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I Love Music
Songs like
I Love Music
by
Ahmad Jamal Trio
Based on a tempo of (+/- 10%) and a similar genre
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Ahmad Jamal Trio
Moonlight In Vermont - Live At The Persh...
79 bpm • C# Maj • 03:10 • -18.12db
33% Popularity • 43% Danceability • 38% Energy • 97% Liveness
7% Instrumentalness • 33% Positiveness
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John Cameron
Liquid Sunshine
79 bpm • D min • 02:59 • -22.05db
45% Popularity • 48% Danceability • 12% Energy • 8% Liveness
95% Instrumentalness • 20% Positiveness
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Gene Harris
My Roots
79 bpm • A# Maj • 04:20 • -11.13db
20% Popularity • 53% Danceability • 35% Energy • 10% Liveness
92% Instrumentalness • 14% Positiveness
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Art Farmer
Chanson
79 bpm • E min • 08:36 • -13.32db
31% Popularity • 65% Danceability • 37% Energy • 11% Liveness
88% Instrumentalness • 55% Positiveness
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Z.Z. Hill
That Ain't The Way You Make Love
78 bpm • G# min • 03:45 • -9.08db
44% Popularity • 58% Danceability • 53% Energy • 16% Liveness
0% Instrumentalness • 72% Positiveness
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Bill Evans Trio
Nardis
80 bpm • C Maj • 05:49 • -24.47db
45% Popularity • 52% Danceability • 11% Energy • 12% Liveness
88% Instrumentalness • 21% Positiveness
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Ahmad Jamal Trio
I Love Music
79 bpm • F min • 07:22 • -15db
46% Popularity • 31% Danceability • 34% Energy • 11% Liveness
89% Instrumentalness • 26% Positiveness
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Art Blakey & The Jazz Messengers
Mosaic - 2005 Remaster
78 bpm • B Maj • 08:13 • -7.8db
33% Popularity • 39% Danceability • 76% Energy • 17% Liveness
0% Instrumentalness • 53% Positiveness
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Charlie Parker Quartet
Laird Baird
80 bpm • C min • 02:46 • -13db
56% Popularity • 55% Danceability • 26% Energy • 18% Liveness
2% Instrumentalness • 56% Positiveness
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Art Farmer
Soulsides
78 bpm • F Maj • 04:28 • -16.45db
29% Popularity • 56% Danceability • 27% Energy • 7% Liveness
7% Instrumentalness • 55% Positiveness
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Ahmad Jamal
I'll Never Stop Loving You
80 bpm • C Maj • 03:03 • -22db
35% Popularity • 52% Danceability • 9% Energy • 13% Liveness
89% Instrumentalness • 12% Positiveness
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John Coltrane Quartet
Soul Eyes
78 bpm • F min • 05:23 • -11.86db
48% Popularity • 39% Danceability • 30% Energy • 9% Liveness
17% Instrumentalness • 20% Positiveness
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Ahmad Jamal Trio
That's All - Live At The Spotlite Club, ...
80 bpm • C# Maj • 02:39 • -33.15db
28% Popularity • 53% Danceability • 7% Energy • 76% Liveness
90% Instrumentalness • 31% Positiveness
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Billy Cobham
Siesta / Wake Up / That's What I Said
80 bpm • A# min • 03:57 • -18db
25% Popularity • 36% Danceability • 22% Energy • 20% Liveness
56% Instrumentalness • 18% Positiveness
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Athletic Progression
And1
78 bpm • F# Maj • 01:34 • -11db
54% Popularity • 52% Danceability • 64% Energy • 12% Liveness
95% Instrumentalness • 62% Positiveness
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Massimo Catalano
Foggy Night
80 bpm • G# min • 02:39 • -22.71db
41% Popularity • 20% Danceability • 5% Energy • 12% Liveness
95% Instrumentalness • 7% Positiveness
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Resavoir
Taking Flight
78 bpm • B Maj • 03:37 • -11.89db
32% Popularity • 23% Danceability • 46% Energy • 9% Liveness
84% Instrumentalness • 43% Positiveness
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稲垣次郎とソウル・メディア
ファンキー・モーション
78 bpm • F Maj • 05:40 • -17db
36% Popularity • 62% Danceability • 6% Energy • 7% Liveness
78% Instrumentalness • 14% Positiveness
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Rigol
Itinerario romantico
80 bpm • D min • 03:37 • -21.65db
41% Popularity • 62% Danceability • 11% Energy • 13% Liveness
90% Instrumentalness • 52% Positiveness
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Charles Mingus
Goodbye Pork Pie Hat
78 bpm • G# min • 04:47 • -17.99db
32% Popularity • 29% Danceability • 10% Energy • 14% Liveness
6% Instrumentalness • 22% Positiveness
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Paul Desmond
Glad to Be Unhappy
78 bpm • G# Maj • 05:44 • -24.65db
