Songs like I Just Called (feat. Latto) - Acoustic by NEIKED
Based on a tempo of (+/- 10%) and a similar genre
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Amber Van Day
Get 2 Love
139 bpm • E min • 02:43 • -3.55db
19% Popularity • 60% Danceability • 91% Energy • 34% Liveness
0% Instrumentalness • 90% Positiveness
19% Popularity • 60% Danceability • 91% Energy • 34% Liveness
0% Instrumentalness • 90% Positiveness
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NEIKED
I Just Called
139 bpm • G Maj • 02:30 • -3.66db
58% Popularity • 63% Danceability • 85% Energy • 59% Liveness
0% Instrumentalness • 90% Positiveness
58% Popularity • 63% Danceability • 85% Energy • 59% Liveness
0% Instrumentalness • 90% Positiveness
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Sorana
Karaoke
140 bpm • B Maj • 03:14 • -3.4db
14% Popularity • 63% Danceability • 53% Energy • 25% Liveness
0% Instrumentalness • 40% Positiveness
14% Popularity • 63% Danceability • 53% Energy • 25% Liveness
0% Instrumentalness • 40% Positiveness
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Izzi De-Rosa
Red Flags
140 bpm • G Maj • 02:06 • -5.02db
16% Popularity • 79% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
16% Popularity • 79% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Olivia O'Brien
Bitches These Days
140 bpm • C# min • 02:23 • -4.47db
44% Popularity • 73% Danceability • 88% Energy • 4% Liveness
0% Instrumentalness • 73% Positiveness
44% Popularity • 73% Danceability • 88% Energy • 4% Liveness
0% Instrumentalness • 73% Positiveness
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Jamie Miller
Over You
140 bpm • B min • 02:33 • -6db
44% Popularity • 47% Danceability • 59% Energy • 64% Liveness
0% Instrumentalness • 37% Positiveness
44% Popularity • 47% Danceability • 59% Energy • 64% Liveness
0% Instrumentalness • 37% Positiveness
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GRACEY
What A Waste
138 bpm • D Maj • 03:13 • -5.27db
37% Popularity • 77% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
37% Popularity • 77% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
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NEIKED
I Just Called - Acoustic
139 bpm • G Maj • 02:29 • -5.92db
27% Popularity • 61% Danceability • 76% Energy • 37% Liveness
0% Instrumentalness • 71% Positiveness
27% Popularity • 61% Danceability • 76% Energy • 37% Liveness
0% Instrumentalness • 71% Positiveness
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New Hope Club
L.U.S.H.
138 bpm • F# min • 02:52 • -5.65db
40% Popularity • 73% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
40% Popularity • 73% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
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Kim Petras
If Jesus Was A Rockstar
138 bpm • F Maj • 02:50 • -4.9db
41% Popularity • 63% Danceability • 72% Energy • 28% Liveness
0% Instrumentalness • 73% Positiveness
41% Popularity • 63% Danceability • 72% Energy • 28% Liveness
0% Instrumentalness • 73% Positiveness
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Cody William Falkosky
Money Makes The World Go Round
138 bpm • D Maj • 02:52 • -11.6db
17% Popularity • 90% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 51% Positiveness
17% Popularity • 90% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 51% Positiveness
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Faouzia
Anybody Else
138 bpm • G Maj • 03:20 • -5.08db
46% Popularity • 51% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
46% Popularity • 51% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
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waykap
Too Much for Ya
138 bpm • C# min • 03:16 • -9.43db
21% Popularity • 62% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
21% Popularity • 62% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Pacific Heights
Cold Nights
142 bpm • G Maj • 03:06 • -7.69db
27% Popularity • 53% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
27% Popularity • 53% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Bishat
MANNERS
141 bpm • D Maj • 02:55 • -5.17db
18% Popularity • 71% Danceability • 66% Energy • 16% Liveness
0% Instrumentalness • 94% Positiveness
18% Popularity • 71% Danceability • 66% Energy • 16% Liveness
0% Instrumentalness • 94% Positiveness
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Meric
Save Me Pls
142 bpm • A# min • 03:05 • -4.17db
29% Popularity • 51% Danceability • 89% Energy • 29% Liveness
0% Instrumentalness • 73% Positiveness
29% Popularity • 51% Danceability • 89% Energy • 29% Liveness
0% Instrumentalness • 73% Positiveness
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Ni/Co
