Songs like I Know You Can Dance by Chris James
Based on a tempo of (+/- 10%) and a similar genre
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nobody likes you pat
love is
124 bpm • F# Maj • 02:46 • -5db
34% Popularity • 83% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
34% Popularity • 83% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
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Mark Ambor
Company
124 bpm • F# Maj • 02:49 • -6.78db
50% Popularity • 66% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
50% Popularity • 66% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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Chris James
Not Angry
124 bpm • F min • 03:19 • -12.42db
60% Popularity • 85% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
60% Popularity • 85% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
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Patrick Brasca
Drinking On A Tuesday
123 bpm • F Maj • 03:16 • -5.55db
37% Popularity • 70% Danceability • 76% Energy • 27% Liveness
0% Instrumentalness • 97% Positiveness
37% Popularity • 70% Danceability • 76% Energy • 27% Liveness
0% Instrumentalness • 97% Positiveness
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Jeremy Zucker
OK
125 bpm • D Maj • 04:23 • -7.93db
49% Popularity • 83% Danceability • 63% Energy • 22% Liveness
1% Instrumentalness • 96% Positiveness
49% Popularity • 83% Danceability • 63% Energy • 22% Liveness
1% Instrumentalness • 96% Positiveness
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Fly By Midnight
No Choice
124 bpm • D# Maj • 03:51 • -4.8db
56% Popularity • 57% Danceability • 73% Energy • 21% Liveness
0% Instrumentalness • 56% Positiveness
56% Popularity • 57% Danceability • 73% Energy • 21% Liveness
0% Instrumentalness • 56% Positiveness
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eaJ
Car Crash
125 bpm • C Maj • 03:06 • -6.7db
55% Popularity • 68% Danceability • 68% Energy • 18% Liveness
0% Instrumentalness • 26% Positiveness
55% Popularity • 68% Danceability • 68% Energy • 18% Liveness
0% Instrumentalness • 26% Positiveness
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Anson Seabra
Supposed to Be a Love Song
125 bpm • C# Maj • 03:10 • -5.11db
36% Popularity • 81% Danceability • 68% Energy • 5% Liveness
0% Instrumentalness • 92% Positiveness
36% Popularity • 81% Danceability • 68% Energy • 5% Liveness
0% Instrumentalness • 92% Positiveness
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Rachel Grae
Good Side
125 bpm • C# Maj • 02:38 • -5.52db
46% Popularity • 83% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
46% Popularity • 83% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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MICO
better
125 bpm • E Maj • 03:11 • -6.67db
52% Popularity • 75% Danceability • 61% Energy • 31% Liveness
0% Instrumentalness • 93% Positiveness
52% Popularity • 75% Danceability • 61% Energy • 31% Liveness
0% Instrumentalness • 93% Positiveness
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remy
checked out
123 bpm • F Maj • 02:17 • -8.04db
44% Popularity • 71% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
44% Popularity • 71% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
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Fly By Midnight
Love Me Like a Friend
125 bpm • F# min • 03:22 • -5.57db
52% Popularity • 71% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
52% Popularity • 71% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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brb.
