Songs like I Just Want To Talk To You by Charles Brown
Based on a tempo of (+/- 10%) and a similar genre
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Wendy & Bonnie
I Realized You
93 bpm • G min • 03:42 • -14.15db
30% Popularity • 49% Danceability • 18% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
30% Popularity • 49% Danceability • 18% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
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The Millennium
To Claudia on Thursday
93 bpm • A Maj • 03:25 • -13db
30% Popularity • 60% Danceability • 59% Energy • 36% Liveness
1% Instrumentalness • 68% Positiveness
30% Popularity • 60% Danceability • 59% Energy • 36% Liveness
1% Instrumentalness • 68% Positiveness
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Charles Brown
I Just Want To Talk To You
93 bpm • G Maj • 03:11 • -10.61db
41% Popularity • 51% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
41% Popularity • 51% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
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Honeybus
Julie In My Heart
93 bpm • F Maj • 02:24 • -17.67db
16% Popularity • 77% Danceability • 26% Energy • 9% Liveness
41% Instrumentalness • 81% Positiveness
16% Popularity • 77% Danceability • 26% Energy • 9% Liveness
41% Instrumentalness • 81% Positiveness
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Emitt Rhodes
Promises I've Made
92 bpm • G# Maj • 03:24 • -11.65db
40% Popularity • 60% Danceability • 55% Energy • 12% Liveness
82% Instrumentalness • 69% Positiveness
40% Popularity • 60% Danceability • 55% Energy • 12% Liveness
82% Instrumentalness • 69% Positiveness
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Drug Cabin
Turkey Time
94 bpm • G Maj • 02:33 • -7.82db
40% Popularity • 72% Danceability • 62% Energy • 27% Liveness
38% Instrumentalness • 94% Positiveness
40% Popularity • 72% Danceability • 62% Energy • 27% Liveness
38% Instrumentalness • 94% Positiveness
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Wendy & Bonnie
The Paisley Window Pane
94 bpm • A Maj • 02:58 • -16.31db
28% Popularity • 53% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
28% Popularity • 53% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Jim Ford
She Turns My Radio On
92 bpm • B min • 03:20 • -6.88db
39% Popularity • 76% Danceability • 74% Energy • 10% Liveness
1% Instrumentalness • 81% Positiveness
39% Popularity • 76% Danceability • 74% Energy • 10% Liveness
1% Instrumentalness • 81% Positiveness
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Matt Duncan
Lone Ranger
94 bpm • G min • 03:04 • -10.98db
51% Popularity • 71% Danceability • 40% Energy • 9% Liveness
1% Instrumentalness • 62% Positiveness
51% Popularity • 71% Danceability • 40% Energy • 9% Liveness
1% Instrumentalness • 62% Positiveness
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Phil Cordell
Red Lady
94 bpm • F# Maj • 02:30 • -4.96db
35% Popularity • 49% Danceability • 85% Energy • 22% Liveness
0% Instrumentalness • 88% Positiveness
35% Popularity • 49% Danceability • 85% Energy • 22% Liveness
0% Instrumentalness • 88% Positiveness
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Pete Wingfield
A Whole Pot Of Jelly (For A Little Slice...
