Songs like I Just Can't Be Happy Today by The Damned
Based on a tempo of (+/- 10%) and a similar genre
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New York Dolls
Puss 'N' Boots
148 bpm • C Maj • 03:07 • -8.88db
27% Popularity • 40% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
27% Popularity • 40% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
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The Fall
Victoria
148 bpm • G Maj • 02:45 • -9db
40% Popularity • 49% Danceability • 79% Energy • 18% Liveness
17% Instrumentalness • 90% Positiveness
40% Popularity • 49% Danceability • 79% Energy • 18% Liveness
17% Instrumentalness • 90% Positiveness
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Lords Of The New Church
Black Girl White Girl
148 bpm • E Maj • 03:42 • -3.97db
14% Popularity • 27% Danceability • 92% Energy • 11% Liveness
2% Instrumentalness • 75% Positiveness
14% Popularity • 27% Danceability • 92% Energy • 11% Liveness
2% Instrumentalness • 75% Positiveness
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DEVO
Mongoloid
148 bpm • B min • 03:45 • -12.29db
39% Popularity • 56% Danceability • 47% Energy • 11% Liveness
16% Instrumentalness • 58% Positiveness
39% Popularity • 56% Danceability • 47% Energy • 11% Liveness
16% Instrumentalness • 58% Positiveness
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Richard Hell
Lowest Common Dominator - 2013 Remaster
148 bpm • G Maj • 02:25 • -2.88db
17% Popularity • 42% Danceability • 97% Energy • 22% Liveness
58% Instrumentalness • 59% Positiveness
17% Popularity • 42% Danceability • 97% Energy • 22% Liveness
58% Instrumentalness • 59% Positiveness
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The Damned
I Just Can't Be Happy Today
148 bpm • D Maj • 03:43 • -8.81db
33% Popularity • 34% Danceability • 91% Energy • 28% Liveness
0% Instrumentalness • 43% Positiveness
33% Popularity • 34% Danceability • 91% Energy • 28% Liveness
0% Instrumentalness • 43% Positiveness
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Joy Division
Novelty - 2020 Digital Remaster
148 bpm • E min • 04:03 • -9.06db
33% Popularity • 53% Danceability • 90% Energy • 14% Liveness
32% Instrumentalness • 48% Positiveness
33% Popularity • 53% Danceability • 90% Energy • 14% Liveness
32% Instrumentalness • 48% Positiveness
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The Clash
London's Burning - Remastered
147 bpm • G Maj • 02:11 • -6.08db
44% Popularity • 56% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
44% Popularity • 56% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
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Alternative TV
Action Time Vision
147 bpm • C Maj • 02:34 • -6.74db
24% Popularity • 65% Danceability • 90% Energy • 12% Liveness
0% Instrumentalness • 75% Positiveness
24% Popularity • 65% Danceability • 90% Energy • 12% Liveness
0% Instrumentalness • 75% Positiveness
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Stiv Bators
Evil Boy
149 bpm • E Maj • 03:17 • -7.35db
19% Popularity • 36% Danceability • 98% Energy • 41% Liveness
0% Instrumentalness • 38% Positiveness
19% Popularity • 36% Danceability • 98% Energy • 41% Liveness
0% Instrumentalness • 38% Positiveness
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New York Dolls
Bad Girl
149 bpm • E Maj • 03:03 • -10.78db
30% Popularity • 42% Danceability • 86% Energy • 36% Liveness
0% Instrumentalness • 82% Positiveness
30% Popularity • 42% Danceability • 86% Energy • 36% Liveness
0% Instrumentalness • 82% Positiveness
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The Damned
Life Goes On
147 bpm • D Maj • 04:03 • -7.15db
46% Popularity • 53% Danceability • 80% Energy • 13% Liveness
2% Instrumentalness • 50% Positiveness
46% Popularity • 53% Danceability • 80% Energy • 13% Liveness
2% Instrumentalness • 50% Positiveness
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The Adverts
Television's Over
150 bpm • E Maj • 03:17 • -2db
13% Popularity • 35% Danceability • 94% Energy • 16% Liveness
0% Instrumentalness • 54% Positiveness
