Songs like I Just Want to Be Your Friend by The Millennium
Based on a tempo of (+/- 10%) and a similar genre
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Sagittarius
Hotel Indiscreet
127 bpm • G Maj • 02:11 • -13db
13% Popularity • 61% Danceability • 50% Energy • 8% Liveness
9% Instrumentalness • 78% Positiveness
13% Popularity • 61% Danceability • 50% Energy • 8% Liveness
9% Instrumentalness • 78% Positiveness
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The Cleaners From Venus
Swinging London
127 bpm • G# Maj • 03:23 • -10.17db
22% Popularity • 55% Danceability • 71% Energy • 34% Liveness
67% Instrumentalness • 7% Positiveness
22% Popularity • 55% Danceability • 71% Energy • 34% Liveness
67% Instrumentalness • 7% Positiveness
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Bob Lind
Go Ask Your Man
127 bpm • G Maj • 02:33 • -8db
20% Popularity • 58% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
20% Popularity • 58% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
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The Sundowners
Always You (Single Version)
127 bpm • D Maj • 02:19 • -10db
10% Popularity • 52% Danceability • 52% Energy • 7% Liveness
3% Instrumentalness • 88% Positiveness
10% Popularity • 52% Danceability • 52% Energy • 7% Liveness
3% Instrumentalness • 88% Positiveness
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Innovations
Seabird
127 bpm • D# Maj • 03:07 • -11.98db
46% Popularity • 43% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
46% Popularity • 43% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
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The Left Banke
I Haven't Got The Nerve
127 bpm • E min • 02:16 • -10.08db
24% Popularity • 61% Danceability • 83% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
24% Popularity • 61% Danceability • 83% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
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The Millennium
I Just Want to Be Your Friend
127 bpm • A min • 02:37 • -12db
33% Popularity • 47% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
33% Popularity • 47% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
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Lazy Smoke
There Was a Time
128 bpm • G# min • 02:08 • -12db
15% Popularity • 54% Danceability • 55% Energy • 6% Liveness
0% Instrumentalness • 39% Positiveness
15% Popularity • 54% Danceability • 55% Energy • 6% Liveness
0% Instrumentalness • 39% Positiveness
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Ghetto Brothers
There Is Something in My Heart
126 bpm • G# Maj • 03:26 • -8.11db
28% Popularity • 61% Danceability • 68% Energy • 52% Liveness
0% Instrumentalness • 88% Positiveness
28% Popularity • 61% Danceability • 68% Energy • 52% Liveness
0% Instrumentalness • 88% Positiveness
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Salt Water Taffy
Love Don't Keep Me Waiting
126 bpm • C Maj • 01:54 • -7.77db
12% Popularity • 69% Danceability • 62% Energy • 25% Liveness
1% Instrumentalness • 84% Positiveness
12% Popularity • 69% Danceability • 62% Energy • 25% Liveness
1% Instrumentalness • 84% Positiveness
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The Zombies
Leave Me Be
126 bpm • C Maj • 02:08 • -11.62db
27% Popularity • 50% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
27% Popularity • 50% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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The Left Banke
I've Got Something On My Mind
126 bpm • A Maj • 02:49 • -9db
30% Popularity • 60% Danceability • 85% Energy • 26% Liveness
0% Instrumentalness • 93% Positiveness
30% Popularity • 60% Danceability • 85% Energy • 26% Liveness
0% Instrumentalness • 93% Positiveness
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The Cleaners From Venus
Winter in the Country
128 bpm • C Maj • 02:24 • -11.63db
37% Popularity • 62% Danceability • 44% Energy • 15% Liveness
73% Instrumentalness • 76% Positiveness
37% Popularity • 62% Danceability • 44% Energy • 15% Liveness
73% Instrumentalness • 76% Positiveness
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Ronnie D'Addario
Love Stepped Out
126 bpm • A min • 04:35 • -8.09db
10% Popularity • 73% Danceability • 75% Energy • 8% Liveness
32% Instrumentalness • 97% Positiveness
10% Popularity • 73% Danceability • 75% Energy • 8% Liveness
32% Instrumentalness • 97% Positiveness
