Songs like I Keep Forgettin' (Every Time You're Near) by Michael McDonald
Based on a tempo of (+/- 10%) and a similar genre
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Gregory Abbott
Shake You Down
95 bpm • B min • 04:05 • -10.38db
57% Popularity • 79% Danceability • 47% Energy • 24% Liveness
0% Instrumentalness • 83% Positiveness
57% Popularity • 79% Danceability • 47% Energy • 24% Liveness
0% Instrumentalness • 83% Positiveness
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Harold Melvin & The Blue Notes
If You Don't Know Me by Now
95 bpm • B Maj • 03:25 • -9.55db
61% Popularity • 34% Danceability • 46% Energy • 58% Liveness
0% Instrumentalness • 46% Positiveness
61% Popularity • 34% Danceability • 46% Energy • 58% Liveness
0% Instrumentalness • 46% Positiveness
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Donny Hathaway
Love, Love, Love
95 bpm • G# Maj • 03:22 • -7.78db
54% Popularity • 49% Danceability • 71% Energy • 16% Liveness
0% Instrumentalness • 64% Positiveness
54% Popularity • 49% Danceability • 71% Energy • 16% Liveness
0% Instrumentalness • 64% Positiveness
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Michael McDonald
What's Going On
95 bpm • F# min • 04:03 • -6db
35% Popularity • 59% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
35% Popularity • 59% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Boz Scaggs
JoJo (2023 Remaster)
95 bpm • F min • 05:53 • -12.38db
48% Popularity • 68% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
48% Popularity • 68% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
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Tower Of Power
So Very Hard to Go
95 bpm • A# Maj • 03:37 • -6.45db
50% Popularity • 64% Danceability • 64% Energy • 33% Liveness
0% Instrumentalness • 72% Positiveness
50% Popularity • 64% Danceability • 64% Energy • 33% Liveness
0% Instrumentalness • 72% Positiveness
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Bee Gees
Love You Inside Out
95 bpm • B min • 04:11 • -11.04db
57% Popularity • 71% Danceability • 52% Energy • 20% Liveness
0% Instrumentalness • 83% Positiveness
57% Popularity • 71% Danceability • 52% Energy • 20% Liveness
0% Instrumentalness • 83% Positiveness
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Ambrosia
How Much I Feel
95 bpm • E Maj • 04:43 • -7.96db
64% Popularity • 67% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
64% Popularity • 67% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Dennis Edwards
Don't Look Any Further
95 bpm • A min • 04:02 • -7.77db
59% Popularity • 75% Danceability • 70% Energy • 12% Liveness
2% Instrumentalness • 77% Positiveness
59% Popularity • 75% Danceability • 70% Energy • 12% Liveness
2% Instrumentalness • 77% Positiveness
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Michael McDonald
Open the Door
95 bpm • G Maj • 05:50 • -7db
28% Popularity • 80% Danceability • 61% Energy • 10% Liveness
1% Instrumentalness • 83% Positiveness
28% Popularity • 80% Danceability • 61% Energy • 10% Liveness
1% Instrumentalness • 83% Positiveness
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Marlena Shaw
California Soul
95 bpm • G# min • 02:57 • -8.41db
65% Popularity • 51% Danceability • 83% Energy • 37% Liveness
0% Instrumentalness • 54% Positiveness
65% Popularity • 51% Danceability • 83% Energy • 37% Liveness
0% Instrumentalness • 54% Positiveness
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Mark Morrison
Return of the Mack
95 bpm • D Maj • 03:33 • -5.38db
77% Popularity • 72% Danceability • 83% Energy • 16% Liveness
0% Instrumentalness • 61% Positiveness
77% Popularity • 72% Danceability • 83% Energy • 16% Liveness
0% Instrumentalness • 61% Positiveness
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Rick James
Mary Jane
94 bpm • B min • 04:57 • -7.01db
62% Popularity • 54% Danceability • 82% Energy • 43% Liveness
0% Instrumentalness • 88% Positiveness
62% Popularity • 54% Danceability • 82% Energy • 43% Liveness
0% Instrumentalness • 88% Positiveness
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Marvin Gaye
Sexual Healing
94 bpm • C min • 03:58 • -9.7db
72% Popularity • 80% Danceability • 60% Energy • 6% Liveness
0% Instrumentalness • 74% Positiveness
72% Popularity • 80% Danceability • 60% Energy • 6% Liveness
0% Instrumentalness • 74% Positiveness
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Robert Palmer
Every Kinda People
94 bpm • F# Maj • 03:18 • -12.64db
55% Popularity • 57% Danceability • 55% Energy • 5% Liveness
0% Instrumentalness • 95% Positiveness
55% Popularity • 57% Danceability • 55% Energy • 5% Liveness
0% Instrumentalness • 95% Positiveness
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Michael McDonald
I Keep Forgettin' (Every Time You're Nea...