do me right
125 bpm • B min • 02:58 • -8.65db
59% Popularity • 80% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
59% Popularity • 80% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
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Devin Kennedy
Frequent Flyer
125 bpm • G Maj • 02:42 • -10.55db
41% Popularity • 53% Danceability • 37% Energy • 12% Liveness
1% Instrumentalness • 35% Positiveness
41% Popularity • 53% Danceability • 37% Energy • 12% Liveness
1% Instrumentalness • 35% Positiveness
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The Millennial Club
feel the same - sped up
122 bpm • C Maj • 01:50 • -5db
51% Popularity • 81% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 66% Positiveness
51% Popularity • 81% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 66% Positiveness
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Mark Ambor
Sky is the Limit
123 bpm • E Maj • 02:39 • -14.18db
57% Popularity • 52% Danceability • 26% Energy • 18% Liveness
0% Instrumentalness • 28% Positiveness
57% Popularity • 52% Danceability • 26% Energy • 18% Liveness
0% Instrumentalness • 28% Positiveness
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Alys
gamble
122 bpm • D# min • 02:08 • -9db
49% Popularity • 75% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
49% Popularity • 75% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
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Peder Elias
Better Alone
126 bpm • B Maj • 02:35 • -8db
41% Popularity • 78% Danceability • 59% Energy • 52% Liveness
0% Instrumentalness • 96% Positiveness
41% Popularity • 78% Danceability • 59% Energy • 52% Liveness
0% Instrumentalness • 96% Positiveness
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Faime
This City
126 bpm • C Maj • 02:42 • -5.87db
36% Popularity • 75% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
36% Popularity • 75% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Chris James
I Wanna Be with You
126 bpm • F Maj • 03:02 • -6.32db
34% Popularity • 78% Danceability • 70% Energy • 19% Liveness
0% Instrumentalness • 94% Positiveness
34% Popularity • 78% Danceability • 70% Energy • 19% Liveness
0% Instrumentalness • 94% Positiveness
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Sam MacPherson
Backseat (All I Got)
126 bpm • A# Maj • 02:33 • -7.06db
37% Popularity • 77% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
37% Popularity • 77% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
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Anthony Watts
Tangerine
126 bpm • A Maj • 03:07 • -6.23db
34% Popularity • 69% Danceability • 72% Energy • 16% Liveness
0% Instrumentalness • 77% Positiveness
34% Popularity • 69% Danceability • 72% Energy • 16% Liveness
0% Instrumentalness • 77% Positiveness
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lewloh
Living A Lie
122 bpm • C# min • 02:50 • -6.75db
25% Popularity • 73% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 93% Positiveness
25% Popularity • 73% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 93% Positiveness
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Landon Conrath
Deep End
126 bpm • D Maj • 02:16 • -6.92db
44% Popularity • 73% Danceability • 66% Energy • 41% Liveness
0% Instrumentalness • 72% Positiveness
44% Popularity • 73% Danceability • 66% Energy • 41% Liveness
0% Instrumentalness • 72% Positiveness
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vaultboy
i can't do anything right
126 bpm • C# Maj • 02:16 • -7.45db
50% Popularity • 78% Danceability • 48% Energy • 4% Liveness
0% Instrumentalness • 46% Positiveness
50% Popularity • 78% Danceability • 48% Energy • 4% Liveness
0% Instrumentalness • 46% Positiveness
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sammy rash
summer&cigarettes
122 bpm • F min • 01:54 • -10.28db
61% Popularity • 83% Danceability • 40% Energy • 28% Liveness
0% Instrumentalness • 68% Positiveness
61% Popularity • 83% Danceability • 40% Energy • 28% Liveness
0% Instrumentalness • 68% Positiveness
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Chris James
Is It Too Soon
122 bpm • A Maj • 02:33 • -4.83db
35% Popularity • 81% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 69% Positiveness
35% Popularity • 81% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 69% Positiveness
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Valley
sucks to see you doing better
122 bpm • C# Maj • 03:45 • -8db
45% Popularity • 74% Danceability • 59% Energy • 6% Liveness
0% Instrumentalness • 61% Positiveness
45% Popularity • 74% Danceability • 59% Energy • 6% Liveness
0% Instrumentalness • 61% Positiveness
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Ruel
I DON'T WANNA BE LIKE YOU
122 bpm • C# Maj • 02:43 • -4.87db
52% Popularity • 70% Danceability • 79% Energy • 4% Liveness
0% Instrumentalness • 95% Positiveness
52% Popularity • 70% Danceability • 79% Energy • 4% Liveness
0% Instrumentalness • 95% Positiveness
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Anson Seabra
Unloving You
122 bpm • F# Maj • 02:33 • -9.62db
59% Popularity • 76% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
59% Popularity • 76% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