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Todd Rundgren
Izzat Love? - 2015 Remaster
128 bpm • C Maj • 01:55 • -10.95db
43% Popularity • 49% Danceability • 53% Energy • 24% Liveness
0% Instrumentalness • 86% Positiveness
43% Popularity • 49% Danceability • 53% Energy • 24% Liveness
0% Instrumentalness • 86% Positiveness
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Harry Nilsson
Daddy's Song
126 bpm • A Maj • 02:41 • -15.39db
25% Popularity • 70% Danceability • 44% Energy • 62% Liveness
0% Instrumentalness • 79% Positiveness
25% Popularity • 70% Danceability • 44% Energy • 62% Liveness
0% Instrumentalness • 79% Positiveness
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Paul McCartney
Ram On - Remastered 2012
128 bpm • F min • 02:29 • -12db
51% Popularity • 61% Danceability • 41% Energy • 29% Liveness
79% Instrumentalness • 57% Positiveness
51% Popularity • 61% Danceability • 41% Energy • 29% Liveness
79% Instrumentalness • 57% Positiveness
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Frank Zappa
Valarie
128 bpm • G Maj • 03:16 • -11db
31% Popularity • 39% Danceability • 33% Energy • 32% Liveness
0% Instrumentalness • 36% Positiveness
31% Popularity • 39% Danceability • 33% Energy • 32% Liveness
0% Instrumentalness • 36% Positiveness
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The Cleaners From Venus
Time in Vain
126 bpm • F Maj • 03:02 • -7.2db
31% Popularity • 50% Danceability • 77% Energy • 25% Liveness
0% Instrumentalness • 60% Positiveness
31% Popularity • 50% Danceability • 77% Energy • 25% Liveness
0% Instrumentalness • 60% Positiveness
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The Zombies
I Can't Make Up My Mind
128 bpm • A min • 02:32 • -8.1db
37% Popularity • 63% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
37% Popularity • 63% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
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Triste Janero
You Didn't Have to Be So Nice
126 bpm • G Maj • 03:14 • -11db
29% Popularity • 62% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
29% Popularity • 62% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
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The Millennium
Sing to Me
126 bpm • G Maj • 02:19 • -11.35db
18% Popularity • 56% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
18% Popularity • 56% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Shira Small
I Want To Lay With You
129 bpm • A min • 02:13 • -12.31db
29% Popularity • 83% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
29% Popularity • 83% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
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Flo & Eddie
The Love You Gave Away
126 bpm • A min • 03:33 • -9.04db
18% Popularity • 52% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
18% Popularity • 52% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
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The Cleaners From Venus
A Weekend in Suborida
126 bpm • C# min • 03:19 • -7.62db
21% Popularity • 62% Danceability • 59% Energy • 14% Liveness
89% Instrumentalness • 45% Positiveness
21% Popularity • 62% Danceability • 59% Energy • 14% Liveness
89% Instrumentalness • 45% Positiveness
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The Zombies
Friends Of Mine
125 bpm • C Maj • 02:17 • -8.93db
20% Popularity • 52% Danceability • 69% Energy • 6% Liveness
0% Instrumentalness • 88% Positiveness
20% Popularity • 52% Danceability • 69% Energy • 6% Liveness
0% Instrumentalness • 88% Positiveness
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Michael Farneti
Come to Europe
129 bpm • F Maj • 02:09 • -9.23db
10% Popularity • 43% Danceability • 71% Energy • 20% Liveness
3% Instrumentalness • 73% Positiveness
10% Popularity • 43% Danceability • 71% Energy • 20% Liveness
3% Instrumentalness • 73% Positiveness
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The Cyrkle
It Doesn't Matter Anymore
129 bpm • F Maj • 01:59 • -8.53db
17% Popularity • 62% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
17% Popularity • 62% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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Emitt Rhodes
You Should Be Ashamed
125 bpm • G# Maj • 02:41 • -9.89db
20% Popularity • 45% Danceability • 47% Energy • 9% Liveness
1% Instrumentalness • 58% Positiveness
20% Popularity • 45% Danceability • 47% Energy • 9% Liveness
1% Instrumentalness • 58% Positiveness