13% Popularity • 35% Danceability • 94% Energy • 16% Liveness
0% Instrumentalness • 54% Positiveness
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The Clash
Spanish Bombs - Remastered
149 bpm • B min • 03:18 • -7.9db
56% Popularity • 61% Danceability • 80% Energy • 21% Liveness
0% Instrumentalness • 77% Positiveness
56% Popularity • 61% Danceability • 80% Energy • 21% Liveness
0% Instrumentalness • 77% Positiveness
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X-Ray Spex
The Day the World Turned Dayglo
150 bpm • A Maj • 02:52 • -5db
36% Popularity • 52% Danceability • 91% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
36% Popularity • 52% Danceability • 91% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
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The Modern Lovers
She Cracked
146 bpm • D Maj • 02:55 • -6.82db
32% Popularity • 51% Danceability • 83% Energy • 20% Liveness
0% Instrumentalness • 51% Positiveness
32% Popularity • 51% Danceability • 83% Energy • 20% Liveness
0% Instrumentalness • 51% Positiveness
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Dead Moon
Graveyard
150 bpm • E min • 02:32 • -5.78db
29% Popularity • 36% Danceability • 96% Energy • 25% Liveness
0% Instrumentalness • 25% Positiveness
29% Popularity • 36% Danceability • 96% Energy • 25% Liveness
0% Instrumentalness • 25% Positiveness
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The Damned
Therapy
147 bpm • A Maj • 06:11 • -7.39db
18% Popularity • 42% Danceability • 91% Energy • 32% Liveness
40% Instrumentalness • 37% Positiveness
18% Popularity • 42% Danceability • 91% Energy • 32% Liveness
40% Instrumentalness • 37% Positiveness
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Wire
Mannequin - 2006 Remastered Version
150 bpm • B min • 02:37 • -9db
49% Popularity • 42% Danceability • 75% Energy • 25% Liveness
25% Instrumentalness • 86% Positiveness
49% Popularity • 42% Danceability • 75% Energy • 25% Liveness
25% Instrumentalness • 86% Positiveness
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Skids
Melancholy Soldiers
146 bpm • A Maj • 03:02 • -12.12db
16% Popularity • 46% Danceability • 82% Energy • 14% Liveness
0% Instrumentalness • 75% Positiveness
16% Popularity • 46% Danceability • 82% Energy • 14% Liveness
0% Instrumentalness • 75% Positiveness
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X-Ray Spex
Genetic Engineering
150 bpm • D min • 02:49 • -3.81db
29% Popularity • 44% Danceability • 96% Energy • 3% Liveness
1% Instrumentalness • 62% Positiveness
29% Popularity • 44% Danceability • 96% Energy • 3% Liveness
1% Instrumentalness • 62% Positiveness
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Adam & The Ants
Zerøx
150 bpm • A Maj • 03:46 • -5db
27% Popularity • 30% Danceability • 96% Energy • 25% Liveness
4% Instrumentalness • 41% Positiveness
27% Popularity • 30% Danceability • 96% Energy • 25% Liveness
4% Instrumentalness • 41% Positiveness
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Lords Of The New Church
Johnny Too Bad
145 bpm • A Maj • 03:56 • -8.11db
16% Popularity • 46% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 87% Positiveness
16% Popularity • 46% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 87% Positiveness
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The Damned
Under the Floor Again
147 bpm • D Maj • 05:03 • -7.79db
22% Popularity • 27% Danceability • 76% Energy • 28% Liveness
0% Instrumentalness • 12% Positiveness
22% Popularity • 27% Danceability • 76% Energy • 28% Liveness
0% Instrumentalness • 12% Positiveness
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MC5
Kick Out the Jams
146 bpm • D Maj • 02:40 • -3.49db
45% Popularity • 32% Danceability • 92% Energy • 37% Liveness
0% Instrumentalness • 72% Positiveness
45% Popularity • 32% Danceability • 92% Energy • 37% Liveness
0% Instrumentalness • 72% Positiveness
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Joy Division
Shadowplay - 2007 Remaster
145 bpm • A Maj • 03:53 • -7.86db
57% Popularity • 43% Danceability • 76% Energy • 12% Liveness
