Songs like I Know She's Jammin' Tonight by Light Of His Edge
Based on a tempo of (+/- 10%) and a similar genre
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Light Of His Edge
I Know She's Jammin' Tonight
95 bpm • D Maj • 02:26 • -12.35db
0% Popularity • 70% Danceability • 47% Energy • 36% Liveness
72% Instrumentalness • 32% Positiveness
0% Popularity • 70% Danceability • 47% Energy • 36% Liveness
72% Instrumentalness • 32% Positiveness
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Juanita Layton
She Knows I Got It Easy
95 bpm • F Maj • 01:53 • -11db
17% Popularity • 54% Danceability • 51% Energy • 35% Liveness
96% Instrumentalness • 38% Positiveness
17% Popularity • 54% Danceability • 51% Energy • 35% Liveness
96% Instrumentalness • 38% Positiveness
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Juan Carlos Noroña
ESTA NOCHE TE VOY A ESTRENAR
95 bpm • F Maj • 05:15 • -10.31db
4% Popularity • 63% Danceability • 39% Energy • 9% Liveness
85% Instrumentalness • 45% Positiveness
4% Popularity • 63% Danceability • 39% Energy • 9% Liveness
85% Instrumentalness • 45% Positiveness
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Los Chicanos
Blue Bayou
95 bpm • E Maj • 04:57 • -13.46db
11% Popularity • 64% Danceability • 32% Energy • 14% Liveness
42% Instrumentalness • 42% Positiveness
11% Popularity • 64% Danceability • 32% Energy • 14% Liveness
42% Instrumentalness • 42% Positiveness
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Carlos Velasco
Vírgenes del Sol
95 bpm • G min • 02:43 • -11.58db
33% Popularity • 63% Danceability • 46% Energy • 8% Liveness
23% Instrumentalness • 33% Positiveness
33% Popularity • 63% Danceability • 46% Energy • 8% Liveness
23% Instrumentalness • 33% Positiveness
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Discovery Light Orchestra
Todas las Chicas Que He Amado
95 bpm • F# Maj • 02:47 • -15.01db
24% Popularity • 50% Danceability • 33% Energy • 32% Liveness
92% Instrumentalness • 51% Positiveness
24% Popularity • 50% Danceability • 33% Energy • 32% Liveness
92% Instrumentalness • 51% Positiveness
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Carlos Romero
Sabrá Dios
95 bpm • F Maj • 02:21 • -7.82db
20% Popularity • 56% Danceability • 56% Energy • 40% Liveness
80% Instrumentalness • 61% Positiveness
20% Popularity • 56% Danceability • 56% Energy • 40% Liveness
80% Instrumentalness • 61% Positiveness
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Los Temerarios
Una Guitarra Llora - Instrumental
95 bpm • G Maj • 03:53 • -13.4db
13% Popularity • 63% Danceability • 36% Energy • 20% Liveness
85% Instrumentalness • 46% Positiveness
13% Popularity • 63% Danceability • 36% Energy • 20% Liveness
85% Instrumentalness • 46% Positiveness
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Ronald Valentino
Tus Mentiras
95 bpm • G Maj • 03:23 • -15.55db
18% Popularity • 66% Danceability • 14% Energy • 9% Liveness
94% Instrumentalness • 45% Positiveness
18% Popularity • 66% Danceability • 14% Energy • 9% Liveness
94% Instrumentalness • 45% Positiveness
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Elias Torres
Adiós Amor Te Vas
95 bpm • F Maj • 03:53 • -6.05db
13% Popularity • 49% Danceability • 57% Energy • 21% Liveness
1% Instrumentalness • 37% Positiveness
13% Popularity • 49% Danceability • 57% Energy • 21% Liveness
1% Instrumentalness • 37% Positiveness
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Moshe Marx
Donde Estabas
96 bpm • B min • 02:55 • -6.89db
10% Popularity • 63% Danceability • 49% Energy • 10% Liveness
58% Instrumentalness • 13% Positiveness
10% Popularity • 63% Danceability • 49% Energy • 10% Liveness
58% Instrumentalness • 13% Positiveness
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Boleros
Contigo
94 bpm • A# Maj • 03:16 • -12.89db
8% Popularity • 63% Danceability • 39% Energy • 9% Liveness
95% Instrumentalness • 52% Positiveness
8% Popularity • 63% Danceability • 39% Energy • 9% Liveness
95% Instrumentalness • 52% Positiveness
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Pedro "Periquin" Castro
Sombras
96 bpm • F min • 02:55 • -11.02db
2% Popularity • 63% Danceability • 40% Energy • 35% Liveness
35% Instrumentalness • 74% Positiveness
2% Popularity • 63% Danceability • 40% Energy • 35% Liveness
35% Instrumentalness • 74% Positiveness
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Elvio Monti
Cantando con le lacrime agli occhi
96 bpm • F Maj • 03:15 • -8.07db
10% Popularity • 40% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
10% Popularity • 40% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
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Golden Strings Orchestra
Mrs. Robinson
94 bpm • B Maj • 03:31 • -13.88db
15% Popularity • 56% Danceability • 70% Energy • 13% Liveness
98% Instrumentalness • 50% Positiveness
15% Popularity • 56% Danceability • 70% Energy • 13% Liveness
98% Instrumentalness • 50% Positiveness
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Tony Evans Dancebeat Studio Band
Driving Home for Christmas - Instrumenta...