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The Feminine Complex
Hide and Seek
129 bpm • C Maj • 03:39 • -9.09db
18% Popularity • 26% Danceability • 61% Energy • 29% Liveness
0% Instrumentalness • 14% Positiveness
18% Popularity • 26% Danceability • 61% Energy • 29% Liveness
0% Instrumentalness • 14% Positiveness
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Billy Nicholls
Daytime Girl (Stereo Version)
125 bpm • G Maj • 02:45 • -13db
10% Popularity • 54% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
10% Popularity • 54% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
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The Zombies
I Remember When I Loved Her
125 bpm • G min • 02:01 • -13.68db
40% Popularity • 66% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
40% Popularity • 66% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
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Charlie Megira
Turn Around
129 bpm • A min • 02:52 • -5.44db
25% Popularity • 21% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
25% Popularity • 21% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Robert Lester Folsom
She
125 bpm • B min • 02:45 • -6.67db
10% Popularity • 59% Danceability • 66% Energy • 10% Liveness
3% Instrumentalness • 79% Positiveness
10% Popularity • 59% Danceability • 66% Energy • 10% Liveness
3% Instrumentalness • 79% Positiveness
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Harry Nilsson
The Wailing of the Willow
130 bpm • C Maj • 02:00 • -21.87db
24% Popularity • 49% Danceability • 16% Energy • 23% Liveness
32% Instrumentalness • 52% Positiveness
24% Popularity • 49% Danceability • 16% Energy • 23% Liveness
32% Instrumentalness • 52% Positiveness
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The Cyrkle
Something Special
124 bpm • F# min • 02:12 • -16.18db
10% Popularity • 68% Danceability • 31% Energy • 28% Liveness
0% Instrumentalness • 75% Positiveness
10% Popularity • 68% Danceability • 31% Energy • 28% Liveness
0% Instrumentalness • 75% Positiveness
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The Chocolate Watchband
Gossamer Wings
124 bpm • D min • 03:30 • -12.54db
20% Popularity • 36% Danceability • 50% Energy • 10% Liveness
85% Instrumentalness • 24% Positiveness
20% Popularity • 36% Danceability • 50% Energy • 10% Liveness
85% Instrumentalness • 24% Positiveness
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The Zombies
Care Of Cell 44
130 bpm • G Maj • 03:56 • -10.01db
34% Popularity • 40% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
34% Popularity • 40% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Fievel Is Glauque
Hit Me Now
130 bpm • G# min • 01:21 • -10.24db
45% Popularity • 59% Danceability • 44% Energy • 30% Liveness
22% Instrumentalness • 62% Positiveness
45% Popularity • 59% Danceability • 44% Energy • 30% Liveness
22% Instrumentalness • 62% Positiveness
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Female Species
Bye Bye Bye
124 bpm • C Maj • 02:39 • -11.2db
16% Popularity • 56% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
16% Popularity • 56% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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Triste Janero
In the Garden
130 bpm • A min • 02:43 • -11.98db
35% Popularity • 58% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
35% Popularity • 58% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
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Sagittarius
I'm Not Living Here
131 bpm • A Maj • 02:26 • -10.91db
12% Popularity • 57% Danceability • 55% Energy • 29% Liveness
0% Instrumentalness • 86% Positiveness
12% Popularity • 57% Danceability • 55% Energy • 29% Liveness
0% Instrumentalness • 86% Positiveness
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Billy Nicholls
Portobello Road
131 bpm • D Maj • 02:05 • -11.84db
10% Popularity • 52% Danceability • 66% Energy • 34% Liveness
0% Instrumentalness • 62% Positiveness
10% Popularity • 52% Danceability • 66% Energy • 34% Liveness
0% Instrumentalness • 62% Positiveness
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The Zombies
I Want Her She Wants Me
130 bpm • G Maj • 02:52 • -11.99db
20% Popularity • 58% Danceability • 42% Energy • 56% Liveness
0% Instrumentalness • 54% Positiveness
20% Popularity • 58% Danceability • 42% Energy • 56% Liveness
0% Instrumentalness • 54% Positiveness
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The Beach Boys