76% Instrumentalness • 12% Positiveness
57% Popularity • 43% Danceability • 76% Energy • 12% Liveness
76% Instrumentalness • 12% Positiveness
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X-Ray Spex
Warrior in Woolworths
150 bpm • D# Maj • 03:07 • -4.07db
29% Popularity • 41% Danceability • 81% Energy • 14% Liveness
0% Instrumentalness • 84% Positiveness
29% Popularity • 41% Danceability • 81% Energy • 14% Liveness
0% Instrumentalness • 84% Positiveness
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Theatre Of Hate
Legion
151 bpm • F# min • 03:29 • -6.65db
16% Popularity • 50% Danceability • 90% Energy • 10% Liveness
2% Instrumentalness • 65% Positiveness
16% Popularity • 50% Danceability • 90% Energy • 10% Liveness
2% Instrumentalness • 65% Positiveness
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Dead Kennedys
Viva Las Vegas
151 bpm • A Maj • 02:42 • -5db
36% Popularity • 34% Danceability • 96% Energy • 5% Liveness
0% Instrumentalness • 74% Positiveness
36% Popularity • 34% Danceability • 96% Energy • 5% Liveness
0% Instrumentalness • 74% Positiveness
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The Damned
Suicide
150 bpm • B min • 03:25 • -7.66db
10% Popularity • 34% Danceability • 82% Energy • 30% Liveness
0% Instrumentalness • 35% Positiveness
10% Popularity • 34% Danceability • 82% Energy • 30% Liveness
0% Instrumentalness • 35% Positiveness
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The Clash
Clampdown - Remastered
145 bpm • D Maj • 03:49 • -7.61db
49% Popularity • 68% Danceability • 72% Energy • 32% Liveness
0% Instrumentalness • 88% Positiveness
49% Popularity • 68% Danceability • 72% Energy • 32% Liveness
0% Instrumentalness • 88% Positiveness
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The Vibrators
You Broke My Heart
151 bpm • F Maj • 03:27 • -9.67db
16% Popularity • 46% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
16% Popularity • 46% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
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Gang Of Four
Love Like Anthrax
145 bpm • D Maj • 04:24 • -9.47db
30% Popularity • 70% Danceability • 71% Energy • 10% Liveness
73% Instrumentalness • 37% Positiveness
30% Popularity • 70% Danceability • 71% Energy • 10% Liveness
73% Instrumentalness • 37% Positiveness
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The Undertones
You've Got My Number (Why Don't You Use ...
151 bpm • E Maj • 02:40 • -6.98db
38% Popularity • 46% Danceability • 81% Energy • 21% Liveness
32% Instrumentalness • 88% Positiveness
38% Popularity • 46% Danceability • 81% Energy • 21% Liveness
32% Instrumentalness • 88% Positiveness
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The Stranglers
No More Heroes - 1996 Remaster
151 bpm • C Maj • 03:27 • -8db
51% Popularity • 29% Danceability • 93% Energy • 34% Liveness
14% Instrumentalness • 84% Positiveness
51% Popularity • 29% Danceability • 93% Energy • 34% Liveness
14% Instrumentalness • 84% Positiveness
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The Damned
Ignite
145 bpm • G Maj • 04:52 • -6.33db
34% Popularity • 37% Danceability • 98% Energy • 93% Liveness
7% Instrumentalness • 18% Positiveness
34% Popularity • 37% Danceability • 98% Energy • 93% Liveness
7% Instrumentalness • 18% Positiveness
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The Boys
First Time
151 bpm • D Maj • 02:22 • -6.74db
30% Popularity • 41% Danceability • 75% Energy • 10% Liveness
72% Instrumentalness • 78% Positiveness
30% Popularity • 41% Danceability • 75% Energy • 10% Liveness
72% Instrumentalness • 78% Positiveness
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Television
See No Evil
145 bpm • G Maj • 03:52 • -7.94db
47% Popularity • 40% Danceability • 78% Energy • 9% Liveness
7% Instrumentalness • 81% Positiveness
47% Popularity • 40% Danceability • 78% Energy • 9% Liveness
7% Instrumentalness • 81% Positiveness
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The Vaselines
Son Of A Gun
145 bpm • G Maj • 03:45 • -6db
47% Popularity • 53% Danceability • 94% Energy • 93% Liveness