96 bpm • A Maj • 03:50 • -5.85db
8% Popularity • 57% Danceability • 49% Energy • 36% Liveness
93% Instrumentalness • 50% Positiveness
8% Popularity • 57% Danceability • 49% Energy • 36% Liveness
93% Instrumentalness • 50% Positiveness
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Patricia Sylvester
I Heard I'm In Love
94 bpm • C Maj • 01:54 • -14.88db
9% Popularity • 59% Danceability • 30% Energy • 13% Liveness
45% Instrumentalness • 41% Positiveness
9% Popularity • 59% Danceability • 30% Energy • 13% Liveness
45% Instrumentalness • 41% Positiveness
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Jorge Espinoza Carrizales
Melodia Desencadenada
94 bpm • C# Maj • 03:48 • -6.83db
26% Popularity • 19% Danceability • 57% Energy • 8% Liveness
87% Instrumentalness • 26% Positiveness
26% Popularity • 19% Danceability • 57% Energy • 8% Liveness
87% Instrumentalness • 26% Positiveness
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Edken
New Beginning
96 bpm • E Maj • 02:58 • -18.82db
9% Popularity • 63% Danceability • 15% Energy • 9% Liveness
90% Instrumentalness • 54% Positiveness
9% Popularity • 63% Danceability • 15% Energy • 9% Liveness
90% Instrumentalness • 54% Positiveness
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ชาญชัย ศรีทองแจ้ง
ลาวลอดค่าย
94 bpm • F Maj • 05:15 • -11.26db
13% Popularity • 77% Danceability • 72% Energy • 45% Liveness
78% Instrumentalness • 77% Positiveness
13% Popularity • 77% Danceability • 72% Energy • 45% Liveness
78% Instrumentalness • 77% Positiveness
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Alexander Katlin
Субботняя ночь
94 bpm • F# min • 03:58 • -7.74db
2% Popularity • 59% Danceability • 73% Energy • 14% Liveness
86% Instrumentalness • 70% Positiveness
2% Popularity • 59% Danceability • 73% Energy • 14% Liveness
86% Instrumentalness • 70% Positiveness
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Misty Prahl
Dreams Of My Cadillac
96 bpm • E Maj • 01:52 • -12.6db
15% Popularity • 60% Danceability • 46% Energy • 10% Liveness
84% Instrumentalness • 81% Positiveness
15% Popularity • 60% Danceability • 46% Energy • 10% Liveness
84% Instrumentalness • 81% Positiveness
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Brenda Coles
Hate For Freedom
96 bpm • C# Maj • 01:52 • -15.9db
13% Popularity • 47% Danceability • 43% Energy • 37% Liveness
95% Instrumentalness • 39% Positiveness
13% Popularity • 47% Danceability • 43% Energy • 37% Liveness
95% Instrumentalness • 39% Positiveness
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Janet Salas
Spring Haven Trail
96 bpm • E Maj • 01:52 • -10.47db
8% Popularity • 68% Danceability • 73% Energy • 9% Liveness
90% Instrumentalness • 86% Positiveness
8% Popularity • 68% Danceability • 73% Energy • 9% Liveness
90% Instrumentalness • 86% Positiveness
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Golden Strings Orchestra
Love Story
96 bpm • A min • 02:42 • -13.52db
22% Popularity • 59% Danceability • 36% Energy • 10% Liveness
19% Instrumentalness • 20% Positiveness
22% Popularity • 59% Danceability • 36% Energy • 10% Liveness
19% Instrumentalness • 20% Positiveness
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Guilherme Weissmann
Evidências
94 bpm • F Maj • 05:09 • -9.85db
15% Popularity • 62% Danceability • 41% Energy • 10% Liveness
48% Instrumentalness • 33% Positiveness
15% Popularity • 62% Danceability • 41% Energy • 10% Liveness
48% Instrumentalness • 33% Positiveness