95 bpm • E min • 03:42 • -13.87db
65% Popularity • 73% Danceability • 48% Energy • 4% Liveness
0% Instrumentalness • 93% Positiveness
65% Popularity • 73% Danceability • 48% Energy • 4% Liveness
0% Instrumentalness • 93% Positiveness
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Simply Red
If You Don't Know Me by Now - 2008 Remas...
94 bpm • A# Maj • 03:24 • -9.27db
72% Popularity • 64% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
72% Popularity • 64% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Maze
We Are One - Remastered
96 bpm • G min • 06:31 • -7.55db
40% Popularity • 49% Danceability • 64% Energy • 5% Liveness
0% Instrumentalness • 65% Positiveness
40% Popularity • 49% Danceability • 64% Energy • 5% Liveness
0% Instrumentalness • 65% Positiveness
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Keni Burke
Risin' to the Top
94 bpm • C min • 05:14 • -9.33db
50% Popularity • 73% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 82% Positiveness
50% Popularity • 73% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 82% Positiveness
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Marvin Gaye
Inner City Blues (Make Me Wanna Holler)
94 bpm • C# Maj • 05:27 • -13.67db
61% Popularity • 63% Danceability • 46% Energy • 13% Liveness
13% Instrumentalness • 64% Positiveness
61% Popularity • 63% Danceability • 46% Energy • 13% Liveness
13% Instrumentalness • 64% Positiveness
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Shanice
I Love Your Smile
94 bpm • F min • 04:17 • -8.75db
61% Popularity • 72% Danceability • 84% Energy • 18% Liveness
0% Instrumentalness • 75% Positiveness
61% Popularity • 72% Danceability • 84% Energy • 18% Liveness
0% Instrumentalness • 75% Positiveness
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Michael McDonald
That's Why
94 bpm • G Maj • 04:26 • -17.41db
33% Popularity • 54% Danceability • 28% Energy • 4% Liveness
0% Instrumentalness • 50% Positiveness
33% Popularity • 54% Danceability • 28% Energy • 4% Liveness
0% Instrumentalness • 50% Positiveness
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Maxwell
Ascension (Don't Ever Wonder) - Remaster...
96 bpm • C Maj • 05:45 • -10.31db
63% Popularity • 76% Danceability • 46% Energy • 15% Liveness
2% Instrumentalness • 75% Positiveness
63% Popularity • 76% Danceability • 46% Energy • 15% Liveness
2% Instrumentalness • 75% Positiveness
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Quincy Jones
The Dude
96 bpm • D Maj • 05:37 • -12.9db
40% Popularity • 83% Danceability • 56% Energy • 8% Liveness
1% Instrumentalness • 79% Positiveness
40% Popularity • 83% Danceability • 56% Energy • 8% Liveness
1% Instrumentalness • 79% Positiveness
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Roberta Flack
Feel Like Makin' Love
94 bpm • G# Maj • 02:55 • -21.86db
62% Popularity • 68% Danceability • 26% Energy • 10% Liveness
44% Instrumentalness • 69% Positiveness
62% Popularity • 68% Danceability • 26% Energy • 10% Liveness
44% Instrumentalness • 69% Positiveness
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Eric Benét
Georgy Porgy
97 bpm • B min • 04:40 • -7.03db
54% Popularity • 73% Danceability • 64% Energy • 30% Liveness
0% Instrumentalness • 82% Positiveness
54% Popularity • 73% Danceability • 64% Energy • 30% Liveness
0% Instrumentalness • 82% Positiveness
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Steve Perry
Foolish Heart
96 bpm • B Maj • 03:39 • -6.82db
66% Popularity • 64% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 59% Positiveness
66% Popularity • 64% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 59% Positiveness
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The Floaters
Float On - Single Version
97 bpm • G Maj • 04:15 • -8.54db
53% Popularity • 59% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 87% Positiveness
53% Popularity • 59% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 87% Positiveness
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Mtume
Juicy Fruit - Single Version
97 bpm • E Maj • 04:33 • -12db
48% Popularity • 90% Danceability • 42% Energy • 3% Liveness
1% Instrumentalness • 78% Positiveness
48% Popularity • 90% Danceability • 42% Energy • 3% Liveness
1% Instrumentalness • 78% Positiveness
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Michael McDonald
I Second That Emotion
