Songs like I Just Call You Mine by David Phelps
Based on a tempo of (+/- 10%) and a similar genre
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The Texas Tenors
You Should Dream
144 bpm • F# Maj • 04:08 • -4db
22% Popularity • 38% Danceability • 70% Energy • 6% Liveness
0% Instrumentalness • 14% Positiveness
22% Popularity • 38% Danceability • 70% Energy • 6% Liveness
0% Instrumentalness • 14% Positiveness
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Downhere
Rest
144 bpm • E Maj • 04:09 • -4.46db
17% Popularity • 42% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
17% Popularity • 42% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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John Waller
Heaven Just Got Better
144 bpm • A Maj • 04:18 • -5.35db
11% Popularity • 39% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
11% Popularity • 39% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Jimmy Needham
If I Ever Needed Grace
144 bpm • E Maj • 03:44 • -4.76db
27% Popularity • 47% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
27% Popularity • 47% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
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David Phelps
I Just Call You Mine
144 bpm • C# Maj • 04:29 • -7db
13% Popularity • 48% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
13% Popularity • 48% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Newsong
When God Made You
144 bpm • D Maj • 04:41 • -7db
47% Popularity • 48% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
47% Popularity • 48% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Nicole C. Mullen
One Touch (Press)
145 bpm • E Maj • 04:25 • -6.01db
31% Popularity • 44% Danceability • 38% Energy • 15% Liveness
0% Instrumentalness • 18% Positiveness
31% Popularity • 44% Danceability • 38% Energy • 15% Liveness
0% Instrumentalness • 18% Positiveness
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Kutless
Everything I Need
145 bpm • A# Maj • 03:01 • -6.26db
32% Popularity • 40% Danceability • 56% Energy • 24% Liveness
0% Instrumentalness • 42% Positiveness
32% Popularity • 40% Danceability • 56% Energy • 24% Liveness
0% Instrumentalness • 42% Positiveness
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Susan Ashton
No One Knows My Heart
143 bpm • C Maj • 03:05 • -17db
31% Popularity • 55% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
31% Popularity • 55% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Carman
The River
142 bpm • D Maj • 03:45 • -9.2db
27% Popularity • 58% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
27% Popularity • 58% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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David Phelps
That's What Love Is
145 bpm • A Maj • 05:19 • -5db
18% Popularity • 40% Danceability • 69% Energy • 16% Liveness
0% Instrumentalness • 24% Positiveness
18% Popularity • 40% Danceability • 69% Energy • 16% Liveness
0% Instrumentalness • 24% Positiveness
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Jim Brickman
Be Thou Near To Me
146 bpm • A Maj • 03:30 • -9.53db
23% Popularity • 49% Danceability • 50% Energy • 23% Liveness
0% Instrumentalness • 29% Positiveness
23% Popularity • 49% Danceability • 50% Energy • 23% Liveness
0% Instrumentalness • 29% Positiveness
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The Martins
In The Presence Of Jehovah
142 bpm • G Maj • 06:03 • -12.08db
28% Popularity • 28% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
28% Popularity • 28% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Marshall Hall
When You Love
142 bpm • D Maj • 04:06 • -9.17db
8% Popularity • 48% Danceability • 45% Energy • 17% Liveness
0% Instrumentalness • 40% Positiveness
8% Popularity • 48% Danceability • 45% Energy • 17% Liveness
0% Instrumentalness • 40% Positiveness
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John Elefante
That's Why God Made the Moon
142 bpm • D# Maj • 05:56 • -8.65db
18% Popularity • 38% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
18% Popularity • 38% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Pocket Full Of Rocks
Come As You Are
142 bpm • C Maj • 03:22 • -7.44db
12% Popularity • 37% Danceability • 48% Energy • 20% Liveness
0% Instrumentalness • 28% Positiveness
12% Popularity • 37% Danceability • 48% Energy • 20% Liveness
0% Instrumentalness • 28% Positiveness
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Chris Tomlin
Unfailing Love
142 bpm • G# Maj • 03:59 • -5.85db
34% Popularity • 60% Danceability • 65% Energy • 13% Liveness
0% Instrumentalness • 52% Positiveness
34% Popularity • 60% Danceability • 65% Energy • 13% Liveness
0% Instrumentalness • 52% Positiveness
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Nicole C. Mullen
Forgive Me
142 bpm • F# Maj • 04:41 • -7.19db
35% Popularity • 35% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
35% Popularity • 35% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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Matthew West
Hold You Up
142 bpm • G Maj • 03:59 • -7.46db
22% Popularity • 56% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 27% Positiveness
22% Popularity • 56% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 27% Positiveness
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Marshall Hall
Voice Of A Savior
142 bpm • C Maj • 03:54 • -9.66db
7% Popularity • 54% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
7% Popularity • 54% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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MercyMe
Keep Singing
142 bpm • C Maj • 02:51 • -12.85db
21% Popularity • 56% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
21% Popularity • 56% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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Colton A.