28% Popularity • 44% Danceability • 4% Energy • 10% Liveness
76% Instrumentalness • 19% Positiveness
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Alan Hawkshaw
Mermaid
81 bpm • G min • 03:56 • -28.14db
43% Popularity • 32% Danceability • 12% Energy • 10% Liveness
93% Instrumentalness • 46% Positiveness
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The Modern Jazz Quartet
Softly As In A Morning Sunrise
81 bpm • C min • 03:29 • -10db
48% Popularity • 63% Danceability • 33% Energy • 16% Liveness
1% Instrumentalness • 50% Positiveness
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Weldon Irvine
Pleasure, Pain & Me
81 bpm • F min • 02:28 • -12.46db
8% Popularity • 42% Danceability • 29% Energy • 14% Liveness
86% Instrumentalness • 20% Positiveness
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John Coltrane Quartet
They Say It's Wonderful
77 bpm • F# Maj • 03:02 • -17.22db
52% Popularity • 46% Danceability • 9% Energy • 10% Liveness
71% Instrumentalness • 7% Positiveness
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Clifford Brown
George's Dilemma
77 bpm • C# min • 05:36 • -11db
32% Popularity • 65% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
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Ornette Coleman
Lonely Woman
81 bpm • A min • 05:02 • -10.48db
37% Popularity • 47% Danceability • 38% Energy • 15% Liveness
0% Instrumentalness • 25% Positiveness
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Lenny White
Sweet Dreamer
77 bpm • A min • 04:39 • -15.21db
32% Popularity • 46% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
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Quincy Jones
Summer In The City
81 bpm • A min • 04:04 • -16.55db
51% Popularity • 57% Danceability • 28% Energy • 10% Liveness
30% Instrumentalness • 34% Positiveness
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George Benson
The Changing World
77 bpm • F# min • 04:53 • -19.43db
22% Popularity • 31% Danceability • 18% Energy • 10% Liveness
91% Instrumentalness • 33% Positiveness
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Ahmad Jamal Trio
I Wish I Knew
82 bpm • F Maj • 03:48 • -28.12db
0% Popularity • 60% Danceability • 12% Energy • 70% Liveness
82% Instrumentalness • 16% Positiveness
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Clifford Brown
Joy Spring
82 bpm • G# Maj • 06:50 • -12.66db
49% Popularity • 65% Danceability • 33% Energy • 11% Liveness
71% Instrumentalness • 70% Positiveness
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Piero Piccioni
Mexican Dream
82 bpm • F Maj • 02:01 • -14db
62% Popularity • 34% Danceability • 49% Energy • 9% Liveness
94% Instrumentalness • 67% Positiveness
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Max Roach
Equipoise
82 bpm • A Maj • 06:21 • -13db
30% Popularity • 30% Danceability • 44% Energy • 11% Liveness
8% Instrumentalness • 50% Positiveness
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Arawak
Accadde a Bali
82 bpm • C min • 02:26 • -19.05db
45% Popularity • 74% Danceability • 13% Energy • 12% Liveness
88% Instrumentalness • 45% Positiveness
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George Benson
Shape Of Things To Come
82 bpm • F min • 05:14 • -9db
29% Popularity • 71% Danceability • 57% Energy • 16% Liveness
80% Instrumentalness • 93% Positiveness
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Ahmad Jamal Trio
Autumn In New York - Live At The Spotlit...
76 bpm • G min • 03:21 • -29.9db
21% Popularity • 57% Danceability • 6% Energy • 67% Liveness
88% Instrumentalness • 12% Positiveness
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Idris Muhammad
Piece of Mind
82 bpm • D min • 09:21 • -10.86db
30% Popularity • 46% Danceability • 57% Energy • 7% Liveness
10% Instrumentalness • 57% Positiveness
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Kamaal Williams
The Return
82 bpm • D# Maj • 01:06 • -8.21db
34% Popularity • 14% Danceability • 29% Energy • 11% Liveness
72% Instrumentalness • 3% Positiveness
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Dexter Gordon
Blue bossa
82 bpm • G# Maj • 08:49 • -14.9db
42% Popularity • 36% Danceability • 41% Energy • 13% Liveness
82% Instrumentalness • 59% Positiveness
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Karriem Riggins
Double Trouble
82 bpm • B Maj • 01:56 • -6.42db
36% Popularity • 36% Danceability • 65% Energy • 20% Liveness
50% Instrumentalness • 54% Positiveness
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Cortex
Huit octobre 1971
82 bpm • D Maj • 04:26 • -10.51db
59% Popularity • 51% Danceability • 66% Energy • 16% Liveness
86% Instrumentalness • 78% Positiveness
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Ahmad Jamal Trio
What's New - Live At The Pershing, Chica...