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ชาญชัย ศรีทองแจ้ง
จีนไจ๋ยอ
94 bpm • C Maj • 06:09 • -8.57db
13% Popularity • 75% Danceability • 69% Energy • 90% Liveness
88% Instrumentalness • 55% Positiveness
13% Popularity • 75% Danceability • 69% Energy • 90% Liveness
88% Instrumentalness • 55% Positiveness
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Julio Glaves
Cierre De Rumba
94 bpm • C# min • 02:04 • -14.63db
1% Popularity • 65% Danceability • 27% Energy • 14% Liveness
38% Instrumentalness • 63% Positiveness
1% Popularity • 65% Danceability • 27% Energy • 14% Liveness
38% Instrumentalness • 63% Positiveness
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Melvin Childs
Ethels Lane
94 bpm • F# Maj • 01:54 • -14.01db
15% Popularity • 48% Danceability • 27% Energy • 40% Liveness
0% Instrumentalness • 32% Positiveness
15% Popularity • 48% Danceability • 27% Energy • 40% Liveness
0% Instrumentalness • 32% Positiveness
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Richard Clay
Si Nos Dejan - Instrumentales
96 bpm • C Maj • 02:46 • -9db
34% Popularity • 62% Danceability • 49% Energy • 13% Liveness
91% Instrumentalness • 56% Positiveness
34% Popularity • 62% Danceability • 49% Energy • 13% Liveness
91% Instrumentalness • 56% Positiveness
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Aldo Livorno Y Su Acordeón Napolitano
Al Di La
94 bpm • F Maj • 02:39 • -10.85db
35% Popularity • 19% Danceability • 36% Energy • 32% Liveness
0% Instrumentalness • 12% Positiveness
35% Popularity • 19% Danceability • 36% Energy • 32% Liveness
0% Instrumentalness • 12% Positiveness
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Domi de Angeles
No Llores por Mi Argentina (Guitar)
96 bpm • C Maj • 03:49 • -9db
21% Popularity • 68% Danceability • 45% Energy • 13% Liveness
19% Instrumentalness • 27% Positiveness
21% Popularity • 68% Danceability • 45% Energy • 13% Liveness
19% Instrumentalness • 27% Positiveness
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Cuerdas y Metales
Cariño
97 bpm • G Maj • 04:49 • -14.19db
8% Popularity • 42% Danceability • 35% Energy • 10% Liveness
94% Instrumentalness • 54% Positiveness
8% Popularity • 42% Danceability • 35% Energy • 10% Liveness
94% Instrumentalness • 54% Positiveness
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Güncel Paylaşımlar TV
Hatıralar
97 bpm • B min • 04:24 • -18.1db
10% Popularity • 63% Danceability • 21% Energy • 13% Liveness
1% Instrumentalness • 30% Positiveness
10% Popularity • 63% Danceability • 21% Energy • 13% Liveness
1% Instrumentalness • 30% Positiveness
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Jean Claude Borelly
The Sound of Silence
97 bpm • F Maj • 02:53 • -6.45db
33% Popularity • 52% Danceability • 54% Energy • 12% Liveness
90% Instrumentalness • 32% Positiveness
33% Popularity • 52% Danceability • 54% Energy • 12% Liveness
90% Instrumentalness • 32% Positiveness
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Cesar Manalili
Oalay Manoc Con Taraz
93 bpm • E Maj • 02:58 • -13.88db
14% Popularity • 60% Danceability • 48% Energy • 7% Liveness
37% Instrumentalness • 78% Positiveness
14% Popularity • 60% Danceability • 48% Energy • 7% Liveness
37% Instrumentalness • 78% Positiveness
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Susan McCready
Mother Of Time Travellers
97 bpm • C Maj • 01:50 • -13db
9% Popularity • 52% Danceability • 40% Energy • 65% Liveness
35% Instrumentalness • 96% Positiveness
