Songs like I Live in a Treehouse by Anne Bisson
Based on a tempo of (+/- 10%) and a similar genre
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Friend 'N Fellow
Fly Like an Eagle
124 bpm • G Maj • 03:14 • -10.3db
10% Popularity • 58% Danceability • 55% Energy • 10% Liveness
20% Instrumentalness • 37% Positiveness
10% Popularity • 58% Danceability • 55% Energy • 10% Liveness
20% Instrumentalness • 37% Positiveness
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Kari Bremnes
My Heart is Pounding Like a Hammer
124 bpm • A# min • 03:23 • -9.56db
10% Popularity • 59% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
10% Popularity • 59% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Sara K.
All Your Love (Turned To Passion)
124 bpm • F# min • 05:18 • -14.53db
37% Popularity • 58% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
37% Popularity • 58% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
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David McAlmont
Never, Never, Never
124 bpm • B min • 04:06 • -21.69db
13% Popularity • 53% Danceability • 5% Energy • 70% Liveness
16% Instrumentalness • 33% Positiveness
13% Popularity • 53% Danceability • 5% Energy • 70% Liveness
16% Instrumentalness • 33% Positiveness
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Anne Bisson
I Live in a Treehouse
124 bpm • C min • 03:48 • -16.86db
18% Popularity • 63% Danceability • 16% Energy • 15% Liveness
0% Instrumentalness • 24% Positiveness
18% Popularity • 63% Danceability • 16% Energy • 15% Liveness
0% Instrumentalness • 24% Positiveness
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markusphilippe
Hey Joe
124 bpm • D Maj • 03:29 • -12.31db
13% Popularity • 68% Danceability • 18% Energy • 11% Liveness
82% Instrumentalness • 7% Positiveness
13% Popularity • 68% Danceability • 18% Energy • 11% Liveness
82% Instrumentalness • 7% Positiveness
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Hans Theessink
Six Strings Down
125 bpm • B min • 04:21 • -11.58db
9% Popularity • 56% Danceability • 31% Energy • 13% Liveness
1% Instrumentalness • 10% Positiveness
9% Popularity • 56% Danceability • 31% Energy • 13% Liveness
1% Instrumentalness • 10% Positiveness
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Abbey Lincoln
Bird Alone - 2007 Abbey sings Abbey Vers...
125 bpm • C Maj • 04:53 • -13.07db
10% Popularity • 37% Danceability • 18% Energy • 15% Liveness
0% Instrumentalness • 10% Positiveness
10% Popularity • 37% Danceability • 18% Energy • 15% Liveness
0% Instrumentalness • 10% Positiveness
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Pete Alderton
Summertime
125 bpm • G min • 03:45 • -10.37db
20% Popularity • 82% Danceability • 47% Energy • 9% Liveness
3% Instrumentalness • 69% Positiveness
20% Popularity • 82% Danceability • 47% Energy • 9% Liveness
3% Instrumentalness • 69% Positiveness
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Josefine Cronholm & Ibis
In Your Wild Garden
123 bpm • G# min • 06:13 • -13.08db
16% Popularity • 50% Danceability • 16% Energy • 11% Liveness
7% Instrumentalness • 26% Positiveness
16% Popularity • 50% Danceability • 16% Energy • 11% Liveness
7% Instrumentalness • 26% Positiveness
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Anne Bisson
I Do
124 bpm • A# Maj • 03:59 • -17.93db
1% Popularity • 50% Danceability • 12% Energy • 14% Liveness
1% Instrumentalness • 16% Positiveness
1% Popularity • 50% Danceability • 12% Energy • 14% Liveness
1% Instrumentalness • 16% Positiveness
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Norah Jones
Tragedy
125 bpm • A# Maj • 04:14 • -13.07db
51% Popularity • 68% Danceability • 23% Energy • 11% Liveness
3% Instrumentalness • 39% Positiveness
51% Popularity • 68% Danceability • 23% Energy • 11% Liveness
3% Instrumentalness • 39% Positiveness
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Jacqui Naylor
Ain't No Sunshine
123 bpm • A min • 05:27 • -10db
29% Popularity • 65% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
29% Popularity • 65% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Brian Bromberg
My Bass
126 bpm • D Maj • 03:39 • -19.48db
30% Popularity • 48% Danceability • 28% Energy • 11% Liveness
72% Instrumentalness • 20% Positiveness
30% Popularity • 48% Danceability • 28% Energy • 11% Liveness
72% Instrumentalness • 20% Positiveness
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Pete Alderton
I Would Rather Go Blind
126 bpm • C# Maj • 05:31 • -17.9db
8% Popularity • 52% Danceability • 5% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
8% Popularity • 52% Danceability • 5% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Allan Taylor
All Is One
126 bpm • A min • 07:31 • -11.68db
16% Popularity • 65% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
16% Popularity • 65% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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Anne Bisson
