energy • 60% Liveness
1% Instrumentalness • 6% Positiveness
► Preview
Felix Mendelssohn
Lieder ohne Worte, Op. 30: No. 3 in E Ma...
75 bpm • D# Maj • 02:37 • -32.09db
21% Popularity • 7% Danceability • 2% Energy • 9% Liveness
94% Instrumentalness • 8% Positiveness
21% Popularity • 7% Danceability • 2% Energy • 9% Liveness
94% Instrumentalness • 8% Positiveness
► Preview
Maurice Duruflé
Requiem, Op. 9: VI. Agnus Dei
62 bpm • G min • 03:48 • -24.33db
9% Popularity • 16% Danceability • 3% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
9% Popularity • 16% Danceability • 3% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
► Preview
環球合唱團
安妮羅莉
75 bpm • D Maj • 02:54 • -21db
10% Popularity • 24% Danceability • 12% Energy • 7% Liveness
0% Instrumentalness • 12% Positiveness
10% Popularity • 24% Danceability • 12% Energy • 7% Liveness
0% Instrumentalness • 12% Positiveness
► Preview
Encontro dos Amigos
Hino 284 - Louvor nos Céus Altíssimos ...
62 bpm • F Maj • 03:37 • -19.71db
8% Popularity • 16% Danceability • 8% Energy • 18% Liveness
89% Instrumentalness • 4% Positiveness
8% Popularity • 16% Danceability • 8% Energy • 18% Liveness
89% Instrumentalness • 4% Positiveness
► Preview
Carl Orff
Carmina Burana: In trutina
75 bpm • D Maj • 02:16 • -23.03db
17% Popularity • 23% Danceability • 6% Energy • 12% Liveness
8% Instrumentalness • 4% Positiveness
17% Popularity • 23% Danceability • 6% Energy • 12% Liveness
8% Instrumentalness • 4% Positiveness
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César Franck
Die sieben Worte Christi am Kreuz für S...
75 bpm • F Maj • 03:33 • -22.91db
9% Popularity • 20% Danceability • 10% Energy • 8% Liveness
79% Instrumentalness • 4% Positiveness
9% Popularity • 20% Danceability • 10% Energy • 8% Liveness
79% Instrumentalness • 4% Positiveness
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Robert Schumann
Romanzen, Book 1, Op. 69: No. 5. Meerfey
61 bpm • A min • 03:48 • -33.59db
12% Popularity • 18% Danceability • 2% Energy • 7% Liveness
93% Instrumentalness • 4% Positiveness
12% Popularity • 18% Danceability • 2% Energy • 7% Liveness
93% Instrumentalness • 4% Positiveness
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Maurice Duruflé
Requiem, Op. 9: Pie Jesu
75 bpm • F min • 03:40 • -25.64db
8% Popularity • 8% Danceability • 3% Energy • 8% Liveness
38% Instrumentalness • 3% Positiveness
8% Popularity • 8% Danceability • 3% Energy • 8% Liveness
38% Instrumentalness • 3% Positiveness
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Rachel Portman
The Little Prince: Act I: "The Pilot"
76 bpm • E Maj • 02:33 • -19.59db
8% Popularity • 30% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
8% Popularity • 30% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
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Charles Marshall
I Hear You Calling Me
76 bpm • C Maj • 03:11 • -22.66db
0% Popularity • 32% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
0% Popularity • 32% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Giuseppe Verdi
Otello: Ave Maria, piena di grazia
61 bpm • G# Maj • 04:41 • -21.56db
10% Popularity • 13% Danceability • 8% Energy • 5% Liveness
8% Instrumentalness • 4% Positiveness
10% Popularity • 13% Danceability • 8% Energy • 5% Liveness
8% Instrumentalness • 4% Positiveness
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Frank La Rocca
Mass of the Americas: VI. Agnus Dei
76 bpm • D min • 02:33 • -21.9db
6% Popularity • 17% Danceability • 15% Energy • 11% Liveness
76% Instrumentalness • 3% Positiveness
6% Popularity • 17% Danceability • 15% Energy • 11% Liveness
76% Instrumentalness • 3% Positiveness
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James Whitbourn
Annelies (chamber version): XII. The hop...
76 bpm • A# Maj • 05:08 • -19.3db
10% Popularity • 14% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
10% Popularity • 14% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Charles Dibdin
Tom Bowling
76 bpm • D# Maj • 04:27 • -20.45db
7% Popularity • 40% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
7% Popularity • 40% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Wolfgang Amadeus Mozart
Mass No. 17 in C Minor, K. 427 "Great" (...
