Songs like I Just Want To Make Love To You - Single Version by Etta James
Based on a tempo of (+/- 10%) and a similar genre
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Sly & The Family Stone
If You Want Me to Stay
102 bpm • B min • 03:00 • -11.57db
65% Popularity • 84% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
65% Popularity • 84% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
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Al Green
Let's Stay Together
102 bpm • G min • 03:19 • -10.7db
77% Popularity • 76% Danceability • 40% Energy • 5% Liveness
1% Instrumentalness • 51% Positiveness
77% Popularity • 76% Danceability • 40% Energy • 5% Liveness
1% Instrumentalness • 51% Positiveness
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Paul Simon
50 Ways to Leave Your Lover
102 bpm • G Maj • 03:37 • -12.81db
70% Popularity • 82% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
70% Popularity • 82% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
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Brenda Lee
I'm Sorry
102 bpm • A# Maj • 02:41 • -12.36db
56% Popularity • 56% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
56% Popularity • 56% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
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Etta James
I Just Want To Make Love To You - Single...
102 bpm • D# Maj • 03:05 • -8.58db
63% Popularity • 64% Danceability • 52% Energy • 53% Liveness
0% Instrumentalness • 65% Positiveness
63% Popularity • 64% Danceability • 52% Energy • 53% Liveness
0% Instrumentalness • 65% Positiveness
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Solomon Burke
Got to Get You off My Mind
103 bpm • D Maj • 02:36 • -9.08db
36% Popularity • 74% Danceability • 53% Energy • 3% Liveness
0% Instrumentalness • 73% Positiveness
36% Popularity • 74% Danceability • 53% Energy • 3% Liveness
0% Instrumentalness • 73% Positiveness
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Billy Preston
Nothing From Nothing
103 bpm • A min • 02:36 • -4db
62% Popularity • 81% Danceability • 83% Energy • 20% Liveness
1% Instrumentalness • 91% Positiveness
62% Popularity • 81% Danceability • 83% Energy • 20% Liveness
1% Instrumentalness • 91% Positiveness
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The Staple Singers
I'll Take You There
102 bpm • C Maj • 03:16 • -8.37db
68% Popularity • 85% Danceability • 60% Energy • 6% Liveness
0% Instrumentalness • 78% Positiveness
68% Popularity • 85% Danceability • 60% Energy • 6% Liveness
0% Instrumentalness • 78% Positiveness
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Otis Redding
My Girl
103 bpm • C Maj • 02:55 • -9.26db
62% Popularity • 74% Danceability • 32% Energy • 17% Liveness
0% Instrumentalness • 63% Positiveness
62% Popularity • 74% Danceability • 32% Energy • 17% Liveness
0% Instrumentalness • 63% Positiveness
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Gregory Porter
Liquid Spirit
103 bpm • B min • 03:35 • -7.25db
42% Popularity • 73% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
42% Popularity • 73% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
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George Baker Selection
Little Green Bag - Single Edit
103 bpm • G Maj • 03:21 • -7.63db
57% Popularity • 70% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
57% Popularity • 70% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
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Dusty Springfield
You Don't Own Me
101 bpm • F# Maj • 02:28 • -10db
46% Popularity • 45% Danceability • 47% Energy • 55% Liveness
0% Instrumentalness • 62% Positiveness
46% Popularity • 45% Danceability • 47% Energy • 55% Liveness
0% Instrumentalness • 62% Positiveness
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Etta James
Steal Away
103 bpm • G Maj • 02:23 • -7.67db
47% Popularity • 53% Danceability • 47% Energy • 17% Liveness
0% Instrumentalness • 70% Positiveness
47% Popularity • 53% Danceability • 47% Energy • 17% Liveness
0% Instrumentalness • 70% Positiveness
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Nancy Wilson
(You Don't Know) How Glad I Am
104 bpm • F Maj • 02:37 • -9.11db
50% Popularity • 53% Danceability • 44% Energy • 33% Liveness
0% Instrumentalness • 61% Positiveness
50% Popularity • 53% Danceability • 44% Energy • 33% Liveness
0% Instrumentalness • 61% Positiveness
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Otis Redding
Try a Little Tenderness
103 bpm • A min • 03:21 • -15.15db
67% Popularity • 59% Danceability • 13% Energy • 26% Liveness
0% Instrumentalness • 7% Positiveness
67% Popularity • 59% Danceability • 13% Energy • 26% Liveness
0% Instrumentalness • 7% Positiveness
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Donny Hathaway
A Song for You
100 bpm • F Maj • 05:25 • -13.16db
59% Popularity • 33% Danceability • 22% Energy • 24% Liveness
0% Instrumentalness • 7% Positiveness
59% Popularity • 33% Danceability • 22% Energy • 24% Liveness
0% Instrumentalness • 7% Positiveness
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Sharon Jones & The Dap-Kings
How Long Do I Have to Wait for You?
