Songs like I Keep On Lovin' You by Z.Z. Hill
Based on a tempo of (+/- 10%) and a similar genre
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George Jackson
All In My Mind
92 bpm • C Maj • 02:59 • -8.29db
22% Popularity • 70% Danceability • 63% Energy • 10% Liveness
2% Instrumentalness • 78% Positiveness
22% Popularity • 70% Danceability • 63% Energy • 10% Liveness
2% Instrumentalness • 78% Positiveness
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Clarence Carter
I'm Just a Prisoner (Of Your Good Lovin'...
92 bpm • A# Maj • 02:17 • -11.24db
17% Popularity • 67% Danceability • 58% Energy • 28% Liveness
0% Instrumentalness • 94% Positiveness
17% Popularity • 67% Danceability • 58% Energy • 28% Liveness
0% Instrumentalness • 94% Positiveness
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The Deacons
A Drop in the Bucket
92 bpm • G Maj • 02:56 • -6.39db
16% Popularity • 58% Danceability • 94% Energy • 34% Liveness
21% Instrumentalness • 72% Positiveness
16% Popularity • 58% Danceability • 94% Energy • 34% Liveness
21% Instrumentalness • 72% Positiveness
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Willie West
Fairchild
92 bpm • D Maj • 03:24 • -8.77db
14% Popularity • 72% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 77% Positiveness
14% Popularity • 72% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 77% Positiveness
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Otis Clay
You Can't Keep Running From My Love
92 bpm • D# Maj • 02:51 • -6.7db
0% Popularity • 63% Danceability • 48% Energy • 32% Liveness
49% Instrumentalness • 62% Positiveness
0% Popularity • 63% Danceability • 48% Energy • 32% Liveness
49% Instrumentalness • 62% Positiveness
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Z.Z. Hill
I Keep On Lovin' You
92 bpm • A min • 02:43 • -5.46db
10% Popularity • 56% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
10% Popularity • 56% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
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Swamp Dogg
Cheating in the Daylight
92 bpm • C Maj • 05:27 • -9.82db
29% Popularity • 50% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
29% Popularity • 50% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
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Clarence Carter
The Feeling Is Right
92 bpm • A# Maj • 02:55 • -13.7db
17% Popularity • 61% Danceability • 39% Energy • 15% Liveness
0% Instrumentalness • 91% Positiveness
17% Popularity • 61% Danceability • 39% Energy • 15% Liveness
0% Instrumentalness • 91% Positiveness
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Hot Sauce
Bring It Home (And Give It To Me)
92 bpm • D# Maj • 03:20 • -9.19db
9% Popularity • 59% Danceability • 53% Energy • 28% Liveness
0% Instrumentalness • 73% Positiveness
9% Popularity • 59% Danceability • 53% Energy • 28% Liveness
0% Instrumentalness • 73% Positiveness
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Little Milton
You're No Good
92 bpm • A# min • 02:58 • -10.54db
9% Popularity • 57% Danceability • 53% Energy • 4% Liveness
0% Instrumentalness • 82% Positiveness
9% Popularity • 57% Danceability • 53% Energy • 4% Liveness
0% Instrumentalness • 82% Positiveness
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Irma Thomas
In Between Tears
92 bpm • F Maj • 02:33 • -10.59db
20% Popularity • 60% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 93% Positiveness
20% Popularity • 60% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 93% Positiveness
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People's Choice
Are You Sure
92 bpm • E min • 03:29 • -8.75db
11% Popularity • 73% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 81% Positiveness
11% Popularity • 73% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 81% Positiveness
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Elvin Spencer
Lift This Hurt
92 bpm • F min • 02:41 • -9db
21% Popularity • 51% Danceability • 73% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
21% Popularity • 51% Danceability • 73% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
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Swamp Dogg
Sal-A-Faster
92 bpm • C Maj • 02:38 • -11.93db
9% Popularity • 80% Danceability • 56% Energy • 16% Liveness
0% Instrumentalness • 96% Positiveness
9% Popularity • 80% Danceability • 56% Energy • 16% Liveness
0% Instrumentalness • 96% Positiveness
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Marvin Gaye
You're The Man - Parts 1 & 2
92 bpm • C# Maj • 05:46 • -9.88db
25% Popularity • 64% Danceability • 72% Energy • 11% Liveness