9% Popularity • 52% Danceability • 40% Energy • 65% Liveness
35% Instrumentalness • 96% Positiveness
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Michael McNeely
Amethyst Drive
93 bpm • E min • 01:58 • -13.61db
12% Popularity • 70% Danceability • 33% Energy • 39% Liveness
78% Instrumentalness • 75% Positiveness
12% Popularity • 70% Danceability • 33% Energy • 39% Liveness
78% Instrumentalness • 75% Positiveness
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Zirkus Musical Band
Zirkusträume
93 bpm • C Maj • 03:00 • -7.5db
14% Popularity • 76% Danceability • 67% Energy • 15% Liveness
85% Instrumentalness • 96% Positiveness
14% Popularity • 76% Danceability • 67% Energy • 15% Liveness
85% Instrumentalness • 96% Positiveness
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DLG Orchestra
Rocky
97 bpm • F Maj • 02:47 • -6db
31% Popularity • 55% Danceability • 70% Energy • 7% Liveness
93% Instrumentalness • 48% Positiveness
31% Popularity • 55% Danceability • 70% Energy • 7% Liveness
93% Instrumentalness • 48% Positiveness
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Vo Thuong
Tro Ve Mai Nha Xua
98 bpm • A min • 04:16 • -8.25db
23% Popularity • 64% Danceability • 41% Energy • 7% Liveness
17% Instrumentalness • 59% Positiveness
23% Popularity • 64% Danceability • 41% Energy • 7% Liveness
17% Instrumentalness • 59% Positiveness
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Hòa tấu guitar
Ngày đó
98 bpm • E min • 05:04 • -9.84db
12% Popularity • 52% Danceability • 61% Energy • 12% Liveness
59% Instrumentalness • 17% Positiveness
12% Popularity • 52% Danceability • 61% Energy • 12% Liveness
59% Instrumentalness • 17% Positiveness
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Giovanni Vivanco
Inolvidable
98 bpm • G# Maj • 04:02 • -16db
46% Popularity • 62% Danceability • 48% Energy • 5% Liveness
79% Instrumentalness • 84% Positiveness
46% Popularity • 62% Danceability • 48% Energy • 5% Liveness
79% Instrumentalness • 84% Positiveness
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陳雲山
六月茉莉
98 bpm • A Maj • 02:53 • -10.55db
13% Popularity • 41% Danceability • 25% Energy • 9% Liveness
86% Instrumentalness • 36% Positiveness
13% Popularity • 41% Danceability • 25% Energy • 9% Liveness
86% Instrumentalness • 36% Positiveness
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Juan Carlos Noroña
Usted
98 bpm • A Maj • 03:33 • -10.98db
11% Popularity • 71% Danceability • 53% Energy • 8% Liveness
86% Instrumentalness • 75% Positiveness
11% Popularity • 71% Danceability • 53% Energy • 8% Liveness
86% Instrumentalness • 75% Positiveness
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Delbert Ugalde
Walking And Games
98 bpm • D Maj • 01:50 • -11db
9% Popularity • 54% Danceability • 48% Energy • 13% Liveness
55% Instrumentalness • 33% Positiveness
9% Popularity • 54% Danceability • 48% Energy • 13% Liveness
55% Instrumentalness • 33% Positiveness
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Quechua, et son Flûte Indienne
Pour L'amour d'Une Femme
98 bpm • A# Maj • 03:53 • -12db
10% Popularity • 58% Danceability • 42% Energy • 16% Liveness
36% Instrumentalness • 33% Positiveness
10% Popularity • 58% Danceability • 42% Energy • 16% Liveness
36% Instrumentalness • 33% Positiveness
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Gary Ortiz
Boy Of Our Culture
98 bpm • C Maj • 01:50 • -11.83db
9% Popularity • 63% Danceability • 40% Energy • 18% Liveness
10% Instrumentalness • 45% Positiveness