104 bpm • A# min • 04:03 • -3.37db
65% Popularity • 67% Danceability • 91% Energy • 10% Liveness
1% Instrumentalness • 97% Positiveness
65% Popularity • 67% Danceability • 91% Energy • 10% Liveness
1% Instrumentalness • 97% Positiveness
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Sugar Pie DeSanto
Going Back To Where I Belong
104 bpm • G min • 02:28 • -6db
48% Popularity • 61% Danceability • 56% Energy • 26% Liveness
0% Instrumentalness • 74% Positiveness
48% Popularity • 61% Danceability • 56% Energy • 26% Liveness
0% Instrumentalness • 74% Positiveness
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Doris Day
Perhaps, Perhaps, Perhaps
105 bpm • A min • 02:31 • -12.22db
59% Popularity • 62% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
59% Popularity • 62% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
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Lou Reed
Walk On the Wild Side
105 bpm • C Maj • 04:14 • -16.73db
72% Popularity • 57% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
72% Popularity • 57% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Otis Redding
(Sittin' On) the Dock of the Bay
104 bpm • D Maj • 02:43 • -11.23db
81% Popularity • 77% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
81% Popularity • 77% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
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Etta James
My Dearest Darling
105 bpm • G# Maj • 03:00 • -8db
48% Popularity • 55% Danceability • 34% Energy • 35% Liveness
0% Instrumentalness • 54% Positiveness
48% Popularity • 55% Danceability • 34% Energy • 35% Liveness
0% Instrumentalness • 54% Positiveness
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The Temptations
My Girl
105 bpm • C Maj • 02:45 • -10.74db
81% Popularity • 57% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
81% Popularity • 57% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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Barry White
Let The Music Play - Single Version
99 bpm • A# Maj • 03:30 • -6db
62% Popularity • 54% Danceability • 81% Energy • 15% Liveness
0% Instrumentalness • 75% Positiveness
62% Popularity • 54% Danceability • 81% Energy • 15% Liveness
0% Instrumentalness • 75% Positiveness
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Bill Withers
Who Is He (And What Is He to You)?