Listen
142 bpm • C Maj • 03:44 • -9.09db
27% Popularity • 64% Danceability • 19% Energy • 17% Liveness
0% Instrumentalness • 53% Positiveness
27% Popularity • 64% Danceability • 19% Energy • 17% Liveness
0% Instrumentalness • 53% Positiveness
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David Phelps
Someone Who Cares
142 bpm • C Maj • 04:05 • -10.45db
15% Popularity • 47% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
15% Popularity • 47% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
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Meredith Andrews
In Your Arms
142 bpm • D Maj • 04:31 • -5.07db
17% Popularity • 36% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
17% Popularity • 36% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
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Clay Crosse
Make It a Promise
146 bpm • G Maj • 04:26 • -9.72db
10% Popularity • 54% Danceability • 51% Energy • 7% Liveness
0% Instrumentalness • 36% Positiveness
10% Popularity • 54% Danceability • 51% Energy • 7% Liveness
0% Instrumentalness • 36% Positiveness
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The Collingsworth Family
You're About to Climb
142 bpm • G Maj • 03:34 • -7.42db
29% Popularity • 28% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
29% Popularity • 28% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Philippa Hanna
Something Better
142 bpm • C min • 04:03 • -8.97db
15% Popularity • 46% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
15% Popularity • 46% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Lauren Talley
In Christ Alone
141 bpm • C# Maj • 04:03 • -7.46db
15% Popularity • 52% Danceability • 51% Energy • 15% Liveness
0% Instrumentalness • 44% Positiveness
15% Popularity • 52% Danceability • 51% Energy • 15% Liveness
0% Instrumentalness • 44% Positiveness
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David Phelps
Revelation
142 bpm • A min • 04:18 • -6.23db
10% Popularity • 39% Danceability • 63% Energy • 32% Liveness
0% Instrumentalness • 63% Positiveness
10% Popularity • 39% Danceability • 63% Energy • 32% Liveness
0% Instrumentalness • 63% Positiveness
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Dallyn Vail Bayles
Breathe In Me
142 bpm • F# Maj • 04:35 • -10db
15% Popularity • 31% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
15% Popularity • 31% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
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Katie Bull
There Will Never Be Another You
141 bpm • A# Maj • 05:03 • -11.74db
2% Popularity • 50% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
2% Popularity • 50% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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Eva Mae LeFevre
I Am In His Care
147 bpm • A Maj • 02:44 • -10.47db
5% Popularity • 65% Danceability • 64% Energy • 94% Liveness
0% Instrumentalness • 66% Positiveness
5% Popularity • 65% Danceability • 64% Energy • 94% Liveness
0% Instrumentalness • 66% Positiveness
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Larnelle Harris
Were It Not For Grace
141 bpm • C Maj • 04:33 • -14.31db
32% Popularity • 30% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
32% Popularity • 30% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
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The Imperials
Praise the Lord
141 bpm • A Maj • 03:35 • -7db
33% Popularity • 43% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
33% Popularity • 43% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
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David Phelps
Heaven’s Shore
141 bpm • A# Maj • 05:05 • -5.22db
18% Popularity • 20% Danceability • 44% Energy • 39% Liveness
0% Instrumentalness • 14% Positiveness
18% Popularity • 20% Danceability • 44% Energy • 39% Liveness
0% Instrumentalness • 14% Positiveness
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Bob Carlisle
I Will Shelter You
148 bpm • C Maj • 04:10 • -8db
9% Popularity • 46% Danceability • 60% Energy • 15% Liveness
0% Instrumentalness • 19% Positiveness
9% Popularity • 46% Danceability • 60% Energy • 15% Liveness
0% Instrumentalness • 19% Positiveness
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Truman Brothers
Before the Calm
148 bpm • G Maj • 04:15 • -6.28db
19% Popularity • 41% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 38% Positiveness
19% Popularity • 41% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 38% Positiveness
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Mandisa
Voice Of A Savior
148 bpm • A Maj • 04:47 • -4.35db
20% Popularity • 41% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 15% Positiveness
20% Popularity • 41% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 15% Positiveness