Why Is It So
125 bpm • C min • 05:08 • -17.86db
3% Popularity • 55% Danceability • 8% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
3% Popularity • 55% Danceability • 8% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
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Vincent Belanger
Dédéthoven
126 bpm • C Maj • 04:55 • -14.32db
1% Popularity • 43% Danceability • 23% Energy • 10% Liveness
91% Instrumentalness • 27% Positiveness
1% Popularity • 43% Danceability • 23% Energy • 10% Liveness
91% Instrumentalness • 27% Positiveness
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Nighthawks
A California
126 bpm • A min • 04:40 • -12.92db
26% Popularity • 78% Danceability • 45% Energy • 16% Liveness
60% Instrumentalness • 84% Positiveness
26% Popularity • 78% Danceability • 45% Energy • 16% Liveness
60% Instrumentalness • 84% Positiveness
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Hans Theessink
Mississippi
126 bpm • F Maj • 06:00 • -16.85db
18% Popularity • 82% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
18% Popularity • 82% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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Pete Alderton
A Taste of the Blues
122 bpm • B min • 03:48 • -8db
18% Popularity • 84% Danceability • 29% Energy • 15% Liveness
0% Instrumentalness • 46% Positiveness
18% Popularity • 84% Danceability • 29% Energy • 15% Liveness
0% Instrumentalness • 46% Positiveness
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Friend 'N Fellow
Here Comes the Rain Again
122 bpm • B Maj • 04:11 • -16.03db
14% Popularity • 55% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
14% Popularity • 55% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Anne Bisson
Everybody's Kissing in Paris
125 bpm • A# min • 03:45 • -17.27db
1% Popularity • 58% Danceability • 14% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
1% Popularity • 58% Danceability • 14% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
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Indra Rios-Moore
Solitude
126 bpm • C Maj • 02:53 • -15.38db
17% Popularity • 39% Danceability • 7% Energy • 20% Liveness
0% Instrumentalness • 12% Positiveness
17% Popularity • 39% Danceability • 7% Energy • 20% Liveness
0% Instrumentalness • 12% Positiveness
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Avishai Cohen
For No One
122 bpm • G Maj • 03:14 • -17.09db
28% Popularity • 48% Danceability • 12% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
28% Popularity • 48% Danceability • 12% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
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Dave's True Story
Fever
121 bpm • A min • 03:05 • -9db
8% Popularity • 68% Danceability • 41% Energy • 19% Liveness
0% Instrumentalness • 32% Positiveness
8% Popularity • 68% Danceability • 41% Energy • 19% Liveness
0% Instrumentalness • 32% Positiveness
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Tanita Tikaram
The Dream of Her
127 bpm • A min • 02:56 • -12.28db
14% Popularity • 48% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
14% Popularity • 48% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
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Shirley Horn
If You Go
127 bpm • D min • 08:58 • -26.22db
8% Popularity • 51% Danceability • 3% Energy • 13% Liveness
5% Instrumentalness • 4% Positiveness
8% Popularity • 51% Danceability • 3% Energy • 13% Liveness
5% Instrumentalness • 4% Positiveness
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Anne Bisson
Awakening
122 bpm • D Maj • 05:08 • -23.22db
1% Popularity • 43% Danceability • 6% Energy • 11% Liveness
90% Instrumentalness • 15% Positiveness
1% Popularity • 43% Danceability • 6% Energy • 11% Liveness
90% Instrumentalness • 15% Positiveness
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Derrin Nauendorf
Ghost Town
127 bpm • G# Maj • 04:43 • -14.62db
16% Popularity • 54% Danceability • 30% Energy • 7% Liveness
1% Instrumentalness • 18% Positiveness
16% Popularity • 54% Danceability • 30% Energy • 7% Liveness
1% Instrumentalness • 18% Positiveness
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Chris Jones
All Your Love (Turned To Passion)
121 bpm • F# min • 08:17 • -14.35db
13% Popularity • 60% Danceability • 28% Energy • 6% Liveness
0% Instrumentalness • 38% Positiveness
13% Popularity • 60% Danceability • 28% Energy • 6% Liveness
0% Instrumentalness • 38% Positiveness
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Hattler
Fine Days
121 bpm • A Maj • 02:33 • -14.47db
28% Popularity • 59% Danceability • 26% Energy • 14% Liveness
4% Instrumentalness • 15% Positiveness
28% Popularity • 59% Danceability • 26% Energy • 14% Liveness
4% Instrumentalness • 15% Positiveness
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Julian & Roman Wasserfuhr
Behind Blue Eyes
121 bpm • F min • 06:50 • -19.36db
7% Popularity • 63% Danceability • 12% Energy • 10% Liveness