1% Instrumentalness • 95% Positiveness
25% Popularity • 64% Danceability • 72% Energy • 11% Liveness
1% Instrumentalness • 95% Positiveness
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Archie Bell & The Drells
It's Hard Not to Like You
92 bpm • F min • 04:00 • -8db
25% Popularity • 71% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 92% Positiveness
25% Popularity • 71% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 92% Positiveness
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Little Milton
That's What Love Will Make You Do
91 bpm • C# Maj • 03:49 • -10.05db
25% Popularity • 69% Danceability • 74% Energy • 5% Liveness
5% Instrumentalness • 78% Positiveness
25% Popularity • 69% Danceability • 74% Energy • 5% Liveness
5% Instrumentalness • 78% Positiveness
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Clarence Carter
Doin' Our Thing
93 bpm • D# Maj • 02:28 • -14.52db
23% Popularity • 68% Danceability • 56% Energy • 4% Liveness
0% Instrumentalness • 92% Positiveness
23% Popularity • 68% Danceability • 56% Energy • 4% Liveness
0% Instrumentalness • 92% Positiveness
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Congress Alley
Are You Looking?
93 bpm • F min • 03:48 • -12.94db
17% Popularity • 43% Danceability • 56% Energy • 31% Liveness
0% Instrumentalness • 74% Positiveness
17% Popularity • 43% Danceability • 56% Energy • 31% Liveness
0% Instrumentalness • 74% Positiveness
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Charles Wright & The Watts 103rd Street Rhythm Band
A Dance, a Kiss and a Song
91 bpm • C# Maj • 02:30 • -13.17db
22% Popularity • 55% Danceability • 46% Energy • 27% Liveness
0% Instrumentalness • 95% Positiveness
22% Popularity • 55% Danceability • 46% Energy • 27% Liveness
0% Instrumentalness • 95% Positiveness
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Z.Z. Hill
It's a Hang Up Baby
93 bpm • D Maj • 02:29 • -8.94db
7% Popularity • 65% Danceability • 43% Energy • 10% Liveness
6% Instrumentalness • 87% Positiveness
7% Popularity • 65% Danceability • 43% Energy • 10% Liveness
6% Instrumentalness • 87% Positiveness
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Rufus Thomas
Funky Way
93 bpm • G# Maj • 02:58 • -10.93db
17% Popularity • 73% Danceability • 48% Energy • 6% Liveness
0% Instrumentalness • 91% Positiveness
17% Popularity • 73% Danceability • 48% Energy • 6% Liveness
0% Instrumentalness • 91% Positiveness
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The New Birth
It's All in the Game
93 bpm • G# Maj • 02:50 • -11.42db
8% Popularity • 50% Danceability • 62% Energy • 67% Liveness
0% Instrumentalness • 89% Positiveness
8% Popularity • 50% Danceability • 62% Energy • 67% Liveness
0% Instrumentalness • 89% Positiveness
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Don Bryant
With Your Hand
91 bpm • G Maj • 02:19 • -9.18db
11% Popularity • 76% Danceability • 39% Energy • 18% Liveness
0% Instrumentalness • 55% Positiveness
11% Popularity • 76% Danceability • 39% Energy • 18% Liveness
0% Instrumentalness • 55% Positiveness
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Archie Bell & The Drells
Mama Didn't Teach Me That Way
93 bpm • C Maj • 02:39 • -8.5db
18% Popularity • 56% Danceability • 48% Energy • 16% Liveness
0% Instrumentalness • 66% Positiveness
18% Popularity • 56% Danceability • 48% Energy • 16% Liveness
0% Instrumentalness • 66% Positiveness
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The Dramatics
You Could Become The Very Heart Of Me
93 bpm • A# Maj • 02:46 • -10.33db
13% Popularity • 61% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
13% Popularity • 61% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
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Leon Haywood
Come And Get Yourself Some
93 bpm • G Maj • 03:26 • -7.6db
9% Popularity • 66% Danceability • 83% Energy • 6% Liveness
0% Instrumentalness • 97% Positiveness
9% Popularity • 66% Danceability • 83% Energy • 6% Liveness
0% Instrumentalness • 97% Positiveness
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Sweet Charles
Hang Out & Hustle
91 bpm • F Maj • 04:08 • -6.91db
15% Popularity • 81% Danceability • 74% Energy • 4% Liveness
0% Instrumentalness • 88% Positiveness
15% Popularity • 81% Danceability • 74% Energy • 4% Liveness
0% Instrumentalness • 88% Positiveness
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Sly & The Family Stone
Blessing In Disguise
93 bpm • G Maj • 03:50 • -10.07db
9% Popularity • 54% Danceability • 67% Energy • 60% Liveness
0% Instrumentalness • 77% Positiveness