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MercyMe
Homesick
148 bpm • F Maj • 03:39 • -6db
42% Popularity • 43% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
42% Popularity • 43% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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Chris Tomlin
Amazing Grace
148 bpm • D# Maj • 04:04 • -9.49db
11% Popularity • 60% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
11% Popularity • 60% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
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Matthew West
When I Say I Do
148 bpm • B Maj • 04:06 • -7.16db
41% Popularity • 48% Danceability • 43% Energy • 22% Liveness
0% Instrumentalness • 31% Positiveness
41% Popularity • 48% Danceability • 43% Energy • 22% Liveness
0% Instrumentalness • 31% Positiveness
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Tenth Avenue North
Beloved
148 bpm • C Maj • 04:31 • -7.91db
32% Popularity • 17% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
32% Popularity • 17% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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David Phelps
Live Like a King
148 bpm • D# Maj • 04:24 • -8.59db
11% Popularity • 47% Danceability • 73% Energy • 18% Liveness
0% Instrumentalness • 24% Positiveness
11% Popularity • 47% Danceability • 73% Energy • 18% Liveness
0% Instrumentalness • 24% Positiveness
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Chris Sligh
Empty Me
140 bpm • D# Maj • 04:18 • -3db
22% Popularity • 39% Danceability • 74% Energy • 16% Liveness
0% Instrumentalness • 28% Positiveness
22% Popularity • 39% Danceability • 74% Energy • 16% Liveness
0% Instrumentalness • 28% Positiveness
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The Crabb Family
Through The Fire
148 bpm • D Maj • 03:45 • -6db
36% Popularity • 52% Danceability • 78% Energy • 39% Liveness
0% Instrumentalness • 60% Positiveness
36% Popularity • 52% Danceability • 78% Energy • 39% Liveness
0% Instrumentalness • 60% Positiveness
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Hilary Weeks
It's a Good Day
148 bpm • D# Maj • 03:01 • -6.81db
21% Popularity • 52% Danceability • 44% Energy • 19% Liveness
0% Instrumentalness • 47% Positiveness
21% Popularity • 52% Danceability • 44% Energy • 19% Liveness
0% Instrumentalness • 47% Positiveness
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Phillips, Craig & Dean
Crucified With Christ
140 bpm • B Maj • 05:18 • -7.82db
30% Popularity • 41% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
30% Popularity • 41% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
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Monica Moore Smith
You Know Better Than I
140 bpm • D Maj • 03:39 • -7db
15% Popularity • 32% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
15% Popularity • 32% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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David Phelps
You Can Dream
148 bpm • C# min • 04:00 • -11.85db
10% Popularity • 45% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
10% Popularity • 45% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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Larnelle Harris
I've Just Seen Jesus
140 bpm • A Maj • 05:43 • -13.93db
24% Popularity • 23% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
24% Popularity • 23% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
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John Waller
Orphan
148 bpm • C Maj • 04:26 • -7.19db
7% Popularity • 42% Danceability • 46% Energy • 30% Liveness
0% Instrumentalness • 24% Positiveness
7% Popularity • 42% Danceability • 46% Energy • 30% Liveness
0% Instrumentalness • 24% Positiveness
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newworldson
There Is A Way
140 bpm • A Maj • 04:20 • -6db
32% Popularity • 60% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
32% Popularity • 60% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
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Vicky Beeching
Captivated - Yesterday, Today And Foreve...
140 bpm • E Maj • 04:18 • -12.44db
9% Popularity • 57% Danceability • 15% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
9% Popularity • 57% Danceability • 15% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
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Karen Peck & New River
Everybody's Going Through Something
140 bpm • C Maj • 04:03 • -8.5db
18% Popularity • 57% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
18% Popularity • 57% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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David Phelps
America The Beautiful / God Bless Americ...