94 bpm • B min • 02:59 • -16.88db
37% Popularity • 78% Danceability • 30% Energy • 13% Liveness
22% Instrumentalness • 61% Positiveness
37% Popularity • 78% Danceability • 30% Energy • 13% Liveness
22% Instrumentalness • 61% Positiveness
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Final Solution
I Don't Care
94 bpm • E min • 04:17 • -6.88db
35% Popularity • 47% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
35% Popularity • 47% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
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Carole King
Raspberry Jam
94 bpm • D min • 04:34 • -17.28db
16% Popularity • 36% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
16% Popularity • 36% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Allan Wachs
Anna Lena
94 bpm • G Maj • 03:43 • -15.27db
10% Popularity • 51% Danceability • 54% Energy • 22% Liveness
12% Instrumentalness • 71% Positiveness
10% Popularity • 51% Danceability • 54% Energy • 22% Liveness
12% Instrumentalness • 71% Positiveness
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Link Wray
Ice People
95 bpm • G# Maj • 03:03 • -12.82db
33% Popularity • 68% Danceability • 50% Energy • 31% Liveness
21% Instrumentalness • 72% Positiveness
33% Popularity • 68% Danceability • 50% Energy • 31% Liveness
21% Instrumentalness • 72% Positiveness
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Paul McCartney
Every Night - 2011 Remaster
94 bpm • E Maj • 02:33 • -12db
60% Popularity • 60% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 87% Positiveness
60% Popularity • 60% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 87% Positiveness
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Bob Dylan
Santa-Fe
95 bpm • A Maj • 02:08 • -11.3db
26% Popularity • 46% Danceability • 55% Energy • 14% Liveness
2% Instrumentalness • 86% Positiveness
26% Popularity • 46% Danceability • 55% Energy • 14% Liveness
2% Instrumentalness • 86% Positiveness
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Cass Elliot
California Earthquake
91 bpm • D Maj • 02:41 • -8.73db
31% Popularity • 53% Danceability • 64% Energy • 52% Liveness
0% Instrumentalness • 53% Positiveness
31% Popularity • 53% Danceability • 64% Energy • 52% Liveness
0% Instrumentalness • 53% Positiveness
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The Mamas & The Papas
People Like Us
91 bpm • D# min • 03:26 • -13.1db
37% Popularity • 60% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
37% Popularity • 60% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
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Bill Withers
Sweet Wanomi
96 bpm • A Maj • 02:32 • -11.71db
53% Popularity • 76% Danceability • 33% Energy • 11% Liveness
20% Instrumentalness • 93% Positiveness
53% Popularity • 76% Danceability • 33% Energy • 11% Liveness
20% Instrumentalness • 93% Positiveness
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Karen Dalton
Are You Leaving for the Country
90 bpm • D Maj • 03:14 • -12.77db
21% Popularity • 54% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
21% Popularity • 54% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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Norma Tanega
Illusion
90 bpm • C Maj • 03:38 • -8.16db
22% Popularity • 56% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 62% Positiveness
22% Popularity • 56% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 62% Positiveness
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MJ Lenderman
TV Dinners
90 bpm • A Maj • 03:52 • -13.18db
41% Popularity • 65% Danceability • 51% Energy • 42% Liveness
2% Instrumentalness • 89% Positiveness
41% Popularity • 65% Danceability • 51% Energy • 42% Liveness
2% Instrumentalness • 89% Positiveness
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Chamaeleon Church
Here's a Song
90 bpm • G min • 01:59 • -7.37db
14% Popularity • 47% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
14% Popularity • 47% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
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Floating Action
To Connect
96 bpm • C# min • 04:02 • -7.79db
38% Popularity • 61% Danceability • 65% Energy • 12% Liveness
4% Instrumentalness • 57% Positiveness
38% Popularity • 61% Danceability • 65% Energy • 12% Liveness
4% Instrumentalness • 57% Positiveness
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Drug Cabin
Handsome
96 bpm • E Maj • 02:27 • -8.83db
54% Popularity • 75% Danceability • 44% Energy • 10% Liveness
34% Instrumentalness • 82% Positiveness
54% Popularity • 75% Danceability • 44% Energy • 10% Liveness
34% Instrumentalness • 82% Positiveness
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Smushie
Complete Annihilation!
90 bpm • E Maj • 05:01 • -10.48db