23% Instrumentalness • 78% Positiveness
47% Popularity • 53% Danceability • 94% Energy • 93% Liveness
23% Instrumentalness • 78% Positiveness
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Joy Division
Isolation - 2007 Remaster
152 bpm • C Maj • 02:55 • -8.12db
49% Popularity • 54% Danceability • 78% Energy • 9% Liveness
1% Instrumentalness • 70% Positiveness
49% Popularity • 54% Danceability • 78% Energy • 9% Liveness
1% Instrumentalness • 70% Positiveness
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Skids
Into The Valley
145 bpm • G Maj • 03:19 • -12.7db
44% Popularity • 33% Danceability • 71% Energy • 11% Liveness
1% Instrumentalness • 65% Positiveness
44% Popularity • 33% Danceability • 71% Energy • 11% Liveness
1% Instrumentalness • 65% Positiveness
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The Clash
Brand New Cadillac - Remastered
152 bpm • A Maj • 02:08 • -7db
58% Popularity • 52% Danceability • 91% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
58% Popularity • 52% Danceability • 91% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
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Richard Hell
Love Comes in Spurts - 2013 Remaster
152 bpm • D Maj • 02:04 • -4db
34% Popularity • 49% Danceability • 98% Energy • 35% Liveness
0% Instrumentalness • 58% Positiveness
34% Popularity • 49% Danceability • 98% Energy • 35% Liveness
0% Instrumentalness • 58% Positiveness
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Killing Joke
Eighties - 2007 Digital Remaster
152 bpm • D# Maj • 03:59 • -8.84db
56% Popularity • 39% Danceability • 96% Energy • 34% Liveness
2% Instrumentalness • 35% Positiveness
56% Popularity • 39% Danceability • 96% Energy • 34% Liveness
2% Instrumentalness • 35% Positiveness
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Hüsker Dü
Sorry Somehow
152 bpm • A min • 04:29 • -12db
32% Popularity • 39% Danceability • 83% Energy • 23% Liveness
16% Instrumentalness • 41% Positiveness
32% Popularity • 39% Danceability • 83% Energy • 23% Liveness
16% Instrumentalness • 41% Positiveness
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Joy Division
She's Lost Control - 2007 Remaster
144 bpm • B min • 03:57 • -7.63db
57% Popularity • 48% Danceability • 85% Energy • 8% Liveness
3% Instrumentalness • 74% Positiveness
57% Popularity • 48% Danceability • 85% Energy • 8% Liveness
3% Instrumentalness • 74% Positiveness
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Bauhaus
In the Flat Field
152 bpm • C Maj • 05:00 • -9db
43% Popularity • 39% Danceability • 81% Energy • 12% Liveness
21% Instrumentalness • 56% Positiveness
43% Popularity • 39% Danceability • 81% Energy • 12% Liveness
21% Instrumentalness • 56% Positiveness
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Skids
The Saints Are Coming
152 bpm • F min • 02:37 • -11db
37% Popularity • 42% Danceability • 75% Energy • 15% Liveness
1% Instrumentalness • 77% Positiveness
37% Popularity • 42% Danceability • 75% Energy • 15% Liveness
1% Instrumentalness • 77% Positiveness
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The Stranglers
Sometimes - 1996 Remaster
144 bpm • A min • 04:53 • -8db
33% Popularity • 48% Danceability • 84% Energy • 22% Liveness
5% Instrumentalness • 86% Positiveness
33% Popularity • 48% Danceability • 84% Energy • 22% Liveness
5% Instrumentalness • 86% Positiveness
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The Clash
Police & Thieves - Remastered
152 bpm • E min • 06:03 • -10.29db
51% Popularity • 72% Danceability • 49% Energy • 18% Liveness
4% Instrumentalness • 88% Positiveness
51% Popularity • 72% Danceability • 49% Energy • 18% Liveness
4% Instrumentalness • 88% Positiveness
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Johnny Thunders
London Boys
143 bpm • A Maj • 02:50 • -12.31db
20% Popularity • 32% Danceability • 87% Energy • 41% Liveness
0% Instrumentalness • 35% Positiveness
20% Popularity • 32% Danceability • 87% Energy • 41% Liveness
0% Instrumentalness • 35% Positiveness
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Chelsea
Right to Work