88% Instrumentalness • 41% Positiveness
7% Popularity • 63% Danceability • 12% Energy • 10% Liveness
88% Instrumentalness • 41% Positiveness
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Natalie Merchant
The Peppery Man
121 bpm • E min • 05:05 • -10.79db
17% Popularity • 63% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
17% Popularity • 63% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
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Anne Bisson
Hour of the Wolf
122 bpm • C min • 03:32 • -17.96db
2% Popularity • 54% Danceability • 11% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
2% Popularity • 54% Danceability • 11% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
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Avishai Cohen
Move on
121 bpm • D min • 03:34 • -12.71db
16% Popularity • 61% Danceability • 40% Energy • 11% Liveness
1% Instrumentalness • 33% Positiveness
16% Popularity • 61% Danceability • 40% Energy • 11% Liveness
1% Instrumentalness • 33% Positiveness
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Indra Rios-Moore
What Becomes Of The Broken Hearted
128 bpm • G min • 05:08 • -15.87db
7% Popularity • 40% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
7% Popularity • 40% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Lydia Gray
Sorry Seems To Be The Hardest Word
128 bpm • F# min • 03:43 • -12.66db
36% Popularity • 53% Danceability • 13% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
36% Popularity • 53% Danceability • 13% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
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Allan Taylor
A Road Too Long
128 bpm • B min • 04:08 • -11.46db
25% Popularity • 56% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
25% Popularity • 56% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Viktoria Tolstoy
Red Rain
120 bpm • F min • 05:05 • -14.36db
8% Popularity • 67% Danceability • 18% Energy • 13% Liveness
3% Instrumentalness • 30% Positiveness
8% Popularity • 67% Danceability • 18% Energy • 13% Liveness
3% Instrumentalness • 30% Positiveness
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Anne Bisson
I Wake up (The Nightmare)
126 bpm • A# min • 03:05 • -17.05db
2% Popularity • 88% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
2% Popularity • 88% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
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Ian Shaw
My Brother
120 bpm • F Maj • 04:34 • -15db
21% Popularity • 76% Danceability • 20% Energy • 12% Liveness
5% Instrumentalness • 38% Positiveness
21% Popularity • 76% Danceability • 20% Energy • 12% Liveness
5% Instrumentalness • 38% Positiveness
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Adam Baldych
Teardrop
128 bpm • G Maj • 04:18 • -15.43db
11% Popularity • 57% Danceability • 28% Energy • 5% Liveness
88% Instrumentalness • 51% Positiveness
11% Popularity • 57% Danceability • 28% Energy • 5% Liveness
88% Instrumentalness • 51% Positiveness
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Friend 'N Fellow
My Baby Just Cares for Me
128 bpm • A Maj • 03:29 • -13.55db
33% Popularity • 75% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
33% Popularity • 75% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Carmen Cuesta-Loeb
While My Guitar Gently Weeps
128 bpm • B min • 04:33 • -9db
30% Popularity • 76% Danceability • 48% Energy • 10% Liveness
1% Instrumentalness • 72% Positiveness
30% Popularity • 76% Danceability • 48% Energy • 10% Liveness
1% Instrumentalness • 72% Positiveness
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Emilie-Claire Barlow
Feelin' Groovy
120 bpm • A Maj • 04:30 • -11.2db
15% Popularity • 77% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
15% Popularity • 77% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Anne Bisson
New Start
122 bpm • D# Maj • 04:23 • -23.57db
2% Popularity • 54% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
2% Popularity • 54% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Anette Askvik
You Shoot Me
120 bpm • C# Maj • 04:16 • -13.92db
8% Popularity • 44% Danceability • 27% Energy • 11% Liveness
7% Instrumentalness • 14% Positiveness
8% Popularity • 44% Danceability • 27% Energy • 11% Liveness
7% Instrumentalness • 14% Positiveness
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Livingston Taylor
Isn't She Lovely
120 bpm • A Maj • 04:37 • -22.2db
31% Popularity • 54% Danceability • 8% Energy • 11% Liveness
1% Instrumentalness • 28% Positiveness
31% Popularity • 54% Danceability • 8% Energy • 11% Liveness
1% Instrumentalness • 28% Positiveness
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Malene Mortensen
Morning Sun & Velvet Moon
128 bpm • F# Maj • 03:45 • -8.92db
23% Popularity • 66% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 51% Positiveness
23% Popularity • 66% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 51% Positiveness