93 bpm • D Maj • 03:29 • -6.44db
20% Popularity • 70% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
20% Popularity • 70% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
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Jean Knight
Mr. Big Stuff
93 bpm • G# Maj • 02:44 • -12.59db
67% Popularity • 89% Danceability • 49% Energy • 23% Liveness
0% Instrumentalness • 97% Positiveness
67% Popularity • 89% Danceability • 49% Energy • 23% Liveness
0% Instrumentalness • 97% Positiveness
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Marvin Gaye
Mercy Mercy Me (The Ecology)
93 bpm • F# min • 03:13 • -12.16db
68% Popularity • 50% Danceability • 63% Energy • 10% Liveness
75% Instrumentalness • 52% Positiveness
68% Popularity • 50% Danceability • 63% Energy • 10% Liveness
75% Instrumentalness • 52% Positiveness
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Soul II Soul
Keep On Movin'
93 bpm • F# min • 06:01 • -16.15db
53% Popularity • 68% Danceability • 39% Energy • 4% Liveness
0% Instrumentalness • 67% Positiveness
53% Popularity • 68% Danceability • 39% Energy • 4% Liveness
0% Instrumentalness • 67% Positiveness
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Groove Theory
Tell Me
93 bpm • F# min • 03:56 • -10.85db
65% Popularity • 80% Danceability • 36% Energy • 7% Liveness
0% Instrumentalness • 89% Positiveness
65% Popularity • 80% Danceability • 36% Energy • 7% Liveness
0% Instrumentalness • 89% Positiveness
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The Jacksons
This Place Hotel (a.k.a. Heartbreak Hote...
97 bpm • E min • 05:43 • -7.47db
49% Popularity • 74% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
49% Popularity • 74% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
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Michael McDonald
Get the Word Started
97 bpm • B Maj • 05:41 • -10.19db
16% Popularity • 64% Danceability • 66% Energy • 3% Liveness
0% Instrumentalness • 79% Positiveness
16% Popularity • 64% Danceability • 66% Energy • 3% Liveness
0% Instrumentalness • 79% Positiveness
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Andy Gibb
I Just Want To Be Your Everything
97 bpm • A Maj • 03:45 • -7.44db
64% Popularity • 65% Danceability • 65% Energy • 19% Liveness
0% Instrumentalness • 87% Positiveness
64% Popularity • 65% Danceability • 65% Energy • 19% Liveness
0% Instrumentalness • 87% Positiveness
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Michael Jackson
Human Nature
93 bpm • D Maj • 04:06 • -14.35db
68% Popularity • 63% Danceability • 41% Energy • 29% Liveness
1% Instrumentalness • 76% Positiveness
68% Popularity • 63% Danceability • 41% Energy • 29% Liveness
1% Instrumentalness • 76% Positiveness
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The Love Unlimited Orchestra
Love's Theme
97 bpm • E min • 04:06 • -12.13db
60% Popularity • 50% Danceability • 56% Energy • 37% Liveness
80% Instrumentalness • 72% Positiveness
60% Popularity • 50% Danceability • 56% Energy • 37% Liveness
80% Instrumentalness • 72% Positiveness
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TOTO
Georgy Porgy
97 bpm • B min • 04:07 • -7.7db
65% Popularity • 80% Danceability • 78% Energy • 13% Liveness
2% Instrumentalness • 92% Positiveness
65% Popularity • 80% Danceability • 78% Energy • 13% Liveness
2% Instrumentalness • 92% Positiveness
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The O'Jays
For the Love of Money
97 bpm • C Maj • 07:19 • -7.74db
55% Popularity • 68% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 89% Positiveness
55% Popularity • 68% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 89% Positiveness
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Michael McDonald
Walk On By
93 bpm • A# min • 02:46 • -6.99db
30% Popularity • 67% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
30% Popularity • 67% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
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Ramsey Lewis
Sun Goddess
93 bpm • G Maj • 08:27 • -12.66db
36% Popularity • 54% Danceability • 78% Energy • 8% Liveness
9% Instrumentalness • 53% Positiveness
36% Popularity • 54% Danceability • 78% Energy • 8% Liveness
9% Instrumentalness • 53% Positiveness
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The Temptations
Just My Imagination (Running Away With M...