9% Popularity • 63% Danceability • 40% Energy • 18% Liveness
10% Instrumentalness • 45% Positiveness
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Abisaí Ventura
Feliz Con Jesus
98 bpm • D# min • 04:09 • -18.43db
8% Popularity • 59% Danceability • 38% Energy • 14% Liveness
90% Instrumentalness • 60% Positiveness
8% Popularity • 59% Danceability • 38% Energy • 14% Liveness
90% Instrumentalness • 60% Positiveness
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Сергей Грищук
Улетают журавли
92 bpm • A Maj • 03:23 • -9.7db
10% Popularity • 61% Danceability • 78% Energy • 13% Liveness
84% Instrumentalness • 58% Positiveness
10% Popularity • 61% Danceability • 78% Energy • 13% Liveness
84% Instrumentalness • 58% Positiveness
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Yolanda Daley
Lessons For Life
92 bpm • C Maj • 01:57 • -12.36db
14% Popularity • 64% Danceability • 44% Energy • 4% Liveness
65% Instrumentalness • 65% Positiveness
14% Popularity • 64% Danceability • 44% Energy • 4% Liveness
65% Instrumentalness • 65% Positiveness
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Domi de Angeles
Soy Rebelde (Guitar)
92 bpm • G min • 03:14 • -9.83db
25% Popularity • 66% Danceability • 43% Energy • 31% Liveness
93% Instrumentalness • 66% Positiveness
25% Popularity • 66% Danceability • 43% Energy • 31% Liveness
93% Instrumentalness • 66% Positiveness
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Judith Gorham
Liberty Avenue
92 bpm • C Maj • 01:57 • -12db
10% Popularity • 65% Danceability • 54% Energy • 34% Liveness
91% Instrumentalness • 45% Positiveness
10% Popularity • 65% Danceability • 54% Energy • 34% Liveness
91% Instrumentalness • 45% Positiveness
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Mehdi
Gateway to the Clouds
92 bpm • E min • 07:07 • -10.15db
15% Popularity • 64% Danceability • 52% Energy • 13% Liveness
94% Instrumentalness • 40% Positiveness
15% Popularity • 64% Danceability • 52% Energy • 13% Liveness
94% Instrumentalness • 40% Positiveness
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Orquestra Aurora Celestial
Conta as Bençãos
92 bpm • D# Maj • 03:07 • -4.8db
25% Popularity • 69% Danceability • 32% Energy • 7% Liveness
86% Instrumentalness • 28% Positiveness
25% Popularity • 69% Danceability • 32% Energy • 7% Liveness
86% Instrumentalness • 28% Positiveness
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Сергей Грищук
О чём поёт гитара
92 bpm • A min • 03:23 • -13.56db
15% Popularity • 65% Danceability • 48% Energy • 9% Liveness
91% Instrumentalness • 56% Positiveness
15% Popularity • 65% Danceability • 48% Energy • 9% Liveness
91% Instrumentalness • 56% Positiveness
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Frank And The Magic Trumpet
Voy a Perder la Cabeza por Tu Amor
98 bpm • G Maj • 04:38 • -13.64db
10% Popularity • 59% Danceability • 32% Energy • 29% Liveness
64% Instrumentalness • 55% Positiveness
10% Popularity • 59% Danceability • 32% Energy • 29% Liveness
64% Instrumentalness • 55% Positiveness
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Cuerdas y Metales
Sleepwalk
98 bpm • C# Maj • 02:22 • -14.26db
13% Popularity • 62% Danceability • 43% Energy • 9% Liveness
97% Instrumentalness • 35% Positiveness
13% Popularity • 62% Danceability • 43% Energy • 9% Liveness
97% Instrumentalness • 35% Positiveness
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Carlos "chamaco" Romero
Popirrí a Rocio Durcal: Jamás Te Dejar...