my wants, my needs
142 bpm • C Maj • 03:02 • -6.86db
19% Popularity • 75% Danceability • 61% Energy • 30% Liveness
0% Instrumentalness • 73% Positiveness
19% Popularity • 75% Danceability • 61% Energy • 30% Liveness
0% Instrumentalness • 73% Positiveness
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Adelaine Morin
Petty
136 bpm • E min • 02:23 • -7db
19% Popularity • 72% Danceability • 58% Energy • 30% Liveness
0% Instrumentalness • 65% Positiveness
19% Popularity • 72% Danceability • 58% Energy • 30% Liveness
0% Instrumentalness • 65% Positiveness
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Adele
Easy On Me
142 bpm • F Maj • 03:44 • -7.52db
80% Popularity • 60% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
80% Popularity • 60% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
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Pia Mia
Whole Thing
142 bpm • C# Maj • 02:18 • -6db
25% Popularity • 84% Danceability • 65% Energy • 19% Liveness
2% Instrumentalness • 66% Positiveness
25% Popularity • 84% Danceability • 65% Energy • 19% Liveness
2% Instrumentalness • 66% Positiveness
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Valentina Ploy
Extra Life
142 bpm • D Maj • 03:16 • -12.74db
18% Popularity • 64% Danceability • 39% Energy • 24% Liveness
0% Instrumentalness • 29% Positiveness
18% Popularity • 64% Danceability • 39% Energy • 24% Liveness
0% Instrumentalness • 29% Positiveness
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Meric
You Don't Know
142 bpm • C Maj • 03:29 • -6.47db
19% Popularity • 52% Danceability • 73% Energy • 24% Liveness
0% Instrumentalness • 20% Positiveness
19% Popularity • 52% Danceability • 73% Energy • 24% Liveness
0% Instrumentalness • 20% Positiveness
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Charlie Puth
Marks On My Neck
142 bpm • C# Maj • 02:18 • -8.59db
35% Popularity • 86% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
35% Popularity • 86% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
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Sam Short
Already Mine
136 bpm • F Maj • 02:25 • -10.2db
40% Popularity • 60% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
40% Popularity • 60% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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Halsey
Without Me
136 bpm • F# Maj • 03:21 • -7.05db
81% Popularity • 75% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
81% Popularity • 75% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
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Maia Wright
Do Yourself A Favor
136 bpm • G Maj • 02:35 • -5.52db
16% Popularity • 81% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
16% Popularity • 81% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
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Jades Goudreault
Keep Dancing
135 bpm • D Maj • 02:59 • -11.76db
20% Popularity • 74% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
20% Popularity • 74% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Selena Gomez
My Mind & Me
144 bpm • A Maj • 02:27 • -5.73db
68% Popularity • 60% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
68% Popularity • 60% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
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Blithe
Experiment
134 bpm • F Maj • 02:46 • -4.95db
8% Popularity • 87% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
8% Popularity • 87% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
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RARIA
Dude
144 bpm • A Maj • 02:40 • -7.33db
19% Popularity • 61% Danceability • 66% Energy • 15% Liveness
0% Instrumentalness • 26% Positiveness
19% Popularity • 61% Danceability • 66% Energy • 15% Liveness
0% Instrumentalness • 26% Positiveness
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Casey Baer
take it personal
145 bpm • C# min • 03:12 • -7db
15% Popularity • 60% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
15% Popularity • 60% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Devon Cole
Uncall It
145 bpm • C min • 02:36 • -6.5db
35% Popularity • 78% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
35% Popularity • 78% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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Jaira Burns
Daytime
145 bpm • C# min • 02:12 • -7.93db
24% Popularity • 92% Danceability • 40% Energy • 65% Liveness
0% Instrumentalness • 66% Positiveness
24% Popularity • 92% Danceability • 40% Energy • 65% Liveness
0% Instrumentalness • 66% Positiveness
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Megan Thee Stallion
Budget