99 bpm • C# min • 03:14 • -12.54db
60% Popularity • 92% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
60% Popularity • 92% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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Al Green
Love and Happiness
99 bpm • F# Maj • 05:07 • -10.96db
64% Popularity • 82% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
64% Popularity • 82% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
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Eddie Floyd
Knock on Wood
105 bpm • E Maj • 03:09 • -12.92db
60% Popularity • 86% Danceability • 35% Energy • 5% Liveness
1% Instrumentalness • 96% Positiveness
60% Popularity • 86% Danceability • 35% Energy • 5% Liveness
1% Instrumentalness • 96% Positiveness
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Etta James
Cigarettes & Coffee
99 bpm • D Maj • 06:21 • -7.49db
20% Popularity • 45% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 10% Positiveness
20% Popularity • 45% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 10% Positiveness
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Jimmy Ruffin
What Becomes Of The Brokenhearted
99 bpm • G min • 02:55 • -12.67db
58% Popularity • 72% Danceability • 42% Energy • 57% Liveness
0% Instrumentalness • 59% Positiveness
58% Popularity • 72% Danceability • 42% Energy • 57% Liveness
0% Instrumentalness • 59% Positiveness
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Dionne Warwick
Walk on By
99 bpm • F Maj • 02:58 • -9.03db
66% Popularity • 70% Danceability • 33% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
66% Popularity • 70% Danceability • 33% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
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Timmy Thomas
Why Can't We Live Together
106 bpm • G min • 04:37 • -15.31db
46% Popularity • 87% Danceability • 46% Energy • 5% Liveness
65% Instrumentalness • 96% Positiveness
46% Popularity • 87% Danceability • 46% Energy • 5% Liveness
65% Instrumentalness • 96% Positiveness
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Jackie DeShannon
What The World Needs Now Is Love
106 bpm • C# Maj • 03:06 • -9.5db
54% Popularity • 44% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
54% Popularity • 44% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Hot Chocolate
You Sexy Thing
106 bpm • F Maj • 04:04 • -5.47db
74% Popularity • 79% Danceability • 73% Energy • 17% Liveness
0% Instrumentalness • 96% Positiveness
74% Popularity • 79% Danceability • 73% Energy • 17% Liveness
0% Instrumentalness • 96% Positiveness
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Ann Peebles
I'm Gonna Tear Your Playhouse Down
98 bpm • G min • 02:45 • -12.52db
50% Popularity • 73% Danceability • 31% Energy • 18% Liveness
0% Instrumentalness • 79% Positiveness
50% Popularity • 73% Danceability • 31% Energy • 18% Liveness
0% Instrumentalness • 79% Positiveness
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Sharon Jones & The Dap-Kings
This Land Is Your Land
98 bpm • F# Maj • 04:30 • -5.3db
46% Popularity • 62% Danceability • 71% Energy • 3% Liveness
0% Instrumentalness • 91% Positiveness
46% Popularity • 62% Danceability • 71% Energy • 3% Liveness
0% Instrumentalness • 91% Positiveness
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Al Green
Tired of Being Alone
98 bpm • G Maj • 02:52 • -8.59db
71% Popularity • 77% Danceability • 40% Energy • 8% Liveness
1% Instrumentalness • 62% Positiveness
71% Popularity • 77% Danceability • 40% Energy • 8% Liveness
1% Instrumentalness • 62% Positiveness
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Bill Withers
Lovely Day
98 bpm • A Maj • 04:14 • -8.27db
78% Popularity • 69% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
78% Popularity • 69% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
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Dusty Springfield
Spooky
106 bpm • E min • 02:44 • -12.73db
72% Popularity • 75% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
72% Popularity • 75% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
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Irma Thomas
It's Raining
106 bpm • G Maj • 02:08 • -12db
44% Popularity • 62% Danceability • 27% Energy • 21% Liveness
0% Instrumentalness • 44% Positiveness
44% Popularity • 62% Danceability • 27% Energy • 21% Liveness
0% Instrumentalness • 44% Positiveness
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Them
Baby, Please Don't Go
106 bpm • F Maj • 02:42 • -6.82db