92 bpm • C Maj • 03:48 • -15.42db
63% Popularity • 42% Danceability • 24% Energy • 20% Liveness
1% Instrumentalness • 48% Positiveness
63% Popularity • 42% Danceability • 24% Energy • 20% Liveness
1% Instrumentalness • 48% Positiveness
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Spandau Ballet
True - 2003 Remaster
98 bpm • C Maj • 06:33 • -8.44db
67% Popularity • 78% Danceability • 52% Energy • 6% Liveness
11% Instrumentalness • 34% Positiveness
67% Popularity • 78% Danceability • 52% Energy • 6% Liveness
11% Instrumentalness • 34% Positiveness
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TOTO
Georgy Porgy - Disco Version
97 bpm • E min • 05:05 • -13.21db
43% Popularity • 79% Danceability • 65% Energy • 5% Liveness
0% Instrumentalness • 95% Positiveness
43% Popularity • 79% Danceability • 65% Energy • 5% Liveness
0% Instrumentalness • 95% Positiveness
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Rose Royce
Wishing on a Star
98 bpm • F min • 04:51 • -15.17db
58% Popularity • 34% Danceability • 42% Energy • 5% Liveness
0% Instrumentalness • 55% Positiveness
58% Popularity • 34% Danceability • 42% Energy • 5% Liveness
0% Instrumentalness • 55% Positiveness
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Heatwave
Mind Blowing Decisions
92 bpm • C Maj • 04:19 • -11.38db
44% Popularity • 70% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 70% Positiveness
44% Popularity • 70% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 70% Positiveness
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Janet Jackson
That's The Way Love Goes
98 bpm • F Maj • 04:25 • -6.79db
66% Popularity • 70% Danceability • 70% Energy • 7% Liveness
47% Instrumentalness • 58% Positiveness
66% Popularity • 70% Danceability • 70% Energy • 7% Liveness
47% Instrumentalness • 58% Positiveness
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Teddy Pendergrass
When Somebody Loves You Back
98 bpm • A min • 04:56 • -9.11db
56% Popularity • 71% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 92% Positiveness
56% Popularity • 71% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 92% Positiveness
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Harold Melvin & The Blue Notes
Wake Up Everybody
98 bpm • F# Maj • 07:32 • -8.12db
57% Popularity • 56% Danceability • 64% Energy • 26% Liveness
0% Instrumentalness • 63% Positiveness
57% Popularity • 56% Danceability • 64% Energy • 26% Liveness
0% Instrumentalness • 63% Positiveness
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Maxwell
Sumthin' Sumthin' - Remastered 2021
98 bpm • A# min • 04:17 • -9.38db
58% Popularity • 80% Danceability • 54% Energy • 9% Liveness
7% Instrumentalness • 86% Positiveness
58% Popularity • 80% Danceability • 54% Energy • 9% Liveness
7% Instrumentalness • 86% Positiveness
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Bill Withers
Lovely Day
98 bpm • A Maj • 04:14 • -8.27db
78% Popularity • 69% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
78% Popularity • 69% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
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James Brown
The Boss
98 bpm • C# Maj • 03:14 • -14.71db
62% Popularity • 74% Danceability • 35% Energy • 8% Liveness
1% Instrumentalness • 62% Positiveness
62% Popularity • 74% Danceability • 35% Energy • 8% Liveness
1% Instrumentalness • 62% Positiveness
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Yarbrough & Peoples
Don't Stop The Music
98 bpm • B Maj • 07:51 • -12.97db
42% Popularity • 79% Danceability • 64% Energy • 5% Liveness
16% Instrumentalness • 87% Positiveness
42% Popularity • 79% Danceability • 64% Energy • 5% Liveness
16% Instrumentalness • 87% Positiveness
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Michael McDonald
Take It to Heart
92 bpm • G Maj • 05:57 • -11db
28% Popularity • 69% Danceability • 58% Energy • 5% Liveness
0% Instrumentalness • 60% Positiveness
28% Popularity • 69% Danceability • 58% Energy • 5% Liveness
0% Instrumentalness • 60% Positiveness
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Al B. Sure!