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sunkis
LAST GOODBYE
121 bpm • C Maj • 02:28 • -6.02db
59% Popularity • 73% Danceability • 62% Energy • 18% Liveness
0% Instrumentalness • 56% Positiveness
59% Popularity • 73% Danceability • 62% Energy • 18% Liveness
0% Instrumentalness • 56% Positiveness
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MICO
bad note
127 bpm • B min • 02:46 • -6.93db
38% Popularity • 72% Danceability • 68% Energy • 24% Liveness
0% Instrumentalness • 76% Positiveness
38% Popularity • 72% Danceability • 68% Energy • 24% Liveness
0% Instrumentalness • 76% Positiveness
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Chris James
Close to the Fire
122 bpm • G# Maj • 02:44 • -7db
31% Popularity • 82% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
31% Popularity • 82% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
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Fly By Midnight
Dance
127 bpm • F# min • 03:12 • -4.36db
47% Popularity • 62% Danceability • 87% Energy • 27% Liveness
0% Instrumentalness • 70% Positiveness
47% Popularity • 62% Danceability • 87% Energy • 27% Liveness
0% Instrumentalness • 70% Positiveness
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Devin Kennedy
Love You Anymore
121 bpm • E Maj • 02:56 • -13.22db
44% Popularity • 57% Danceability • 22% Energy • 16% Liveness
0% Instrumentalness • 29% Positiveness
44% Popularity • 57% Danceability • 22% Energy • 16% Liveness
0% Instrumentalness • 29% Positiveness
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haer
Lose My Grounding
121 bpm • B Maj • 02:48 • -6db
31% Popularity • 54% Danceability • 58% Energy • 19% Liveness
0% Instrumentalness • 51% Positiveness
31% Popularity • 54% Danceability • 58% Energy • 19% Liveness
0% Instrumentalness • 51% Positiveness
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LANY
Alonica
128 bpm • F Maj • 03:58 • -9.67db
59% Popularity • 59% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
59% Popularity • 59% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
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Conor Matthews
Romantic
128 bpm • F min • 03:05 • -6.38db
43% Popularity • 74% Danceability • 62% Energy • 20% Liveness
0% Instrumentalness • 77% Positiveness
43% Popularity • 74% Danceability • 62% Energy • 20% Liveness
0% Instrumentalness • 77% Positiveness
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Chris James
I Never Learned
122 bpm • F# Maj • 02:32 • -7db
41% Popularity • 87% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
41% Popularity • 87% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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MICO
Deserve this
128 bpm • B Maj • 02:30 • -6.09db
43% Popularity • 72% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
43% Popularity • 72% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
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Why Don't We
Just Friends
128 bpm • C Maj • 02:35 • -6.65db
54% Popularity • 60% Danceability • 72% Energy • 27% Liveness
0% Instrumentalness • 78% Positiveness
54% Popularity • 60% Danceability • 72% Energy • 27% Liveness
0% Instrumentalness • 78% Positiveness
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Faime
Crash
128 bpm • A Maj • 02:38 • -7.79db
31% Popularity • 79% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
31% Popularity • 79% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
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GABE ISAAC
Cloud 9
128 bpm • E Maj • 03:37 • -10db
33% Popularity • 81% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
33% Popularity • 81% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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sundial
i just want someone to love me
120 bpm • C Maj • 02:25 • -12.37db
48% Popularity • 91% Danceability • 31% Energy • 24% Liveness
0% Instrumentalness • 87% Positiveness
48% Popularity • 91% Danceability • 31% Energy • 24% Liveness
0% Instrumentalness • 87% Positiveness
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Public Library Commute
No One Like You
120 bpm • D Maj • 02:50 • -6db
42% Popularity • 71% Danceability • 62% Energy • 17% Liveness
65% Instrumentalness • 69% Positiveness
42% Popularity • 71% Danceability • 62% Energy • 17% Liveness
65% Instrumentalness • 69% Positiveness
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Thomas Day
VICIOUS
120 bpm • A Maj • 02:12 • -5.87db
52% Popularity • 75% Danceability • 58% Energy • 6% Liveness
0% Instrumentalness • 53% Positiveness
52% Popularity • 75% Danceability • 58% Energy • 6% Liveness
0% Instrumentalness • 53% Positiveness
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Fly By Midnight
Different Lives
120 bpm • C min • 03:21 • -5.5db
56% Popularity • 67% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
56% Popularity • 67% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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Chris James
4AM Magic
120 bpm • E min • 03:01 • -6.65db
17% Popularity • 82% Danceability • 50% Energy • 33% Liveness
0% Instrumentalness • 85% Positiveness
17% Popularity • 82% Danceability • 50% Energy • 33% Liveness
0% Instrumentalness • 85% Positiveness