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Carmen Cuesta-Loeb
You Still Don't Now Me
120 bpm • C min • 04:58 • -10.23db
11% Popularity • 64% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
11% Popularity • 64% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
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O-Zone Percussion Group
Jazz Variants
120 bpm • A# Maj • 08:13 • -19.44db
28% Popularity • 57% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
28% Popularity • 57% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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Anne Bisson
I'm Sorry (J'ai D'la Peine)
120 bpm • D# Maj • 03:11 • -18.21db
1% Popularity • 55% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
1% Popularity • 55% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Norah Jones
It's A Wonderful Time For Love
129 bpm • F min • 03:53 • -18.43db
53% Popularity • 67% Danceability • 22% Energy • 10% Liveness
41% Instrumentalness • 37% Positiveness
53% Popularity • 67% Danceability • 22% Energy • 10% Liveness
41% Instrumentalness • 37% Positiveness
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Christy Baron
Got to Get You Into My Life
129 bpm • A# min • 03:15 • -17.22db
16% Popularity • 78% Danceability • 24% Energy • 18% Liveness
0% Instrumentalness • 60% Positiveness
16% Popularity • 78% Danceability • 24% Energy • 18% Liveness
0% Instrumentalness • 60% Positiveness
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Manu Katché
Stay With You
119 bpm • A# Maj • 04:30 • -18.67db
16% Popularity • 52% Danceability • 18% Energy • 11% Liveness
4% Instrumentalness • 20% Positiveness
16% Popularity • 52% Danceability • 18% Energy • 11% Liveness
4% Instrumentalness • 20% Positiveness
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Siri Gjære
Winter's Broken
129 bpm • G Maj • 03:35 • -20.46db
12% Popularity • 37% Danceability • 2% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
12% Popularity • 37% Danceability • 2% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Gretchen Peters
Pretty Things
130 bpm • C Maj • 05:03 • -12db
31% Popularity • 47% Danceability • 36% Energy • 10% Liveness
2% Instrumentalness • 18% Positiveness
31% Popularity • 47% Danceability • 36% Energy • 10% Liveness
2% Instrumentalness • 18% Positiveness
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Anne Bisson
Struggling
120 bpm • G# min • 02:04 • -20.95db
1% Popularity • 40% Danceability • 8% Energy • 12% Liveness
93% Instrumentalness • 5% Positiveness
1% Popularity • 40% Danceability • 8% Energy • 12% Liveness
93% Instrumentalness • 5% Positiveness
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Viktoria Tolstoy
Hand in My Pocket
118 bpm • C Maj • 03:37 • -9.76db
11% Popularity • 56% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
11% Popularity • 56% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Allan Taylor
The Traveller
130 bpm • C Maj • 04:58 • -16.35db
23% Popularity • 38% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
23% Popularity • 38% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
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Friend 'N Fellow
Clocks
130 bpm • D# min • 04:09 • -13.06db
16% Popularity • 64% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
16% Popularity • 64% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Big Daddy Wilson
This Is How I Live
130 bpm • F min • 03:40 • -12.96db
9% Popularity • 70% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
9% Popularity • 70% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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Etta Cameron
What a Wonderful World
130 bpm • G Maj • 07:04 • -20.65db
10% Popularity • 51% Danceability • 13% Energy • 13% Liveness
3% Instrumentalness • 19% Positiveness
10% Popularity • 51% Danceability • 13% Energy • 13% Liveness
3% Instrumentalness • 19% Positiveness
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Anne Bisson
Hoping Love Will Last
129 bpm • G Maj • 04:34 • -19.06db
18% Popularity • 56% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
18% Popularity • 56% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Sidsel Endresen
I Think It's Gonna Rain Today
131 bpm • A# Maj • 04:18 • -17.48db
16% Popularity • 50% Danceability • 3% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
16% Popularity • 50% Danceability • 3% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
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Van Morrison
Sometimes I Feel Like a Motherless Child
118 bpm • F# min • 04:28 • -10.45db
34% Popularity • 56% Danceability • 44% Energy • 10% Liveness
36% Instrumentalness • 42% Positiveness
34% Popularity • 56% Danceability • 44% Energy • 10% Liveness
36% Instrumentalness • 42% Positiveness
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Friend 'N Fellow
I Still Haven't Found What I'm Looking F...