I Went To Sleep - Remastered 2001
123 bpm • D Maj • 01:38 • -16.12db
23% Popularity • 52% Danceability • 20% Energy • 16% Liveness
34% Instrumentalness • 31% Positiveness
23% Popularity • 52% Danceability • 20% Energy • 16% Liveness
34% Instrumentalness • 31% Positiveness
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The West Coast Pop Art Experimental Band
Here's Where You Belong
131 bpm • D Maj • 02:50 • -8.94db
23% Popularity • 47% Danceability • 61% Energy • 23% Liveness
0% Instrumentalness • 79% Positiveness
23% Popularity • 47% Danceability • 61% Energy • 23% Liveness
0% Instrumentalness • 79% Positiveness
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Triste Janero
Rene De Marie
130 bpm • A Maj • 02:55 • -11db
38% Popularity • 67% Danceability • 51% Energy • 16% Liveness
0% Instrumentalness • 48% Positiveness
38% Popularity • 67% Danceability • 51% Energy • 16% Liveness
0% Instrumentalness • 48% Positiveness
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The Millennium
Sunshine Girl
123 bpm • A Maj • 02:47 • -3.44db
3% Popularity • 52% Danceability • 63% Energy • 6% Liveness
0% Instrumentalness • 6% Positiveness
3% Popularity • 52% Danceability • 63% Energy • 6% Liveness
0% Instrumentalness • 6% Positiveness
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Spanky & Our Gang
Without Rhyme Or Reason
131 bpm • A# min • 02:31 • -11db
16% Popularity • 55% Danceability • 42% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
16% Popularity • 55% Danceability • 42% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
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The Goldebriars
Sea of Tears
123 bpm • A Maj • 01:59 • -11.91db
17% Popularity • 58% Danceability • 42% Energy • 26% Liveness
0% Instrumentalness • 68% Positiveness
17% Popularity • 58% Danceability • 42% Energy • 26% Liveness
0% Instrumentalness • 68% Positiveness
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The Pretty Things
Grass
123 bpm • D min • 04:20 • -11db
26% Popularity • 60% Danceability • 43% Energy • 25% Liveness
0% Instrumentalness • 58% Positiveness
26% Popularity • 60% Danceability • 43% Energy • 25% Liveness
0% Instrumentalness • 58% Positiveness
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Slapp Happy
The Secret
123 bpm • F Maj • 03:31 • -15db
28% Popularity • 61% Danceability • 37% Energy • 24% Liveness
3% Instrumentalness • 86% Positiveness
28% Popularity • 61% Danceability • 37% Energy • 24% Liveness
3% Instrumentalness • 86% Positiveness
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Wendy & Bonnie
It's What's Really Happening
131 bpm • D Maj • 02:12 • -8.56db
13% Popularity • 67% Danceability • 65% Energy • 37% Liveness
0% Instrumentalness • 76% Positiveness
13% Popularity • 67% Danceability • 65% Energy • 37% Liveness
0% Instrumentalness • 76% Positiveness
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The Millennium
5 a.m.
123 bpm • A Maj • 02:39 • -12db
45% Popularity • 57% Danceability • 52% Energy • 15% Liveness
67% Instrumentalness • 62% Positiveness
45% Popularity • 57% Danceability • 52% Energy • 15% Liveness
67% Instrumentalness • 62% Positiveness
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Life
Life
131 bpm • E Maj • 02:19 • -14.45db
29% Popularity • 76% Danceability • 36% Energy • 11% Liveness
93% Instrumentalness • 76% Positiveness
29% Popularity • 76% Danceability • 36% Energy • 11% Liveness
93% Instrumentalness • 76% Positiveness
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Donovan
Oh Gosh
131 bpm • B Maj • 01:46 • -13.1db
24% Popularity • 61% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
24% Popularity • 61% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
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Roger Nichols & The Small Circle of Friends
Trust
131 bpm • A# min • 02:24 • -11.45db
10% Popularity • 53% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
10% Popularity • 53% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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Slapp Happy
Strayed
131 bpm • F# min • 01:53 • -10.05db
28% Popularity • 64% Danceability • 68% Energy • 15% Liveness
0% Instrumentalness • 96% Positiveness
28% Popularity • 64% Danceability • 68% Energy • 15% Liveness
0% Instrumentalness • 96% Positiveness
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Todd Rundgren
When the Shit Hits the Fan / Sunset Blvd...