153 bpm • G Maj • 03:05 • -6.31db
18% Popularity • 31% Danceability • 91% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
18% Popularity • 31% Danceability • 91% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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Alternative TV
The Ancient Rebels
153 bpm • A Maj • 02:57 • -11.07db
15% Popularity • 57% Danceability • 72% Energy • 8% Liveness
2% Instrumentalness • 76% Positiveness
15% Popularity • 57% Danceability • 72% Energy • 8% Liveness
2% Instrumentalness • 76% Positiveness
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The Adverts
The Adverts
153 bpm • B min • 03:06 • -2.46db
11% Popularity • 38% Danceability • 98% Energy • 15% Liveness
0% Instrumentalness • 37% Positiveness
11% Popularity • 38% Danceability • 98% Energy • 15% Liveness
0% Instrumentalness • 37% Positiveness
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Gang Of Four
Return the Gift
143 bpm • D Maj • 03:05 • -7.3db
33% Popularity • 76% Danceability • 56% Energy • 11% Liveness
5% Instrumentalness • 94% Positiveness
33% Popularity • 76% Danceability • 56% Energy • 11% Liveness
5% Instrumentalness • 94% Positiveness
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New York Dolls
Vietnamese Baby
143 bpm • C Maj • 03:38 • -11.25db
29% Popularity • 39% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
29% Popularity • 39% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
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The Damned
The History of the World, Pt. 1
153 bpm • G min • 03:52 • -8.61db
27% Popularity • 61% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
27% Popularity • 61% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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Hüsker Dü
Pink Turns to Blue
153 bpm • A Maj • 02:42 • -11.85db
38% Popularity • 24% Danceability • 96% Energy • 12% Liveness
39% Instrumentalness • 32% Positiveness
38% Popularity • 24% Danceability • 96% Energy • 12% Liveness
39% Instrumentalness • 32% Positiveness
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The Professionals
Just Another Dream
143 bpm • C Maj • 03:03 • -10.63db
16% Popularity • 29% Danceability • 74% Energy • 28% Liveness
0% Instrumentalness • 44% Positiveness
16% Popularity • 29% Danceability • 74% Energy • 28% Liveness
0% Instrumentalness • 44% Positiveness
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Bauhaus
Bela Lugosi's Dead (Official Version)
153 bpm • B min • 09:36 • -9.44db
57% Popularity • 59% Danceability • 69% Energy • 6% Liveness
68% Instrumentalness • 55% Positiveness
57% Popularity • 59% Danceability • 69% Energy • 6% Liveness
68% Instrumentalness • 55% Positiveness
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Gang Of Four
Glass
154 bpm • B min • 02:28 • -8.18db
29% Popularity • 45% Danceability • 98% Energy • 18% Liveness
0% Instrumentalness • 51% Positiveness
29% Popularity • 45% Danceability • 98% Energy • 18% Liveness
0% Instrumentalness • 51% Positiveness
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New York Dolls
Pills
143 bpm • A Maj • 02:47 • -9.93db
39% Popularity • 39% Danceability • 91% Energy • 40% Liveness
0% Instrumentalness • 84% Positiveness
39% Popularity • 39% Danceability • 91% Energy • 40% Liveness
0% Instrumentalness • 84% Positiveness
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Joy Division
Transmission - 2020 Digital Remaster
154 bpm • G Maj • 03:38 • -6.51db
58% Popularity • 50% Danceability • 85% Energy • 10% Liveness
57% Instrumentalness • 65% Positiveness
58% Popularity • 50% Danceability • 85% Energy • 10% Liveness
57% Instrumentalness • 65% Positiveness
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Johnny Thunders
Leave Me Alone
142 bpm • A Maj • 02:47 • -10.24db
22% Popularity • 31% Danceability • 94% Energy • 38% Liveness
7% Instrumentalness • 25% Positiveness
22% Popularity • 31% Danceability • 94% Energy • 38% Liveness
7% Instrumentalness • 25% Positiveness
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Richard Hell
Down at the Rock and Roll Club - 2017 Re...