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templuv
shouldacoulda
120 bpm • C Maj • 02:42 • -5.96db
41% Popularity • 77% Danceability • 48% Energy • 22% Liveness
0% Instrumentalness • 73% Positiveness
41% Popularity • 77% Danceability • 48% Energy • 22% Liveness
0% Instrumentalness • 73% Positiveness
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Devin Kennedy
Loose Change
120 bpm • B Maj • 02:43 • -14.7db
54% Popularity • 82% Danceability • 42% Energy • 15% Liveness
0% Instrumentalness • 78% Positiveness
54% Popularity • 82% Danceability • 42% Energy • 15% Liveness
0% Instrumentalness • 78% Positiveness
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Valley
Have A Good Summer (Without Me)
120 bpm • C# Maj • 03:30 • -6.75db
48% Popularity • 61% Danceability • 71% Energy • 18% Liveness
0% Instrumentalness • 44% Positiveness
48% Popularity • 61% Danceability • 71% Energy • 18% Liveness
0% Instrumentalness • 44% Positiveness
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Jaylon Ashaun
TNT - Acoustic
128 bpm • G# Maj • 01:26 • -6.07db
41% Popularity • 48% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
41% Popularity • 48% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Fly By Midnight
Different Lives
120 bpm • C min • 03:17 • -5.42db
61% Popularity • 67% Danceability • 82% Energy • 13% Liveness
0% Instrumentalness • 68% Positiveness
61% Popularity • 67% Danceability • 82% Energy • 13% Liveness
0% Instrumentalness • 68% Positiveness
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Anthony Russo
Going Under
129 bpm • E Maj • 02:39 • -9.55db
22% Popularity • 82% Danceability • 41% Energy • 11% Liveness
1% Instrumentalness • 42% Positiveness
22% Popularity • 82% Danceability • 41% Energy • 11% Liveness
1% Instrumentalness • 42% Positiveness
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Rangga Jones
Favourite Things
120 bpm • A Maj • 02:53 • -8.29db
54% Popularity • 53% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
54% Popularity • 53% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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The Band CAMINO
Song About You
119 bpm • G# Maj • 02:38 • -5.77db
52% Popularity • 62% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
52% Popularity • 62% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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dee holt
Picture
129 bpm • C# Maj • 02:36 • -8db
51% Popularity • 84% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 94% Positiveness
51% Popularity • 84% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 94% Positiveness
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Bazzi
Eyes
119 bpm • D# Maj • 02:41 • -3.13db
54% Popularity • 81% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
54% Popularity • 81% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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Fly By Midnight
In The Night
120 bpm • F min • 03:26 • -3.64db
59% Popularity • 60% Danceability • 93% Energy • 31% Liveness
0% Instrumentalness • 82% Positiveness
59% Popularity • 60% Danceability • 93% Energy • 31% Liveness
0% Instrumentalness • 82% Positiveness
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Suriel Hess
The Line
119 bpm • F# Maj • 03:24 • -5.7db
40% Popularity • 74% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
40% Popularity • 74% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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vaultboy
everything hits me at once
130 bpm • C# min • 02:32 • -7.05db
55% Popularity • 62% Danceability • 56% Energy • 58% Liveness
0% Instrumentalness • 41% Positiveness
55% Popularity • 62% Danceability • 56% Energy • 58% Liveness
0% Instrumentalness • 41% Positiveness
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MICO
maybe i'm the problem now
130 bpm • C# min • 03:12 • -6.74db
42% Popularity • 73% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 84% Positiveness
42% Popularity • 73% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 84% Positiveness
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Chris James
Hey It's Me
130 bpm • G# Maj • 02:30 • -7db
31% Popularity • 91% Danceability • 57% Energy • 20% Liveness
0% Instrumentalness • 83% Positiveness
31% Popularity • 91% Danceability • 57% Energy • 20% Liveness
0% Instrumentalness • 83% Positiveness
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david hugo
Die Right Here
130 bpm • C# Maj • 02:07 • -4.14db
55% Popularity • 78% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
55% Popularity • 78% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
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Jake Cornell
Strangers
130 bpm • B min • 02:09 • -5.08db
57% Popularity • 70% Danceability • 72% Energy • 35% Liveness
0% Instrumentalness • 56% Positiveness
57% Popularity • 70% Danceability • 72% Energy • 35% Liveness
0% Instrumentalness • 56% Positiveness
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Jeremy Zucker
i need you (in my life)
130 bpm • G# Maj • 03:09 • -7.65db
40% Popularity • 70% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
40% Popularity • 70% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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brb.