Nite and Day
92 bpm • C# min • 03:58 • -10db
57% Popularity • 66% Danceability • 48% Energy • 5% Liveness
0% Instrumentalness • 64% Positiveness
57% Popularity • 66% Danceability • 48% Energy • 5% Liveness
0% Instrumentalness • 64% Positiveness
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Gladys Knight & The Pips
Midnight Train to Georgia
92 bpm • A# min • 04:39 • -12.06db
69% Popularity • 60% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
69% Popularity • 60% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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Patti LaBelle
On My Own
92 bpm • F Maj • 04:50 • -12.96db
62% Popularity • 62% Danceability • 40% Energy • 31% Liveness
0% Instrumentalness • 48% Positiveness
62% Popularity • 62% Danceability • 40% Energy • 31% Liveness
0% Instrumentalness • 48% Positiveness
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Gary Wright
Love Is Alive
98 bpm • A# Maj • 03:50 • -14db
52% Popularity • 77% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
52% Popularity • 77% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
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Don Henley
Dirty Laundry
98 bpm • F min • 05:36 • -6.65db
59% Popularity • 76% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 95% Positiveness
59% Popularity • 76% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 95% Positiveness
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Michael McDonald
Living For The City
98 bpm • F min • 04:59 • -5.01db
18% Popularity • 66% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
18% Popularity • 66% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Michael Franks
The Lady Wants to Know
99 bpm • D Maj • 04:45 • -17.35db
48% Popularity • 65% Danceability • 36% Energy • 7% Liveness
1% Instrumentalness • 51% Positiveness
48% Popularity • 65% Danceability • 36% Energy • 7% Liveness
1% Instrumentalness • 51% Positiveness
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Orleans
Dance with Me
98 bpm • D Maj • 03:00 • -10.08db
61% Popularity • 56% Danceability • 39% Energy • 25% Liveness
0% Instrumentalness • 49% Positiveness
61% Popularity • 56% Danceability • 39% Energy • 25% Liveness
0% Instrumentalness • 49% Positiveness
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Sade
The Sweetest Taboo
92 bpm • A# min • 04:37 • -9.46db
67% Popularity • 75% Danceability • 82% Energy • 30% Liveness
1% Instrumentalness • 96% Positiveness
67% Popularity • 75% Danceability • 82% Energy • 30% Liveness
1% Instrumentalness • 96% Positiveness
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Dionne Warwick
Walk on By
99 bpm • F Maj • 02:58 • -9.03db
66% Popularity • 70% Danceability • 33% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
66% Popularity • 70% Danceability • 33% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
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Steve Winwood
Higher Love
99 bpm • F Maj • 05:51 • -12.16db
66% Popularity • 70% Danceability • 78% Energy • 30% Liveness
15% Instrumentalness • 95% Positiveness
66% Popularity • 70% Danceability • 78% Energy • 30% Liveness
15% Instrumentalness • 95% Positiveness
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Michael McDonald
You're All I Need To Get By
92 bpm • E Maj • 03:32 • -5.55db
30% Popularity • 70% Danceability • 72% Energy • 22% Liveness
0% Instrumentalness • 46% Positiveness
30% Popularity • 70% Danceability • 72% Energy • 22% Liveness
0% Instrumentalness • 46% Positiveness
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Freddie Jackson
You Are My Lady
91 bpm • A# Maj • 04:44 • -16.02db
54% Popularity • 70% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
54% Popularity • 70% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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The Gap Band
Outstanding - Original 12" Mix
99 bpm • F# Maj • 06:15 • -11.71db
58% Popularity • 79% Danceability • 48% Energy • 3% Liveness
2% Instrumentalness • 82% Positiveness
58% Popularity • 79% Danceability • 48% Energy • 3% Liveness
2% Instrumentalness • 82% Positiveness
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Anita Baker
Caught Up in the Rapture
91 bpm • D Maj • 04:10 • -9.71db
51% Popularity • 59% Danceability • 51% Energy • 5% Liveness
0% Instrumentalness • 38% Positiveness
51% Popularity • 59% Danceability • 51% Energy • 5% Liveness
0% Instrumentalness • 38% Positiveness
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Deniece Williams
Free
91 bpm • F# Maj • 05:56 • -10.73db
50% Popularity • 51% Danceability • 36% Energy • 10% Liveness
1% Instrumentalness • 47% Positiveness
50% Popularity • 51% Danceability • 36% Energy • 10% Liveness
1% Instrumentalness • 47% Positiveness
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Ray Parker Jr.