9% Popularity • 54% Danceability • 67% Energy • 60% Liveness
0% Instrumentalness • 77% Positiveness
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Arthur Conley
Love Comes and Goes
93 bpm • E Maj • 02:20 • -17.08db
13% Popularity • 54% Danceability • 28% Energy • 5% Liveness
0% Instrumentalness • 62% Positiveness
13% Popularity • 54% Danceability • 28% Energy • 5% Liveness
0% Instrumentalness • 62% Positiveness
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Gwen McCrae
Rockin' Chair
91 bpm • A min • 03:24 • -6db
38% Popularity • 59% Danceability • 78% Energy • 1% Liveness
0% Instrumentalness • 65% Positiveness
38% Popularity • 59% Danceability • 78% Energy • 1% Liveness
0% Instrumentalness • 65% Positiveness
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Clarence Carter
You Can't Miss What You Can't Measure
91 bpm • G# Maj • 02:21 • -11.6db
23% Popularity • 61% Danceability • 52% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
23% Popularity • 61% Danceability • 52% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
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Nat Turner Rebellion
Tribute To A Slave
91 bpm • F min • 03:04 • -12.8db
15% Popularity • 58% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
15% Popularity • 58% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
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Renaldo Domino
Let Me Come Within
91 bpm • D Maj • 02:29 • -8.57db
21% Popularity • 82% Danceability • 63% Energy • 7% Liveness
0% Instrumentalness • 69% Positiveness
21% Popularity • 82% Danceability • 63% Energy • 7% Liveness
0% Instrumentalness • 69% Positiveness
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Bobby Byrd
If You Got a Love You Better (Hold on to...
91 bpm • G min • 04:22 • -11.3db
17% Popularity • 84% Danceability • 44% Energy • 16% Liveness
0% Instrumentalness • 68% Positiveness
17% Popularity • 84% Danceability • 44% Energy • 16% Liveness
0% Instrumentalness • 68% Positiveness
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King Floyd
So True
93 bpm • G Maj • 03:58 • -13.77db
10% Popularity • 79% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 91% Positiveness
10% Popularity • 79% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 91% Positiveness
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Master Plan Inc
Special Love
93 bpm • B min • 02:48 • -11.26db
10% Popularity • 62% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
10% Popularity • 62% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
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The Impressions / Curtis Mayfield
Wherever You Leadeth Me
90 bpm • G# Maj • 02:35 • -6.61db
9% Popularity • 56% Danceability • 67% Energy • 22% Liveness
0% Instrumentalness • 65% Positiveness
9% Popularity • 56% Danceability • 67% Energy • 22% Liveness
0% Instrumentalness • 65% Positiveness
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Bobby Taylor & The Vancouvers
Malinda
94 bpm • A min • 02:47 • -10.03db
28% Popularity • 60% Danceability • 45% Energy • 22% Liveness
0% Instrumentalness • 77% Positiveness
28% Popularity • 60% Danceability • 45% Energy • 22% Liveness
0% Instrumentalness • 77% Positiveness
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Kaldirons
To Love Someone (That Don't Love You)
91 bpm • F Maj • 03:21 • -9db
22% Popularity • 54% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
22% Popularity • 54% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
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Rufus & Chaka Khan
I'm A Woman (I'm A Backbone)
94 bpm • F min • 03:15 • -11.21db
29% Popularity • 77% Danceability • 66% Energy • 21% Liveness
0% Instrumentalness • 96% Positiveness
29% Popularity • 77% Danceability • 66% Energy • 21% Liveness
0% Instrumentalness • 96% Positiveness
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The Dramatics
The Devil Is Dope
90 bpm • D# min • 05:25 • -10.07db
14% Popularity • 35% Danceability • 64% Energy • 34% Liveness
0% Instrumentalness • 86% Positiveness
14% Popularity • 35% Danceability • 64% Energy • 34% Liveness
0% Instrumentalness • 86% Positiveness
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Master Plan Inc
Try It (You'll Like It)
94 bpm • D Maj • 02:23 • -9.9db
29% Popularity • 72% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 86% Positiveness
29% Popularity • 72% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 86% Positiveness
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Theodis Ealey
All My Baby Left Me Was a Note, My Guita...