76 bpm • C min • 04:09 • -17.55db
31% Popularity • 59% Danceability • 40% Energy • 72% Liveness
16% Instrumentalness • 30% Positiveness
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The Howard Roberts Quartet
Dirty Old Bossa Nova
82 bpm • A# Maj • 02:12 • -20db
46% Popularity • 69% Danceability • 22% Energy • 10% Liveness
83% Instrumentalness • 80% Positiveness
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Bill Withers
Can We Pretend
82 bpm • A Maj • 03:49 • -13.49db
53% Popularity • 60% Danceability • 31% Energy • 6% Liveness
20% Instrumentalness • 49% Positiveness
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Pat Metheny
Bright Size Life
82 bpm • G Maj • 04:45 • -16.97db
46% Popularity • 40% Danceability • 34% Energy • 10% Liveness
66% Instrumentalness • 56% Positiveness
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The Blackbyrds
Wilford's Gone
83 bpm • C Maj • 02:21 • -9db
43% Popularity • 63% Danceability • 56% Energy • 7% Liveness
36% Instrumentalness • 92% Positiveness
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Clifford Brown
Yesterdays
75 bpm • F Maj • 02:58 • -11.23db
28% Popularity • 30% Danceability • 17% Energy • 11% Liveness
89% Instrumentalness • 31% Positiveness
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Ahmad Jamal Trio
The Awakening
82 bpm • C# Maj • 06:21 • -17.27db
40% Popularity • 53% Danceability • 20% Energy • 12% Liveness
49% Instrumentalness • 13% Positiveness
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Andrew Hill
Illusion - Alternate Take
83 bpm • C Maj • 06:30 • -18.95db
22% Popularity • 51% Danceability • 22% Energy • 16% Liveness
86% Instrumentalness • 50% Positiveness
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Bill Evans Trio
Alice In Wonderland - Take 2 / Live At T...
83 bpm • C Maj • 08:34 • -18.32db
37% Popularity • 43% Danceability • 30% Energy • 71% Liveness
86% Instrumentalness • 36% Positiveness
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Cortex
Go Round
83 bpm • A min • 01:23 • -19db
59% Popularity • 53% Danceability • 2% Energy • 11% Liveness
89% Instrumentalness • 16% Positiveness
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Rahsaan Roland Kirk
Alfie
75 bpm • C Maj • 02:51 • -18.08db
9% Popularity • 45% Danceability • 7% Energy • 12% Liveness
78% Instrumentalness • 37% Positiveness
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Brian Bennett
Ladybird
83 bpm • C Maj • 04:31 • -23.85db
35% Popularity • 56% Danceability • 14% Energy • 11% Liveness
91% Instrumentalness • 39% Positiveness
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Max Roach
Lonesome Lover
75 bpm • E min • 07:01 • -13.1db
33% Popularity • 26% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 41% Positiveness
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Ahmad Jamal Trio
Dolphin Dance
75 bpm • E min • 05:09 • -18db
50% Popularity • 48% Danceability • 23% Energy • 10% Liveness
92% Instrumentalness • 14% Positiveness
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Piero Umiliani
Mahè
83 bpm • G min • 02:42 • -13db
58% Popularity • 43% Danceability • 38% Energy • 10% Liveness
61% Instrumentalness • 71% Positiveness
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Cortex
Oh! Lord
84 bpm • F Maj • 06:22 • -13.12db
32% Popularity • 28% Danceability • 30% Energy • 6% Liveness
92% Instrumentalness • 6% Positiveness
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Rahsaan Roland Kirk
The Inflated Tear - Live Version
84 bpm • B min • 04:58 • -14.47db
5% Popularity • 40% Danceability • 15% Energy • 19% Liveness
58% Instrumentalness • 19% Positiveness
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Bill Evans Trio
Haunted Heart
84 bpm • E Maj • 03:25 • -21.4db
37% Popularity • 40% Danceability • 7% Energy • 10% Liveness
91% Instrumentalness • 15% Positiveness
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Pat Martino
Passata On Guitar
74 bpm • D Maj • 02:52 • -32.02db
29% Popularity • 32% Danceability • 1% Energy • 10% Liveness
94% Instrumentalness • 23% Positiveness
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Ahmad Jamal Trio