122 bpm • F Maj • 04:02 • -8.31db
23% Popularity • 45% Danceability • 57% Energy • 53% Liveness
50% Instrumentalness • 50% Positiveness
23% Popularity • 45% Danceability • 57% Energy • 53% Liveness
50% Instrumentalness • 50% Positiveness
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The Millennium
5 a.m. - 7" version
123 bpm • A Maj • 02:41 • -11.89db
1% Popularity • 62% Danceability • 43% Energy • 12% Liveness
3% Instrumentalness • 72% Positiveness
1% Popularity • 62% Danceability • 43% Energy • 12% Liveness
3% Instrumentalness • 72% Positiveness
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The Cleaners From Venus
Night Starvation
132 bpm • A Maj • 02:27 • -4.04db
36% Popularity • 52% Danceability • 65% Energy • 5% Liveness
26% Instrumentalness • 13% Positiveness
36% Popularity • 52% Danceability • 65% Energy • 5% Liveness
26% Instrumentalness • 13% Positiveness
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The Left Banke
Goodbye Holly
132 bpm • D Maj • 02:56 • -7.47db
13% Popularity • 54% Danceability • 78% Energy • 29% Liveness
0% Instrumentalness • 85% Positiveness
13% Popularity • 54% Danceability • 78% Energy • 29% Liveness
0% Instrumentalness • 85% Positiveness
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John Cale
Cleo
121 bpm • G# Maj • 02:32 • -13.11db
22% Popularity • 61% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 95% Positiveness
22% Popularity • 61% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 95% Positiveness
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Sagittarius
My World Fell Down
121 bpm • G# min • 02:54 • -14.91db
30% Popularity • 42% Danceability • 30% Energy • 9% Liveness
33% Instrumentalness • 23% Positiveness
30% Popularity • 42% Danceability • 30% Energy • 9% Liveness
33% Instrumentalness • 23% Positiveness
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J.K. & Co.
Fly
133 bpm • C Maj • 04:45 • -13.23db
27% Popularity • 26% Danceability • 42% Energy • 10% Liveness
19% Instrumentalness • 23% Positiveness
27% Popularity • 26% Danceability • 42% Energy • 10% Liveness
19% Instrumentalness • 23% Positiveness
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Carrie Cleveland
I Need Love - 7" Issue Version
121 bpm • C Maj • 02:16 • -10.61db
33% Popularity • 71% Danceability • 45% Energy • 14% Liveness
5% Instrumentalness • 84% Positiveness
33% Popularity • 71% Danceability • 45% Energy • 14% Liveness
5% Instrumentalness • 84% Positiveness
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Peppermint Rainbow
Pink Lemonade
121 bpm • B min • 02:05 • -7.71db
16% Popularity • 51% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 73% Positiveness
16% Popularity • 51% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 73% Positiveness
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The Zombies
Maybe After He's Gone
121 bpm • D Maj • 02:33 • -10.44db
24% Popularity • 50% Danceability • 40% Energy • 9% Liveness
80% Instrumentalness • 20% Positiveness
24% Popularity • 50% Danceability • 40% Energy • 9% Liveness
80% Instrumentalness • 20% Positiveness
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Attila & The Huns
Here's Where I Get Off
121 bpm • A Maj • 02:44 • -12.17db
21% Popularity • 61% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
21% Popularity • 61% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
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Sagittarius
My World Fell Down - Mono Single Version
121 bpm • G# Maj • 03:45 • -10.46db
11% Popularity • 42% Danceability • 45% Energy • 14% Liveness
1% Instrumentalness • 14% Positiveness
11% Popularity • 42% Danceability • 45% Energy • 14% Liveness
1% Instrumentalness • 14% Positiveness
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The Mothers Of Invention
Take Your Clothes Off When You Dance
121 bpm • B min • 01:32 • -10db
38% Popularity • 84% Danceability • 58% Energy • 16% Liveness
0% Instrumentalness • 95% Positiveness
38% Popularity • 84% Danceability • 58% Energy • 16% Liveness
0% Instrumentalness • 95% Positiveness
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The Smoke