90 bpm • G min • 04:29 • -6.75db
11% Popularity • 79% Danceability • 59% Energy • 39% Liveness
0% Instrumentalness • 90% Positiveness
11% Popularity • 79% Danceability • 59% Energy • 39% Liveness
0% Instrumentalness • 90% Positiveness
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Betty Wright
Clean up Woman
90 bpm • F Maj • 02:49 • -9.05db
56% Popularity • 86% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
56% Popularity • 86% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
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Z.Z. Hill
Chokin' Kind
90 bpm • A# Maj • 03:02 • -10.31db
14% Popularity • 64% Danceability • 57% Energy • 33% Liveness
28% Instrumentalness • 96% Positiveness
14% Popularity • 64% Danceability • 57% Energy • 33% Liveness
28% Instrumentalness • 96% Positiveness
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Charles Wright & The Watts 103rd Street Rhythm Band
Your Love - Means Everything to Me
94 bpm • C Maj • 03:03 • -9.01db
14% Popularity • 90% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 94% Positiveness
14% Popularity • 90% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 94% Positiveness
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The Dramatics
Gimme Some (Good Soul Music)
94 bpm • A Maj • 02:36 • -8.76db
26% Popularity • 62% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
26% Popularity • 62% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
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Barbara Lynn
Why Can't You Love Me
90 bpm • C Maj • 02:33 • -10.73db
14% Popularity • 73% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
14% Popularity • 73% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
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Willie Hutch
That's What I Call Lovin' You
90 bpm • C Maj • 01:56 • -8.24db
17% Popularity • 41% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
17% Popularity • 41% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
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Denise LaSalle
Don't Mess With My Man
95 bpm • F Maj • 04:43 • -6.05db
14% Popularity • 75% Danceability • 56% Energy • 24% Liveness
0% Instrumentalness • 40% Positiveness
14% Popularity • 75% Danceability • 56% Energy • 24% Liveness
0% Instrumentalness • 40% Positiveness
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Jean Wells
What Have I Got to Lose
95 bpm • A Maj • 02:26 • -4.27db
13% Popularity • 60% Danceability • 71% Energy • 18% Liveness
0% Instrumentalness • 81% Positiveness
13% Popularity • 60% Danceability • 71% Energy • 18% Liveness
0% Instrumentalness • 81% Positiveness
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The New Birth
Ain't No Change
95 bpm • B min • 04:39 • -10.04db
11% Popularity • 68% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 89% Positiveness
11% Popularity • 68% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 89% Positiveness
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The Hesitations
Is This the Way to Treat a Girl (You Bet...