35% Popularity • 69% Danceability • 58% Energy • 15% Liveness
2% Instrumentalness • 79% Positiveness
35% Popularity • 69% Danceability • 58% Energy • 15% Liveness
2% Instrumentalness • 79% Positiveness
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The Mamas & The Papas
Lady Genevieve
96 bpm • D# min • 03:48 • -15.92db
24% Popularity • 65% Danceability • 49% Energy • 23% Liveness
0% Instrumentalness • 86% Positiveness
24% Popularity • 65% Danceability • 49% Energy • 23% Liveness
0% Instrumentalness • 86% Positiveness
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Frank Lynch
Young Girl
97 bpm • A# Maj • 02:28 • -11.08db
33% Popularity • 63% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
33% Popularity • 63% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
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Boz Metzdorf
Sails Across the Sea
90 bpm • D Maj • 05:52 • -9db
28% Popularity • 48% Danceability • 59% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
28% Popularity • 48% Danceability • 59% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
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J.J. Cale
Wish I Had Not Said That
90 bpm • C Maj • 03:22 • -16.69db
42% Popularity • 82% Danceability • 22% Energy • 10% Liveness
19% Instrumentalness • 71% Positiveness
42% Popularity • 82% Danceability • 22% Energy • 10% Liveness
19% Instrumentalness • 71% Positiveness
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Drug Cabin
Baywatch
89 bpm • B Maj • 03:19 • -10.34db
37% Popularity • 59% Danceability • 43% Energy • 8% Liveness
85% Instrumentalness • 56% Positiveness
37% Popularity • 59% Danceability • 43% Energy • 8% Liveness
85% Instrumentalness • 56% Positiveness
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Nick Garrie
Can I Stay with You
89 bpm • F Maj • 02:39 • -11.21db
29% Popularity • 42% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 56% Positiveness
29% Popularity • 42% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 56% Positiveness
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Norma Tanega
Jubilation
97 bpm • C# Maj • 02:42 • -8db
34% Popularity • 59% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 67% Positiveness
34% Popularity • 59% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 67% Positiveness
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Spanky & Our Gang
Coda (Like To Get To Know You)
97 bpm • C Maj • 00:59 • -17.57db
33% Popularity • 39% Danceability • 31% Energy • 30% Liveness
50% Instrumentalness • 42% Positiveness
33% Popularity • 39% Danceability • 31% Energy • 30% Liveness
50% Instrumentalness • 42% Positiveness
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Willis Alan Ramsey
Muskrat Love (Muskrat Candlelight)
89 bpm • F# min • 03:23 • -18.91db
32% Popularity • 49% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
32% Popularity • 49% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
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Wings
She’s My Baby - 2014 Remaster
97 bpm • C Maj • 03:08 • -11db
50% Popularity • 81% Danceability • 43% Energy • 16% Liveness
0% Instrumentalness • 57% Positiveness
50% Popularity • 81% Danceability • 43% Energy • 16% Liveness
0% Instrumentalness • 57% Positiveness
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Drug Cabin
Wiggle Room
97 bpm • A min • 02:33 • -7.17db
50% Popularity • 70% Danceability • 66% Energy • 16% Liveness
77% Instrumentalness • 67% Positiveness
50% Popularity • 70% Danceability • 66% Energy • 16% Liveness
77% Instrumentalness • 67% Positiveness
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Emitt Rhodes
Lullabye
98 bpm • C Maj • 01:05 • -21.37db
52% Popularity • 48% Danceability • 6% Energy • 10% Liveness
15% Instrumentalness • 70% Positiveness
52% Popularity • 48% Danceability • 6% Energy • 10% Liveness
15% Instrumentalness • 70% Positiveness
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Daryl Hall & John Oates
Had I Known You Better Then
89 bpm • F Maj • 03:22 • -16db
41% Popularity • 52% Danceability • 41% Energy • 33% Liveness
0% Instrumentalness • 61% Positiveness
41% Popularity • 52% Danceability • 41% Energy • 33% Liveness
0% Instrumentalness • 61% Positiveness
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The Holy Modal Rounders
Love Is the Closest Thing
98 bpm • E Maj • 02:16 • -28.09db
16% Popularity • 37% Danceability • 3% Energy • 10% Liveness
67% Instrumentalness • 16% Positiveness
16% Popularity • 37% Danceability • 3% Energy • 10% Liveness
67% Instrumentalness • 16% Positiveness
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Greenflow
No Other Life Without You
89 bpm • C Maj • 04:38 • -10.96db
32% Popularity • 62% Danceability • 40% Energy • 38% Liveness