If The Weather's Sunny
121 bpm • G# Maj • 02:52 • -8.29db
31% Popularity • 60% Danceability • 55% Energy • 34% Liveness
0% Instrumentalness • 62% Positiveness
31% Popularity • 60% Danceability • 55% Energy • 34% Liveness
0% Instrumentalness • 62% Positiveness
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Roger Nichols & The Small Circle of Friends
Let's Ride - Single Version
120 bpm • F# Maj • 02:54 • -10.31db
13% Popularity • 58% Danceability • 39% Energy • 15% Liveness
0% Instrumentalness • 69% Positiveness
13% Popularity • 58% Danceability • 39% Energy • 15% Liveness
0% Instrumentalness • 69% Positiveness
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Billy Nicholls
Come Again
120 bpm • A# Maj • 02:35 • -11.83db
14% Popularity • 47% Danceability • 52% Energy • 14% Liveness
1% Instrumentalness • 80% Positiveness
14% Popularity • 47% Danceability • 52% Energy • 14% Liveness
1% Instrumentalness • 80% Positiveness
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Wendy & Bonnie
Endless Pathway
120 bpm • D Maj • 03:34 • -14.01db
12% Popularity • 46% Danceability • 35% Energy • 15% Liveness
0% Instrumentalness • 51% Positiveness
12% Popularity • 46% Danceability • 35% Energy • 15% Liveness
0% Instrumentalness • 51% Positiveness
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The Cyrkle
How Can I Leave Her
120 bpm • A min • 02:36 • -14.63db
13% Popularity • 58% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 81% Positiveness
13% Popularity • 58% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 81% Positiveness
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The Left Banke
Desiree
134 bpm • C Maj • 02:41 • -8.7db
22% Popularity • 48% Danceability • 54% Energy • 61% Liveness
0% Instrumentalness • 59% Positiveness
22% Popularity • 48% Danceability • 54% Energy • 61% Liveness
0% Instrumentalness • 59% Positiveness
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The Chocolate Watchband
In The Past
134 bpm • B Maj • 03:07 • -10db
28% Popularity • 42% Danceability • 64% Energy • 42% Liveness
0% Instrumentalness • 54% Positiveness
28% Popularity • 42% Danceability • 64% Energy • 42% Liveness
0% Instrumentalness • 54% Positiveness
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Mark Fry
Song for Wilde
134 bpm • F# Maj • 02:33 • -16.38db
43% Popularity • 54% Danceability • 35% Energy • 9% Liveness
80% Instrumentalness • 19% Positiveness
43% Popularity • 54% Danceability • 35% Energy • 9% Liveness
80% Instrumentalness • 19% Positiveness
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The Alan Bown
Technicolour Dream - Stereo
134 bpm • F min • 02:55 • -7.98db
10% Popularity • 39% Danceability • 54% Energy • 12% Liveness
3% Instrumentalness • 39% Positiveness
10% Popularity • 39% Danceability • 54% Energy • 12% Liveness
3% Instrumentalness • 39% Positiveness
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Wendy & Bonnie
Let Yourself Go Another Time
134 bpm • C min • 02:34 • -9.88db
16% Popularity • 39% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 72% Positiveness
16% Popularity • 39% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 72% Positiveness
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Slapp Happy
A Little Something
135 bpm • G Maj • 04:35 • -12.93db
13% Popularity • 52% Danceability • 31% Energy • 17% Liveness
6% Instrumentalness • 49% Positiveness
13% Popularity • 52% Danceability • 31% Energy • 17% Liveness
6% Instrumentalness • 49% Positiveness
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The Millennium
Suspend Animation
120 bpm • E Maj • 03:16 • -7.01db
3% Popularity • 54% Danceability • 74% Energy • 14% Liveness
5% Instrumentalness • 50% Positiveness
3% Popularity • 54% Danceability • 74% Energy • 14% Liveness
5% Instrumentalness • 50% Positiveness
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The Left Banke
She May Call You Up Tonight
135 bpm • D# Maj • 02:21 • -7db
31% Popularity • 55% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
31% Popularity • 55% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
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Harumi