142 bpm • B min • 03:42 • -4db
21% Popularity • 49% Danceability • 94% Energy • 36% Liveness
0% Instrumentalness • 74% Positiveness
21% Popularity • 49% Danceability • 94% Energy • 36% Liveness
0% Instrumentalness • 74% Positiveness
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Bauhaus
Bela Lugosi's Dead
154 bpm • B min • 09:42 • -9.31db
39% Popularity • 58% Danceability • 69% Energy • 6% Liveness
65% Instrumentalness • 55% Positiveness
39% Popularity • 58% Danceability • 69% Energy • 6% Liveness
65% Instrumentalness • 55% Positiveness
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Hüsker Dü
Books About UFOs
154 bpm • C Maj • 02:49 • -10db
33% Popularity • 25% Danceability • 82% Energy • 34% Liveness
0% Instrumentalness • 66% Positiveness
33% Popularity • 25% Danceability • 82% Energy • 34% Liveness
0% Instrumentalness • 66% Positiveness
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The Stranglers
(Get A) Grip [on Yourself] - 1996 Remast...
142 bpm • G Maj • 03:59 • -9db
40% Popularity • 52% Danceability • 85% Energy • 11% Liveness
11% Instrumentalness • 78% Positiveness
40% Popularity • 52% Danceability • 85% Energy • 11% Liveness
11% Instrumentalness • 78% Positiveness
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The Damned
Nasty
142 bpm • D Maj • 02:49 • -4.75db
21% Popularity • 29% Danceability • 96% Energy • 12% Liveness
6% Instrumentalness • 30% Positiveness
21% Popularity • 29% Danceability • 96% Energy • 12% Liveness
6% Instrumentalness • 30% Positiveness
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U.K. Subs
Down On The Farm - Endangered Species
142 bpm • D Maj • 03:24 • -9db
21% Popularity • 25% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
21% Popularity • 25% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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The Vibrators
Amphetamine Blue
155 bpm • A Maj • 02:31 • -3.87db
15% Popularity • 37% Danceability • 98% Energy • 13% Liveness
1% Instrumentalness • 31% Positiveness
15% Popularity • 37% Danceability • 98% Energy • 13% Liveness
1% Instrumentalness • 31% Positiveness
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Bauhaus
Stigmata Martyr
142 bpm • B min • 03:41 • -13.57db
46% Popularity • 48% Danceability • 44% Energy • 42% Liveness
2% Instrumentalness • 32% Positiveness
46% Popularity • 48% Danceability • 44% Energy • 42% Liveness
2% Instrumentalness • 32% Positiveness
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The Fall
New Big Prinz
142 bpm • C min • 03:25 • -12db
32% Popularity • 63% Danceability • 71% Energy • 38% Liveness
32% Instrumentalness • 57% Positiveness
32% Popularity • 63% Danceability • 71% Energy • 38% Liveness
32% Instrumentalness • 57% Positiveness
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The Cravats
Terminus
155 bpm • G Maj • 02:59 • -7.46db