55% Popularity • 72% Danceability • 70% Energy • 15% Liveness
0% Instrumentalness • 78% Positiveness
55% Popularity • 72% Danceability • 70% Energy • 15% Liveness
0% Instrumentalness • 78% Positiveness
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Bettye LaVette
Let Me Down Easy
106 bpm • B min • 02:47 • -2.36db
34% Popularity • 38% Danceability • 57% Energy • 19% Liveness
0% Instrumentalness • 27% Positiveness
34% Popularity • 38% Danceability • 57% Energy • 19% Liveness
0% Instrumentalness • 27% Positiveness
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Harold Melvin & The Blue Notes
Wake Up Everybody
98 bpm • F# Maj • 07:32 • -8.12db
57% Popularity • 56% Danceability • 64% Energy • 26% Liveness
0% Instrumentalness • 63% Positiveness
57% Popularity • 56% Danceability • 64% Energy • 26% Liveness
0% Instrumentalness • 63% Positiveness
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Marvin Gaye
You're All I Need To Get By
98 bpm • B min • 02:53 • -11.07db
61% Popularity • 51% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 17% Positiveness
61% Popularity • 51% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 17% Positiveness
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Etta James
Fire
106 bpm • D Maj • 02:24 • -7.35db
2% Popularity • 64% Danceability • 67% Energy • 4% Liveness
1% Instrumentalness • 91% Positiveness
2% Popularity • 64% Danceability • 67% Energy • 4% Liveness
1% Instrumentalness • 91% Positiveness
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Carmen McRae
The Sound of Silence
107 bpm • G min • 03:01 • -11.41db
44% Popularity • 51% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
44% Popularity • 51% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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Sam & Dave
Hold On, I'm Comin'
107 bpm • F# Maj • 02:35 • -14.03db
72% Popularity • 80% Danceability • 34% Energy • 10% Liveness
4% Instrumentalness • 91% Positiveness
72% Popularity • 80% Danceability • 34% Energy • 10% Liveness
4% Instrumentalness • 91% Positiveness
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Percy Sledge
When a Man Loves a Woman
97 bpm • C# Maj • 02:53 • -20.41db
68% Popularity • 52% Danceability • 15% Energy • 12% Liveness
8% Instrumentalness • 20% Positiveness
68% Popularity • 52% Danceability • 15% Energy • 12% Liveness
8% Instrumentalness • 20% Positiveness
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Sharon Jones & The Dap-Kings
Better Things
97 bpm • F# Maj • 03:39 • -8db
55% Popularity • 82% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 94% Positiveness
55% Popularity • 82% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 94% Positiveness
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The Clovers
One Mint Julep - Remastered
107 bpm • G# Maj • 02:29 • -8.48db
31% Popularity • 76% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 78% Positiveness
31% Popularity • 76% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 78% Positiveness
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Julie London
Sway
107 bpm • E min • 02:35 • -15db
47% Popularity • 59% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
47% Popularity • 59% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Rosemary Clooney
Sway - Remastered
107 bpm • A# Maj • 02:36 • -16.28db
44% Popularity • 69% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 84% Positiveness
44% Popularity • 69% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 84% Positiveness
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Smokey Robinson & The Miracles
The Tracks Of My Tears
97 bpm • G Maj • 02:54 • -10.91db
65% Popularity • 50% Danceability • 33% Energy • 22% Liveness
0% Instrumentalness • 73% Positiveness
65% Popularity • 50% Danceability • 33% Energy • 22% Liveness
0% Instrumentalness • 73% Positiveness
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The Supremes
You Can't Hurry Love
97 bpm • A# Maj • 02:47 • -9.34db
74% Popularity • 63% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
74% Popularity • 63% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
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Roy Orbison
Crying
97 bpm • D Maj • 02:46 • -9.5db
59% Popularity • 35% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
59% Popularity • 35% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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John Lee Hooker
Chill Out (Things Gonna Change) (2007 -...