140 bpm • C Maj • 03:56 • -7db
16% Popularity • 30% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
16% Popularity • 30% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Sheila Walsh
Just Give Me Jesus
140 bpm • D Maj • 04:16 • -9.19db
10% Popularity • 46% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
10% Popularity • 46% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Meredith Andrews
Can Anybody Hear Me
148 bpm • G# Maj • 04:11 • -3.61db
18% Popularity • 26% Danceability • 62% Energy • 14% Liveness
0% Instrumentalness • 27% Positiveness
18% Popularity • 26% Danceability • 62% Energy • 14% Liveness
0% Instrumentalness • 27% Positiveness
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The Ball Brothers
It's About the Cross
140 bpm • F Maj • 04:11 • -5.97db
40% Popularity • 57% Danceability • 48% Energy • 18% Liveness
0% Instrumentalness • 36% Positiveness
40% Popularity • 57% Danceability • 48% Energy • 18% Liveness
0% Instrumentalness • 36% Positiveness
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Kutless
I'm Still Yours
140 bpm • D Maj • 03:29 • -9.9db
20% Popularity • 42% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
20% Popularity • 42% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Bob Carlisle
Man of His Word
140 bpm • D Maj • 04:57 • -6.74db
14% Popularity • 44% Danceability • 52% Energy • 18% Liveness
0% Instrumentalness • 5% Positiveness
14% Popularity • 44% Danceability • 52% Energy • 18% Liveness
0% Instrumentalness • 5% Positiveness
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Katie Robertson
In This Very Room
140 bpm • A Maj • 03:48 • -12.06db
8% Popularity • 50% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
8% Popularity • 50% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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David Phelps
Bring Him Home
140 bpm • D Maj • 04:03 • -12.57db
14% Popularity • 20% Danceability • 21% Energy • 16% Liveness
0% Instrumentalness • 19% Positiveness
14% Popularity • 20% Danceability • 21% Energy • 16% Liveness
0% Instrumentalness • 19% Positiveness
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The Crabb Family
I'd Rather Have Jesus
140 bpm • D# Maj • 03:43 • -9.04db
26% Popularity • 38% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
26% Popularity • 38% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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The Martins
Out Of His Great Love
149 bpm • A# Maj • 02:38 • -11db
30% Popularity • 72% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 95% Positiveness
30% Popularity • 72% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 95% Positiveness
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Jimmy Needham
Stay
150 bpm • D# Maj • 04:29 • -8.62db
20% Popularity • 46% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
20% Popularity • 46% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Phillips, Craig & Dean
Top of My Lungs
150 bpm • E Maj • 04:11 • -4.48db
28% Popularity • 40% Danceability • 72% Energy • 22% Liveness
0% Instrumentalness • 25% Positiveness
28% Popularity • 40% Danceability • 72% Energy • 22% Liveness
0% Instrumentalness • 25% Positiveness
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Mandisa
I Hope You Dance
150 bpm • B Maj • 04:34 • -4.22db
28% Popularity • 59% Danceability • 85% Energy • 35% Liveness
0% Instrumentalness • 43% Positiveness
28% Popularity • 59% Danceability • 85% Energy • 35% Liveness
0% Instrumentalness • 43% Positiveness
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The Ball Brothers
Hey Mama
150 bpm • D# Maj • 02:43 • -8.82db
17% Popularity • 61% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
17% Popularity • 61% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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David Phelps
Miles And Miles Away
150 bpm • B Maj • 04:48 • -8.35db
10% Popularity • 58% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
10% Popularity • 58% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
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Trisha Yearwood
I Won't Give Up
138 bpm • G Maj • 03:23 • -10.54db
16% Popularity • 39% Danceability • 16% Energy • 15% Liveness
0% Instrumentalness • 23% Positiveness
16% Popularity • 39% Danceability • 16% Energy • 15% Liveness
0% Instrumentalness • 23% Positiveness
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Tanner Clark
Do Not Be Afraid
138 bpm • D# Maj • 04:00 • -5db
16% Popularity • 51% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
16% Popularity • 51% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Kathie Lee Gifford
He Saw Jesus
150 bpm • A# Maj • 04:26 • -10.14db
18% Popularity • 36% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
18% Popularity • 36% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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Mandisa
Just Cry
138 bpm • C Maj • 04:35 • -4.54db
18% Popularity • 39% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
18% Popularity • 39% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Mercy River
Through All of It
138 bpm • F Maj • 03:54 • -10db
16% Popularity • 58% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
16% Popularity • 58% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Newsong
You Are My King (Amazing Love)
138 bpm • F# Maj • 04:44 • -8.67db
25% Popularity • 53% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
25% Popularity • 53% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Phillips, Craig & Dean
Tell Your Heart to Beat Again
138 bpm • D# Maj • 03:58 • -6.33db
30% Popularity • 48% Danceability • 72% Energy • 37% Liveness
0% Instrumentalness • 18% Positiveness
30% Popularity • 48% Danceability • 72% Energy • 37% Liveness
0% Instrumentalness • 18% Positiveness
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JJ Heller
Only Love Remains
138 bpm • C# Maj • 03:20 • -8.81db
16% Popularity • 42% Danceability • 28% Energy • 18% Liveness
0% Instrumentalness • 32% Positiveness
16% Popularity • 42% Danceability • 28% Energy • 18% Liveness
0% Instrumentalness • 32% Positiveness
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Michael Card
Love Crucified Arose
138 bpm • C Maj • 02:59 • -12.19db
25% Popularity • 40% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
25% Popularity • 40% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Marshall Hall
Finally Free
138 bpm • A Maj • 03:30 • -9.53db
11% Popularity • 41% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
11% Popularity • 41% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Wes Hampton
Little Is Much When God Is in It
138 bpm • G Maj • 03:26 • -7.47db
25% Popularity • 39% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
25% Popularity • 39% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Clay Crosse
When I Lift My Hands
138 bpm • G min • 03:43 • -11.6db
15% Popularity • 47% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 15% Positiveness
15% Popularity • 47% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 15% Positiveness
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David Phelps
Legacy of Love
138 bpm • A# Maj • 03:53 • -4.64db
9% Popularity • 43% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
9% Popularity • 43% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Babbie Mason
Shine The Light
138 bpm • G# Maj • 03:59 • -9db
10% Popularity • 48% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
10% Popularity • 48% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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The Martins
Come, Thou Fount Of Every Blessing / Fil...