14% Popularity • 46% Danceability • 98% Energy • 45% Liveness
16% Instrumentalness • 83% Positiveness
14% Popularity • 46% Danceability • 98% Energy • 45% Liveness
16% Instrumentalness • 83% Positiveness
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Flipper
Get Away - 7"
142 bpm • D Maj • 02:57 • -5.02db
15% Popularity • 25% Danceability • 96% Energy • 12% Liveness
3% Instrumentalness • 7% Positiveness
15% Popularity • 25% Danceability • 96% Energy • 12% Liveness
3% Instrumentalness • 7% Positiveness
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Stiv Bators
I Had Too Much To Dream (Last Night)
155 bpm • C Maj • 02:47 • -5.77db
25% Popularity • 30% Danceability • 94% Energy • 30% Liveness
4% Instrumentalness • 62% Positiveness
25% Popularity • 30% Danceability • 94% Energy • 30% Liveness
4% Instrumentalness • 62% Positiveness
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X-Ray Spex
Identity
155 bpm • D Maj • 02:25 • -4.61db
43% Popularity • 46% Danceability • 94% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
43% Popularity • 46% Danceability • 94% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
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New York Dolls
Human Being
155 bpm • E Maj • 05:44 • -8.18db
28% Popularity • 41% Danceability • 87% Energy • 38% Liveness
0% Instrumentalness • 41% Positiveness
28% Popularity • 41% Danceability • 87% Energy • 38% Liveness
0% Instrumentalness • 41% Positiveness
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The Ruts
Backbiter
141 bpm • E Maj • 03:02 • -13.8db
14% Popularity • 60% Danceability • 57% Energy • 15% Liveness
0% Instrumentalness • 82% Positiveness
14% Popularity • 60% Danceability • 57% Energy • 15% Liveness
0% Instrumentalness • 82% Positiveness
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Public Image Ltd.
Public Image - Remastered 2011
155 bpm • E Maj • 03:01 • -10.09db
46% Popularity • 28% Danceability • 78% Energy • 69% Liveness
46% Instrumentalness • 64% Positiveness
46% Popularity • 28% Danceability • 78% Energy • 69% Liveness
46% Instrumentalness • 64% Positiveness
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U.K. Subs
Warhead
141 bpm • E min • 03:21 • -6.63db
29% Popularity • 47% Danceability • 82% Energy • 10% Liveness
83% Instrumentalness • 39% Positiveness
29% Popularity • 47% Danceability • 82% Energy • 10% Liveness
83% Instrumentalness • 39% Positiveness
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Stiv Bators
Make Up Your Mind
155 bpm • A Maj • 02:19 • -7.36db
33% Popularity • 37% Danceability • 93% Energy • 20% Liveness
0% Instrumentalness • 55% Positiveness
33% Popularity • 37% Danceability • 93% Energy • 20% Liveness
0% Instrumentalness • 55% Positiveness
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Richard Hell
New Pleasure - 2017 Remaster Audio; Rema...