5% Instrumentalness • 69% Positiveness
32% Popularity • 62% Danceability • 40% Energy • 38% Liveness
5% Instrumentalness • 69% Positiveness
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Chuck Senrick
Dreamin'
98 bpm • F Maj • 02:15 • -17db
31% Popularity • 54% Danceability • 33% Energy • 19% Liveness
0% Instrumentalness • 58% Positiveness
31% Popularity • 54% Danceability • 33% Energy • 19% Liveness
0% Instrumentalness • 58% Positiveness
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The West Coast Pop Art Experimental Band
Eighteen Is over the Hill
88 bpm • F# Maj • 02:42 • -13.25db
37% Popularity • 32% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
37% Popularity • 32% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Drug Cabin
California
88 bpm • D# Maj • 02:24 • -9.48db
43% Popularity • 71% Danceability • 46% Energy • 14% Liveness
46% Instrumentalness • 79% Positiveness
43% Popularity • 71% Danceability • 46% Energy • 14% Liveness
46% Instrumentalness • 79% Positiveness
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Dream Sitch
Oblivion Major
88 bpm • D Maj • 01:59 • -9.49db
41% Popularity • 76% Danceability • 36% Energy • 12% Liveness
10% Instrumentalness • 66% Positiveness
41% Popularity • 76% Danceability • 36% Energy • 12% Liveness
10% Instrumentalness • 66% Positiveness
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Air
Sister Bessie
88 bpm • G min • 02:34 • -11db
37% Popularity • 43% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
37% Popularity • 43% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
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Bobb Trimble
One Mile From Heaven - Short Version
99 bpm • D Maj • 04:07 • -13.52db
27% Popularity • 54% Danceability • 48% Energy • 11% Liveness
1% Instrumentalness • 38% Positiveness
27% Popularity • 54% Danceability • 48% Energy • 11% Liveness
1% Instrumentalness • 38% Positiveness
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Amanaz
Khala My Friend - Reverb Mix
88 bpm • D# min • 03:22 • -12db
33% Popularity • 52% Danceability • 62% Energy • 8% Liveness
3% Instrumentalness • 59% Positiveness
33% Popularity • 52% Danceability • 62% Energy • 8% Liveness
3% Instrumentalness • 59% Positiveness
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The Marshall Tucker Band
Ab's Song
88 bpm • G Maj • 01:15 • -13db
54% Popularity • 53% Danceability • 27% Energy • 11% Liveness
10% Instrumentalness • 83% Positiveness
54% Popularity • 53% Danceability • 27% Energy • 11% Liveness
10% Instrumentalness • 83% Positiveness
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The Sha La Das
Okay My Love
87 bpm • A# min • 03:37 • -7db
37% Popularity • 48% Danceability • 54% Energy • 16% Liveness
3% Instrumentalness • 39% Positiveness
37% Popularity • 48% Danceability • 54% Energy • 16% Liveness
3% Instrumentalness • 39% Positiveness
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Todd Rundgren
Hello It's Me - 2015 Remaster
87 bpm • F Maj • 04:37 • -11db
38% Popularity • 55% Danceability • 63% Energy • 48% Liveness
0% Instrumentalness • 57% Positiveness
38% Popularity • 55% Danceability • 63% Energy • 48% Liveness
0% Instrumentalness • 57% Positiveness
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George Harrison
Mama You've Been on My Mind (Demo)
99 bpm • A Maj • 03:05 • -15.51db
43% Popularity • 64% Danceability • 24% Energy • 20% Liveness
0% Instrumentalness • 50% Positiveness
43% Popularity • 64% Danceability • 24% Energy • 20% Liveness
0% Instrumentalness • 50% Positiveness
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Innovations
Put a Little Away
99 bpm • F Maj • 03:48 • -8db
30% Popularity • 58% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
30% Popularity • 58% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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Carole King
Bitter with the Sweet
99 bpm • C min • 02:27 • -13.68db
54% Popularity • 68% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
54% Popularity • 68% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
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The Roches
Big Nuthin'
87 bpm • D# Maj • 04:40 • -6.18db
16% Popularity • 55% Danceability • 69% Energy • 15% Liveness
0% Instrumentalness • 57% Positiveness
16% Popularity • 55% Danceability • 69% Energy • 15% Liveness
0% Instrumentalness • 57% Positiveness
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The Sha La Das
Those Years Are Over
99 bpm • E Maj • 03:58 • -8db
52% Popularity • 56% Danceability • 46% Energy • 30% Liveness
0% Instrumentalness • 68% Positiveness
52% Popularity • 56% Danceability • 46% Energy • 30% Liveness
0% Instrumentalness • 68% Positiveness
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J.K. & Co.