145 bpm • C# Maj • 03:21 • -4.19db
58% Popularity • 92% Danceability • 86% Energy • 12% Liveness
0% Instrumentalness • 92% Positiveness
58% Popularity • 92% Danceability • 86% Energy • 12% Liveness
0% Instrumentalness • 92% Positiveness
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Nicki Minaj
Super Freaky Girl
133 bpm • D Maj • 02:50 • -2.57db
70% Popularity • 95% Danceability • 88% Energy • 32% Liveness
0% Instrumentalness • 92% Positiveness
70% Popularity • 95% Danceability • 88% Energy • 32% Liveness
0% Instrumentalness • 92% Positiveness
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Mimi Webb
Halfway
145 bpm • C# min • 03:17 • -3.5db
46% Popularity • 61% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
46% Popularity • 61% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
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MIYA MIYA
H8 Me 2
146 bpm • D Maj • 03:12 • -6.66db
9% Popularity • 63% Danceability • 70% Energy • 6% Liveness
0% Instrumentalness • 59% Positiveness
9% Popularity • 63% Danceability • 70% Energy • 6% Liveness
0% Instrumentalness • 59% Positiveness
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GAYLE
sleeping with my friends
146 bpm • F# Maj • 02:48 • -6.68db
25% Popularity • 62% Danceability • 50% Energy • 38% Liveness
0% Instrumentalness • 59% Positiveness
25% Popularity • 62% Danceability • 50% Energy • 38% Liveness
0% Instrumentalness • 59% Positiveness
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Clinton Kane
KEEP IT TO YOURSELF
132 bpm • C Maj • 02:54 • -7.04db
43% Popularity • 49% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
43% Popularity • 49% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
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Sorana
Wild Girls
132 bpm • F Maj • 02:29 • -6.53db
18% Popularity • 68% Danceability • 60% Energy • 23% Liveness
0% Instrumentalness • 18% Positiveness
18% Popularity • 68% Danceability • 60% Energy • 23% Liveness
0% Instrumentalness • 18% Positiveness
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Michael J Woodard
hope full
132 bpm • C# Maj • 03:08 • -3.68db
30% Popularity • 65% Danceability • 73% Energy • 21% Liveness
0% Instrumentalness • 59% Positiveness
30% Popularity • 65% Danceability • 73% Energy • 21% Liveness
0% Instrumentalness • 59% Positiveness
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James TW
Ahead Of Myself
147 bpm • D Maj • 02:54 • -7db
30% Popularity • 70% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
30% Popularity • 70% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
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Shawn Mendes
When You're Gone - Acoustic
147 bpm • F Maj • 03:08 • -5db
45% Popularity • 55% Danceability • 73% Energy • 22% Liveness
0% Instrumentalness • 49% Positiveness
45% Popularity • 55% Danceability • 73% Energy • 22% Liveness
0% Instrumentalness • 49% Positiveness
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BEKA
Your Skin
147 bpm • D Maj • 03:18 • -7.58db
17% Popularity • 49% Danceability • 44% Energy • 16% Liveness
0% Instrumentalness • 38% Positiveness
17% Popularity • 49% Danceability • 44% Energy • 16% Liveness
0% Instrumentalness • 38% Positiveness
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Nicky Youre
Sunroof
131 bpm • A# Maj • 02:43 • -5.11db
83% Popularity • 77% Danceability • 71% Energy • 15% Liveness
0% Instrumentalness • 84% Positiveness
83% Popularity • 77% Danceability • 71% Energy • 15% Liveness
0% Instrumentalness • 84% Positiveness
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Sam Smith
Unholy
131 bpm • D Maj • 02:36 • -7.4db
78% Popularity • 71% Danceability • 46% Energy • 30% Liveness
0% Instrumentalness • 21% Positiveness
78% Popularity • 71% Danceability • 46% Energy • 30% Liveness
0% Instrumentalness • 21% Positiveness
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Delaney Jane
We Don't Sleep
148 bpm • C Maj • 02:52 • -7db
20% Popularity • 66% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
20% Popularity • 66% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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Olivia O'Brien
Never Be The One
131 bpm • F# Maj • 03:21 • -4.57db
38% Popularity • 85% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
38% Popularity • 85% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
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Shawn Mendes
When You're Gone
147 bpm • F Maj • 02:52 • -5.81db
74% Popularity • 60% Danceability • 69% Energy • 58% Liveness
0% Instrumentalness • 58% Positiveness
74% Popularity • 60% Danceability • 69% Energy • 58% Liveness
0% Instrumentalness • 58% Positiveness