97 bpm • C min • 04:47 • -11.29db
48% Popularity • 66% Danceability • 52% Energy • 7% Liveness
20% Instrumentalness • 72% Positiveness
48% Popularity • 66% Danceability • 52% Energy • 7% Liveness
20% Instrumentalness • 72% Positiveness
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Patsy Cline
Crazy - Single Version
108 bpm • A# Maj • 02:44 • -24.39db
68% Popularity • 47% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
68% Popularity • 47% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Commodores
Brick House
108 bpm • E min • 03:28 • -10.48db
66% Popularity • 83% Danceability • 78% Energy • 3% Liveness
2% Instrumentalness • 63% Positiveness
66% Popularity • 83% Danceability • 78% Energy • 3% Liveness
2% Instrumentalness • 63% Positiveness
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Diana Ross
Upside Down
108 bpm • F min • 04:05 • -8.56db
70% Popularity • 87% Danceability • 86% Energy • 4% Liveness
3% Instrumentalness • 88% Positiveness
70% Popularity • 87% Danceability • 86% Energy • 4% Liveness
3% Instrumentalness • 88% Positiveness
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Solomon Burke
Down in the Valley
108 bpm • C# Maj • 02:24 • -21.41db
32% Popularity • 78% Danceability • 25% Energy • 27% Liveness
0% Instrumentalness • 96% Positiveness
32% Popularity • 78% Danceability • 25% Energy • 27% Liveness
0% Instrumentalness • 96% Positiveness
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Dusty Springfield
Wishin' And Hopin' - Stereo Version
108 bpm • B Maj • 02:53 • -11.43db
48% Popularity • 68% Danceability • 33% Energy • 16% Liveness
0% Instrumentalness • 71% Positiveness
48% Popularity • 68% Danceability • 33% Energy • 16% Liveness
0% Instrumentalness • 71% Positiveness
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John Lee Hooker
The Healer
108 bpm • C Maj • 05:40 • -15.06db
47% Popularity • 57% Danceability • 48% Energy • 8% Liveness
1% Instrumentalness • 68% Positiveness
47% Popularity • 57% Danceability • 48% Energy • 8% Liveness
1% Instrumentalness • 68% Positiveness
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Roy Orbison
In Dreams
108 bpm • C Maj • 02:49 • -9.99db
57% Popularity • 50% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 71% Positiveness
57% Popularity • 50% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 71% Positiveness
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Nancy Sinatra
Sugar Town
108 bpm • G Maj • 02:26 • -11.79db
53% Popularity • 73% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
53% Popularity • 73% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
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Sam Cooke
You Send Me - Mono
96 bpm • E min • 02:45 • -7.58db
59% Popularity • 57% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
59% Popularity • 57% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Irma Thomas
Time Is On My Side
96 bpm • C Maj • 02:52 • -9db
49% Popularity • 52% Danceability • 62% Energy • 51% Liveness
1% Instrumentalness • 60% Positiveness
49% Popularity • 52% Danceability • 62% Energy • 51% Liveness
1% Instrumentalness • 60% Positiveness
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J.J. Cale
After Midnight
96 bpm • D Maj • 02:23 • -19.32db
63% Popularity • 69% Danceability • 31% Energy • 9% Liveness
7% Instrumentalness • 52% Positiveness
63% Popularity • 69% Danceability • 31% Energy • 9% Liveness
7% Instrumentalness • 52% Positiveness
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Roberta Flack
Compared to What
109 bpm • F min • 05:16 • -14db
43% Popularity • 47% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
43% Popularity • 47% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Sharon Jones & The Dap-Kings
Mama Don't Like My Man
109 bpm • C min • 02:30 • -7.48db
43% Popularity • 81% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
43% Popularity • 81% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
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Nancy Sinatra
Bang Bang (My Baby Shot Me Down)
96 bpm • F min • 02:42 • -18.79db
67% Popularity • 43% Danceability • 17% Energy • 11% Liveness
10% Instrumentalness • 37% Positiveness
67% Popularity • 43% Danceability • 17% Energy • 11% Liveness
10% Instrumentalness • 37% Positiveness
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Jackie Wilson
(Your Love Keeps Lifting Me) Higher & Hi...