98 bpm • F Maj • 06:50 • -10db
18% Popularity • 74% Danceability • 46% Energy • 16% Liveness
74% Instrumentalness • 41% Positiveness
18% Popularity • 74% Danceability • 46% Energy • 16% Liveness
74% Instrumentalness • 41% Positiveness
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Golden Strings Orchestra
The End Of The World
92 bpm • A Maj • 02:59 • -11.78db
18% Popularity • 53% Danceability • 30% Energy • 12% Liveness
1% Instrumentalness • 35% Positiveness
18% Popularity • 53% Danceability • 30% Energy • 12% Liveness
1% Instrumentalness • 35% Positiveness
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Mimmo Dany
Mezza poesia
99 bpm • B Maj • 04:05 • -8.95db
11% Popularity • 61% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 32% Positiveness
11% Popularity • 61% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 32% Positiveness
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James Last
One Of Us Is Crying
99 bpm • G Maj • 04:32 • -8.49db
8% Popularity • 59% Danceability • 63% Energy • 27% Liveness
31% Instrumentalness • 47% Positiveness
8% Popularity • 59% Danceability • 63% Energy • 27% Liveness
31% Instrumentalness • 47% Positiveness
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Charly Brown
Forever You (Panflöte)
99 bpm • C Maj • 02:16 • -15.49db
15% Popularity • 32% Danceability • 35% Energy • 37% Liveness
70% Instrumentalness • 33% Positiveness
15% Popularity • 32% Danceability • 35% Energy • 37% Liveness
70% Instrumentalness • 33% Positiveness
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Cuerdas y Metales
Sonámbulo
98 bpm • C# Maj • 02:21 • -8.17db
22% Popularity • 62% Danceability • 58% Energy • 9% Liveness
92% Instrumentalness • 35% Positiveness
22% Popularity • 62% Danceability • 58% Energy • 9% Liveness
92% Instrumentalness • 35% Positiveness
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Juan Carlos Noroña
Y Que Hay de Malo en Ser Extraños
99 bpm • F# min • 03:43 • -11.41db
8% Popularity • 59% Danceability • 43% Energy • 7% Liveness
86% Instrumentalness • 43% Positiveness
8% Popularity • 59% Danceability • 43% Energy • 7% Liveness
86% Instrumentalness • 43% Positiveness
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Camilo Orozco
Mujer Divina
99 bpm • G Maj • 03:08 • -5.92db
26% Popularity • 54% Danceability • 75% Energy • 10% Liveness
24% Instrumentalness • 45% Positiveness
26% Popularity • 54% Danceability • 75% Energy • 10% Liveness
24% Instrumentalness • 45% Positiveness
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El Niño de la Guitarra
Unchained Melody
99 bpm • C Maj • 03:40 • -6.63db
31% Popularity • 69% Danceability • 46% Energy • 9% Liveness
22% Instrumentalness • 39% Positiveness
31% Popularity • 69% Danceability • 46% Energy • 9% Liveness
22% Instrumentalness • 39% Positiveness
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Angela Kozak
Love For My Voice
91 bpm • G Maj • 01:58 • -10.71db
14% Popularity • 50% Danceability • 39% Energy • 20% Liveness
63% Instrumentalness • 74% Positiveness
14% Popularity • 50% Danceability • 39% Energy • 20% Liveness
63% Instrumentalness • 74% Positiveness
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Павел Панин
Raining Sea Line
99 bpm • G# Maj • 03:53 • -8.45db
8% Popularity • 54% Danceability • 58% Energy • 12% Liveness
82% Instrumentalness • 42% Positiveness
8% Popularity • 54% Danceability • 58% Energy • 12% Liveness
82% Instrumentalness • 42% Positiveness
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Adrienne Forrest
Clones Of The New World
91 bpm • C Maj • 02:33 • -13db
25% Popularity • 60% Danceability • 61% Energy • 29% Liveness
76% Instrumentalness • 33% Positiveness
25% Popularity • 60% Danceability • 61% Energy • 29% Liveness
76% Instrumentalness • 33% Positiveness
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Sandra Trudeau
Thief Without Duty
91 bpm • G Maj • 02:01 • -17db
16% Popularity • 51% Danceability • 28% Energy • 11% Liveness
93% Instrumentalness • 36% Positiveness