A Woman Needs Love (Just Like You Do)
91 bpm • F# min • 04:09 • -14.94db
47% Popularity • 74% Danceability • 38% Energy • 25% Liveness
0% Instrumentalness • 70% Positiveness
47% Popularity • 74% Danceability • 38% Energy • 25% Liveness
0% Instrumentalness • 70% Positiveness
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Michael McDonald
I Want You
99 bpm • C# min • 04:28 • -6.26db
17% Popularity • 66% Danceability • 67% Energy • 14% Liveness
0% Instrumentalness • 51% Positiveness
17% Popularity • 66% Danceability • 67% Energy • 14% Liveness
0% Instrumentalness • 51% Positiveness
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Mr. Mister
Broken Wings
99 bpm • C# min • 05:43 • -14.28db
71% Popularity • 29% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
71% Popularity • 29% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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The Gap Band
Outstanding
99 bpm • F# Maj • 03:18 • -12.09db
60% Popularity • 74% Danceability • 50% Energy • 16% Liveness
0% Instrumentalness • 77% Positiveness
60% Popularity • 74% Danceability • 50% Energy • 16% Liveness
0% Instrumentalness • 77% Positiveness
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Herb Alpert
Rise
99 bpm • A# Maj • 07:37 • -10.8db
54% Popularity • 81% Danceability • 45% Energy • 9% Liveness
83% Instrumentalness • 90% Positiveness
54% Popularity • 81% Danceability • 45% Energy • 9% Liveness
83% Instrumentalness • 90% Positiveness
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Whitney Houston
Saving All My Love for You
99 bpm • F# min • 03:58 • -14.57db
69% Popularity • 64% Danceability • 26% Energy • 28% Liveness
0% Instrumentalness • 26% Positiveness
69% Popularity • 64% Danceability • 26% Energy • 28% Liveness
0% Instrumentalness • 26% Positiveness
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Minnie Riperton
Inside My Love - Remastered 1993
91 bpm • A# min • 03:58 • -12.68db
51% Popularity • 53% Danceability • 28% Energy • 12% Liveness
2% Instrumentalness • 26% Positiveness
51% Popularity • 53% Danceability • 28% Energy • 12% Liveness
2% Instrumentalness • 26% Positiveness
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Michael McDonald
Loving You Is Sweeter Than Ever
99 bpm • C# Maj • 03:37 • -5.24db
26% Popularity • 58% Danceability • 71% Energy • 3% Liveness
0% Instrumentalness • 74% Positiveness
26% Popularity • 58% Danceability • 71% Energy • 3% Liveness
0% Instrumentalness • 74% Positiveness
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Sade
Paradise
100 bpm • C# Maj • 03:37 • -7.87db
68% Popularity • 74% Danceability • 79% Energy • 7% Liveness
39% Instrumentalness • 97% Positiveness
68% Popularity • 74% Danceability • 79% Energy • 7% Liveness
39% Instrumentalness • 97% Positiveness
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The Gap Band
Yearning For Your Love
91 bpm • D Maj • 05:40 • -10.31db
56% Popularity • 59% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
56% Popularity • 59% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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Lou Rawls
Lady Love
90 bpm • C Maj • 04:02 • -7.69db
53% Popularity • 66% Danceability • 67% Energy • 5% Liveness
0% Instrumentalness • 79% Positiveness
53% Popularity • 66% Danceability • 67% Energy • 5% Liveness
0% Instrumentalness • 79% Positiveness
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Steve Miller Band
Fly Like An Eagle
100 bpm • A min • 04:42 • -12.77db
65% Popularity • 56% Danceability • 75% Energy • 33% Liveness
2% Instrumentalness • 64% Positiveness
65% Popularity • 56% Danceability • 75% Energy • 33% Liveness
2% Instrumentalness • 64% Positiveness
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Michael Jackson
I Can't Help It
100 bpm • F min • 04:29 • -19.08db
59% Popularity • 68% Danceability • 39% Energy • 18% Liveness
0% Instrumentalness • 43% Positiveness
59% Popularity • 68% Danceability • 39% Energy • 18% Liveness
0% Instrumentalness • 43% Positiveness
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Michael McDonald