141 bpm • C Maj • 01:57 • -4db
26% Popularity • 49% Danceability • 92% Energy • 31% Liveness
2% Instrumentalness • 68% Positiveness
26% Popularity • 49% Danceability • 92% Energy • 31% Liveness
2% Instrumentalness • 68% Positiveness
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New York Dolls
Looking For A Kiss
141 bpm • A Maj • 03:18 • -12.69db
41% Popularity • 47% Danceability • 70% Energy • 32% Liveness
0% Instrumentalness • 82% Positiveness
41% Popularity • 47% Danceability • 70% Energy • 32% Liveness
0% Instrumentalness • 82% Positiveness
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X-Ray Spex
I Live off You
156 bpm • A Maj • 02:09 • -4.02db
33% Popularity • 44% Danceability • 92% Energy • 9% Liveness
0% Instrumentalness • 91% Positiveness
33% Popularity • 44% Danceability • 92% Energy • 9% Liveness
0% Instrumentalness • 91% Positiveness
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Lords Of The New Church
Question Of Temperature
156 bpm • E Maj • 02:57 • -7.4db
25% Popularity • 34% Danceability • 91% Energy • 29% Liveness
68% Instrumentalness • 71% Positiveness
25% Popularity • 34% Danceability • 91% Energy • 29% Liveness
68% Instrumentalness • 71% Positiveness
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Joy Division
Leaders of Men - 2010 Remaster
141 bpm • C Maj • 02:35 • -11db
41% Popularity • 52% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
41% Popularity • 52% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
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The Damned
Silly Kid's Games
156 bpm • A Maj • 02:15 • -7.66db
23% Popularity • 46% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
23% Popularity • 46% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Adam & The Ants
The Day I Met God
156 bpm • D Maj • 02:57 • -5db
18% Popularity • 32% Danceability • 94% Energy • 26% Liveness
0% Instrumentalness • 42% Positiveness
18% Popularity • 32% Danceability • 94% Energy • 26% Liveness
0% Instrumentalness • 42% Positiveness
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New York Dolls
Personality Crisis
156 bpm • G Maj • 03:41 • -9.59db
50% Popularity • 43% Danceability • 91% Energy • 44% Liveness
0% Instrumentalness • 68% Positiveness
50% Popularity • 43% Danceability • 91% Energy • 44% Liveness
0% Instrumentalness • 68% Positiveness
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X-Ray Spex
Age
156 bpm • B min • 02:38 • -9.53db
26% Popularity • 31% Danceability • 68% Energy • 14% Liveness
0% Instrumentalness • 86% Positiveness
26% Popularity • 31% Danceability • 68% Energy • 14% Liveness
0% Instrumentalness • 86% Positiveness
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Lords Of The New Church
Pretty Baby Scream
141 bpm • A min • 05:03 • -6db
12% Popularity • 45% Danceability • 74% Energy • 33% Liveness
0% Instrumentalness • 21% Positiveness
12% Popularity • 45% Danceability • 74% Energy • 33% Liveness
0% Instrumentalness • 21% Positiveness
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DEVO
Freedom of Choice
140 bpm • C Maj • 03:28 • -13db
39% Popularity • 84% Danceability • 87% Energy • 6% Liveness
1% Instrumentalness • 96% Positiveness
39% Popularity • 84% Danceability • 87% Energy • 6% Liveness
1% Instrumentalness • 96% Positiveness
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Joy Division
These Days - 2020 Digital Remaster
156 bpm • D Maj • 03:28 • -10.16db
37% Popularity • 63% Danceability • 83% Energy • 14% Liveness
10% Instrumentalness • 86% Positiveness
37% Popularity • 63% Danceability • 83% Energy • 14% Liveness
10% Instrumentalness • 86% Positiveness
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The Stranglers
London Lady - 1996 Remaster
156 bpm • C Maj • 02:32 • -9db
33% Popularity • 37% Danceability • 85% Energy • 8% Liveness
1% Instrumentalness • 88% Positiveness
33% Popularity • 37% Danceability • 85% Energy • 8% Liveness
1% Instrumentalness • 88% Positiveness
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Theatre Of Hate
Propaganda
156 bpm • A Maj • 03:20 • -6.86db
15% Popularity • 30% Danceability • 87% Energy • 4% Liveness
72% Instrumentalness • 62% Positiveness
15% Popularity • 30% Danceability • 87% Energy • 4% Liveness
72% Instrumentalness • 62% Positiveness
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The Adverts
I Surrender
140 bpm • F# min • 03:02 • -2.97db
11% Popularity • 39% Danceability • 90% Energy • 16% Liveness
0% Instrumentalness • 34% Positiveness
11% Popularity • 39% Danceability • 90% Energy • 16% Liveness
0% Instrumentalness • 34% Positiveness
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Lords Of The New Church
Lords Prayer
140 bpm • F# min • 05:38 • -10db
18% Popularity • 49% Danceability • 88% Energy • 22% Liveness
0% Instrumentalness • 51% Positiveness
18% Popularity • 49% Danceability • 88% Energy • 22% Liveness
0% Instrumentalness • 51% Positiveness