Christine
99 bpm • G Maj • 02:14 • -13.7db
28% Popularity • 52% Danceability • 66% Energy • 11% Liveness
75% Instrumentalness • 73% Positiveness
28% Popularity • 52% Danceability • 66% Energy • 11% Liveness
75% Instrumentalness • 73% Positiveness
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Dougie Poole
Nothing on This Earth Can Make Me Smile
87 bpm • D Maj • 03:10 • -13.41db
24% Popularity • 57% Danceability • 28% Energy • 11% Liveness
7% Instrumentalness • 46% Positiveness
24% Popularity • 57% Danceability • 28% Energy • 11% Liveness
7% Instrumentalness • 46% Positiveness
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Jeff Cowell
Jake Lake
100 bpm • G Maj • 02:22 • -6.75db
18% Popularity • 54% Danceability • 59% Energy • 20% Liveness
22% Instrumentalness • 64% Positiveness
18% Popularity • 54% Danceability • 59% Energy • 20% Liveness
22% Instrumentalness • 64% Positiveness
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Tommy James & The Shondells
Baby Let Me Down
100 bpm • E Maj • 01:49 • -14.29db
33% Popularity • 77% Danceability • 45% Energy • 6% Liveness
0% Instrumentalness • 76% Positiveness
33% Popularity • 77% Danceability • 45% Energy • 6% Liveness
0% Instrumentalness • 76% Positiveness
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Harumi
Don't Know What I'm Gonna Do
87 bpm • A# Maj • 03:09 • -15.97db
35% Popularity • 32% Danceability • 30% Energy • 10% Liveness
11% Instrumentalness • 48% Positiveness
35% Popularity • 32% Danceability • 30% Energy • 10% Liveness
11% Instrumentalness • 48% Positiveness
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Country Spice
Clouds
100 bpm • C Maj • 02:53 • -6.08db
13% Popularity • 68% Danceability • 54% Energy • 20% Liveness
6% Instrumentalness • 46% Positiveness
13% Popularity • 68% Danceability • 54% Energy • 20% Liveness
6% Instrumentalness • 46% Positiveness
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The Rising Storm
A Message to Pretty
100 bpm • G Maj • 03:28 • -17.3db
40% Popularity • 54% Danceability • 22% Energy • 10% Liveness
49% Instrumentalness • 56% Positiveness
40% Popularity • 54% Danceability • 22% Energy • 10% Liveness
49% Instrumentalness • 56% Positiveness
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Dougie Poole
Don't You Think I'm Funny Anymore?
100 bpm • B Maj • 03:36 • -7.86db
30% Popularity • 61% Danceability • 50% Energy • 14% Liveness
85% Instrumentalness • 34% Positiveness
30% Popularity • 61% Danceability • 50% Energy • 14% Liveness
85% Instrumentalness • 34% Positiveness
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Alan Munson
Sightly Sue
86 bpm • G# Maj • 04:33 • -11.01db
32% Popularity • 44% Danceability • 33% Energy • 16% Liveness
0% Instrumentalness • 48% Positiveness
32% Popularity • 44% Danceability • 33% Energy • 16% Liveness
0% Instrumentalness • 48% Positiveness
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Dick Stusso
Well Acquainted
100 bpm • E Maj • 02:55 • -11.64db
39% Popularity • 36% Danceability • 37% Energy • 11% Liveness
5% Instrumentalness • 16% Positiveness
39% Popularity • 36% Danceability • 37% Energy • 11% Liveness
5% Instrumentalness • 16% Positiveness
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The Millennium
It's You
100 bpm • A Maj • 03:21 • -11.44db
25% Popularity • 51% Danceability • 70% Energy • 58% Liveness
0% Instrumentalness • 42% Positiveness
25% Popularity • 51% Danceability • 70% Energy • 58% Liveness
0% Instrumentalness • 42% Positiveness
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Wings
Arrow Through Me - Remastered 1993
86 bpm • D Maj • 03:36 • -12.33db
55% Popularity • 87% Danceability • 36% Energy • 10% Liveness
3% Instrumentalness • 68% Positiveness
55% Popularity • 87% Danceability • 36% Energy • 10% Liveness
3% Instrumentalness • 68% Positiveness
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Perth County Conspiracy
If You Can Want
101 bpm • G# Maj • 04:28 • -12.17db
13% Popularity • 68% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 82% Positiveness
13% Popularity • 68% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 82% Positiveness
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John Martyn
Couldn't Love You More
86 bpm • C Maj • 04:00 • -12db
30% Popularity • 67% Danceability • 48% Energy • 7% Liveness
2% Instrumentalness • 47% Positiveness