juice
130 bpm • B min • 03:15 • -10.5db
56% Popularity • 74% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
56% Popularity • 74% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
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GUNNAR
One Night
118 bpm • C# min • 03:03 • -7db
39% Popularity • 82% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 91% Positiveness
39% Popularity • 82% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 91% Positiveness
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Chris James
Let's Get Lost
118 bpm • G# Maj • 03:17 • -5.65db
33% Popularity • 85% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
33% Popularity • 85% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
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Peter Fenn
Next to Me
118 bpm • F# min • 02:49 • -6.41db
36% Popularity • 80% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 85% Positiveness
36% Popularity • 80% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 85% Positiveness
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Conor Matthews
Forever Right Now
118 bpm • F Maj • 02:21 • -5db
56% Popularity • 75% Danceability • 68% Energy • 15% Liveness
0% Instrumentalness • 69% Positiveness
56% Popularity • 75% Danceability • 68% Energy • 15% Liveness
0% Instrumentalness • 69% Positiveness
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Peder Elias
Bonfire
118 bpm • G# Maj • 02:46 • -8db
51% Popularity • 87% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 93% Positiveness
51% Popularity • 87% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 93% Positiveness
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Suriel Hess
About Love
118 bpm • C# Maj • 02:36 • -5.34db
48% Popularity • 66% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
48% Popularity • 66% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
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Valley
nevermind
131 bpm • A Maj • 02:56 • -8.04db
48% Popularity • 76% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 84% Positiveness
48% Popularity • 76% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 84% Positiveness
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Chris James
What If We Never Met
131 bpm • F# Maj • 02:32 • -8.18db
29% Popularity • 79% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
29% Popularity • 79% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Public Library Commute
Across the Room
117 bpm • C Maj • 03:00 • -7db
52% Popularity • 83% Danceability • 71% Energy • 40% Liveness
0% Instrumentalness • 96% Positiveness
52% Popularity • 83% Danceability • 71% Energy • 40% Liveness
0% Instrumentalness • 96% Positiveness
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vaultboy
aftermath
117 bpm • A Maj • 02:46 • -9.28db
58% Popularity • 62% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
58% Popularity • 62% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Max Drazen
Blurry Pictures
131 bpm • B min • 01:42 • -5.52db
50% Popularity • 74% Danceability • 82% Energy • 34% Liveness
0% Instrumentalness • 69% Positiveness
50% Popularity • 74% Danceability • 82% Energy • 34% Liveness
0% Instrumentalness • 69% Positiveness
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Sam MacPherson
Crash Course
132 bpm • C# Maj • 02:01 • -6db
57% Popularity • 68% Danceability • 76% Energy • 21% Liveness
0% Instrumentalness • 82% Positiveness
57% Popularity • 68% Danceability • 76% Energy • 21% Liveness
0% Instrumentalness • 82% Positiveness
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Conor Matthews
Wait For Me
132 bpm • A# Maj • 03:05 • -7.15db
34% Popularity • 70% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
34% Popularity • 70% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
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Chris James
Used To You
132 bpm • B min • 02:59 • -8.36db
23% Popularity • 59% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
23% Popularity • 59% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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CLAUDIA
bad together
132 bpm • G# Maj • 02:50 • -8.67db
43% Popularity • 84% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 71% Positiveness
43% Popularity • 84% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 71% Positiveness
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Public Library Commute
Brand New
132 bpm • B Maj • 02:36 • -8db