96 bpm • D Maj • 02:59 • -7.19db
70% Popularity • 63% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
70% Popularity • 63% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
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Otis Redding
Hard to Handle
96 bpm • A# Maj • 02:21 • -8.67db
68% Popularity • 67% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
68% Popularity • 67% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
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The Temptations
I Can't Get Next To You
109 bpm • F Maj • 02:54 • -12.91db
52% Popularity • 69% Danceability • 69% Energy • 40% Liveness
0% Instrumentalness • 70% Positiveness
52% Popularity • 69% Danceability • 69% Energy • 40% Liveness
0% Instrumentalness • 70% Positiveness
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Sly & The Family Stone
Family Affair - Single Version
109 bpm • D min • 03:05 • -13.83db
52% Popularity • 82% Danceability • 60% Energy • 20% Liveness
2% Instrumentalness • 80% Positiveness
52% Popularity • 82% Danceability • 60% Energy • 20% Liveness
2% Instrumentalness • 80% Positiveness
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Louis Armstrong
Dream A Little Dream Of Me
96 bpm • D Maj • 03:16 • -18.09db
66% Popularity • 46% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
66% Popularity • 46% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Sharon Jones & The Dap-Kings
Nobody's Baby
95 bpm • F Maj • 02:27 • -9db
62% Popularity • 70% Danceability • 61% Energy • 17% Liveness
0% Instrumentalness • 74% Positiveness
62% Popularity • 70% Danceability • 61% Energy • 17% Liveness
0% Instrumentalness • 74% Positiveness
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Koko Taylor
I'm A Woman
109 bpm • C Maj • 04:34 • -6db
47% Popularity • 56% Danceability • 83% Energy • 5% Liveness
0% Instrumentalness • 62% Positiveness
47% Popularity • 56% Danceability • 83% Energy • 5% Liveness
0% Instrumentalness • 62% Positiveness
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The Platters
My Prayer
109 bpm • A# Maj • 02:47 • -8.39db
55% Popularity • 36% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
55% Popularity • 36% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Harold Melvin & The Blue Notes
If You Don't Know Me by Now
95 bpm • B Maj • 03:25 • -9.55db
60% Popularity • 34% Danceability • 46% Energy • 58% Liveness
0% Instrumentalness • 46% Positiveness
60% Popularity • 34% Danceability • 46% Energy • 58% Liveness
0% Instrumentalness • 46% Positiveness
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Lesley Gore
You Don't Own Me
95 bpm • D Maj • 02:30 • -10.02db
73% Popularity • 47% Danceability • 43% Energy • 63% Liveness
0% Instrumentalness • 71% Positiveness
73% Popularity • 47% Danceability • 43% Energy • 63% Liveness
0% Instrumentalness • 71% Positiveness
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Al Green
L-O-V-E (Love)
109 bpm • F Maj • 03:09 • -9.56db
51% Popularity • 66% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
51% Popularity • 66% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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Sharon Jones & The Dap-Kings
100 Days, 100 Nights
109 bpm • A min • 03:45 • -7db
50% Popularity • 44% Danceability • 56% Energy • 28% Liveness
0% Instrumentalness • 69% Positiveness
50% Popularity • 44% Danceability • 56% Energy • 28% Liveness
0% Instrumentalness • 69% Positiveness
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Wilson Pickett
Something You Got
110 bpm • C Maj • 02:58 • -11db
37% Popularity • 77% Danceability • 52% Energy • 3% Liveness
0% Instrumentalness • 94% Positiveness
37% Popularity • 77% Danceability • 52% Energy • 3% Liveness
0% Instrumentalness • 94% Positiveness
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Irma Thomas
Straight From The Heart
95 bpm • D# Maj • 02:28 • -13db
45% Popularity • 65% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
45% Popularity • 65% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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Marlena Shaw
California Soul
95 bpm • G# min • 02:57 • -8.41db
65% Popularity • 51% Danceability • 83% Energy • 37% Liveness
0% Instrumentalness • 54% Positiveness
65% Popularity • 51% Danceability • 83% Energy • 37% Liveness