95 bpm • F# Maj • 02:57 • -9db
11% Popularity • 49% Danceability • 57% Energy • 20% Liveness
0% Instrumentalness • 84% Positiveness
11% Popularity • 49% Danceability • 57% Energy • 20% Liveness
0% Instrumentalness • 84% Positiveness
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Solomon Burke
Get Out of My Life Woman
95 bpm • G Maj • 03:22 • -14.31db
24% Popularity • 72% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 90% Positiveness
24% Popularity • 72% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 90% Positiveness
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Bobby Byrd
Never Get Enough
95 bpm • A min • 03:17 • -11db
26% Popularity • 82% Danceability • 50% Energy • 31% Liveness
0% Instrumentalness • 86% Positiveness
26% Popularity • 82% Danceability • 50% Energy • 31% Liveness
0% Instrumentalness • 86% Positiveness
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The Dynamic Superiors
Hit And Run Lovers
95 bpm • C Maj • 04:09 • -11.38db
13% Popularity • 69% Danceability • 81% Energy • 29% Liveness
13% Instrumentalness • 60% Positiveness
13% Popularity • 69% Danceability • 81% Energy • 29% Liveness
13% Instrumentalness • 60% Positiveness
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The Soul Children
Love Is A Hurtin' Thing
95 bpm • F Maj • 03:14 • -16.16db
12% Popularity • 69% Danceability • 36% Energy • 21% Liveness
0% Instrumentalness • 79% Positiveness
12% Popularity • 69% Danceability • 36% Energy • 21% Liveness
0% Instrumentalness • 79% Positiveness
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Jean Knight
You Think You're Hot Stuff
89 bpm • G# Maj • 02:29 • -13.2db
29% Popularity • 81% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 97% Positiveness
29% Popularity • 81% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 97% Positiveness
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Z.Z. Hill
I've Got To Get You Back
96 bpm • C Maj • 03:12 • -8.6db
8% Popularity • 67% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
8% Popularity • 67% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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Eddie Floyd
Baby, Lay Your Head Down (Gently On My B...
89 bpm • C Maj • 03:43 • -14.45db
10% Popularity • 88% Danceability • 42% Energy • 5% Liveness
0% Instrumentalness • 87% Positiveness
10% Popularity • 88% Danceability • 42% Energy • 5% Liveness
0% Instrumentalness • 87% Positiveness
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Willie Hutch
Keep on Doin' What You Do
96 bpm • C# Maj • 02:20 • -6.23db
10% Popularity • 59% Danceability • 94% Energy • 9% Liveness
0% Instrumentalness • 84% Positiveness
10% Popularity • 59% Danceability • 94% Energy • 9% Liveness
0% Instrumentalness • 84% Positiveness
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The Fantastic Four
The Whole World Is A Stage
88 bpm • C# Maj • 02:55 • -8db
28% Popularity • 49% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 91% Positiveness
28% Popularity • 49% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 91% Positiveness
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The Minits
Still a Part of Me
96 bpm • F Maj • 02:34 • -10db
19% Popularity • 70% Danceability • 69% Energy • 4% Liveness
0% Instrumentalness • 85% Positiveness
19% Popularity • 70% Danceability • 69% Energy • 4% Liveness
0% Instrumentalness • 85% Positiveness
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The Charmels
Lovin' Feeling
96 bpm • G# Maj • 02:52 • -10.01db
17% Popularity • 67% Danceability • 45% Energy • 7% Liveness
8% Instrumentalness • 64% Positiveness
17% Popularity • 67% Danceability • 45% Energy • 7% Liveness
8% Instrumentalness • 64% Positiveness
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Z.Z. Hill
Right Arm For Your Love
96 bpm • D Maj • 03:33 • -16.78db
16% Popularity • 86% Danceability • 29% Energy • 6% Liveness
1% Instrumentalness • 80% Positiveness
16% Popularity • 86% Danceability • 29% Energy • 6% Liveness
1% Instrumentalness • 80% Positiveness
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Rufus Thomas
6-3-8 (That's The Number To Play)
96 bpm • G Maj • 02:39 • -8.84db
12% Popularity • 85% Danceability • 56% Energy • 7% Liveness
2% Instrumentalness • 85% Positiveness
12% Popularity • 85% Danceability • 56% Energy • 7% Liveness
2% Instrumentalness • 85% Positiveness
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The O'Jays
When the World's at Peace