Volga Boatman
84 bpm • A min • 03:52 • -16.46db
43% Popularity • 62% Danceability • 20% Energy • 11% Liveness
72% Instrumentalness • 54% Positiveness
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Ike Quebec
Loie
74 bpm • C Maj • 03:10 • -21db
55% Popularity • 67% Danceability • 13% Energy • 11% Liveness
83% Instrumentalness • 79% Positiveness
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Lionel Hampton
A Taste Of Honey
74 bpm • E min • 02:44 • -29db
52% Popularity • 47% Danceability • 2% Energy • 12% Liveness
60% Instrumentalness • 34% Positiveness
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Arthur Verocai
Abertura
74 bpm • F Maj • 02:07 • -9.16db
50% Popularity • 30% Danceability • 38% Energy • 10% Liveness
85% Instrumentalness • 10% Positiveness
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鈴木 弘
ロマンス
73 bpm • G min • 05:53 • -16db
48% Popularity • 54% Danceability • 18% Energy • 8% Liveness
94% Instrumentalness • 21% Positiveness
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Masahiko Togashi
Fourth Expression
86 bpm • C Maj • 06:42 • -11.73db
17% Popularity • 34% Danceability • 43% Energy • 11% Liveness
10% Instrumentalness • 21% Positiveness
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Ahmad Jamal Trio
It Might As Well Be Spring
74 bpm • A# Maj • 04:40 • -20.21db
0% Popularity • 8% Danceability • 7% Energy • 12% Liveness
96% Instrumentalness • 9% Positiveness
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Motherlode
Soft Shell
73 bpm • A min • 04:59 • -9db
33% Popularity • 28% Danceability • 42% Energy • 13% Liveness
89% Instrumentalness • 26% Positiveness
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Donald Byrd
Kofi
86 bpm • G Maj • 07:46 • -15.16db
19% Popularity • 47% Danceability • 40% Energy • 24% Liveness
12% Instrumentalness • 59% Positiveness
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Bobbi Humphrey
Baby's Gone - Remastered 1999
73 bpm • C Maj • 08:48 • -13.48db
20% Popularity • 32% Danceability • 47% Energy • 37% Liveness
72% Instrumentalness • 48% Positiveness
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Azar Lawrence
Fatisha
72 bpm • D min • 04:07 • -12.56db
13% Popularity • 27% Danceability • 24% Energy • 35% Liveness
4% Instrumentalness • 21% Positiveness
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Charles Mingus
Goodbye Pork Pie Hat
87 bpm • G# min • 05:42 • -16.64db
54% Popularity • 36% Danceability • 9% Energy • 21% Liveness
10% Instrumentalness • 28% Positiveness
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鈴木 弘
シュリンプ・ダンス
86 bpm • D min • 07:02 • -11.96db
43% Popularity • 48% Danceability • 46% Energy • 8% Liveness
74% Instrumentalness • 46% Positiveness
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Eddie Henderson
Inside You
87 bpm • A# min • 04:52 • -10db
36% Popularity • 66% Danceability • 61% Energy • 8% Liveness
16% Instrumentalness • 96% Positiveness
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Clifford Brown
Cherokee
87 bpm • D# Maj • 05:44 • -8.99db
40% Popularity • 43% Danceability • 66% Energy • 9% Liveness
1% Instrumentalness • 64% Positiveness
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Ahmad Jamal Trio
Jim Love Sue
87 bpm • G Maj • 02:51 • -14.46db
20% Popularity • 64% Danceability • 28% Energy • 15% Liveness
39% Instrumentalness • 71% Positiveness
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Alfa Mist
Brian
87 bpm • E min • 02:34 • -13.62db
49% Popularity • 72% Danceability • 38% Energy • 10% Liveness
68% Instrumentalness • 20% Positiveness
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Weldon Irvine
Softly (Pt. 2)
88 bpm • F min • 01:26 • -25.96db
19% Popularity • 48% Danceability • 4% Energy • 17% Liveness
88% Instrumentalness • 8% Positiveness
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Lenny White
Interlude B: Nocturne
88 bpm • A Maj • 01:18 • -13.89db
21% Popularity • 17% Danceability • 39% Energy • 8% Liveness
89% Instrumentalness • 4% Positiveness
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Johnny "Hammond" Smith
Can't We Smile?