53% Popularity • 81% Danceability • 68% Energy • 27% Liveness
3% Instrumentalness • 96% Positiveness
53% Popularity • 81% Danceability • 68% Energy • 27% Liveness
3% Instrumentalness • 96% Positiveness
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Daniel Seavey
I Tried
132 bpm • E Maj • 02:16 • -11db
50% Popularity • 59% Danceability • 39% Energy • 16% Liveness
0% Instrumentalness • 30% Positiveness
50% Popularity • 59% Danceability • 39% Energy • 16% Liveness
0% Instrumentalness • 30% Positiveness
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sammy rash
best friends
116 bpm • F min • 02:22 • -9.02db
51% Popularity • 93% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 83% Positiveness
51% Popularity • 93% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 83% Positiveness
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Cody Lovaas
Me, Myself
132 bpm • F# Maj • 03:23 • -6db
33% Popularity • 81% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
33% Popularity • 81% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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Chris James
I Never Learned (Acoustic)
116 bpm • F Maj • 02:48 • -7.85db
19% Popularity • 79% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
19% Popularity • 79% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Jeremy Zucker
I'm So Happy
133 bpm • F Maj • 02:53 • -7.12db
55% Popularity • 85% Danceability • 43% Energy • 20% Liveness
0% Instrumentalness • 68% Positiveness
55% Popularity • 85% Danceability • 43% Energy • 20% Liveness
0% Instrumentalness • 68% Positiveness
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sad alex
room for you
115 bpm • C# min • 02:12 • -10.15db
47% Popularity • 73% Danceability • 44% Energy • 20% Liveness
0% Instrumentalness • 31% Positiveness
47% Popularity • 73% Danceability • 44% Energy • 20% Liveness
0% Instrumentalness • 31% Positiveness
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Forrest Nolan
and it sounds like (ice cream)
115 bpm • E Maj • 02:35 • -8.42db
33% Popularity • 86% Danceability • 55% Energy • 34% Liveness
0% Instrumentalness • 95% Positiveness
33% Popularity • 86% Danceability • 55% Energy • 34% Liveness
0% Instrumentalness • 95% Positiveness
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push baby
Wishing We Were More Than Friends
115 bpm • G# Maj • 02:57 • -4db
44% Popularity • 65% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
44% Popularity • 65% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
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nobody likes you pat
one day before i die
115 bpm • F# Maj • 03:01 • -4.83db
33% Popularity • 85% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
33% Popularity • 85% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
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Public Library Commute
With Somebody
115 bpm • G Maj • 03:24 • -4.5db
42% Popularity • 79% Danceability • 68% Energy • 16% Liveness
0% Instrumentalness • 93% Positiveness
42% Popularity • 79% Danceability • 68% Energy • 16% Liveness
0% Instrumentalness • 93% Positiveness
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Chris James
29
134 bpm • E Maj • 02:18 • -5.13db
54% Popularity • 78% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 90% Positiveness
54% Popularity • 78% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 90% Positiveness
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Max Drazen
Not Because I Loved You
134 bpm • F# Maj • 02:59 • -9.85db
28% Popularity • 68% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
28% Popularity • 68% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Claire Rosinkranz
Hotel
134 bpm • F Maj • 02:14 • -6.48db
57% Popularity • 86% Danceability • 66% Energy • 56% Liveness
0% Instrumentalness • 95% Positiveness
57% Popularity • 86% Danceability • 66% Energy • 56% Liveness
0% Instrumentalness • 95% Positiveness
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The Millennial Club
summer nights
135 bpm • C# Maj • 03:33 • -8db
59% Popularity • 71% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
59% Popularity • 71% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
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Suriel Hess
Still Something
135 bpm • B Maj • 03:08 • -7.58db
52% Popularity • 70% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
52% Popularity • 70% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