16% Popularity • 51% Danceability • 28% Energy • 11% Liveness
93% Instrumentalness • 36% Positiveness
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Pianista sull'Oceano
La prima cosa bella
91 bpm • D Maj • 03:17 • -15.65db
22% Popularity • 57% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
22% Popularity • 57% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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Pamela Fowlkes
Cautious Of The Truth
91 bpm • D Maj • 02:33 • -12.46db
11% Popularity • 64% Danceability • 71% Energy • 17% Liveness
6% Instrumentalness • 17% Positiveness
11% Popularity • 64% Danceability • 71% Energy • 17% Liveness
6% Instrumentalness • 17% Positiveness
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Muriel Christenson
Knight Of Silver
91 bpm • F Maj • 01:58 • -14db
11% Popularity • 63% Danceability • 27% Energy • 22% Liveness
50% Instrumentalness • 45% Positiveness
11% Popularity • 63% Danceability • 27% Energy • 22% Liveness
50% Instrumentalness • 45% Positiveness
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Pedro "Periquin" Castro
El Sanjuanero - Piano Version
91 bpm • D Maj • 03:11 • -6.02db
14% Popularity • 38% Danceability • 65% Energy • 30% Liveness
83% Instrumentalness • 76% Positiveness
14% Popularity • 38% Danceability • 65% Energy • 30% Liveness
83% Instrumentalness • 76% Positiveness
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Mato Grosso
Don't Cry For Me Argentina
91 bpm • D Maj • 03:56 • -7.03db
14% Popularity • 49% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
14% Popularity • 49% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
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Discovey Light Orchestra
Angelica
100 bpm • C Maj • 03:02 • -13db
52% Popularity • 58% Danceability • 35% Energy • 10% Liveness
92% Instrumentalness • 63% Positiveness
52% Popularity • 58% Danceability • 35% Energy • 10% Liveness
92% Instrumentalness • 63% Positiveness
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Ruy Medina
Polvo en el Viento
100 bpm • A min • 02:56 • -4.47db
7% Popularity • 52% Danceability • 48% Energy • 15% Liveness
7% Instrumentalness • 10% Positiveness
7% Popularity • 52% Danceability • 48% Energy • 15% Liveness
7% Instrumentalness • 10% Positiveness
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The Lasser Play Orchestra
Cóncavo y Convexo - Instrumental
90 bpm • C min • 03:26 • -7.64db
15% Popularity • 54% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
15% Popularity • 54% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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I Love I Got The Moves
Herbal And Dream
100 bpm • E Maj • 02:19 • -11db
8% Popularity • 58% Danceability • 54% Energy • 18% Liveness
97% Instrumentalness • 40% Positiveness
8% Popularity • 58% Danceability • 54% Energy • 18% Liveness
97% Instrumentalness • 40% Positiveness
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Charly Brown
It Is You - Guitar
100 bpm • C Maj • 02:55 • -17.27db
14% Popularity • 75% Danceability • 42% Energy • 17% Liveness
88% Instrumentalness • 86% Positiveness
14% Popularity • 75% Danceability • 42% Energy • 17% Liveness
88% Instrumentalness • 86% Positiveness
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Ronald Valentino
Mi Orgullo Destrozado
100 bpm • D min • 03:42 • -12.36db
19% Popularity • 74% Danceability • 38% Energy • 13% Liveness
93% Instrumentalness • 58% Positiveness
19% Popularity • 74% Danceability • 38% Energy • 13% Liveness
93% Instrumentalness • 58% Positiveness
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Alabanza Musical
Tuyo Soy (Instrumental)
100 bpm • B min • 02:44 • -9.29db
19% Popularity • 44% Danceability • 42% Energy • 8% Liveness
89% Instrumentalness • 57% Positiveness
19% Popularity • 44% Danceability • 42% Energy • 8% Liveness
89% Instrumentalness • 57% Positiveness
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Merge of Lounge
Universal Island - Relax and Chill Summe...