71 bpm • B min • 04:35 • -9db
42% Popularity • 53% Danceability • 61% Energy • 12% Liveness
1% Instrumentalness • 43% Positiveness
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稲垣次郎とソウル・メディア
ブリーズ
88 bpm • C min • 04:37 • -12.71db
52% Popularity • 60% Danceability • 45% Energy • 7% Liveness
83% Instrumentalness • 76% Positiveness
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Stan Getz
The Peacocks
89 bpm • A# min • 05:39 • -19.3db
28% Popularity • 35% Danceability • 13% Energy • 11% Liveness
1% Instrumentalness • 9% Positiveness
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Alberto Baldan Bembo
Blue Velvet
89 bpm • C# Maj • 01:18 • -12.13db
62% Popularity • 36% Danceability • 43% Energy • 19% Liveness
98% Instrumentalness • 16% Positiveness
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Sonny Clark
Gee Baby, Ain't I Good To You
70 bpm • D Maj • 03:58 • -16db
51% Popularity • 62% Danceability • 15% Energy • 14% Liveness
73% Instrumentalness • 22% Positiveness
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Bobbi Humphrey
Blacks And Blues
89 bpm • C Maj • 04:39 • -12.86db
32% Popularity • 58% Danceability • 60% Energy • 8% Liveness
17% Instrumentalness • 70% Positiveness
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Charles Mingus
Better Git It in Your Soul
89 bpm • F min • 07:20 • -12db
48% Popularity • 46% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
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Bill Evans Trio
Waltz For Debby - Live At The Village Va...
89 bpm • F Maj • 06:49 • -22db
52% Popularity • 58% Danceability • 22% Energy • 10% Liveness
85% Instrumentalness • 53% Positiveness
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Piero Piccioni
Easy Lovers
70 bpm • C min • 03:45 • -13.95db
62% Popularity • 34% Danceability • 33% Energy • 12% Liveness
42% Instrumentalness • 18% Positiveness
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Miles Davis Quintet
My Funny Valentine - Rudy Van Gelder Rem...
70 bpm • C min • 05:58 • -15.47db
54% Popularity • 55% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Ahmad Jamal
Poinciana
89 bpm • D Maj • 04:33 • -21.49db
40% Popularity • 55% Danceability • 9% Energy • 10% Liveness
91% Instrumentalness • 29% Positiveness
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Bobbi Humphrey
Please Set Me At Ease
70 bpm • E Maj • 06:09 • -18db
26% Popularity • 34% Danceability • 30% Energy • 9% Liveness
22% Instrumentalness • 32% Positiveness
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Fumio Karashima
Little Island
90 bpm • E min • 09:05 • -17.97db
11% Popularity • 28% Danceability • 39% Energy • 12% Liveness
71% Instrumentalness • 30% Positiveness
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Gerry Mulligan Sextet
Tell Me When
69 bpm • C# Maj • 04:09 • -23.73db
47% Popularity • 38% Danceability • 3% Energy • 17% Liveness
23% Instrumentalness • 26% Positiveness
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Kenny Dorham
Dorham's Epitaph - Remastered 2014
70 bpm • F min • 01:09 • -14.51db
47% Popularity • 33% Danceability • 10% Energy • 12% Liveness
92% Instrumentalness • 34% Positiveness
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Hank Crawford
Wildflower
90 bpm • F Maj • 03:54 • -8.49db
38% Popularity • 49% Danceability • 61% Energy • 43% Liveness
1% Instrumentalness • 61% Positiveness
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Weldon Irvine
Here's Where I Came In
90 bpm • C min • 06:42 • -12.12db
8% Popularity • 34% Danceability • 39% Energy • 17% Liveness
79% Instrumentalness • 25% Positiveness
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Luigi Malatesta
Gungala nido
90 bpm • G# Maj • 02:34 • -9.48db
51% Popularity • 54% Danceability • 52% Energy • 10% Liveness
1% Instrumentalness • 74% Positiveness
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DJ Harrison
Erykah’s Gun
90 bpm • A Maj • 01:01 • -18db
54% Popularity • 68% Danceability • 20% Energy • 11% Liveness
96% Instrumentalness • 96% Positiveness
► Preview
Bobby Timmons
Autumn in New York - Bonus Track
69 bpm • F Maj • 02:11 • -16.72db
41% Popularity • 43% Danceability • 14% Energy • 9% Liveness
90% Instrumentalness • 15% Positiveness
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I Love Music