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Latto
Wheelie
148 bpm • C# Maj • 02:50 • -6.23db
43% Popularity • 91% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
43% Popularity • 91% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
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Olivia Knox
Flying
148 bpm • D Maj • 03:18 • -6.93db
18% Popularity • 66% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
18% Popularity • 66% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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Echosmith
Cool Kids (our version)
130 bpm • G# Maj • 03:36 • -3.58db
34% Popularity • 73% Danceability • 71% Energy • 21% Liveness
0% Instrumentalness • 60% Positiveness
34% Popularity • 73% Danceability • 71% Energy • 21% Liveness
0% Instrumentalness • 60% Positiveness
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Cian Ducrot
Chewing Gum
130 bpm • C# Maj • 03:15 • -8db
24% Popularity • 72% Danceability • 74% Energy • 23% Liveness
0% Instrumentalness • 85% Positiveness
24% Popularity • 72% Danceability • 74% Energy • 23% Liveness
0% Instrumentalness • 85% Positiveness
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New Hope Club
Don't Go Wasting Time
130 bpm • E Maj • 03:27 • -5db
33% Popularity • 58% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
33% Popularity • 58% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
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Aston Merrygold
How Many Times
130 bpm • B min • 03:12 • -10.17db
18% Popularity • 62% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
18% Popularity • 62% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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ELIO
I LUV MY BRAIN!
130 bpm • A# Maj • 02:59 • -6.65db
28% Popularity • 75% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
28% Popularity • 75% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
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Latto
Sorry Not Sorry - Remix
130 bpm • C# Maj • 03:15 • -3.87db
28% Popularity • 94% Danceability • 71% Energy • 5% Liveness
0% Instrumentalness • 30% Positiveness
28% Popularity • 94% Danceability • 71% Energy • 5% Liveness
0% Instrumentalness • 30% Positiveness
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Faouzia
Anybody Else - JONAH Remix
130 bpm • G Maj • 03:17 • -6db
21% Popularity • 57% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
21% Popularity • 57% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
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Jung Kook
Seven (Nightfall Mix)
130 bpm • G# min • 02:57 • -5.81db
48% Popularity • 71% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 66% Positiveness
48% Popularity • 71% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 66% Positiveness
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Gianna Ernst
3am
130 bpm • C# min • 02:55 • -9.67db
10% Popularity • 57% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
10% Popularity • 57% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Shawn Mendes
Stitches
150 bpm • C# Maj • 03:26 • -6.68db
51% Popularity • 75% Danceability • 75% Energy • 5% Liveness
0% Instrumentalness • 76% Positiveness
51% Popularity • 75% Danceability • 75% Energy • 5% Liveness
0% Instrumentalness • 76% Positiveness
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Alice Pisano
Boys Like You
150 bpm • E Maj • 02:57 • -5.52db
10% Popularity • 74% Danceability • 59% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
10% Popularity • 74% Danceability • 59% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
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salem ilese
Crypto â‚¿oy
150 bpm • E Maj • 02:21 • -4.59db
29% Popularity • 64% Danceability • 76% Energy • 23% Liveness
0% Instrumentalness • 54% Positiveness
29% Popularity • 64% Danceability • 76% Energy • 23% Liveness
0% Instrumentalness • 54% Positiveness
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Meric
if I was YOU
150 bpm • B min • 02:24 • -6.41db
23% Popularity • 69% Danceability • 82% Energy • 32% Liveness
0% Instrumentalness • 90% Positiveness
23% Popularity • 69% Danceability • 82% Energy • 32% Liveness
0% Instrumentalness • 90% Positiveness
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Ali Gatie
IDK
150 bpm • C# min • 02:42 • -6.04db
40% Popularity • 84% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
40% Popularity • 84% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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Faouzia
Hero
128 bpm • G# Maj • 02:54 • -7.24db
53% Popularity • 74% Danceability • 69% Energy • 6% Liveness
0% Instrumentalness • 39% Positiveness