88 bpm • A Maj • 05:18 • -10.82db
27% Popularity • 65% Danceability • 64% Energy • 70% Liveness
0% Instrumentalness • 68% Positiveness
27% Popularity • 65% Danceability • 64% Energy • 70% Liveness
0% Instrumentalness • 68% Positiveness
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The Meters
Be My Lady
88 bpm • E min • 06:25 • -13.2db
14% Popularity • 52% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
14% Popularity • 52% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
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Richard Levitt
Hit and Run Lover
96 bpm • D Maj • 02:32 • -7.17db
10% Popularity • 58% Danceability • 83% Energy • 35% Liveness
1% Instrumentalness • 95% Positiveness
10% Popularity • 58% Danceability • 83% Energy • 35% Liveness
1% Instrumentalness • 95% Positiveness
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Valerie Simpson
I Believe I'm Gonna Take This Ride
88 bpm • F Maj • 03:04 • -12.01db
8% Popularity • 69% Danceability • 35% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
8% Popularity • 69% Danceability • 35% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
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Z.Z. Hill
Hold Back (One Man at a Time)
96 bpm • C Maj • 03:01 • -9.86db
1% Popularity • 69% Danceability • 43% Energy • 26% Liveness
6% Instrumentalness • 43% Positiveness
1% Popularity • 69% Danceability • 43% Energy • 26% Liveness
6% Instrumentalness • 43% Positiveness
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Carl Carlton
Drop By My Place
96 bpm • C Maj • 02:47 • -5.11db
7% Popularity • 80% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
7% Popularity • 80% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
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Donny Hathaway
Magnificent Sanctuary Band - Mono
96 bpm • B Maj • 03:37 • -9.02db
9% Popularity • 75% Danceability • 55% Energy • 62% Liveness
0% Instrumentalness • 74% Positiveness
9% Popularity • 75% Danceability • 55% Energy • 62% Liveness
0% Instrumentalness • 74% Positiveness
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Rufus Thomas
Git On Up And Do It
96 bpm • A# min • 02:51 • -10.39db
11% Popularity • 71% Danceability • 66% Energy • 11% Liveness
39% Instrumentalness • 92% Positiveness
11% Popularity • 71% Danceability • 66% Energy • 11% Liveness
39% Instrumentalness • 92% Positiveness
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The Mad Lads
Gone! The Promises Of Yesterday
96 bpm • F min • 03:37 • -17.04db
21% Popularity • 44% Danceability • 36% Energy • 75% Liveness
0% Instrumentalness • 36% Positiveness
21% Popularity • 44% Danceability • 36% Energy • 75% Liveness
0% Instrumentalness • 36% Positiveness
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Marvin Gaye
I'm Going Home
88 bpm • E min • 04:42 • -8.09db
21% Popularity • 58% Danceability • 62% Energy • 34% Liveness
0% Instrumentalness • 81% Positiveness
21% Popularity • 58% Danceability • 62% Energy • 34% Liveness
0% Instrumentalness • 81% Positiveness
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Z.Z. Hill
Open House At My House
96 bpm • A# Maj • 04:49 • -7.27db
16% Popularity • 76% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
16% Popularity • 76% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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Harvey Scales
What's Good For You (Don't Have To Be Go...
97 bpm • B Maj • 02:25 • -11.17db
11% Popularity • 65% Danceability • 72% Energy • 31% Liveness
0% Instrumentalness • 97% Positiveness
11% Popularity • 65% Danceability • 72% Energy • 31% Liveness
0% Instrumentalness • 97% Positiveness
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Donny Hathaway
Magnificent Sanctuary Band
96 bpm • F# Maj • 04:19 • -6db
27% Popularity • 69% Danceability • 67% Energy • 66% Liveness
0% Instrumentalness • 72% Positiveness
27% Popularity • 69% Danceability • 67% Energy • 66% Liveness
0% Instrumentalness • 72% Positiveness
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Vicki Anderson
Super Good (Answer To Super Bad) - Pt. 1...
97 bpm • A Maj • 05:34 • -9.18db
9% Popularity • 70% Danceability • 59% Energy • 24% Liveness
0% Instrumentalness • 85% Positiveness
9% Popularity • 70% Danceability • 59% Energy • 24% Liveness
0% Instrumentalness • 85% Positiveness
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The Dramatics
Beware Of The Man (With The Candy In His...