First Impressions
120 bpm • A Maj • 03:13 • -14.22db
20% Popularity • 42% Danceability • 25% Energy • 12% Liveness
96% Instrumentalness • 33% Positiveness
20% Popularity • 42% Danceability • 25% Energy • 12% Liveness
96% Instrumentalness • 33% Positiveness
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George Harrison
Far East Man
135 bpm • E Maj • 05:51 • -11.28db
35% Popularity • 53% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
35% Popularity • 53% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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The West Coast Pop Art Experimental Band
If You Want This Love
135 bpm • E min • 02:52 • -12db
38% Popularity • 55% Danceability • 58% Energy • 30% Liveness
0% Instrumentalness • 86% Positiveness
38% Popularity • 55% Danceability • 58% Energy • 30% Liveness
0% Instrumentalness • 86% Positiveness
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Triste Janero
Today It's You
135 bpm • E min • 02:55 • -10.9db
28% Popularity • 56% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 39% Positiveness
28% Popularity • 56% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 39% Positiveness
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Strawberry Alarm Clock
Barefoot In Baltimore
120 bpm • G Maj • 02:22 • -11.19db
31% Popularity • 68% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
31% Popularity • 68% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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Mark Fry
A Norman Soldier
135 bpm • C# Maj • 02:22 • -20db
38% Popularity • 57% Danceability • 33% Energy • 11% Liveness
92% Instrumentalness • 93% Positiveness
38% Popularity • 57% Danceability • 33% Energy • 11% Liveness
92% Instrumentalness • 93% Positiveness
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The Yellow Balloon
How Can I Be Down
120 bpm • D min • 02:17 • -11.14db
22% Popularity • 50% Danceability • 40% Energy • 42% Liveness
0% Instrumentalness • 53% Positiveness
22% Popularity • 50% Danceability • 40% Energy • 42% Liveness
0% Instrumentalness • 53% Positiveness
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Brian Wilson
Orange Crate Art
135 bpm • D# Maj • 03:00 • -11db
19% Popularity • 60% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
19% Popularity • 60% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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The West Coast Pop Art Experimental Band
Will You Walk with Me
119 bpm • A Maj • 03:01 • -14.36db
20% Popularity • 48% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
20% Popularity • 48% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Stereolab
Allures
135 bpm • C Maj • 03:29 • -10.03db
28% Popularity • 58% Danceability • 44% Energy • 19% Liveness
0% Instrumentalness • 81% Positiveness
28% Popularity • 58% Danceability • 44% Energy • 19% Liveness
0% Instrumentalness • 81% Positiveness
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Strawberry Alarm Clock
Sit With The Guru
135 bpm • C Maj • 03:02 • -9.98db
36% Popularity • 47% Danceability • 72% Energy • 20% Liveness
1% Instrumentalness • 83% Positiveness
36% Popularity • 47% Danceability • 72% Energy • 20% Liveness
1% Instrumentalness • 83% Positiveness
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The Zombies
Tell Her No
135 bpm • E Maj • 02:07 • -8.08db
51% Popularity • 71% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
51% Popularity • 71% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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Salt Water Taffy
Finders Keepers
135 bpm • C# Maj • 02:43 • -7db
19% Popularity • 73% Danceability • 69% Energy • 4% Liveness
0% Instrumentalness • 96% Positiveness
19% Popularity • 73% Danceability • 69% Energy • 4% Liveness
0% Instrumentalness • 96% Positiveness
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Buffalo Springfield
Pretty Girl Why
136 bpm • A Maj • 02:27 • -10db
48% Popularity • 64% Danceability • 45% Energy • 9% Liveness
13% Instrumentalness • 78% Positiveness
48% Popularity • 64% Danceability • 45% Energy • 9% Liveness
13% Instrumentalness • 78% Positiveness