53% Popularity • 74% Danceability • 69% Energy • 6% Liveness
0% Instrumentalness • 39% Positiveness
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Latto
Sunshine
128 bpm • A# Maj • 03:26 • -5.94db
48% Popularity • 80% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
48% Popularity • 80% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
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HRVY
Talking to the Stars
151 bpm • C Maj • 03:04 • -8.69db
31% Popularity • 54% Danceability • 65% Energy • 15% Liveness
0% Instrumentalness • 51% Positiveness
31% Popularity • 54% Danceability • 65% Energy • 15% Liveness
0% Instrumentalness • 51% Positiveness
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Why Don't We
Just Friends
128 bpm • C Maj • 02:35 • -6.65db
55% Popularity • 60% Danceability • 72% Energy • 27% Liveness
0% Instrumentalness • 78% Positiveness
55% Popularity • 60% Danceability • 72% Energy • 27% Liveness
0% Instrumentalness • 78% Positiveness
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Alaina Castillo
down 4 u
128 bpm • F Maj • 02:57 • -3.55db
37% Popularity • 67% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
37% Popularity • 67% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
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Sarah Barrios
We Don't Have To Die
128 bpm • D# Maj • 03:55 • -8.15db
25% Popularity • 61% Danceability • 48% Energy • 6% Liveness
0% Instrumentalness • 36% Positiveness
25% Popularity • 61% Danceability • 48% Energy • 6% Liveness
0% Instrumentalness • 36% Positiveness
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Laura Marano
Smoke Alarm
152 bpm • C# Maj • 03:07 • -7.91db
20% Popularity • 52% Danceability • 57% Energy • 17% Liveness
0% Instrumentalness • 46% Positiveness
20% Popularity • 52% Danceability • 57% Energy • 17% Liveness
0% Instrumentalness • 46% Positiveness
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CC Clarke
Not Playing
152 bpm • D Maj • 03:12 • -3.95db
33% Popularity • 67% Danceability • 76% Energy • 16% Liveness
0% Instrumentalness • 56% Positiveness
33% Popularity • 67% Danceability • 76% Energy • 16% Liveness
0% Instrumentalness • 56% Positiveness
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Johnny Orlando
Wait For You
152 bpm • G# Maj • 02:55 • -5.62db
45% Popularity • 59% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
45% Popularity • 59% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
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BEKA
Don't Call Me A Friend
152 bpm • C# min • 02:36 • -5db
30% Popularity • 60% Danceability • 83% Energy • 17% Liveness
0% Instrumentalness • 50% Positiveness
30% Popularity • 60% Danceability • 83% Energy • 17% Liveness
0% Instrumentalness • 50% Positiveness
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PRINS
On the low (shh!)
127 bpm • D Maj • 02:49 • -4.87db
12% Popularity • 66% Danceability • 70% Energy • 6% Liveness
0% Instrumentalness • 55% Positiveness
12% Popularity • 66% Danceability • 70% Energy • 6% Liveness
0% Instrumentalness • 55% Positiveness
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HYYTS
Singing Your Name
127 bpm • E Maj • 03:25 • -4.3db
21% Popularity • 72% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
21% Popularity • 72% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
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Coldplay
Let Somebody Go - Ofenbach Remix
126 bpm • C Maj • 03:14 • -7.57db
39% Popularity • 61% Danceability • 68% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
39% Popularity • 61% Danceability • 68% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
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SILVY
GANG$TA
153 bpm • C# min • 03:27 • -2.3db
6% Popularity • 66% Danceability • 87% Energy • 82% Liveness
0% Instrumentalness • 62% Positiveness
6% Popularity • 66% Danceability • 87% Energy • 82% Liveness
0% Instrumentalness • 62% Positiveness
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Latto
Sleep Sleep
126 bpm • G# Maj • 02:51 • -8.96db
30% Popularity • 84% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
30% Popularity • 84% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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Drax Project
Mad At You
126 bpm • F Maj • 02:45 • -6.97db
31% Popularity • 74% Danceability • 46% Energy • 6% Liveness
0% Instrumentalness • 55% Positiveness
31% Popularity • 74% Danceability • 46% Energy • 6% Liveness
0% Instrumentalness • 55% Positiveness
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Nina Nesbitt
Life's a Bitch
126 bpm • D Maj • 02:59 • -7.6db
21% Popularity • 66% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