118 bpm • F# Maj • 04:12 • -14.9db
8% Popularity • 69% Danceability • 24% Energy • 10% Liveness
1% Instrumentalness • 7% Positiveness
8% Popularity • 69% Danceability • 24% Energy • 10% Liveness
1% Instrumentalness • 7% Positiveness
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Torsten Goods
Someone Like You
131 bpm • G# Maj • 05:05 • -11.52db
10% Popularity • 62% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
10% Popularity • 62% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Michael Franks
You Were Meant for Me
117 bpm • D min • 04:41 • -19.18db
26% Popularity • 74% Danceability • 17% Energy • 10% Liveness
1% Instrumentalness • 33% Positiveness
26% Popularity • 74% Danceability • 17% Energy • 10% Liveness
1% Instrumentalness • 33% Positiveness
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Anne Bisson
I Miss My Love
119 bpm • G min • 03:21 • -15.99db
3% Popularity • 74% Danceability • 22% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
3% Popularity • 74% Danceability • 22% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
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Christel Alsos
If You Knew Me Now
131 bpm • E min • 04:14 • -11db
22% Popularity • 38% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
22% Popularity • 38% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Cliff Eberhardt
500 Miles
132 bpm • G Maj • 04:33 • -15.09db
13% Popularity • 52% Danceability • 2% Energy • 20% Liveness
0% Instrumentalness • 37% Positiveness
13% Popularity • 52% Danceability • 2% Energy • 20% Liveness
0% Instrumentalness • 37% Positiveness
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Nils Wülker
Reading Kafka on the Shore
132 bpm • G min • 03:51 • -13.16db
10% Popularity • 59% Danceability • 31% Energy • 11% Liveness
24% Instrumentalness • 12% Positiveness
10% Popularity • 59% Danceability • 31% Energy • 11% Liveness
24% Instrumentalness • 12% Positiveness
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Frédéric Metthé
Sound Test
132 bpm • A Maj • 08:41 • -16.25db
22% Popularity • 75% Danceability • 60% Energy • 12% Liveness
88% Instrumentalness • 27% Positiveness
22% Popularity • 75% Danceability • 60% Energy • 12% Liveness
88% Instrumentalness • 27% Positiveness
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Dave's True Story
Like a Rock
117 bpm • D Maj • 04:45 • -12.79db
12% Popularity • 80% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
12% Popularity • 80% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Anne Bisson
Are You Sure You Want Me?