100 bpm • G Maj • 04:38 • -6db
5% Popularity • 62% Danceability • 55% Energy • 13% Liveness
72% Instrumentalness • 40% Positiveness
5% Popularity • 62% Danceability • 55% Energy • 13% Liveness
72% Instrumentalness • 40% Positiveness
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Trumpet Gold
If You Leave Me Now|Instrumental Trumpet
100 bpm • B Maj • 04:22 • -8db
14% Popularity • 56% Danceability • 59% Energy • 6% Liveness
91% Instrumentalness • 73% Positiveness
14% Popularity • 56% Danceability • 59% Energy • 6% Liveness
91% Instrumentalness • 73% Positiveness
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Rafael Alejandro
Corazon De Nino
90 bpm • D min • 03:33 • -7.7db
34% Popularity • 45% Danceability • 77% Energy • 32% Liveness
3% Instrumentalness • 43% Positiveness
34% Popularity • 45% Danceability • 77% Energy • 32% Liveness
3% Instrumentalness • 43% Positiveness
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Gloria Peachey
erry Lane
100 bpm • C Maj • 01:48 • -13.38db
12% Popularity • 64% Danceability • 44% Energy • 32% Liveness
96% Instrumentalness • 51% Positiveness
12% Popularity • 64% Danceability • 44% Energy • 32% Liveness
96% Instrumentalness • 51% Positiveness
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Ronald Valentino
Ausencia de Tu Amor
100 bpm • C Maj • 03:34 • -12.85db
19% Popularity • 71% Danceability • 34% Energy • 13% Liveness
92% Instrumentalness • 50% Positiveness
19% Popularity • 71% Danceability • 34% Energy • 13% Liveness
92% Instrumentalness • 50% Positiveness
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Will Osvaldo
Renacer
100 bpm • A Maj • 03:58 • -14.11db
11% Popularity • 52% Danceability • 49% Energy • 11% Liveness
94% Instrumentalness • 31% Positiveness
11% Popularity • 52% Danceability • 49% Energy • 11% Liveness
94% Instrumentalness • 31% Positiveness
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Camilo Orozco
Júrame
100 bpm • D Maj • 02:35 • -5.66db
39% Popularity • 66% Danceability • 73% Energy • 32% Liveness
80% Instrumentalness • 24% Positiveness
39% Popularity • 66% Danceability • 73% Energy • 32% Liveness
80% Instrumentalness • 24% Positiveness
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Alan Alonmoore
La Paloma
100 bpm • C Maj • 01:29 • -12.75db
33% Popularity • 83% Danceability • 34% Energy • 10% Liveness
90% Instrumentalness • 97% Positiveness
33% Popularity • 83% Danceability • 34% Energy • 10% Liveness
90% Instrumentalness • 97% Positiveness
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Richard Clay
Y - Instrumentales
90 bpm • E Maj • 02:54 • -8.68db
24% Popularity • 56% Danceability • 56% Energy • 17% Liveness
93% Instrumentalness • 52% Positiveness
24% Popularity • 56% Danceability • 56% Energy • 17% Liveness
93% Instrumentalness • 52% Positiveness
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EDDY GUIRAO
La Barca
90 bpm • C Maj • 03:25 • -9.3db
39% Popularity • 59% Danceability • 49% Energy • 20% Liveness
35% Instrumentalness • 43% Positiveness
39% Popularity • 59% Danceability • 49% Energy • 20% Liveness
35% Instrumentalness • 43% Positiveness
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Jewel Alfaro
No And Smile
90 bpm • F Maj • 02:00 • -13.14db
16% Popularity • 44% Danceability • 37% Energy • 61% Liveness
85% Instrumentalness • 37% Positiveness
16% Popularity • 44% Danceability • 37% Energy • 61% Liveness
85% Instrumentalness • 37% Positiveness
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Good Knight Productions
Not so Far Away
90 bpm • G Maj • 02:14 • -15db
19% Popularity • 61% Danceability • 30% Energy • 16% Liveness
90% Instrumentalness • 69% Positiveness
19% Popularity • 61% Danceability • 30% Energy • 16% Liveness
90% Instrumentalness • 69% Positiveness
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Shawn Oldham
Because For A Girl Like You
90 bpm • F Maj • 02:00 • -10.88db
15% Popularity • 68% Danceability • 48% Energy • 7% Liveness
21% Instrumentalness • 36% Positiveness
15% Popularity • 68% Danceability • 48% Energy • 7% Liveness
21% Instrumentalness • 36% Positiveness
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Cuerdas y Metales
You Make Me Feel Brand New
90 bpm • G Maj • 04:42 • -7.05db
6% Popularity • 66% Danceability • 68% Energy • 31% Liveness
2% Instrumentalness • 42% Positiveness
6% Popularity • 66% Danceability • 68% Energy • 31% Liveness
2% Instrumentalness • 42% Positiveness
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Barbara Becerra
Speak Of Beats
90 bpm • F Maj • 02:00 • -11.82db
14% Popularity • 55% Danceability • 45% Energy • 68% Liveness
87% Instrumentalness • 42% Positiveness
14% Popularity • 55% Danceability • 45% Energy • 68% Liveness
87% Instrumentalness • 42% Positiveness