Mercy Mercy Me
91 bpm • C# Maj • 03:31 • -7.4db
39% Popularity • 71% Danceability • 58% Energy • 4% Liveness
0% Instrumentalness • 76% Positiveness
39% Popularity • 71% Danceability • 58% Energy • 4% Liveness
0% Instrumentalness • 76% Positiveness
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Quincy Jones
One Hundred Ways
90 bpm • D# Maj • 04:19 • -17.5db
53% Popularity • 63% Danceability • 25% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
53% Popularity • 63% Danceability • 25% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
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Meli'sa Morgan
Fool's Paradise
100 bpm • F min • 05:00 • -14db
49% Popularity • 75% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 84% Positiveness
49% Popularity • 75% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 84% Positiveness
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DeBarge
Stay With Me
90 bpm • F Maj • 03:45 • -16.48db
52% Popularity • 61% Danceability • 41% Energy • 22% Liveness
0% Instrumentalness • 70% Positiveness
52% Popularity • 61% Danceability • 41% Energy • 22% Liveness
0% Instrumentalness • 70% Positiveness
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Barry White
It's Only Love Doing Its Thing
90 bpm • A min • 03:57 • -13.33db
49% Popularity • 65% Danceability • 62% Energy • 7% Liveness
12% Instrumentalness • 90% Positiveness
49% Popularity • 65% Danceability • 62% Energy • 7% Liveness
12% Instrumentalness • 90% Positiveness
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Marvin Gaye
I Want You
101 bpm • C# min • 04:34 • -9.56db
61% Popularity • 52% Danceability • 79% Energy • 24% Liveness
32% Instrumentalness • 74% Positiveness
61% Popularity • 52% Danceability • 79% Energy • 24% Liveness
32% Instrumentalness • 74% Positiveness
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Michael McDonald
I Stand for You
100 bpm • B Maj • 04:23 • -7.14db
14% Popularity • 76% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 97% Positiveness
14% Popularity • 76% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 97% Positiveness
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Prince
Pop Life
101 bpm • B Maj • 03:45 • -12.28db
41% Popularity • 72% Danceability • 77% Energy • 41% Liveness
1% Instrumentalness • 64% Positiveness
41% Popularity • 72% Danceability • 77% Energy • 41% Liveness
1% Instrumentalness • 64% Positiveness
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Soul II Soul
Back To Life
101 bpm • G Maj • 03:48 • -11.66db
67% Popularity • 82% Danceability • 48% Energy • 4% Liveness
0% Instrumentalness • 67% Positiveness
67% Popularity • 82% Danceability • 48% Energy • 4% Liveness
0% Instrumentalness • 67% Positiveness
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Oleta Adams
Rhythm Of Life
89 bpm • A# min • 04:19 • -12.88db
48% Popularity • 62% Danceability • 58% Energy • 7% Liveness
1% Instrumentalness • 69% Positiveness
48% Popularity • 62% Danceability • 58% Energy • 7% Liveness
1% Instrumentalness • 69% Positiveness
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Sister Sledge
Thinking of You - 1995 Remaster
101 bpm • F Maj • 04:26 • -8.87db
59% Popularity • 66% Danceability • 85% Energy • 4% Liveness
0% Instrumentalness • 91% Positiveness
59% Popularity • 66% Danceability • 85% Energy • 4% Liveness
0% Instrumentalness • 91% Positiveness
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Anita Baker
Sweet Love
89 bpm • A# min • 04:26 • -5.7db
60% Popularity • 50% Danceability • 73% Energy • 16% Liveness
0% Instrumentalness • 68% Positiveness
60% Popularity • 50% Danceability • 73% Energy • 16% Liveness
0% Instrumentalness • 68% Positiveness
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Michael McDonald
Ain't Nothing Like The Real Thing
90 bpm • G# Maj • 02:48 • -5.28db
18% Popularity • 69% Danceability • 71% Energy • 4% Liveness
0% Instrumentalness • 75% Positiveness
18% Popularity • 69% Danceability • 71% Energy • 4% Liveness
0% Instrumentalness • 75% Positiveness