118 bpm • D Maj • 03:37 • -13.72db
3% Popularity • 73% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
3% Popularity • 73% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Holly Cole
Little Boy Blue
132 bpm • C# Maj • 02:57 • -15.57db
16% Popularity • 63% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
16% Popularity • 63% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Vincent Belanger
Fly Away
132 bpm • A# Maj • 04:31 • -11.85db
2% Popularity • 50% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
2% Popularity • 50% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Sophie Zelmani
Fade
132 bpm • C Maj • 02:31 • -19db
29% Popularity • 62% Danceability • 9% Energy • 12% Liveness
52% Instrumentalness • 23% Positiveness
29% Popularity • 62% Danceability • 9% Energy • 12% Liveness
52% Instrumentalness • 23% Positiveness
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Carolin No
Crystal Ball
116 bpm • C# Maj • 04:12 • -20.17db
30% Popularity • 64% Danceability • 15% Energy • 10% Liveness
68% Instrumentalness • 8% Positiveness
30% Popularity • 64% Danceability • 15% Energy • 10% Liveness
68% Instrumentalness • 8% Positiveness
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Allan Taylor
Let the Music Flow
116 bpm • A min • 05:29 • -12.29db
13% Popularity • 40% Danceability • 30% Energy • 11% Liveness
1% Instrumentalness • 8% Positiveness
13% Popularity • 40% Danceability • 30% Energy • 11% Liveness
1% Instrumentalness • 8% Positiveness
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Anne Bisson
Winter's Coming
131 bpm • A min • 03:43 • -16.68db
1% Popularity • 54% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
1% Popularity • 54% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Suzanne Vega
12 Mortal Men
116 bpm • D Maj • 02:47 • -15.16db
8% Popularity • 65% Danceability • 24% Energy • 8% Liveness
1% Instrumentalness • 7% Positiveness
8% Popularity • 65% Danceability • 24% Energy • 8% Liveness
1% Instrumentalness • 7% Positiveness
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Blues Company
Dark Day
133 bpm • C min • 05:54 • -11.7db
18% Popularity • 72% Danceability • 25% Energy • 37% Liveness
1% Instrumentalness • 40% Positiveness
18% Popularity • 72% Danceability • 25% Energy • 37% Liveness
1% Instrumentalness • 40% Positiveness
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Patti Cathcart
Mad Mad Me
133 bpm • C Maj • 05:40 • -20.74db
9% Popularity • 41% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
9% Popularity • 41% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
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Big Daddy Wilson
If You Were Mine
115 bpm • C Maj • 03:50 • -14.5db
7% Popularity • 68% Danceability • 11% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
7% Popularity • 68% Danceability • 11% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
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Abbey Lincoln
Throw It Away - 2007 Abbey sings Abbey V...
116 bpm • A# min • 05:17 • -12db
29% Popularity • 51% Danceability • 24% Energy • 17% Liveness
0% Instrumentalness • 25% Positiveness
29% Popularity • 51% Danceability • 24% Energy • 17% Liveness
0% Instrumentalness • 25% Positiveness
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Anne Bisson
September in Montreal
131 bpm • G min • 05:06 • -20.17db
28% Popularity • 68% Danceability • 18% Energy • 7% Liveness
0% Instrumentalness • 19% Positiveness
28% Popularity • 68% Danceability • 18% Energy • 7% Liveness
0% Instrumentalness • 19% Positiveness
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Holly Cole
Train Song
133 bpm • C# Maj • 03:26 • -23.65db
28% Popularity • 75% Danceability • 10% Energy • 9% Liveness
47% Instrumentalness • 42% Positiveness
28% Popularity • 75% Danceability • 10% Energy • 9% Liveness
47% Instrumentalness • 42% Positiveness
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Robin Mckelle
Do You Believe
115 bpm • G min • 03:27 • -11.97db
33% Popularity • 76% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
33% Popularity • 76% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Toots Thielemans
I Gotta Right To Sing The Blues
115 bpm • A min • 03:04 • -10.88db
28% Popularity • 59% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
28% Popularity • 59% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Kari Bremnes
A Lover in Berlin
134 bpm • F# min • 05:11 • -16db
30% Popularity • 72% Danceability • 12% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
30% Popularity • 72% Danceability • 12% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
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Beady Belle
Runaway Mind
115 bpm • G min • 03:53 • -9.7db
13% Popularity • 78% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
13% Popularity • 78% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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Anne Bisson
Little Black Lake
117 bpm • A# Maj • 04:16 • -19.98db
18% Popularity • 53% Danceability • 2% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
18% Popularity • 53% Danceability • 2% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
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Livingston Taylor
Baker Street
115 bpm • G Maj • 03:58 • -15.86db
10% Popularity • 64% Danceability • 22% Energy • 5% Liveness
0% Instrumentalness • 45% Positiveness
10% Popularity • 64% Danceability • 22% Energy • 5% Liveness
0% Instrumentalness • 45% Positiveness
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Sharon Robinson
Everybody Knows
134 bpm • C# Maj • 05:26 • -14.01db
28% Popularity • 73% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
28% Popularity • 73% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Bobby McFerrin
I Shall Be Released
115 bpm • D Maj • 04:33 • -14.3db
14% Popularity • 44% Danceability • 21% Energy • 27% Liveness
0% Instrumentalness • 37% Positiveness
14% Popularity • 44% Danceability • 21% Energy • 27% Liveness
0% Instrumentalness • 37% Positiveness