21% Popularity • 66% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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morgen
Sunsets In Malibu
154 bpm • D# Maj • 02:45 • -8.11db
9% Popularity • 67% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
9% Popularity • 67% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Jung Kook
Seven (Festival Mix)
125 bpm • G# min • 03:00 • -6.99db
48% Popularity • 72% Danceability • 78% Energy • 5% Liveness
0% Instrumentalness • 91% Positiveness
48% Popularity • 72% Danceability • 78% Energy • 5% Liveness
0% Instrumentalness • 91% Positiveness
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Rachel Grae
Good Side
125 bpm • C# Maj • 02:38 • -5.52db
46% Popularity • 83% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
46% Popularity • 83% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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Train
AM Gold - Tobtok Remix
125 bpm • C# min • 03:09 • -5db
21% Popularity • 67% Danceability • 83% Energy • 4% Liveness
0% Instrumentalness • 88% Positiveness
21% Popularity • 67% Danceability • 83% Energy • 4% Liveness
0% Instrumentalness • 88% Positiveness
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Drax Project
Fashion Sense
126 bpm • C min • 03:04 • -7.32db
23% Popularity • 47% Danceability • 73% Energy • 34% Liveness
0% Instrumentalness • 60% Positiveness
23% Popularity • 47% Danceability • 73% Energy • 34% Liveness
0% Instrumentalness • 60% Positiveness
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Selena Gomez
Wolves
125 bpm • B min • 03:17 • -4.61db
78% Popularity • 72% Danceability • 80% Energy • 20% Liveness
0% Instrumentalness • 31% Positiveness
78% Popularity • 72% Danceability • 80% Energy • 20% Liveness
0% Instrumentalness • 31% Positiveness
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Sam Fischer
Hopeless Romantic - 220 KID Remix
125 bpm • G# Maj • 02:48 • -6db
16% Popularity • 67% Danceability • 82% Energy • 81% Liveness
0% Instrumentalness • 67% Positiveness
16% Popularity • 67% Danceability • 82% Energy • 81% Liveness
0% Instrumentalness • 67% Positiveness
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Jung Kook
Seven (Instrumental)
125 bpm • G# min • 03:04 • -6.18db
49% Popularity • 85% Danceability • 90% Energy • 7% Liveness
84% Instrumentalness • 56% Positiveness
49% Popularity • 85% Danceability • 90% Energy • 7% Liveness
84% Instrumentalness • 56% Positiveness
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NEIKED
I Just Called - Majestic Remix
125 bpm • E min • 02:36 • -4.15db
22% Popularity • 69% Danceability • 90% Energy • 28% Liveness
3% Instrumentalness • 93% Positiveness
22% Popularity • 69% Danceability • 90% Energy • 28% Liveness
3% Instrumentalness • 93% Positiveness
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Anne-Marie
Better Not Together
125 bpm • G# Maj • 03:08 • -6.38db
43% Popularity • 62% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
43% Popularity • 62% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Josie Man
Stormy Skies (Diamonds)
125 bpm • B Maj • 03:33 • -7.31db
26% Popularity • 70% Danceability • 71% Energy • 15% Liveness
0% Instrumentalness • 20% Positiveness
26% Popularity • 70% Danceability • 71% Energy • 15% Liveness
0% Instrumentalness • 20% Positiveness
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Rosa Linn
WDIA (Would Do It Again)
125 bpm • G# Maj • 03:11 • -4.32db
44% Popularity • 59% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
44% Popularity • 59% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Four Washington
Heart Away
125 bpm • F min • 02:49 • -6.22db
21% Popularity • 62% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
21% Popularity • 62% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
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Jung Kook
Seven (Summer Mix)
125 bpm • G# min • 03:21 • -5.61db
50% Popularity • 66% Danceability • 80% Energy • 23% Liveness
0% Instrumentalness • 61% Positiveness
50% Popularity • 66% Danceability • 80% Energy • 23% Liveness
0% Instrumentalness • 61% Positiveness
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Sam Fischer
All My Loving
125 bpm • C Maj • 02:58 • -2.9db
41% Popularity • 48% Danceability • 79% Energy • 16% Liveness
0% Instrumentalness • 46% Positiveness
41% Popularity • 48% Danceability • 79% Energy • 16% Liveness
0% Instrumentalness • 46% Positiveness
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SERA
She Kissed Me First
155 bpm • G Maj • 02:33 • -5.5db
40% Popularity • 68% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
40% Popularity • 68% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