30% Popularity • 67% Danceability • 48% Energy • 7% Liveness
2% Instrumentalness • 47% Positiveness
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Tex Crick
Easy Keepers
101 bpm • C# Maj • 03:37 • -11.55db
33% Popularity • 87% Danceability • 43% Energy • 10% Liveness
42% Instrumentalness • 74% Positiveness
33% Popularity • 87% Danceability • 43% Energy • 10% Liveness
42% Instrumentalness • 74% Positiveness
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Dick Stusso
This Is What I'm Doing
101 bpm • E Maj • 02:27 • -11.21db
39% Popularity • 84% Danceability • 26% Energy • 10% Liveness
12% Instrumentalness • 63% Positiveness
39% Popularity • 84% Danceability • 26% Energy • 10% Liveness
12% Instrumentalness • 63% Positiveness
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Buffy Sainte-Marie
Guess Who I Saw In Paris
101 bpm • C Maj • 02:25 • -27.43db
39% Popularity • 53% Danceability • 7% Energy • 11% Liveness
61% Instrumentalness • 26% Positiveness
39% Popularity • 53% Danceability • 7% Energy • 11% Liveness
61% Instrumentalness • 26% Positiveness
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Allen Toussaint
Southern Nights - Remastered Version
86 bpm • C# Maj • 03:36 • -12.96db
43% Popularity • 61% Danceability • 36% Energy • 8% Liveness
62% Instrumentalness • 48% Positiveness
43% Popularity • 61% Danceability • 36% Energy • 8% Liveness
62% Instrumentalness • 48% Positiveness
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George Harrison
Run of the Mill (Demo)
86 bpm • C# Maj • 01:56 • -11.13db
45% Popularity • 42% Danceability • 27% Energy • 14% Liveness
0% Instrumentalness • 55% Positiveness
45% Popularity • 42% Danceability • 27% Energy • 14% Liveness
0% Instrumentalness • 55% Positiveness
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Linda McCartney
Seaside Woman
101 bpm • C Maj • 03:56 • -6.35db
37% Popularity • 79% Danceability • 72% Energy • 9% Liveness
5% Instrumentalness • 69% Positiveness
37% Popularity • 79% Danceability • 72% Energy • 9% Liveness
5% Instrumentalness • 69% Positiveness
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Mad Anthony
Babe
101 bpm • C# min • 03:20 • -9.61db
18% Popularity • 42% Danceability • 32% Energy • 12% Liveness
1% Instrumentalness • 55% Positiveness
18% Popularity • 42% Danceability • 32% Energy • 12% Liveness
1% Instrumentalness • 55% Positiveness
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Jeff Cowell
Momma
85 bpm • G Maj • 02:37 • -7.67db
35% Popularity • 53% Danceability • 60% Energy • 23% Liveness
34% Instrumentalness • 66% Positiveness
35% Popularity • 53% Danceability • 60% Energy • 23% Liveness
34% Instrumentalness • 66% Positiveness
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Link Wray
Fallin' Rain
101 bpm • G# Maj • 03:45 • -13.9db
45% Popularity • 44% Danceability • 38% Energy • 12% Liveness
19% Instrumentalness • 42% Positiveness
45% Popularity • 44% Danceability • 38% Energy • 12% Liveness
19% Instrumentalness • 42% Positiveness
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Harumi
What A Day For Me
101 bpm • A min • 02:47 • -16.08db
28% Popularity • 54% Danceability • 20% Energy • 14% Liveness
5% Instrumentalness • 67% Positiveness
28% Popularity • 54% Danceability • 20% Energy • 14% Liveness
5% Instrumentalness • 67% Positiveness
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NRBQ
Magnet
85 bpm • F Maj • 03:30 • -9.76db
38% Popularity • 73% Danceability • 82% Energy • 12% Liveness
13% Instrumentalness • 97% Positiveness
38% Popularity • 73% Danceability • 82% Energy • 12% Liveness
13% Instrumentalness • 97% Positiveness
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Jimmy Carter and Dallas County Green
Travelin'
102 bpm • G Maj • 03:36 • -13db
27% Popularity • 32% Danceability • 54% Energy • 15% Liveness
41% Instrumentalness • 38% Positiveness
27% Popularity • 32% Danceability • 54% Energy • 15% Liveness
41% Instrumentalness • 38% Positiveness
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Bridget St John
To B Without a Hitch
102 bpm • G# Maj • 03:07 • -17db
28% Popularity • 47% Danceability • 13% Energy • 11% Liveness
2% Instrumentalness • 25% Positiveness
28% Popularity • 47% Danceability • 13% Energy • 11% Liveness
2% Instrumentalness • 25% Positiveness
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Jim Ford