61 bpm • C min • 06:34 • -23db
10% Popularity • 15% Danceability • 7% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
10% Popularity • 15% Danceability • 7% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
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Judith Hancock (organ)
Introit And Kyrie
76 bpm • A# Maj • 06:06 • -24.83db
13% Popularity • 12% Danceability • 7% Energy • 13% Liveness
96% Instrumentalness • 3% Positiveness
13% Popularity • 12% Danceability • 7% Energy • 13% Liveness
96% Instrumentalness • 3% Positiveness
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Jane Edwards
Schlichte Weisen, Op. 76: No. 52, Mariä...
76 bpm • F Maj • 02:01 • -21.19db
10% Popularity • 35% Danceability • 6% Energy • 10% Liveness
1% Instrumentalness • 4% Positiveness
10% Popularity • 35% Danceability • 6% Energy • 10% Liveness
1% Instrumentalness • 4% Positiveness
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César Franck
Sept paroles du Christ en croix: Parole ...
76 bpm • C min • 06:30 • -24.21db
8% Popularity • 7% Danceability • 4% Energy • 9% Liveness
10% Instrumentalness • 4% Positiveness
8% Popularity • 7% Danceability • 4% Energy • 9% Liveness
10% Instrumentalness • 4% Positiveness
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Komitas
Armenian Songs: Mankakan aghotq - Hayr M...
76 bpm • D Maj • 00:58 • -23.28db
8% Popularity • 32% Danceability • 5% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
8% Popularity • 32% Danceability • 5% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
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Claudio Monteverdi
Lasciatemi morire!
77 bpm • F min • 01:24 • -16.4db
16% Popularity • 32% Danceability • 12% Energy • 8% Liveness
0% Instrumentalness • 11% Positiveness
16% Popularity • 32% Danceability • 12% Energy • 8% Liveness
0% Instrumentalness • 11% Positiveness
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Giacomo Puccini
Manon Lescaut, S. 69, Act II: In quelle ...
60 bpm • A# min • 02:02 • -24.15db
3% Popularity • 23% Danceability • 3% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
3% Popularity • 23% Danceability • 3% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
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Wolfgang Amadeus Mozart
Le nozze di Figaro, K.492, Act IV: Aria....
77 bpm • F Maj • 03:04 • -23.99db
20% Popularity • 24% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
20% Popularity • 24% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
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Markku Liukkonen
Resitatiivi, Pääsiäisjuhla Oli Jo Tul...
77 bpm • A Maj • 03:34 • -16.58db
10% Popularity • 15% Danceability • 19% Energy • 11% Liveness
84% Instrumentalness • 6% Positiveness
10% Popularity • 15% Danceability • 19% Energy • 11% Liveness
84% Instrumentalness • 6% Positiveness
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Bob Chilcott
St. John Passion, Part III: Jesus Dies o...
77 bpm • C min • 02:32 • -26.72db
7% Popularity • 28% Danceability • 3% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
7% Popularity • 28% Danceability • 3% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
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Sergei Rachmaninoff
14 Romances, Op. 34: No. 14, Vocalise
77 bpm • C# min • 06:06 • -23.49db
10% Popularity • 23% Danceability • 10% Energy • 7% Liveness
91% Instrumentalness • 4% Positiveness
10% Popularity • 23% Danceability • 10% Energy • 7% Liveness
91% Instrumentalness • 4% Positiveness
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Craig Hella Johnson
Considering Matthew Shepard, Passion: No...
77 bpm • E min • 03:19 • -20.86db
13% Popularity • 31% Danceability • 10% Energy • 11% Liveness
2% Instrumentalness • 6% Positiveness
13% Popularity • 31% Danceability • 10% Energy • 11% Liveness
2% Instrumentalness • 6% Positiveness
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![Scenes from the Saga of King Olaf, Op. 30 (Excerpts): No. 2, The Challenge of Thor [Live] cover art](https://i.scdn.co/image/ab67616d00001e02634823c49c54587f525b2078)
Edward Elgar
Scenes from the Saga of King Olaf, Op. 3...
60 bpm • A# min • 04:45 • -13.76db
12% Popularity • 27% Danceability • 23% Energy • 10% Liveness
1% Instrumentalness • 10% Positiveness
12% Popularity • 27% Danceability • 23% Energy • 10% Liveness
1% Instrumentalness • 10% Positiveness
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Leonard Bernstein
MASS: No. 7, Prayer for the Congregation...
77 bpm • D Maj • 01:35 • -30.17db
16% Popularity • 11% Danceability • 5% Energy • 8% Liveness
19% Instrumentalness • 4% Positiveness
16% Popularity • 11% Danceability • 5% Energy • 8% Liveness
19% Instrumentalness • 4% Positiveness