0% Instrumentalness • 54% Positiveness
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Aretha Franklin
Think
110 bpm • F# Maj • 02:19 • -10.82db
66% Popularity • 69% Danceability • 63% Energy • 22% Liveness
0% Instrumentalness • 93% Positiveness
66% Popularity • 69% Danceability • 63% Energy • 22% Liveness
0% Instrumentalness • 93% Positiveness
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Al Green
Here I Am (Come and Take Me)
95 bpm • B min • 04:16 • -12.24db
50% Popularity • 82% Danceability • 39% Energy • 7% Liveness
0% Instrumentalness • 85% Positiveness
50% Popularity • 82% Danceability • 39% Energy • 7% Liveness
0% Instrumentalness • 85% Positiveness
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Marvin Gaye
How Sweet It Is (To Be Loved By You)
110 bpm • C Maj • 02:57 • -10db
60% Popularity • 65% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
60% Popularity • 65% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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Diana Ross
I'm Coming Out
110 bpm • F Maj • 05:23 • -9.21db
70% Popularity • 72% Danceability • 83% Energy • 8% Liveness
43% Instrumentalness • 77% Positiveness
70% Popularity • 72% Danceability • 83% Energy • 8% Liveness
43% Instrumentalness • 77% Positiveness
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Frank Sinatra
Theme From New York, New York - 2008 Rem...
94 bpm • D Maj • 03:24 • -6.95db
67% Popularity • 31% Danceability • 50% Energy • 25% Liveness
0% Instrumentalness • 55% Positiveness
67% Popularity • 31% Danceability • 50% Energy • 25% Liveness
0% Instrumentalness • 55% Positiveness
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Wilson Pickett
Mustang Sally
110 bpm • C Maj • 03:07 • -17.71db
58% Popularity • 72% Danceability • 33% Energy • 21% Liveness
33% Instrumentalness • 69% Positiveness
58% Popularity • 72% Danceability • 33% Energy • 21% Liveness
33% Instrumentalness • 69% Positiveness
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The Lovin' Spoonful
Summer in the City - Remastered
110 bpm • A# Maj • 02:40 • -9.76db
65% Popularity • 42% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
65% Popularity • 42% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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Sonny & Cher
I Got You Babe
111 bpm • F# Maj • 03:10 • -6.02db
65% Popularity • 63% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
65% Popularity • 63% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
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Marvin Gaye
Sexual Healing
94 bpm • C min • 03:58 • -9.7db
72% Popularity • 80% Danceability • 60% Energy • 6% Liveness
0% Instrumentalness • 74% Positiveness
72% Popularity • 80% Danceability • 60% Energy • 6% Liveness
0% Instrumentalness • 74% Positiveness
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Madeleine Peyroux
(Getting Some) Fun out of Life
111 bpm • E min • 03:12 • -9.62db
57% Popularity • 73% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
57% Popularity • 73% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
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CHIC
Good Times
111 bpm • D Maj • 08:15 • -7.32db
64% Popularity • 87% Danceability • 66% Energy • 5% Liveness
1% Instrumentalness • 89% Positiveness
64% Popularity • 87% Danceability • 66% Energy • 5% Liveness
1% Instrumentalness • 89% Positiveness
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The Coasters
Down In Mexico
94 bpm • D# min • 03:21 • -8db
47% Popularity • 55% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
47% Popularity • 55% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
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Barry White
Can't Get Enough Of Your Love, Babe
111 bpm • A# Maj • 04:02 • -12.31db
59% Popularity • 77% Danceability • 66% Energy • 18% Liveness
4% Instrumentalness • 74% Positiveness
59% Popularity • 77% Danceability • 66% Energy • 18% Liveness
4% Instrumentalness • 74% Positiveness
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The Lovin' Spoonful
Daydream
111 bpm • C# Maj • 02:19 • -11.37db
64% Popularity • 82% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 83% Positiveness
64% Popularity • 82% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 83% Positiveness