97 bpm • D min • 02:59 • -10.58db
13% Popularity • 57% Danceability • 74% Energy • 19% Liveness
1% Instrumentalness • 65% Positiveness
13% Popularity • 57% Danceability • 74% Energy • 19% Liveness
1% Instrumentalness • 65% Positiveness
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Eddie Floyd
Lay Your Loving On Me
87 bpm • G# Maj • 02:37 • -11.7db
8% Popularity • 63% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
8% Popularity • 63% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
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Luther Ingram
I'll Be Your Shelter (In Time of Storm)
97 bpm • D Maj • 03:21 • -9.35db
20% Popularity • 73% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
20% Popularity • 73% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
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Jeanne & The Darlings
Soul Girl
97 bpm • C# Maj • 02:28 • -11.21db
27% Popularity • 74% Danceability • 49% Energy • 63% Liveness
0% Instrumentalness • 94% Positiveness
27% Popularity • 74% Danceability • 49% Energy • 63% Liveness
0% Instrumentalness • 94% Positiveness
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Donny Hathaway
I Thank You Baby - Mono
97 bpm • F# Maj • 02:39 • -3.71db
24% Popularity • 61% Danceability • 80% Energy • 54% Liveness
0% Instrumentalness • 86% Positiveness
24% Popularity • 61% Danceability • 80% Energy • 54% Liveness
0% Instrumentalness • 86% Positiveness
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Don Bryant
It Ain't Easy
97 bpm • C# Maj • 02:16 • -6.85db
15% Popularity • 76% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 91% Positiveness
15% Popularity • 76% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 91% Positiveness
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The Dramatics
Jim, What's Wrong With Him?
97 bpm • C# min • 04:49 • -9.94db
10% Popularity • 53% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
10% Popularity • 53% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
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Johnny Bristol
Feeling The Magic
87 bpm • A min • 02:49 • -7.33db
9% Popularity • 61% Danceability • 81% Energy • 18% Liveness
0% Instrumentalness • 72% Positiveness
9% Popularity • 61% Danceability • 81% Energy • 18% Liveness
0% Instrumentalness • 72% Positiveness
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Betty Wright
I'll Love You Forever Heart and Soul
98 bpm • D Maj • 03:45 • -8.81db
14% Popularity • 43% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
14% Popularity • 43% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
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Rufus Thomas
The Breakdown - Pt. 1
97 bpm • A min • 03:17 • -9.63db
29% Popularity • 88% Danceability • 77% Energy • 5% Liveness
0% Instrumentalness • 89% Positiveness
29% Popularity • 88% Danceability • 77% Energy • 5% Liveness
0% Instrumentalness • 89% Positiveness
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King Floyd
What Our Love Needs
98 bpm • B Maj • 03:03 • -8.2db
21% Popularity • 61% Danceability • 57% Energy • 69% Liveness
0% Instrumentalness • 72% Positiveness
21% Popularity • 61% Danceability • 57% Energy • 69% Liveness
0% Instrumentalness • 72% Positiveness
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The Meters
Be My Lady - Single Version; 2017 Remast...
86 bpm • E min • 03:29 • -10.66db
22% Popularity • 55% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
22% Popularity • 55% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
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Sam Baker
Do Right Man
98 bpm • C# Maj • 02:50 • -10.65db
25% Popularity • 71% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
25% Popularity • 71% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
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Mel Waiters
Friday Night Fish Fry
98 bpm • B Maj • 04:36 • -6.26db
27% Popularity • 73% Danceability • 72% Energy • 36% Liveness
0% Instrumentalness • 80% Positiveness
27% Popularity • 73% Danceability • 72% Energy • 36% Liveness
0% Instrumentalness • 80% Positiveness
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Jerry Butler
How Did We Lose It Baby
98 bpm • G# min • 03:04 • -10.77db
9% Popularity • 66% Danceability • 64% Energy • 5% Liveness
0% Instrumentalness • 92% Positiveness
9% Popularity • 66% Danceability • 64% Energy • 5% Liveness
0% Instrumentalness • 92% Positiveness
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Ollie & The Nightingales
I've Got A Sure Thing
98 bpm • B min • 02:40 • -10.06db
8% Popularity • 56% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
8% Popularity • 56% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
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Betty Wright
I'm Getting Tired Baby
98 bpm • F min • 02:45 • -9.23db
22% Popularity • 53% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
22% Popularity • 53% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