138 bpm • F# Maj • 02:19 • -9.13db
26% Popularity • 38% Danceability • 15% Energy • 18% Liveness
0% Instrumentalness • 12% Positiveness
26% Popularity • 38% Danceability • 15% Energy • 18% Liveness
0% Instrumentalness • 12% Positiveness
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The Collingsworth Family
Your Ways Are Higher Than Mine
137 bpm • G# Maj • 04:00 • -13.56db
38% Popularity • 33% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
38% Popularity • 33% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Mandisa
Lifeline
151 bpm • B Maj • 03:28 • -3.49db
24% Popularity • 48% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
24% Popularity • 48% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Building 429
No One Else Knows
152 bpm • G Maj • 04:42 • -6.62db
17% Popularity • 40% Danceability • 44% Energy • 24% Liveness
0% Instrumentalness • 39% Positiveness
17% Popularity • 40% Danceability • 44% Energy • 24% Liveness
0% Instrumentalness • 39% Positiveness
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Matthew West
You Are Everything - Acoustic
152 bpm • A# min • 03:47 • -7.46db
9% Popularity • 34% Danceability • 48% Energy • 15% Liveness
0% Instrumentalness • 35% Positiveness
9% Popularity • 34% Danceability • 48% Energy • 15% Liveness
0% Instrumentalness • 35% Positiveness
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Bob Carlisle
I Will Follow Christ
136 bpm • D Maj • 05:24 • -6.72db
24% Popularity • 50% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
24% Popularity • 50% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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The Martins
Except For Grace
138 bpm • E Maj • 03:51 • -12.05db
13% Popularity • 50% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
13% Popularity • 50% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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Gordon Mote
Precious Lord, Take My Hand
136 bpm • G# Maj • 04:22 • -7.15db
21% Popularity • 51% Danceability • 56% Energy • 32% Liveness
0% Instrumentalness • 27% Positiveness
21% Popularity • 51% Danceability • 56% Energy • 32% Liveness
0% Instrumentalness • 27% Positiveness
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Steve Green
Household Of Faith
136 bpm • D# Maj • 03:01 • -19.04db
30% Popularity • 36% Danceability • 15% Energy • 21% Liveness
0% Instrumentalness • 24% Positiveness
30% Popularity • 36% Danceability • 15% Energy • 21% Liveness
0% Instrumentalness • 24% Positiveness
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Ana Laura
Completely
136 bpm • D Maj • 05:00 • -8.15db
29% Popularity • 44% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
29% Popularity • 44% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
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Scott Krippayne
What Faith Can Do (Acoustic)
136 bpm • D Maj • 03:56 • -7.57db
8% Popularity • 64% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
8% Popularity • 64% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Legacy Five
Hello After Goodbye
136 bpm • D Maj • 03:52 • -7db
21% Popularity • 43% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
21% Popularity • 43% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Audrey Assad
Restless
136 bpm • B Maj • 04:55 • -9db
40% Popularity • 42% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
40% Popularity • 42% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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David Phelps
Just As I Am
136 bpm • A min • 03:37 • -7.38db
22% Popularity • 47% Danceability • 62% Energy • 14% Liveness
0% Instrumentalness • 14% Positiveness
22% Popularity • 47% Danceability • 62% Energy • 14% Liveness
0% Instrumentalness • 14% Positiveness
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Karen Peck & New River
Special Love
136 bpm • D# Maj • 04:56 • -8.96db
24% Popularity • 63% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
24% Popularity • 63% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