It's My Life
85 bpm • A# min • 02:51 • -5.49db
37% Popularity • 57% Danceability • 55% Energy • 6% Liveness
0% Instrumentalness • 31% Positiveness
37% Popularity • 57% Danceability • 55% Energy • 6% Liveness
0% Instrumentalness • 31% Positiveness
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Kathy Heideman
Sleep A Million Years
102 bpm • C Maj • 02:43 • -8db
26% Popularity • 57% Danceability • 52% Energy • 21% Liveness
0% Instrumentalness • 56% Positiveness
26% Popularity • 57% Danceability • 52% Energy • 21% Liveness
0% Instrumentalness • 56% Positiveness
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John Andrews & The Yawns
Easy Going
85 bpm • G# Maj • 04:30 • -9.47db
19% Popularity • 47% Danceability • 63% Energy • 9% Liveness
1% Instrumentalness • 51% Positiveness
19% Popularity • 47% Danceability • 63% Energy • 9% Liveness
1% Instrumentalness • 51% Positiveness
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Tim Hardin
See Where You Are And Get Out
102 bpm • G Maj • 01:11 • -8.24db
41% Popularity • 61% Danceability • 51% Energy • 37% Liveness
0% Instrumentalness • 73% Positiveness
41% Popularity • 61% Danceability • 51% Energy • 37% Liveness
0% Instrumentalness • 73% Positiveness
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Faces
Just Another Honky
102 bpm • D Maj • 03:34 • -9.25db
43% Popularity • 70% Danceability • 67% Energy • 14% Liveness
3% Instrumentalness • 32% Positiveness
43% Popularity • 70% Danceability • 67% Energy • 14% Liveness
3% Instrumentalness • 32% Positiveness
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Cleveland Francis
Little Green Apples
84 bpm • F# min • 03:16 • -16.66db
22% Popularity • 40% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
22% Popularity • 40% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Tex Crick
Barefoot Blues
102 bpm • C# Maj • 04:39 • -9.82db
29% Popularity • 85% Danceability • 33% Energy • 10% Liveness
79% Instrumentalness • 40% Positiveness
29% Popularity • 85% Danceability • 33% Energy • 10% Liveness
79% Instrumentalness • 40% Positiveness
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Female Species
Till The Moon Don’t Shine
84 bpm • C# Maj • 02:53 • -12.75db
33% Popularity • 57% Danceability • 27% Energy • 4% Liveness
0% Instrumentalness • 48% Positiveness
33% Popularity • 57% Danceability • 27% Energy • 4% Liveness
0% Instrumentalness • 48% Positiveness
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Elizabeth Cotten
I don't love nobody
84 bpm • D# Maj • 01:14 • -22.97db
46% Popularity • 43% Danceability • 14% Energy • 11% Liveness
95% Instrumentalness • 90% Positiveness
46% Popularity • 43% Danceability • 14% Energy • 11% Liveness
95% Instrumentalness • 90% Positiveness
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Willie Nelson
Pretend I Never Happened
103 bpm • A Maj • 03:00 • -14db
30% Popularity • 63% Danceability • 43% Energy • 28% Liveness
0% Instrumentalness • 76% Positiveness
30% Popularity • 63% Danceability • 43% Energy • 28% Liveness
0% Instrumentalness • 76% Positiveness
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Ginny Reilly
I Second That Emotion
103 bpm • D Maj • 02:54 • -17.07db
5% Popularity • 80% Danceability • 38% Energy • 22% Liveness
2% Instrumentalness • 96% Positiveness
5% Popularity • 80% Danceability • 38% Energy • 22% Liveness
2% Instrumentalness • 96% Positiveness
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The Beach Boys
Disney Girls (1957) - Remastered 2009
84 bpm • F# Maj • 04:10 • -17.06db
37% Popularity • 49% Danceability • 21% Energy • 26% Liveness
26% Instrumentalness • 18% Positiveness
37% Popularity • 49% Danceability • 21% Energy • 26% Liveness
26% Instrumentalness • 18% Positiveness
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Sam Blasucci
Turn Yourself Around
84 bpm • C Maj • 05:41 • -8.89db
24% Popularity • 63% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
24% Popularity • 63% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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The Peppermint Trolley Company
Baby You Come Rollin' 'Cross My Mind
103 bpm • A Maj • 02:26 • -9.61db
22% Popularity • 47% Danceability • 38% Energy • 20% Liveness
0% Instrumentalness • 46% Positiveness
22% Popularity • 47% Danceability • 38% Energy • 20% Liveness
0% Instrumentalness • 46% Positiveness
